Dick Hyman
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Richard Hyman (born March 8, 1927) is an American jazz pianist and composer. Over a 70-year career, he has worked as a pianist, organist, arranger, music director, electronic musician, and composer. He was named a National Endowment for the Arts Jazz Masters fellow in 2017.[1] His grandson is designer and artist Adam Charlap Hyman.[2]
March 8, 1927 (age 94)
New York, New York, U.S.
Hyman was born in New York City to Joseph C. Hyman and Lee Roven. He was trained classically by his mother's brother, the concert pianist Anton Rovinsky, who premiered The Celestial Railroad by Charles Ives in 1928.[3] Hyman said of Rovinsky, "He was my most important teacher. I learned touch from him and a certain amount of repertoire, especially Beethoven. On my own I pursued Chopin. I loved his ability to take a melody and embellish it in different arbitrary ways, which is exactly what we do in jazz. Chopin would have been a terrific jazz pianist! His waltzes are in my improvising to this day."[3][4] Hyman's older brother, Arthur, owned a jazz record collection and introduced him to the music of Bix Beiderbecke and Art Tatum.[5]
Relax Records released Hyman's solo piano versions of "All the Things You Are" and "You Couldn't Be Cuter" around 1950.[6] He recorded two honky-tonk piano albums under the pseudonym "Knuckles O'Toole", (included two original compositions),[7] and recorded more as "Willie the Rock Knox" and "Slugger Ryan".[8]
As a studio musician in the 1950s, Hyman performed with Charlie Parker for Parker's only film appearance.[9] He worked as music director for Arthur Godfrey.[9]
Hyman composed and performed the score for the Cleveland/San Jose Ballet Company's Piano Man, and Twyla Tharp's The Bum's Rush for the American Ballet Theatre. He was the pianist/conductor/arranger in Tharp's Eight Jelly Rolls, Baker's Dozen, and The Bix Pieces and similarly arranged and performed for Miles Davis: Porgy and Bess, a choreographed production of the Dance Theater of Dallas. In 2007, his Adventures of Tom Sawyer, commissioned by the John G. Shedd Institute for the Arts and produced for the stage by Toni Pimble of the Eugene Ballet, premiered in Eugene, Oregon.[11]
In the 1960s, Hyman recorded several pop albums on Enoch Light's Command Records. At first, he used the Lowrey organ, on the albums Electrodynamics (US No. 117), Fabulous (US No. 132), Keyboard Kaleidoscope and The Man from O.R.G.A.N. He later recorded several albums on the Moog synthesizer which mixed original compositions and cover versions, including Moog: The Electric Eclectics of Dick Hyman(Can No. 35),[12] and The Age of Electronicus (US No. 110).
The track "The Minotaur" from The Electric Eclectics (1969) charted in the US top 40 (US R&B Singles No. 27; Hot 100 No. 38)[13] (No. 20 Canada), becoming the first Moog single hit (although, as originally released on 45, it was labeled as the B-side to the shorter "Topless Dancers of Corfu"). Some elements from the track "The Moog and Me" (most notably the whistle that serves as the song's lead-in) on the same album were sampled by Beck for the track "Sissyneck" on his 1996 album Odelay.
Hyman has been a frequent guest performer at jazz festivals and concert venues. He is generally considered without peer in his ability to emulate the styles of the great pianists of jazz history.
September Song: Dick Hyman Plays the Music of Kurt Weill
Conversation Piece: Dick Hyman Plays the Music of Noel Coward
Autumn in New York: Dick Hyman Plays the Music of Vernon Duke
As Willie "The Rock" Knox And His Orchestra[14]
As Willie "The Rock" Knox And His Orchestra[14]
The Unforgettable Sound of the Dick Hyman Trio
With Joe Newman (trumpet), Thad Jones (trumpet), Benny Powell (trombone), Bill Barber (tuba), Jerome Richardson (alto saxophone, piccolo), Frank Wess (tenor saxophone, flute), Romeo Penque (clarinet, baritone saxophone), Phil Bodner (baritone saxophone, oboe), Don Elliott (vibraphone, percussion), Oscar Pettiford (bass), Eddie Safranski (bass), Osie Johnson (drums), Kenny Clarke (drums), Don Lamond (drums)[14]
60 Great All Time Songs - Volumes 1–6
With various, including Harry "Sweets" Edison (trumpet), Coleman Hawkins (tenor sax), Art Farmer (trumpet), Tony Scott (reeds), Marilyn Moore, Jackie Paris and Osie Johnson (vocals)[18]
Trio, with Eddie Safranski (bass), Don Lamond (drums)[19]
Trio, with Joe Benjamin (bass), Osie Johnson (drums)[22][14]
With various, including Everett Barksdale, Bucky Pizzarelli, Bob Haggart, Osie Johnson, the Ray Charles Singers[23]
With Bob Haggart (electric bass), Bob Rosengarden (drums)[26]
An Evening at the Cookery, June 17, 1973
Some Rags, Some Stomps, and a Little Blues
Satchmo Remembered: The Music of Louis Armstrong at Carnegie Hall
Scott Joplin: The Complete Works for Piano
With various, including Hank Jones (piano)[33]
Themes and Variations on "A Child Is Born"
Trio, with Michael Moore (bass), Ron Traxler (drums)[35][14]
Some tracks solo piano; some tracks trio, with Bob Wilber (clarinet), Tommy Benford (drums); one track quartet; some tracks septet, with Wilber (clarinet), Warren Vaché (trumpet), Jack Gale (trombone), Marty Grosz (guitar, banjo), Major Holley (bass, tuba), Benford (drums)[36]
Quintet, with Pee Wee Erwin (trumpet), Bob Wilber (reeds), Milt Hinton (bass), Bobby Rosengarden (drums)[37]
Duo, with Roger Kellaway (piano); in concert[38]
Kitten on the Keys: The Piano Music of Zez Confrey
Duo, with Derek Smith (piano); live at Van Wezel Performing Arts Hall, Sarasota, Florida, February 9, 1983[38][40][14]
Solo at the Sacramento Jazz Festivals
Duo, with Ruby Braff (cornet); in concert[27][43]
Most tracks duo, with Dick Wellstood (piano); one track each of solo piano[46][14]
Solo piano; live at Chung's Chinese Restaurant, Cleveland, Ohio, September 26, 1985[47][14]
The Kingdom of Swing and the Republic of Oop Bop Sh'bam
Face the Music: A Century of Irving Berlin
Live from Toronto's Cafe Des Copains
Solo piano; live at Cafe des Copains, Toronto, Canada, June, 1988[14]
Blues in the Night (Dick Hyman Plays Harold Arlen)
Gershwin Songbook: Hyman Variations
Dick Hyman/Ralph Sutton; Concord Duo Series, Vol. 6
Duo, with Ralph Sutton (piano); in concert[38][14]
Some tracks solo piano; some tracks duo, with Marian McPartland (piano)[52][14]
Ruby Braff and Dick Hyman Play Nice Tunes
The Piano Giants at Bob Haggart's 80th Birthday Party
With Derek Smith and Ralph Sutton (piano), Bob Haggart (bass), Bobby Rosengarden (drums); in concert[49][14]
Some tracks octet, with Joe Wilder (trumpet), Urbie Green (trombone), Phil Bodner (alto sax, clarinet), Joe Temperley (baritone sax), Bucky Pizzarelli (guitar), Milt Hinton (bass), Butch Miles (drums); some tracks nonet, with Frank Wess (alto sax) added)[53]
With Peter Appleyard (vibes), Ken Peplowski (clarinet), Randy Sandke (trumpet), Frank Wess (tenor sax), Bucky Pizzarelli (guitar), Jay Leonhart (bass), Butch Miles (drums); Nancy Marano (vocals) added on some tracks[27][54]
Duo, with Louis Mazetier (piano); in concert[57]
With Tom Pletcher (cornet), David Sager (trombone), Dan Levinson (clarinet, C-melody sax), Vince Giordano (bass sax), Bob Leary (guitar, banjo, vocals), Ed Metz Jr (drums)[49]
Duo, with Meral Güneyman (piano)[59]
Most tracks duo, with Chris Hopkins (piano); one track each of solo piano[60]
Solo Piano Variations on the Great Songs of Rodgers & Hammerstein
Trio, with Jay Leonhart (bass), Chuck Redd (drums)[31]
Duo, with Heather Masse (vocals)[64]
Duo, with Ken Peplowski (clarinet, tenor sax); in concert[65]
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Dick Hyman
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