Disco | Svensk Porr

Disco | Svensk Porr

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Disco is a genre of dance-oriented music that originated in African American, gay and Hispanic American communities in 1970s. In what is considered a forerunner to disco style clubs in February 1970 New York City DJ David Mancuso opened The Loft, a members-only private dance club set in his own home. Most agree that the first disco songs were released in 1973, though some claim that Soul Makossa by Manu Dibango's from 1972 to be the first disco record. The first article about disco was written in September 1973 by Vince Aletti for Rolling Stone Magazine. In 1974 New York City&#… read more

Disco is a genre of dance-oriented music that originated in African American, gay and Hispanic American communities in 1970s. In what is considered a forerunner to disco style clubs in February 1970 New York City DJ David Mancuso opened The Loft, a members-only private dance club set in his o… read more

Disco is a genre of dance-oriented music that originated in African American, gay and Hispanic American communities in 1970s. In what is considered a forerunner to disco style clubs in February 1970 New York City DJ David Mancuso opened The Loft, a members-only private dance club set in his own home. Most agree that the first disco songs were released in 1973, th… read more

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This article contains the best disco songs of all time!
Disco originated in the 1970s as an underground dance scene, with roots in the late-1960s jazz movement. The musical genre became popular across the U.S. for its light and airy sound merged with an infectious beat. Disco music had its ups and down throughout it’s popularity – but it’s most notable event had to be the Disco Demolition Night in Chicago, when a burn your disco records night turned into a violent riot.
With that brief backstory to the music, let’s get into these top disco songs ever made now!
By the time the Bee Gees released Night Fever as part of the Saturday Night Fever soundtrack, the genre was drawing to a close. The Bee Gees had relocated to Miami to find a new sound after a series of low-selling albums. Night Fever would sit at the top of the charts for multiple weeks and be joined at number two by the Bee Gees disco classic, Stayin’ Alive .
Diana Ross turned around a declining career by making the switch from soul music to disco in 1976. Love Hangover starts as a classic Diana Ross ballad before shifting to introduce a thumping disco bassline three minutes into the song.
The impact of Donna Summer’s 1977 hit, I Feel Love cannot be underestimated. David Bowie and Brian Eno broke off their Berlin Sessions to listen to the song Eno claimed would change club music for 15 years. While this may not have been the case in the end, it’s certainly a classic hit from the disco era of music!
Candido was a Cuban percussionist who had achieved success across two decades before recording this 1970 classic. Candido’s Thousand Finger Man can lay claim to being one of the first disco songs and would be released as a six-minute 12″ single.
Anita Ward had her only major hit with a song originally destined for the artist, Stacy Lattisaw. Ward’s interpretation changed the point-of-view from a teenager talking on the phone to a grown-up disco anthem of 1979.
Androgyny in performers had been made fashionable by David Bowie in the early-70s. By 1978, Sylvester claimed gender was an everyday choice for him. You Make Me Feel was more than a disco anthem for the pioneer for LGBTQ+ rights. What’s great about this song, and the genre in general, is that these same themes are very prevalent in modern pop music today.
Debbie Harry had been working on this disco anthem since 1975 when she called it the disco song. Heart of Glass was released in 1979 with a powerful disco beat that pushed the song to the top of the charts around the world.
Without Space, there would be no Daft Punk. The French duo would create a classic disco sound in their debut, Magic Fly .
Next: Best songs about space and the universe ever made
The 1975 hit from K.C. & The Sunshine band developed many of the staples that many of the best disco songs would follow closely. The introductory guitar solo is played at double speed, with plenty of lyrical repetition. The song proved a global success after reaching number one in the U.S.
Odyssey was the third band to take a crack at turning Going Back to My Roots into a hit song. The former soul song was given a full disco beat and bassline by Odyssey to maintain its civil rights message. Going Back to My Roots proved disco could be at more than just fun times and dancing.
Disco has gone in and out of fashion, but it never truly dies. In 1985, Zanzibar used a powerful disco beat and bassline combined with African rhythms to create a classic dancefloor anthem.
Jamiroquai has been working disco into their songs throughout the band’s history. In 1997, the band reworked the classic Kool & The Gang song, Hollywood Swinging . Kool & The gang liked the British version so much they collaborated with Jamiroquai on another version of the song.
New York’s disco scene was in full swing in 1974 when Labelle released their version of Lady Marmalade. The disco classic peaked at number one on the Billboard Hot 100 and has been covered several times. The song had been recorded by writer Kenny Nolan and his band of session musicians to little fanfare.
The LGBTQ+ nature of disco gave the world several classic songs that became staples of the era. In 1978, Macho embarked on an 18-minute disco version of I’m a Man that remains a favorite of DJs. Macho’s version followed on the heels of Chicago’s six-minute attempt at recording the song.
Earth, Wind, and Fire walked the line between disco and funk throughout the 1970s. Boogie Wonderland pushes the band completely over the line into disco. Released in 1979, Boogie Wonderland remains a favorite sample for many artists looking to create a powerful dance song.
Prince’s first U.S. hit is best remembered for the excruciating interview given to Dick Clark on his American Bandstand show by a nervous Prince. The song is often classed as post-disco, but it retains the main elements of classic disco tunes. Prince would reveal the song is about the unrequited love he felt for the female keyboard payer in his band. For the full disco effect, the album version launches into a climactic disco jam after the single edit ends.
Barry White hit paydirt in the disco era as one of the top-selling R&B acts on the planet. Can’t Get Enough of your Love Babe was released in 1974 and brings together many of the essential elements of the early disco era. Alongside White’s deep baritone, disco enthusiasts can enjoy the luscious strings and the repetitious lyrics of the Walrus of love.
Grace Jones is a complex figure . A former Bond girl and supermodel, Jones was one of the top dance music stars of the 1980s. 1985s Pull up to my Bumper is a dub-disco classic that leans heavily on the hedonistic excess of the late disco era. The lyrics of the song were so suggestive it was banned by several radio stations around the world.
The Nolan Sisters hailed from the Las Vegas of England, Blackpool , and had been performing together for decades when they hit disco paydirt. The sisters had toured with Engelbert Humperdink in the U.S. and had minor chart success before switching their sound to disco. The song became a number one hit in Japan and the U.K. and is still played as a classic of the disco genre.
The Brazilian artist, Tim Maia, produced a single disco-influenced album in 1978. A thundering horn section drives Sossego forward, even though the song is ironically titled, quiet. The 12″ version of the song is a galloping disco song that pushes the song into the top echelons of disco hedonism.
Kool & The Gang embraced disco as an extension of the funk tunes they released early in the 70s. By 1979, the band used the popular bar and club term, Ladies Night , as the title of a single and album. Generally regarded as one of the best disco songs, Ladies Night remains a disco classic and launched the career of Kool & The gang in Europe.
The career of Hamilton Bohannon was one of the most successful and eclectic of the 1960s. Bohannon began his career as Jimi Hendrix’s drummer and went on to be a respected bandleader at Motown Records. His foray into the disco genre was influenced by the career he had enjoyed up to the late-70s. jangly, driving guitars merge with powerful strings to create a classic disco anthem in Let’s Start the Dance .
The Bee Gees were tasked with creating the soundtrack to Saturday Night Fever and wrote several disco anthems. Yvonne Elliman was handed the vocal duties on If I Can’t Have You and enjoyed global success. Elliman had been known as a ballad singer early in her career and was intending to record the slower, How Deep Is Your Love . A late switch saw the Bee Gees take over How Deep Is Your Love and Elliman enjoy her moment as a disco diva on If I Can’t Have You .
Quincy Jones was on a run of hits as a producer in the early-1980s and George Benson was on the rise as a soul singer. Give Me The Night was released in 1980 and gave Benson his first soul chart number one. The song was one of the last of the disco eras to be a huge hit.
Released after the end of the disco era in 1982, The Gap Band’s Outstanding has become one of the most famous post-disco tunes. Appearing on The Gap Band IV album, the song has remained popular with disco fans since it was released. Some of
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