Dick Tracy 1990

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The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.
Chester Gould(based on characters created by: for the Dick Tracy comic strip distributed by Tribune Media Services, Inc.)
Jim Cash
Jack Epps Jr.
All Tess Trueheart wants is to settle down to a quiet life with her boyfriend, detective Dick Tracy. But there's something pretty rotten going on in town, with someone pretty rotten behind it, and Tracy has his hands full with the likes of villain Big Boy Caprice and with the almost irresistible Breathless Mahoney.—Jeremy Perkins {J-26}
Danny Elfman was hired to compose the film score because Warren Beatty was impressed with his work on Batman (1989). On working with Beatty, Elfman has said "Warren was insane".
When Dick and Tess are in the diner with The Kid, the boy finishes a glass of milk and then runs for the door. Tracy puts him back in his seat, during which time the glass has refilled itself.
Breathless Mahoney: I'm wearing black underwear.
Dick Tracy: You know, it's legal for me to take you down to the station and sweat it out of you under the lights.
Breathless Mahoney: I sweat a lot better in the dark.
Touchstone logo appears in black and white in the opening credits.
Sooner Or Later (I Always Get My Man)
Written by Stephen Sondheim
Performed by Madonna
Arranged by Jeremy Lubbock
Strings Arranged by Shirley Walker
Courtesy of Sire Records
Colorful and glimmer adaptation based on famous comic strips created by Chester Gould
Warren Beatty successfully bringing the comic strip to life , the renowned police detective Dick Tracy who this time tries to solve a case involving Big Boy , the public enemy nº 1 . Beatty wears the caps on all fronts , as he is actor , writer , producer and filmmaker , incarnating the legendary police detective Dick Tracy from Chester Gould's comics and his relentless crusade against crime . However his Tracy is somewhat flat in comparison other comic book heroes . Dick Tracy is the only man tough enough to take on ranting mobster boss Big Boy Caprice (Al Pacino) and his band of menacing mobsters (William Forsythe and Dustin Hoffman who made a small character as Mumbles as a favor for Warren Beatty) . Big Boy and his gang set out a wave of crime that bring them face to face with dapper Tracy . Dedicated to his work but at the same time devoted to his loyal sweetheart (Glenne Headly ), Tracy find himself torn between love and duty . Tracy becomes even more difficult when he gets saddled with an engaging orphan (Charlie Korsmo) . The comic strip detective finds his life vastly complicated when a singing siren named Mahoney (a seductive Madonna) makes advances towards him while he is attempting to fight Big Boy Caprice's united mob . Later on , Tracy tries to find his kidnapped girlfriend while Big Boy is on the loose .

This comic strip spring to life similarly the original drawings and being faithfully recreated , though sometimes looks like an extended stage musical . The bad guys all have overblown features and they and the cops , journalists all wear different coloured coats to correspond to the drawings in the original comic strips created by Chester Gould . The timeless and imaginative settings capture the essence rather than reality of the city . There's so much music in the movie mostly from Mandy Patinkin and especially Madonna as the singer Breathless Mahoney doing her best screen acting to date . Good though excessive performances from Al Pacino who is perfectly cast as the gangster Big Boy looking like a caricaturist impression of a cartoon and splendid Dustin Hoffman as his hoodlum named Mumbles . The make-up used for all of the villains was based directly on how they were drawn by Chester Gould in the original comic strip , the only exception was Big Boy Caprice, whose make-up was designed by Al Pacino himself. People expecting Gothic scenarios and spectacular action of Batman may be disappointed , but moviegoers will be thrilled . Colorful and stylistically superior cinematography by the Italian Vittorio Storaro , shot in a few colors , the main colors in the film are only six that the original comic strip appeared in: red, blue, yellow, green, orange, purple, plus black and white . Jolly and amusing musical score by Danny Elffman .

Other films about this classic comic book character are the followings : ¨Dick Tracy¨ (1947) 15 chapters starred by Ralph Byrd and directed by John English and Ray Taylor ; ¨Dick Tracy Detective¨ (1945) the first feature movie directed by William Berke with Morgan Conway and Jane Greer ; ¨Tracy returns¨ 15 chapter serial directed by William Witney with Ralph Byrd ; ¨Tracy meets gruesome ¨(1947) with Ralph Byrd and Boris Karloff ; ¨Tracy vs Crime Inc¨; ¨Tracy vs Cueball¨(1946) by Gordon Douglas with Morgan Conway and Anne Jeffreys ; ¨Tracy's dilemma¨ by John Rawlins with Ralph Byrd and Jack Lambert , among others .
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Dick Tracy is a 1990 American action crime film based on the 1930s comic strip character of the same name created by Chester Gould. Warren Beatty produced, directed, and starred in the film, whose supporting cast includes Al Pacino, Madonna, Glenne Headly, and Charlie Korsmo. Dick Tracy depicts the detective's romantic relationships with Breathless Mahoney and Tess Trueheart, as well as his conflicts with crime boss Alphonse "Big Boy" Caprice and his henchmen. Tracy also begins fostering a young street urchin named Kid.
June 14, 1990 (Lake Buena Vista)
June 15, 1990 (United States)
Development of the film began in the early 1980s with Tom Mankiewicz assigned to write the script. The screenplay was written instead by Jim Cash and Jack Epps Jr., both of Top Gun fame. The project also went through directors Steven Spielberg, John Landis, Walter Hill, and Richard Benjamin before the arrival of Beatty. It was filmed mainly at Universal Studios. Danny Elfman was hired to compose the score, and the film's music was featured on three separate soundtrack albums.
Dick Tracy premiered at the Walt Disney World resort in Lake Buena Vista, Florida, on June 14, 1990. It was released nationwide a day later to mixed reviews, but was a success at the box office and at awards time. It garnered seven Academy Award nominations, winning in three of the categories: Best Original Song, Best Makeup, and Best Art Direction. It is remembered today for its visual style.
In 1938,[5][6] at an illegal card game, a young street urchin witnesses the massacre of a group of mobsters at the hands of Flattop and Itchy, two of the hoods on the payroll of Alphonse "Big Boy" Caprice. Big Boy's crime syndicate is aggressively taking over small businesses in the city. Detective Dick Tracy catches the urchin (who calls himself "Kid") in an act of petty theft. After rescuing him from a ruthless host, Tracy temporarily adopts him with the help of his girlfriend, Tess Trueheart.
Meanwhile, Big Boy coerces club owner Lips Manlis into signing over the deed to Club Ritz. He then kills Lips with a cement overcoat (referred to onscreen as "The Bath") and steals his girlfriend, the seductive and sultry singer Breathless Mahoney. After Lips is reported missing, Tracy interrogates his three hired guns Flattop, Itchy, and Mumbles, then goes to the club to arrest Big Boy for Lips' murder. Breathless is the only witness. Instead of providing testimony, she unsuccessfully attempts to seduce Tracy. Big Boy cannot be indicted, and he is released from jail. Big Boy's next move is to try to bring other criminals, including Spud Spaldoni, Pruneface, Influence, Texie Garcia, Ribs Mocca, and Numbers, together under his leadership. Spaldoni refuses and is killed with a carbomb, leaving Dick Tracy, who discovered the meeting and was attempting to spy on it, wondering what is going on. The next day, Big Boy and his henchmen kidnap Tracy and attempt to bribe him; Tracy rebuffs them, prompting the criminals to attempt to kill him. However, Tracy is saved by Kid, who is then bestowed by the police with an honorary detective certificate, which will remain temporary until he decides on a legitimate name for himself.
Breathless shows up at Tracy's apartment, once again in an attempt to seduce him. Tracy shows he is only human by allowing her to kiss him. Tess witnesses this scene and eventually leaves town. Tracy leads a seemingly unsuccessful raid on Club Ritz, but it is actually a diversion so that Officer "Bug" Bailey can enter the building to operate a secretly installed listening device so the police can listen in on Big Boy's criminal activities. The resultant raids all but wipe out Big Boy's criminal empire. However, Big Boy discovers Bug, and captures him for a trap planned by Influence and Pruneface to kill Tracy in the warehouse. In the resulting gun battle, a stranger with no face called "The Blank" steps out of the shadows to save Tracy after he is cornered, and kills Pruneface. Influence escapes as Tracy rescues Bug from the fate that befell Lips Manlis, and Big Boy is enraged to hear that The Blank foiled the hit. Tracy again attempts to extract the testimony from Breathless that he needs to put Big Boy away. She agrees to testify only if Tracy agrees to give in to her advances. Tess eventually has a change of heart, but before she can tell Tracy, she is kidnapped by The Blank, with the help of Big Boy's club piano player, 88 Keys. Tracy is drugged and rendered unconscious by The Blank, then framed for murdering the corrupt District Attorney John Fletcher, whereupon he is detained by the police. The Kid, meanwhile, adopts the name "Dick Tracy, Jr."
Big Boy's business thrives until The Blank frames him for Tess' kidnapping. Released by his colleagues on New Year's Eve, Tracy interrogates Mumbles, and arrives at a gun battle outside the Club Ritz where Big Boy's men are killed or captured by Tracy and the police. Abandoning his crew, Big Boy flees to a drawbridge and ties Tess to its gears before he is confronted by Tracy. Their fight is halted when The Blank appears and holds both men at gunpoint, offering to share the city with Tracy after Big Boy is dead. When Junior arrives, Big Boy takes advantage of the distraction and opens fire before Tracy sends him falling to his death in the bridge's gears, while Junior rescues Tess. Mortally wounded, The Blank is unmasked to reveal Breathless Mahoney, who kisses Tracy before dying. All charges against Tracy are dropped.
Later, Tracy proposes to Tess, but is interrupted by the report of a robbery in progress. He leaves her with the ring before he and Dick Tracy, Jr., depart to respond to the robbery, whereupon Junior remarks, "You know, Tracy, I kinda like that dame."
Estelle Parsons portrays Tess Trueheart's mother. Tony Epper plays Steve the Tramp. Hamilton Camp appears as a store owner and Bing Russell plays a Club Ritz patron. Robert Costanzo cameos as Lips Manlis' bodyguard, and Marshall Bell briefly appears as a goon of Big Boy Caprice who poses as an arresting officer to ensnare Lips. Allen Garfield, John Schuck, and Charles Fleischer make cameos as reporters. Walker Edmiston, John Moschitta Jr., and Neil Ross provide the voices of each radio announcer. Colm Meaney appears as a police officer at Tess Trueheart's home. Mike Mazurki (who played Splitface in the original Dick Tracy film) appears in a small cameo, as Old Man at Hotel. 93-year-old veteran character actor Ian Wolfe plays his last film role as "Munger".
Beatty had a concept for a Dick Tracy film in 1975. At the time, the film rights were owned by Michael Laughlin, who gave up his option from Tribune Media Services after he was unsuccessful in pitching Dick Tracy to Hollywood studios. Floyd Mutrux and Art Linson purchased the film rights from the Tribune in 1977,[7] and, in 1980, United Artists became interested in financing/distributing Dick Tracy. Tom Mankiewicz was under negotiations to write the script, based on his previous success with Superman (1978) and Superman II (1980). The deal fell through when Chester Gould, creator of the Dick Tracy comic strip, insisted on strict financial and artistic control.[8]
That same year, Mutrux and Linson eventually took the property to Paramount Pictures, who began developing screenplays, offered Steven Spielberg the director's position, and brought in Universal Pictures to co-finance. Universal put John Landis forward as a candidate for director, courted Clint Eastwood for the title role, and commissioned Jim Cash and Jack Epps, Jr. to write the screenplay. "Before we were brought on, there were several failed scripts at Universal," reflected Epps, "then it went dormant, but John Landis was interested in Dick Tracy, and he brought us in to write it."[9] Cash and Epps' simple orders from Landis were to write the script in a 1930s pulp magazine atmosphere and center it with Alphonse "Big Boy" Caprice as the primary villain. For research, Epps read every Dick Tracy comic strip from 1930 to 1957. The writers wrote two drafts for Landis; Max Allan Collins, then-writer of the Dick Tracy comic strip, remembers reading one of them. "It was terrible. The only positive thing about it was a thirties setting and lots of great villains, but the story was paper-thin and it was uncomfortably campy."[9]
In addition to Beatty and Eastwood, other actors who were considered for the lead role included Harrison Ford, Richard Gere, Tom Selleck, and Mel Gibson.[10] Landis left Dick Tracy following the controversial on-set accident on Twilight Zone: The Movie (1983), in which three actors were killed.[9] Walter Hill then came on board to direct with Joel Silver as producer. Cash and Epps wrote another draft, and Hill approached Warren Beatty for the title role. Pre-production had progressed as far as set building, but the film was stalled when artistic control issues arose with Beatty, a fan of the Dick Tracy comic strip.[11] Hill wanted to make the film violent and realistic, while Beatty envisioned a stylized homage to the 1930s comic strip.[7] The actor also reportedly wanted $5 million plus fifteen percent of the box office gross, a deal which Universal refused to accept.[11]
Hill and Beatty left the film, which Paramount began developing as a lower-budget project with Richard Benjamin directing. Cash and Epps continued to rewrite the script, but Universal was unsatisfied. The film rights eventually reverted to Tribune Media Services in 1985. However, Beatty decided to option the Dick Tracy rights himself for $3 million,[12] along with the Cash/Epps script. When Jeffrey Katzenberg and Michael Eisner moved from Paramount to the Walt Disney Studios, Dick Tracy resurfaced with Beatty as director, producer and leading man.[11] Katzenberg considered hiring Martin Scorsese to direct the film,[13] but changed his mind. "It never occurred to me to direct the movie," Beatty admitted, "but finally, like most of the movies that I direct, when the time comes to do it, I just do it because it's easier than going through what I'd have to go through to get somebody else to do it."[11]
Beatty's reputation for directorial profligacy, notably with the critically acclaimed Reds (1981), did not sit well with Disney.[11] As a result, Beatty and Disney reached a contracted agreement whereby any budget overruns on Dick Tracy would be deducted from Beatty's fee as producer, director, and star.[14] Beatty and regular collaborator Bo Goldman significantly rewrote the dialogue but lost a Writers Guild arbitration and did not receive screen credit.[7]
Disney greenlit Dick Tracy in 1988 under the condition that Beatty keep the production budget within $25 million.[7] Beatty's fee was $7 million against 15% of the gross (once the distributor's gross reached $50 million).[12] Costs began to rise once filming started and quickly jumped to $30 million[15] and its total negative cost ended up being $46.5 million: $35.6 million of direct expenditure, $5.3 million in studio overhead and $5.6 million in interest.[12] Disney spent an additional $48.1 million on advertising and publicity and $5.8 million on prints, resulting in a total of $101 million spent overall.[12] The financing for Dick Tracy came from Disney and Silver Screen Partners IV, as well as Beatty's own production company, Mulholland Productions. Disney was originally going to release the film under the traditional Walt Disney Pictures banner,[16] but chose instead to release and market the film under the adult-oriented Touchstone Pictures label leading up to the film's theatrical debut, because the studio felt it had too many mature themes for a Disney-branded film.[17]
Although Al Pacino was Beatty's first choice for the role of Alphonse "Big Boy" Caprice, Robert De Niro was under consideration.[18] Madonna pursued the part of Breathless Mahoney, offering to work for scale.[citation needed] Her resulting paycheck for the film was just $35,000.[7] Sean Young claims she was forced out of the role of Tess Truehart (which eventually went to Glenne Headly) after rebuffing sexual advances from Beatty. In a 1989 statement, Beatty said, "I made a mistake casting Sean Young in the part and I felt very badly about it."[19] Mike Mazurki, who had appeared in Dick Tracy (1945) had a cameo.
Principal photography for Dick Tracy began on February 2, 1989.[20] The filmmakers considered shooting the film on-location in Chicago, Illinois, but production designer Richard Sylbert believed Dick Tracy would work better using sound stages and backlots[21] at Universal Studios in Universal City, California.[20] Other filming took place at Warner Bros. Studios in Burbank.[22] In total, 53 interior and 25 exterior sets were constructed. Beatty, being a perfectionist, often filmed dozens of takes of every scene.[20]
As filming continued, Disney and Max Allan Collins conflicted over the novelization. The studio rejected his manuscript: "I wound up doing an eleventh hour rewrite that was more faithful to the screenplay, even while I made it much more consistent with the strip," Collins continued, "and fixed as many plot holes as I could."[20] Disney did not like this version either, but accepted based on Beatty's insistence to incorporate some of Collins' writing into the shooting script, which solved the plot hole concerns. Through post-production dubbing, some of Collins' dialogue was also incorporated into the film. Principal photography for Dick Tracy ended in May 1989.[20]
Early in the development of Dick Tracy, Beatty decided to make the film using a palette limited to just seven col
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