Diplomat Film 1017 Teenage Incest

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Diplomat Film 1017 Teenage Incest

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Female sexuality is one of those mysteries that will never quite be solved and that is why it will always be a hot topic in cinema.
A female character that is at the peak of her sexuality- whether she is just constantly craving more sex for the purpose of pleasure or if it’s a more serious psychological addiction, such women all tend to fall under one label- nymphomaniacs.
Sex is always a tricky subject but despite that, nymphomania has been tackled and tried to be unmasked by various directors throughout times. Portray sexually craving women is a challenge, and if in the past it was more of a question of taboo, today, in order to avoid a backlash, it is important to portray such women in a certain way and hope that the representation won’t be misinterpreted – that is in the case of directors that are actually concerned about being ‘politically correct’ and non-offensive.
Nymphomaniacs are commonly portrayed with a stereotypical set of characteristics such as being sexually fluid, being psychologically damaged in one way or another and bringing destruction to themselves and the people around them, generally forming a negative image; but occasionally you may stumble upon a representation that treats female sexuality a little less harshly.
So without further ado, if you’re feeling adventurous in your movie choice or want to explore the more extreme forms of female sexuality and judge for yourselves whether they are fair and representative, here is a list of the 10 best movies about Nymphomaniacs.
Based on Nobakov’s novel, Lolita is a classic nymphomaniac movie which was first tackled by Kubrick. Far younger than most nymphomaniacs, but older than what one would expect from the original novel, Lolita (Sue Lyon) is a blooming young girl who, with her tactful innocence, attracts 30-something Humbert Humbert (James Mason) a sophisticated professor with a soft spot for young girls, who is a tenant at her and her mother’s house.
As their secret attraction grows, Humbert marries Lolita’s lonely mother Charlotte (Shelley Winters) and becomes a permanent resident of the household, all to be closer to the object of his tragic obsession.
With such secrets lurking in the house, the marriage doesn’t last very long due to Charlottes accidental death which leads the guiltily relieved Humbert to keep possession over Lolita as other men put their eyes on the young nymphet.
Full of innuendos and a subtly obvious sexual attraction from both sides, the movie explores a more daring side of a young sexually longing girl. Kubrick’s Lolita may slightly lack his directing insert, being a lot more conventional than his other work, but this technique only acts as a veil to mask the challenging topic of perversion and young female sexuality.
Many people have associated Jacklin’s Emmanuelle with cheap skin-flicks, with nothing to offer apart from a fun seductive experience. Despite this, Emmanuelle became a breaking-box-office classic opening many doors to the soft-core genre around the world as well as various sequels, and the character herself became one of the most renown nymphomaniacs in cinematic history.
The story tracks Emmanuelle (Sylvia Kristel) who is a young wife of a diplomat. While on her trip to Bangkok, her meeting with Marie-Ange (Christine Boisson) during a nude swim, with the encouragement of her easy-going husband, pushes her to unravel her inner sexual desires and paint new experiences as she is encouraged to explore her sexuality in all its forms- experimenting with lovers of all genders and ages as she seeks the promised higher level of pleasure.
Despite maybe not being a cinematic masterpiece, Emmanuelle is definitely an excellent starting point when it comes to the exploration of female sexuality that is so neatly embroidered with a light and at times comedic tone.
3. Looking for Mr. Goodbar (1977, Richard Brooks)
In the movie by Richard Brooks, struggling with the difference between being alone and being lonely, Theresa (Diane Keaton) is a young teacher whose only love is for her deaf students.
Her conservative catholic background, a traumatic childhood and fear of commitment due to a genetic disease – a physical and mental scar that she is forced to carry, serve as a great package to encourage her freedom and sexual liberation as she moves out of her toxic home and begins her ride through drugs, alcohol and bars in search of Mr. Goodbar- a good time for one night.
Unfortunately, her casual choice of men seems to backfire as they become a discomfort and even a danger to her life in the long run – a danger from which she is lucky enough to get away from. Despite these warning experiences, her depression and sexual drive don’t stop her from continuing with her either purposeful or obliviously self harming rampage.
4. Basic Instinct (1992, Paul Verhoeven)
One of the more mainstream movies, Basic Instinct by Paul Verhoeven revolves around a murder case in the spotlight of which is the notorious nymphomaniac Catherine Tramell (Sharon Stone), the lover of the murdered rock star and consequently the target murder suspect which is the perfect match to her sexually animalistic behaviour. She is flirtatious, has an immense sexual drive and a contempt for underwear just like for most other things.
Catherine is an example of a nymphomaniac who uses her strong sexuality to have everyone wrapped around her finger, and that way have it all- a more permanent girlfriend and countless temporary lovers, the list of which includes the lead detective on the case, Nick Curran (Michael Douglas) who proves to be just as gullible to her charm as everyone else, as she lures him into her smartly weaved web of lies and manipulations that make finding the real murderer even more challenging.
5. The Piano Teacher (2001, Michael Haneke)
Despite its controversial theme, The Piano Teacher by Michael Haneke is a much acclaimed movie with several Cannes awards. In it Erika (Isabelle Huppert) is a 40 year old piano teacher who makes up for her tyrannical attitude towards her students with her brilliant musical skills.
At home however her role is a reflection in an upside down mirror as she is forced to succumb to her controlling and terrorising mother (Annie Girardot) who treats her like an irresponsible child. This ignites her self destruction and nymphomania that comes out in several ways- porn addiction, sadomasochistic fetishes all fuelled by a boiling violence within her.
After meeting the young student Walter (Benoit Magimel), Erika embarks to fulfill her dark secret desires to satisfy her disturbed and maleficent mind.



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From Wikipedia, the free encyclopedia
Acts of sexual violence committed by combatants during armed conflict, war or military occupation
— Chronicle of Fredegar , Book IV, Section 48, written circa 642
This section is an excerpt from Sexual violence in the Tigray War . [ edit ]
This article needs to be updated . The reason given is: new information since September 2021. Please help update this article to reflect recent events or newly available information. ( October 2022 )
Wikimedia Commons has media related to War rape .
Catherine Rosair, For One Veteran, Emperor Visit Should Be Atonement ; George Fitch, Nanking Outrages ; Li En-han, Questions of How Many Chinese Were Killed by the Japanese Army in the Great Nanking Massacre

Askin, Kelly Dawn (1997). War Crimes Against Women: Prosecution in International War Crimes Tribunals . Martinus Nijhoff Publishers. ISBN 978-90-411-0486-1 .
Beckman, Karen Redrobe (2003). Vanishing Women: Magic, Film, and Feminism . Duke University Press . ISBN 978-0-8223-3074-5 .
Brownmiller, Susan (1975). Against Our Will: Men, Women, and Rape . Fawcett Columbine. ISBN 978-0-449-90820-4 .
de Brouwer, Anne-Marie (2005). Supranational Criminal Prosecution of Sexual Violence . Intersentia. ISBN 978-90-5095-533-1 .
Defeis, Elizabeth F. (1 January 2008). "U.N. Peacekeepers and Sexual Abuse and Exploitation: An End to Impunity" . Washington University Global Studies Law Review . 7 (2): 185–214.
Tanaka, Toshiyuki (2003). Hidden horrors : Japanese war crimes in World War II . New York, NY: Routledge. ISBN 9780429720895 .
Walsh, Brian (October 2018). "Sexual Violence During the Occupation of Japan". The Journal of Military History . 82 (4): 1199–1230.
Yoshimi, Yoshiaki (2000). Comfort women : sexual slavery in the Japanese military during World War II . New York: Columbia University Press. ISBN 9780231120326 .

International courts (in order of foundation)
Wartime sexual violence is rape or other forms of sexual violence committed by combatants during armed conflict , war, or military occupation often as spoils of war , but sometimes, particularly in ethnic conflict , the phenomenon has broader sociological motives. Wartime sexual violence may also include gang rape and rape with objects. A war crime , it is distinguished from sexual harassment , sexual assaults and rape committed amongst troops in military service . [1] [2] [3]

During war and armed conflict, rape is frequently used as a means of psychological warfare in order to humiliate the enemy. Wartime sexual violence may occur in a variety of situations, including institutionalized sexual slavery, wartime sexual violence associated with specific battles or massacres , as well as individual or isolated acts of sexual violence.

Rape can also be recognized as genocide when committed with the intent to destroy , in whole or in part, a targeted group. International legal instruments for prosecuting perpetrators for genocide were developed in the 1990s, with the Akayesu case of the International Criminal Tribunal for Rwanda being widely considered as a precedent. [4] However, these legal instruments have so far only been used for international conflicts, thus putting the burden of proof in citing the international nature of conflict in order for prosecution to proceed.

There is no consensus definition of wartime sexual violence, as there is variance in what forms of violence are included in the definition and variance in which violence is considered conflict-related. [5] The terms rape , sexual assault and sexual violence are frequently used interchangeably. [6] The Explanatory Note of the Rome Statute , which binds the International Criminal Court , defines rape as follows:

The perpetrator invaded the body of a person by conduct resulting in penetration, however slight, of any part of the body of the victim or of the perpetrator with a sexual organ, or of the anal or genital opening of the victim with any object or any other part of the body. [7]
The invasion was committed by force, or by threat of force or coercion, such as that caused by fear of violence, duress, detention, psychological oppression or abuse of power , against such person or another person, or by taking advantage of a coercive environment, or the invasion was committed against a person incapable of giving genuine consent. [7]
The concept of "invasion" is intended to be broad enough to be gender-neutral and the definition is understood to include situations where the victim may be incapable of giving genuine consent if affected by natural, induced or age-related incapacity. [8]

A prominent data-set on conflict-related sexual violence, Sexual Violence in Armed Conflict (SVAC), builds on the ICC definition and covers seven forms of violence: "(a) rape, (b) sexual slavery, (c) forced prostitution, (d) forced pregnancy, (e) forced sterilization/abortion, (f) sexual mutilation, and (g) sexual torture." [5] The data-set defines conflict-related sexual violence as the sexual violence committed "armed actors (specifically, state militaries, rebel groups, and progovernment militias) during periods of conflict or immediately postconflict," thus excluding sexual violence by civilians. [5] More expansive definitions may define wartime sexual violence as being committed even by civilians if the conflict creates a sense of impunity. [5]

Prosecution of rapists in war crime tribunals was rare prior to the late 1990s. Askin argued that the lack of explicit recognition of war rape in international law or applicable humanitarian law can not be used as a defense by a perpetrator of war rape. [9] Laws and customs of war prohibit offenses such as "inhuman treatment" or "indecent assaults", adding to this domestic military codes and domestic civil codes (national law) may make sexual assault a crime.

In 1999, humanitarian law concerned the maltreatment of civilians and "any devastation not justified by military necessity". [10]

The ancient Greeks considered war rape of women "socially acceptable behavior well within the rules of warfare", and warriors considered the conquered women "legitimate booty, useful as wives, concubines , slave labor, or battle-camp trophy ". [11] One of the first references to the "laws of war", or "traditions of war" was by Cicero , who urged soldiers to observe the rules of war, since obeying the regulations separated the "men" from the "brutes". Conquering the riches and property of an enemy was regarded as legitimate reason for war in itself. Women were included with "property", since they were considered under the lawful ownership of a man, whether a father, husband, slave master, or guardian. In this context, the rape of a woman was considered a property crime committed against the man who owned the woman. [11]

In the Middle Ages, the Catholic Church sought to prevent rape during feudal warfare through the institution of Peace and Truce of God which discouraged soldiers from attacking women and civilians in general and through the propagation of a Christianized version of chivalry ideal of a knight who protected innocents and did not engage in lawlessness.

In 1159, John of Salisbury wrote Policraticus in an attempt to regulate the conduct of armies engaged in "justifiable" wars. Salisbury believed that acts of theft and "rapine" (property crimes) should receive the most severe punishment, but also believed that obeying a superior's commands whether legal or illegal, moral or immoral, was the ultimate duty of the soldier. [12]

Rape and pillage were prohibited by some army codes as early as the 14th century because of the tendency to create strong hostility in civilian populations and the detrimental effects to army discipline. [13] Despite early efforts to systematize the laws of war, rape continued to be a problem in the 15th and 16th centuries. The influential writer Francisco de Vitoria stood for a gradual emergence of the notion that glory or conquest were not necessarily acceptable reasons to start a war. The jurist Alberico Gentili insisted that all women, including female combatants, should be spared from sexual assault in wartime.

It is suggested that one reason for the prevalence of war rape was that at the time, military circles supported the notion that all persons, including women and children, were still the enemy, with the belligerent having conquering rights over them. [14] In the late Middle Ages, the laws of war even considered war rape as an indication of a man's success in the battlefield and "opportunities to rape and loot were among the few advantages open to... soldiers, who were paid with great irregularity by their leaders.... triumph over women by rape became a way to measure victory, part of a soldier's proof of masculinity and success, a tangible reward for services rendered.... an actual reward of war". [15]

During this period in history, war rape took place not necessarily as a conscious effort of war to terrorize the enemy, but rather as earned compensation for winning a war. There is little evidence to suggest that superiors regularly ordered subordinates to commit acts of rape. [16] Throughout this period of history war became more regulated, specific, and regimented. The first formal prosecution for war crimes did not take place until the late Middle Ages. [16]

Hugo Grotius , considered the father of the law of nations and the first to conduct a comprehensive work on systematizing the international laws of war, De jure belli ac pacis (1625), concluded that rape (phrased as "the violation of women") "should not go unpunished in war any more than in peace", [17] rejecting the view that it is permissible to inflict damage or harm "on anything belonging to the enemy":

The violation of women [in wartime] is variously regarded as permitted or not. Those who allow it consider only the injury done to the person, which they hold it agreeable to the law of arms to inflict on anything belonging to the enemy. The other opinion is better: it takes into account not only the injury but also the act of unbridled lust and concludes that something pertaining to neither safety nor punishment should be no more lawful in war than in peace. This latter view is not the law of all nations, but it is the law of the more respectable ones. [18]
Emmerich van Vattel emerged as an influential figure when he pleaded for the immunity of civilians against the ravages of war, considering men and women civilians as non-combatants. [19]

In the late 18th century and 19th century, treaties and war codes started to include vague provisions for the protection of women: The Treaty of Amity and Commerce (1785) specified that in case of war "women and children.... shall not be molested in their persons". Article 20 of the Order No. 20 (1847), a supplement to the US Rules and Articles of war, listed the following as severely punishable "Assassination, murder, malicious stabbing or maiming, rape". The Declaration of Brussels (1874) stated that the "honours and rights of the family.... should be respected" (article 38). [20]

In the 19th century, the treatment of soldiers, prisoners, the wounded, and civilians improved when core elements of the laws of war were put in place by nations who were signatories to treaties. However, while the customs of war mandated more humane treatment of soldiers and civilians, new weapons and advanced technology increased destruction and altered the methods of war. [21]

The Lieber Code (1863) was the first codification of the international customary laws of land war and an important step towards humanitarian law. The Lieber Code emphasized protection of civilians and stated that "all rape... [is] prohibited under the penalty of death", which was the first prohibition of rape in customary humanitarian law. [22]

During the 20th century, international legal procedures attempted to prevent and prosecute perpetrators of war rape. Similarly, individual states developed laws pertaining to war rape's victims and perpetrators.

The prohibition
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