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In her time as patron, Cath was a tireless supporter and advocate for the Orchestra. The AYO has played a significant role in the development of young musicians who have gone on to have great careers both in New Zealand and overseas. Just recently, when we were both judges at the Michael Hill Violin Competition in Queenstown, Wilma told me of her time in the AYO and how it helped prepare her for her subsequent career. Looking through the list of AYO members past and present, one can see that not every AYO musician has gone on to have a career in music. Some have gone into medicine, business, or law. I even noticed the name of a few illustrious KCs in the line up! I am sure they all look back with great pleasure to their time in the AYO. I commend the leadership team of the AYO for all their efforts over the years and for making this an orchestra with a reputation that goes far beyond the Bombay Hills to other parts of New Zealand. It is a great privilege to be associated with the AYO and I wish it all the best for the next 75 years. Who would have thought in , when the Auckland Junior Symphony Orchestra AJSO was first proposed, and following its inaugural concert in , that the orchestra would be celebrating its 75th year - and known as the Auckland Youth Orchestra AYO since It is remarkable, and it has been achieved through the dedication of the amazing chairmen, committee members and Music Directors, who have each given countless hours, ensuring that the orchestra is available for the young musicians of Auckland. The AYO has provided the platform for many soloists and players who have gone on to orchestras around the world as well as life-long friendships developed through the many tours and tea breaks! Looking ahead I see two particular opportunities facing the Auckland arts community, which relate to facilities and reviews. Just need a venue and funding. Critical reviews of performances are important for all artists, especially for young soloists embarking on performance careers. From such a source, quotes can usefully be made. Despite the lack of facilities and reviews, however, the good work has continued! The programmes which the AYO has undertaken over the years make interesting reading and have been most challenging and inspirational. I would like to congratulate Antun Poljanich for continuing to develop and sustain the high musical standards of the orchestra. When I was asked to join the AYO Executive Committee some ten years ago, I had no idea what an exciting and fulfilling experience it would turn out to be. Having spent most of my career as a professional musician in London, I was amazed at just how much the teaching and performance of music had developed In New Zealand from when I was a student in the s. The technical standard achieved by many young musicians here in Auckland, and elsewhere in New Zealand, is so much higher than in my day, and it is an inspiring experience to hear them perform together the great works of the symphonic repertoire. My first objective, as chairman was to bring this talent before a wider audience. And this same joy and love for music is the most important element that brings our young musicians together into the orchestra and commits them to rehearse for many hours and many days before they present programmes to the wider community of New Zealand. The thirst for a better world that Beethoven and Schiller were dreaming of is in a way represented in our young orchestra. We asked our friends from the Auckland Youth Choir and Auckland Organ Trust to join us to celebrate and contribute to our 75th anniversary as an affirmation symbolising this special communal connection through music. With the introduction of free concerts, I can fairly claim that we have gone a long way to achieving this objective. As a result of this and the superb coaching they receive, joining AYO is now a goal to which most of our talented young musicians in Auckland aspire. In , our Executive Committee created an opportunity to support the development of our most gifted performers with the introduction of an annual competition, to enable them to perform a concerto in public with the orchestra. Working with my colleagues in the Executive Committee has been a privilege. In the last 25 years I have witnessed the power of music that has influenced so many young musicians and transformed or helped them to become better human beings - and some of them to become important leaders and servants of our community: lawyers, medical professionals, engineers, teachers, artists, composers, music administrators and managers, many of them professional musicians and some of them principal players or leaders in worldrenowned orchestras. AYO is a very important institution for our city and New Zealand and I hope, despite the changing world, that we are going to be able to continue to grow and provide opportunities in the future for our young musicians. I would like to thank all those who came before us: young musicians, conductors, chairmen, committee members and subscribing members. They have made this orchestra possible throughout its long and vibrant history, and on the occasion of this extraordinary 75th Anniversary Concert I would like to thank our present committee, led by our chairman Alexander Cowdell, for the thousands of hours and many days of their generous work, to make our orchestra what it is today. One of the most important cultural and social developments in western European, and subsequently world history, was the emancipation of Jews from the ghettos to which they had been confined for centuries. This emancipation, which took place from the end of the 18th century, and the assimilation of the Jewish people into mainstream society, unleashed a torrent of intellectual energy which has no parallel. In every field of human intellectual endeavor-philosophy, science, economics, finance, and the arts-many of the most influential and important figures have come from the Jewish community. A significant thinker in creating this transformation was Moses Mendelssohn, grandfather of the composer. Born into extreme poverty in the ghetto of Dessau in , he educated himself in German thought and literature, as well as in several other languages. His writings on philosophy and religion led to him becoming a leading cultural figure of his time. Within one generation the Mendelssohn family had risen to a position of wealth and influence and converted to Christianity. Felix therefore was born into an extremely wealthy and cultured family, and no expense was spared in providing him with best education that money could buy. It was immediately recognized as one of his most beautiful and moving compositions. Symphony No. His father, a church organist, taught Alexandre to play the instrument and he went on to study at the famed Conservatory in Brussels. Although other great French organist-composers like Franck and Widor may now be better known, Guilmant became one of the most famous organists of his day. One result was a revival of intense interest in the organ, as composers made the most of the new sound in show-stopping works written on a truly symphonic scale. Many were composed as stand-alone pieces intended to present the many-voiced organ as comparable to a full orchestra. Guilmant, however, insisted on the distinctive qualities of the two. He is especially known for his eight virtuosic organ sonatas. We will hear the first of these, re-arranged as a symphony by the composer for organ and orchestra; the arrangement takes full advantage of their contrasting colours. The glorious sound at the end of the symphony, with the orchestra and the organ in full blast, is a fitting tribute to a king. The period between the composition of his opera Fidelio in and the Ninth Symphony was for Beethoven a time of great emotional stress. Plagued by ill health, and the court case over the guardianship of his nephew, he suffered growing isolation as his deafness grew steadily worse and his eyesight deteriorated. For Beethoven the period was comparatively unproductive, and by the time he began work on the projected symphony he was almost totally deaf. That under such circumstances he found the spiritual strength to create a work of such overpowering positivity, with its affirmation of the brotherhood of all mankind, is a testament to his genius and strength of character. Though receiving a mixed reception at its first performance, one critic commenting that it was like being washed up on the wild shores of New Zealand, it has come to be regarded as one of the towering artistic creations of all time. Ja, wer auch nur eine Seele Sein nennt auf dem Erdenrund! O friends, not these tones! Joy, beautiful spark of Divinity, Daughter of Elysium, We enter, drunk with fire, Heavenly one, thy sanctuary! Thy magic binds again What custom strictly divided; All people become brothers, Where thy gentle wing abides. All the Just, all the Evil Follow her trail of roses. Kisses she gave us and grapevines, A friend, proven in death. Ecstasy was given to the worm And the cherub stands before God. Be embraced, Millions! This kiss to all the world! Brothers, above the starry canopy There must dwell a loving Father. Are you kneeling, Millions? Do you sense the Creator, World? Seek Him above the starry canopy! Above stars must He dwell. She has performed throughout NZ and overseas in opera and concert. Founding member and current Chair of the New Zealand Association of Choral Directors, he is also a national conducting advisor and tutor, and choral director of the International Schools Choral Music Society. Originally from Christchurch, he studied at the University of Auckland under Dr. John Wells and Dr. Luke Dollman. Become a founding member and create unforgettable musical experiences for thousands of rangatahi young people in the decades to come. Share your advice, tell us who we should speak to next and connect us with friends who share your passion for music and young people Info ayc. AYO extends special appreciation and thanks to Franco Viganoni who, for the past ten years, has been generously giving his time and professional expertise in digitally recording our concerts using state-of-the-art electronics and a unique system of microphones. The award came with the opportunity to make a donation to a community organisation of their choice and AYO sincerely appreciates this donation. While Principal of Takapuna Grammar School and throughout his teaching career, he actively encouraged music by young people, both within and outside his school. On retiring he was made a Vice President, and ten years later he came back as Executive Chairman in In that role he organised tours throughout NZ and the first international tours — to Australia six times , and to Hawaii and Canada. Considering touring to be a high priority for the players' good, in 27 years Chip took the orchestra to 99 different towns and cities, some more than ten times. And all this organisation was before the days of the internet and email convenience — no wonder the management of AYO affairs was his full-time hobby in his retirement. He supported newly-appointed conductor Antun Poljanich and highlights included tours - South Is. Bernie undertook a commercial review of the orchestra to help set a strategy for its ongoing future success. A tour of the South Island and two tours to Europe to perform at the Young Euro Classic festival held annually in Berlin have been orchestra highlights. Alexander brought in a policy of free entry to Auckland Town Hall concerts. This provided access to all, resulting in full houses as well as encouraging donations from the wider public in conjunction with Supporters subscriptions. The pandemic was a challenging time but the orchestra and Executive Committee managed to stay connected and it is wonderful to be back to normal this year to celebrate our 75th anniversary. The fact that the Auckland Junior Symphony Orchestra became an established body was largely due to his conviction that young players must be provided for after leaving school, and to the energy, time and patience which he devoted to this end. Antun studied piano and theory at Dubrovnik School for Musical Education, and conducting at the University of Ljubljana. Antun has since worked with prominent orchestras in Russia and Europe. Antun champions and supports NZ youth music and the development of young musicians through active involvement with chamber music groups and orchestral music. He was appointed head of the Department, later the Conservatorium of Music in , a position which he held until his retirement in A teacher, performer and conductor, Michael is recognised as a foremost authority on youth music. Michael began his career as a violinist, graduating from the Royal College of Music in London and working in orchestras in the U. Normally more than 25 Auckland secondary schools were represented in its ranks, and thus the name was changed in to Auckland Secondary Schools Orchestra. It presented one or two public concerts. With the development of high school orchestras across the city, the ASSO was eventually no longer required, and it was disbanded in Conductors were: -. It all began during when five people met for lunch at the Commercial Hotel. The gathering had been arranged by Miss Joan Rattray, an Auckland City Councillor and an energetic personality much occupied with musical and other cultural activities. The three latter were committee members of the Auckland Cultural League. Mr Cole had a story to tell and some suggestions to make. For several seasons singing at the annual Auckland Secondary Schools Music Festival had been assisted by an orchestra composed of school musicians organised and conducted by Mr Cole. A problem had emerged. These young musicians had reached the school leaving stage but there was nothing to provide continuity of training or hold their interest from then on. They were too young to join a senior orchestra. The situation was giving Mr Cole concern and he reasoned that unless something was done smartly to remedy this loss of talent, his teaching would be just wasted effort. The gathering became a self-appointed committee to pursue the ideal of a Junior Symphony Orchestra and was quickly joined by Mr N. Stevens senior who not only became an energetic worker but also a liberal donor. Preliminary efforts were directed along public relations lines as the first objective was to get people interested and to understand its value to the youth of the community. It was largely freelance work, each member adopting their own methods and making personal contacts; but with an occasional get-together to report progress. The above notes were thoughtfully contributed to our archives 31 years ago by Mr N. P Brinsden in the knowledge that documentation would only begin after the inaugural meeting had taken place. When it was deemed that sufficient interest had been generated, the Mayor of Auckland J. Allum Esq. This took place on 6 November and was attended by 37 widely representative citizens. Thirty-two of these emerged as the General Committee which appointed Mr K. Dellow as Chairman. Ken Dellow was Headmaster of Takapuna Grammar School, and he was to remain at the helm for seven formative years. Another of those attending the Inaugural Meeting was Mr R. Kendon who became Treasurer a few months later. Roy was to succeed Ken Dellow as Executive Chairman for eighteen years. Much of the early work of the committee was devoted to raising funds with which to buy the special orchestral instruments not normally owned privately - certainly not by young players. Eventually Mr John Rae M. Nothing happened without a struggle. On 2nd August the Society was incorporated, and on 21 September of that year the first rehearsal was assembled. The minutes record rather quaintly 'those concerned being required to bring their instruments'. Hence it may be observed that more than two years of diligent work had been required before the orchestra actually came into being. At the first rehearsal Gordon Cole said 'My dream is a junior symphony orchestra that will mould and develop the wealth of musical talent in this country' - a dream richly fulfilled. In the early years of the orchestra, we were blessed with a very active players committee chaired by Bruce Freeman which held all types of money-raising activities from cake stalls and dances to running a tearoom and flying boat display at Mission Bay. The first performance, with 66 players, was a collection of 'orchestral pieces', a wind trio, wind sextet and Mina Foley singing operatic arias. This was on 19th November in the old Seddon Tech. Hall in Wellesley St. From that modest beginning the orchestra has gone from one musical achievement to another thanks to the enormous dedication of Gordon Cole, Dr Charles NaIden for 23 years, Michael McLellan for 24 years and, for the last 25 years, Antun Poljanich. Saunders: 'The occasion would have been a most important one in the city's cultural life, or for that matter, in the country's history'. Michael McLellan appointed its Conductor. Stevens Jnr. Chip elected as 3rd Exec Chairman. Death of George Hopkins, doyen of Auckland woodwind teaching. Michael McLellan appointed third Music Director. Death of Joan Rattray. Her bequest to the Society was used to establish Corporate Membership. Dr Nalden awarded CBE for services to music. Most extensive tour ever. Tour of North Island. Hosting of two overseas youth orchestras — Queensland and Long Island. Fortieth Anniversary reunion and celebration concert. Deaths of Mrs P. Cole and Mr R. Uwe Grodd conducted for a year while Michael was on sabbatical. Taranaki tour by Auckland Youth Chamber Orchestra. Sadly, after six months the station ceased transmission. This was the seventh overseas tour and sixth of Australia. Celebration 50 concert and reunion Committee chair Mary Thomas. Chip Stevens. The Lodge of the Liberal Arts becomes a sponsor. South Island tour. Fundraising begins for overseas tour. Death of both Chip Stevens, our guiding force and generous benefactor and Bruce Freeman, another tireless worker from the beginning. Two North Island tours. Death of Dr Nalden, conductor for 23 years from to North Island tour. Tour to New Caledonia. Tour of central North Island. Central North Island tour. Diamond Anniversary concert and reunion. Lois Westwood retired after 27 years as publicity officer. New timpani from Four Winds Foundation. AYO Weekly a vital source of information. Two open rehearsals. Bernie Allen elected chairman for Rules consolidated for first time since Visit by Musique Sur La Mer. New rehearsal venue at ACE. Funding offer from Dr Phil Galloway. Tours to Katikati, Cambridge, Hamilton, Kerikeri. Tour organised by Antun and Cameron Stuart. Helen Lewis became Treasurer. Alex Cowdell elected as Chairman for Beethoven 9 packed out the Town Hall. Tour to Taupo. Phil Galloway donated funds for concerto competition. Included Whitianga workshop camp and Waiheke concert. Variety of music reflected th anniversary of Gallipoli. Standing ovations. Described by one German newspaper as one of the best youth orchestras in the world. Also performed in Bayreuth, Tubingen, Slovenia and Auckland. Minimal rehearsal time. Cello soloist Joseph Kelly was unable to return from Melbourne so was replaced at very short notice by Junghwan Choi. Rehearsals started for next programme, only to be stopped by second regional lockdown. Still managed two concerts Helensville and Town Hall in front of live audience. However we were forced into an even longer and continuing lockdown instead. The orchestra has now presented concerts at different towns and cities in New Zealand and overseas. It is undoubtedly the most-travelled orchestra in New Zealand history. Choral, cond. Turn static files into dynamic content formats. Breeze, Darren Bremner, lain Broom, Julia Broom, Simeon Brown, Chris Brown, Fleur Brown, Nigel Browne, Margaret Brunsden, Michele Bruntlett, Diana Buchanan, laan Budd, Helen Bullivant, Celia Burnard, R Burnstein, Barbara Burt, Moyra Burton, Helen 70 62,63,64,65 58,59 21 89,90 91 14,15,16 14,15,16 48,49 73,74,75 03,04,05,06 48,49 11 19 71 82,86 02,03 74,75,76 81,82,83 54,55,56,57,58 51,52,53 94,95,96 04 63,64,65,66 70 91,92,93 87 84,85 09 48,49 63 48,49,50,51,52 ,53,54,55 78,79 90 01 56 49,50,51,52,53 95 14 95 48,49 00,01,02 74,75 72 48,49 82,84,86 67,68 61,62,63,64,65,66 01 48,49,50 57,58,59 61 94,95 67,68,69,70 05,08,09,10,11,12,13 54,55,56 90,91,92,93 76 63,64 55,56,57,58,59 94 48,49 94,96,97,98 84,85 19,20,21 69 99,00,01,02 97,98,99,00,01,02 04,05,06,07,08,09,10,11 85,86 84,85 49,50 62,63,64 59,60,61,62 92 61,62 65,66 52,53 67 72 48, Ji-Eun Lee, Joey Lee, Judy Lee, Jun Lee, Michelle Lee, Sophia Lee, William Legge, Ken Leitch, Sophie Leong, Stephen Leung, Harris Levien, Richard Leyland, Coralie Li, Benny Chen Li, Henry Li, Jason Li, Jessie Li, Kenny Li, Wenjia 48,49 74,75,76,77,78,79,80 09 23 01,02 86,87 48,49,50,51,52,53 90 12,13,14,15,16,18 99 71 90,91,92,93,94 17,18,19 11,13,14 92,93,94 87 73 21 68,69 51,52,53 87 17 07,08,10 09,10,11,12,13 48,49 04 13 99,00 99,00,03 95,96,97,98 01,02,03,04 00,01,02 11 04 08 60,61,62,63,64,65,66,67 60,61,62 17 49,50 51,52 98,99 66 72,73 70 76,77,78,79,80,82 66,67,68 07 92 99,00,01,02, 23 11,12,13,14,15,16,17 93,94,95,96,98 52,53,54,55,56,57 11 23 70,71 90,93 75,76,77,78,79,80 77,78 84,85 06 48,49 55 01 76,77,78,79 22 06,07,08 17 99 97,00 95,96 21,22,23 05 20 07 05,06,07,11 04,05 48,49,51,52,54,55 02,03 16 13,14,15,16,23 86,87,88,89,90,91,92 52,53,54,55,56,58 05 16,17 99,00,01 08,09 15,16,17 19,20 21,22, Emily 92,93 23 74,75,76,77,78,79 07 98,99 07,08,09 17,18,19,20,21,22,23 12 00,01 03,04 21,23 11,15,16 93,94,95,96,97 17 15,16 98 16 12 19 48,49,50,51,52 97,98 99 23 09 01,02,03,04,05,06,07,08 18,19 18,19 15 00 20,21,22 17 90 83,84,85,86,88 63,64,65,66,67 84,85,86,89 48,49 05 83 48,49,50,51,52 57 10,11 96,97,98 85 62,63 52,53,54,55,56 71,72,73 10,11,12,13,14,15 51,52 58,59 74,75,76,77,78 15,16,17,18,19,20,21,22 87 00 80 98,99 49,50 06,07,08 01 01,02,03,04 64,66,67 51,52,53 63 60 21,22, 53 81,82,83 74,75 10,11 86,87,88,89 70,71,72 79,80,81 ,82 63 88 79,80,82,83 01,02,03 62 78,79 23 89,90,91,92,93 75,76 73,74,75,76,77,80,81 77,78,79 52,53 86,87,88 99,00,01,02,06, 61,62,63,64,65,66 56,57,58,59 67 Margaret Pettit, Lynn Phillips, Anna Phyn, Colleen Pitt, Wendy Plank, Stephanie Playle, Veronica Plowman, Shona Polglase, Catherine Pool, Felicity Potter, Monica Powley, Sylbie Prendergast, Annette Price, Patricia Priestley, Jessica Probyn, William 88 72,73 61,62,65,66 67 68,69,71,73 02 64,65,66,67,68,69 51,52,53,54 68,69,70 05 23 84,85,86,87,88,89 59,61 04 09,10 10 52,53,54,55,56,57,58 59,61,62,63,65 16 16,17,18,19,20 88,90 79,80 77,79,80 15 11 79,80,81,82,83,84,85 76,77,78 69,70,71,72,73,74 58,59,60,61,62,63 58,59,60 13 10 18,19 73,74,75,76,77 48,49 79,80 93,94 14,15 86 13,14,15,16 72,73,74,75 91,92,93,94 75 51,52,53,54,55,56,57 12 63 21 23 92,93,94,95,96 09,23 08,09,10,11 82 05 67,68 01 65,66,67,68 93,94,95,96,97 14 64,65,66 02 09 06,07,11 71,72 87,88 15,16,17 60,61,62,63,64,65,66 48,49,50,51,52,53 59 88,89,90,91 52,53,54,55,56,57 94,95,96,97 70,71,72 58,59,60 81,82,83,84,85 77,78,79,80 58, 59 60 06 01,02,03,04 , 65,66,67 90,95 81,82 70,71,73,74,75,76 59,60,61 59,60 48,49 99 48, Terry 85,87 20,22 19,20,21,22,23 20,21 23 70 82,83,84,85 48,49,50,51,52 66,67 72,73,74,75,76, 77 03,04,05,06,07,08 09,10,11,12,13,14, 64,65 64,65,66,67 03 14,15,16 01 14 88 54,55,56,57 98,99,00 97,98,99,00,04 22,23 18,19,20,21,22,23 19,20,21,22 84,85,86,87,88,89,90,91,92 02,03,04,05,06 13,14 84,85,86,87,88 59,60,61 52,53 65,66,67 48,49,50 96,97 48,49,50 50,51,52 11 14,15 76 60,61,62 55,58 17,18 89 51,52 48,49,50 65 08,09,10 74,75 Susan 75 10,12 06,07,08,09,10,11,12,14 52,53,54,55 93 87,88,90,92,93,94 85,86 62 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90 12,13,14,15,16,17 18 23 12 65,66,67,68,69,71,72 02 13,14 69,70,71 82,83,84,85 73 03 94,95,96,97,98,99 68,69 63,64,65,66 77,78,80 68,69, Ruth 73,74,75 59,60,61,62,63 69,71,72,73,74,75 77,78,79,80 82,83 56,57,58,59 05,06,07 81,82,83,84 50,51,52 07 81,82,83 93,94,95,96,97 76 22 21,22 21,22 84,85,86,88 11,12 69,70 74 09 89 07 90,92,93,94,95,96 19,20,21,22 08,09,10,12 65,67,68 08 00,01,02 93 01 11,12,13,15,16,17 72 79,80 13 52,53,54,55,56,57,58,59 00 79,81 11,12,13 23 19 86,87,88,89,90 08,09 17,18,19,20,21,22,23 80,81 89,90,91,93,94,95 99,00 11 12,13 49 89,91,92 02,03,04,07,10 14,15,16,17,18 87,88 76,77,78 66,67,68,69,70,71,72,73,74 99 51,52 96,97,98,99 48,49,50 64,65 87 85 75,76,79,80,81,82,83 68,69,70 87,88 84 04,05,06 52,53,54,55,56,57,58 14,15, 16,17 57,58,59,60,61 01,02,03,04,05 60,61,62 09 23 96,97,98, 01 74,75 81,82,83,84,8S,86 98,99 00,02,03,08 93 05,06,07,08,09 62,63, Jacqui Port, Natasha Qin, Venice Rasmussen, Sasha Richards, Julian Robinson, David Roderick, Ian Ross, Elizabeth 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