Dick Dale
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Дик Дейл (англ. Dick Dale, настоящее имя Ричард Энтони Монсур, англ. Richard Anthony Monsour; 4 мая 1937 — 16 марта 2019) — гитарист из США, игравший в стиле сёрф-рок. Известен как Король сёрф-гитары (англ. The King of the Surf Guitar). Занял 74 место в списке 100 величайших гитаристов всех времён по версии журнала Rolling Stone.
Дейл родился в Бостоне (штат Массачусетс). В его роду были ливанцы, поляки и белорусы. В 1954 году он переехал в Калифорнию, где обучился сёрфингу и заинтересовался музыкой.
Начал карьеру в 1959 году, создав группу Del-Tones. Первый альбом Surfers' Choice выпустил в 1962 году, где появился сингл, вскоре ставший визитной карточкой Дейла — Misirlou. В связи с тяжелым заболеванием прервал свою карьеру, но в 1983 возобновил её и больше не прерывал. В 1994 его сингл Misirlou снова стал популярным, благодаря включению его в фильм Квентина Тарантино «Криминальное чтиво». Несмотря на свой преклонный возраст, продолжал концертную деятельность и в 2009 году отыграл 20 концертов в США (это несмотря на то, что в 2008 снова лечился от рака).
Дейл утверждал, что никогда не употреблял алкоголь и наркотики.
В 1966 г. у него обнаружили рак прямой кишки. Джими Хендрикс, узнав об этом, в конце инструментальной песни Third Stone from the Sun в своем дебютном альбоме Are You Experienced произнес «And you’ll never hear surf music again». Но Дейла вылечили (хирургия, химиотерапия и облучение). Так как сам Хендрикс умер ещё в 1970 году, в кавере на эту песню 1996 года Дик Дейл произносит в начале: «Jimi, I’m still here. Wish you were…»
В 1979 году, после плавания, он повредил ногу, у него развилась гангрена ноги, и её едва не ампутировали. После этого он стал активистом борьбы против загрязнения окружающей среды.
В 2008 г. у него снова обнаружили рак прямой кишки, но он снова поборол недуг и вернулся к творческой деятельности.
Дик Дейл умер 16 марта 2019 года. Сообщается, что он на протяжении долгих лет боролся с раком прямой кишки, болел диабетом и имел проблемы с позвоночником, но несмотря на все это, продолжал гастролировать.[3] Музыкант Брайан Уилсон в своём твиттер-аккаунте написал следующее:
Мне жаль слышать новость о смерти Дика Дейла. Игра Дика на гитаре оказала большое влияние на всех нас, мы сделали кавер на Misirlou, который вошёл в наш альбом Surfin' USA в 63 году. Любовь и сострадание семье Дика.[4]
АльбомыПравить
Surfers' Choice (Deltone 1962)
King of the Surf Guitar (Capitol 1963)
Checkered Flag (Capitol 1963)
Mr. Eliminator (Capitol 1964)
Summer Surf (Capitol 1964)
Rock out with Dick Dale and his Del-Tones: Live at Ciro’s (Capitol 1965)
The Tiger’s Loose (Balboa 1983) [live album]
Tribal Thunder (HighTone 1993)
Unknown Territory (1994)
Calling Up Spirits (Beggars Banquet 1996)
Spacial Disorientation (Dick Dale Records / The Orchard 2001)
СинглыПравить
Ooh-Whee Marie (Deltone 1959)
Stop Teasing (Deltone 1959)
Jesse Pearl (Deltone 1960)
Let's Go Trippin' / Del-Tone Rock (Deltone 1961)
Jungle Fever / Shake-N-Stomp (Deltone 1961)
Miserlou / Eight 'Til Midnight (Deltone 1962)
Mr. Peppermint Man / Surf Beat (Capitol 1962)
Secret Surfin Spot / Surfin' and Swingin' (Capitol 1963)
The Wedge / Night Rider (Capitol 1963)
Mr. Eliminator (Capitol 1964)
Let’s Go Trippin' '65 / Watusi Jo (Capitol 1965)
«Pipeline» with Stevie Ray Vaughan, nominated for a Grammy
Содержание доступно по лицензии CC BY-SA 3.0 (если не указано иное).
This article is about the surf rock guitarist. For the saxophonist-singer, see Dick Dale (singer).
Richard Anthony Monsour (May 4, 1937 – March 16, 2019), known professionally as Dick Dale, was an American rock guitarist. He was the pioneer of surf music, drawing on Middle Eastern music scales and experimenting with reverberation.[1] Dale was known as "The King of the Surf Guitar", which was also the title of his second studio album.
March 16, 2019 (aged 81)
Loma Linda Hospital, Loma Linda, California, U.S.
Dale was one of the most influential guitarists of all time and especially of the early 1960s.[2] Most of the leading bands in surf music, such as The Beach Boys, Jan and Dean and The Trashmen, were influenced by Dale's music, and often included recordings of Dale's songs in their albums.[3] His style and music influenced guitarists such as Jimi Hendrix, Pete Townshend, Eddie Van Halen and Brian May.[3][4]
He has been mentioned as one of the fathers of heavy metal.[5] Many credit him with tremolo picking, a technique that is now widely used in many musical genres (such as extreme metal, folk etc.).[6] His speedy single-note staccato picking technique was unmatched until guitarists like Eddie Van Halen entered the music scene.[7]
Working together with Leo Fender, Dale also pushed the limits of electric amplification technology, helping to develop new equipment that was capable of producing thick and previously unheard volumes including the first-ever 100-watt guitar amplifier.[8] Dale also pioneered the use of portable reverb effects.[9]
The use of his recording of "Misirlou" by Quentin Tarantino in the film Pulp Fiction led to his return in the 1990s, marked by four albums and world tours. He also won a Grammy nomination for Best Rock Instrumental for the song "Pipeline" with Stevie Ray Vaughan.
In "Rolling Stone's 100 Greatest Guitarists of All Time", Dale was ranked 31st in 2003 and 74th in the 2011 revision.
Dick Dale was born Richard Anthony Monsour in Boston, Massachusetts, on May 4, 1937. He was of Lebanese descent from his father, James,[10] and of Polish-Belarusian descent from his mother, Sophia "Fern" (née Danksewicz).[10][11][12][13] His family subsequently moved to Quincy, Massachusetts. He learned the piano when he was nine after listening to his aunt playing it.[14][15] He was given a trumpet in seventh grade, and later acquired a ukulele (for $6 part exchange), after having become influenced by Hank Williams.[16][17] The first song he played on the ukulele was "Tennessee Waltz".[16][17] He was also influenced musically by his uncle, who taught him how to play the tarabaki and could play the oud.[18][19][20]
Dale then bought a guitar from a friend for $8, paying him back by installments. He learned to play the instrument, using both lead and rhythm styles, so that the guitar filled the place of drums. His early tarabaki drumming later influenced his guitar playing, particularly his rapid alternate picking technique. Dale referred to this as "the pulsation", noting all instruments he played derived from the tarabaki.[20] He was raised in Quincy until he completed the eleventh grade at Quincy High School in 1954, when his father, a machinist, took a job working for Hughes Aircraft Company in the Southern California aerospace industry.[21][22][17] The family moved to El Segundo, California. Dale spent his senior year at and graduated from Washington Senior High School.[23] He learned to surf at the age of 17.[24] As a Lebanese-American, he retained a strong interest in Arabic music, which later played a major role in his development of surf rock music.[20]
Dale began playing in local country western rockabilly bars where he met Texas Tiny in 1955, who gave him the name "Dick Dale" because he thought it was a good name for a country singer.[25]
Dale employed non-Western scales in his playing. He regularly used reverb, which became a trademark of surf guitar. Due to his left-handedness, Dale was initially forced to play a right-handed model. However, he did so without restringing the guitar, leading him to effectively play the guitar upside-down (while Hendrix would restring his guitar). Even after he acquired a proper left-handed guitar, Dale continued to use his reverse stringing.[18] He often playing by reaching over the fretboard, rather than wrapping his fingers up from underneath.
He partnered with Leo Fender to test new equipment, later saying "When it can withstand the barrage of punishment from Dick Dale, then it is fit for the human consumption." His combination of loud amplifiers and heavy gauge strings led him to be called the "Father of Heavy Metal".[17] After blowing up several Fender amplifiers, Leo Fender and Freddie Tavares saw Dale play at the Rendezvous Ballroom, Balboa, California and identified the problem arose from him creating a sound louder than the audience screaming. The pair visited the James B. Lansing loudspeaker company and asked for a custom 15-inch loudspeaker, which became the JBL D130F model, and was known as the Single Showman Amp. Dale's combination of a Fender Stratocaster and Fender Showman Amp allowed him to attain significantly louder volume levels unobtainable by then-conventional equipment.[26]
Dale's performances at the Rendezvous Ballroom in Balboa in mid to late 1961 are credited with the creation of the surf music phenomenon. Dale obtained permission to use the 3,000 person capacity ballroom for surfer dances after overcrowding at a local ice cream parlor where he performed made him seek other venues.[27] The Rendezvous ownership and the city of Newport Beach agreed to Dale's request on the condition that he prohibit alcohol sales and implement a dress code. Dale's events at the ballrooms, called "stomps," quickly became legendary, and the events routinely sold out.[27]
Dick Dale's "Let's Go Trippin'" (1961), which launched the surf music craze of the early 1960s
Dick Dale's Misirlou (1962), a surf rock version of a folk song. It is often considered Dale's signature single.
Problems playing these files? See media help.
"Let's Go Trippin'" is one of the first surf rock songs.[28] This was followed by more locally released songs, including "Jungle Fever" and "Surf Beat" on his own Deltone label. His first full-length album was Surfers' Choice in 1962. The album was picked up by Capitol Records and distributed nationally, and Dale soon began appearing on The Ed Sullivan Show, and in films where he played his signature single "Misirlou". He later stated, "I still remember the first night we played it ("Misirlou"). I changed the tempo, and just started cranking on that mother. And ... it was eerie. The people came rising up off the floor, and they were chanting and stomping. I guess that was the beginning of the surfer's stomp."[29] His second album was named after his performing nickname, "King of the Surf Guitar".[30]
Dale later said "There was a tremendous amount of power I felt while surfing and that feeling of power was simply transferred into my guitar". His playing style reflected the experience he had when surfing, and projecting the power of the ocean to people.[31]
Dale and the Del-Tones performed both sides of his Capitol single, "Secret Surfin' Spot" in the 1963 movie, Beach Party, starring Frankie Avalon and Annette Funicello.[32] The group performed the songs "My First Love," "Runnin' Wild" and "Muscle Beach" in the 1964 film, Muscle Beach Party.[33]
Surf rock's national popularity was somewhat brief, as the British Invasion began to overtake the American charts in 1964. Though he continued performing live, Dale developed colorectal cancer.[33] In the liner notes of Better Shred Than Dead: The Dick Dale Anthology, Dale quoted Jimi Hendrix saying, "Then you'll never hear surf music again" in response to hearing he might be terminally ill. Dale covered "Third Stone from the Sun" as a tribute to Hendrix.[34] Though he recovered, he retired from music for several years. In 1979, he almost lost a leg after a pollution-related infection of a mild swimming injury. As a result, Dale became an environmental activist and soon began performing again. He recorded a new album in 1986 and was nominated for a Grammy. In 1987 he appeared in the movie Back to the Beach, playing surf music and performing "Pipeline" with Stevie Ray Vaughan.[33]
The use of "Misirlou" in the 1994 Quentin Tarantino film Pulp Fiction gained him a new audience. The following year, John Peel praised his playing following a gig in the Garage, London.[35] Peel later selected "Let's Go Trippin'" as the theme tune for his BBC Radio 4 series Home Truths.[36] The same year, he recorded a surf-rock version of Camille Saint-Saëns's "Aquarium" from The Carnival of the Animals for the musical score of the enclosed roller coaster, Space Mountain at Disneyland in Anaheim, California.[37]
Dale was inducted to the Hollywood Rock Walk of Fame in 1996. In 2000 the U.S. House of Representatives elected Dale into the Library of Congress Hall of Records for outstanding achievements in music.[38] In March 2005, Q magazine placed Dale's version at number 89 in its list of the 100 Greatest Guitar Tracks.[39]
In 2009, Dale was inducted into the Musicians Hall of Fame and Museum in Nashville, Tennessee.[40] Dale is also a 2011 inductee into the Surfing Walk of Fame in Huntington Beach, California, in the Surf Culture category.[41]
In June 2009, Dale began a West Coast tour from southern California to British Columbia, with approximately 20 concert dates. "Forever Came Calling" (or FCC) featured Dale's then-17-year-old son, Jimmie Dale on drums, who opened for him. He was scheduled to play the Australian One Great Night On Earth festival to raise funds to benefit those affected by the Black Saturday bushfires and other natural disasters.[42]
Dale said that he was forced to keep touring to the end of his life, because of his inability to afford his medical costs.[43][44] He had many health issues, including diabetes, kidney failure, and vertebrae damage that made performing excruciatingly painful.[45] At the time of his death, Dale had tour dates scheduled into November 2019.[43]
Dale was married three times. His first wife Jeannie in the 1970s was a Tahitian dancer in Hawaii and provided backup vocals for the 1975 release Spanish Eyes.[46] Together they created a musical revue and toured at resorts in Las Vegas, Reno and Lake Tahoe. From the proceeds, Dale and wife Jeannie made successful investments in nightclubs and real estate allowing Dale to purchase his three-story 17 room dream mansion at 'the Wedge' located in Newport Beach at the tip of the Balboa Peninsula and mouth to Newport Harbor. Jeannie toured with Dale and his Deltones through the early 80s up until their very public and bitter divorce in 1984 which depleted much of Dale's accumulated wealth.[47]
He met his second wife Jill in 1986.[48] Together they had a son, James (Jimmy), born in 1992. Dale credits Jill for his transition from Surf Rock to a more raw and stripped-down style that consisted of just him and two other musicians. Jill provided back up vocals and drum tracks for Dale's 1993 Tribal Thunder album.[49]
Dale married his third wife Lana in 2011.
He said that he never used alcohol or other drugs, for health reasons, and discouraged their use by band members and road crew. In 1972, he stopped eating red meat. He studied Kenpo karate for over 30 years.[26][50][20][51] In early 2008, he experienced a recurrence of colorectal cancer and completed a surgical, chemotherapy, and radiation treatment regimen.[52]
Dale died in Loma Linda, California on March 16, 2019, at the age of 81.[35][53] He was treated for heart failure and kidney failure prior to his death.[13]
"Ooh-Whee-Marie"
b/w "Breaking Heart"
"Stop Teasing"
b/w "Without Your Love"
"St. Louis Blues"
b/w "Jessie Pearl"
"We'll Never Hear The End Of It"
b/w "The Fairest Of Them All"
"Let's Go Trippin'"
b/w "Del-Tone Rock" (Non-album track)
"Jungle Fever"
b/w "Shake-N-Stomp" (from Surfer's Choice)
"Misirlou"
b/w "Eight Till Midnight"
"King Of The Surf Guitar"
b/w "Hava Nagila"
"Surfin' and A-Swingin'"
b/w "Secret Surfin' Spot"
"The Scavenger"
b/w "Wild Ideas" (Non-album track)
"Wild Wild Mustang"
b/w "Grudge Run" (from Checkered Flag)
"Let's Go Trippin' 65"
b/w "Watusi Jo"
"A Run For Life"
b/w "Lovin' On My Brain"
"Taco Wagon"
b/w "Spanish Kiss" (from Summer Surf)
"Let's Go Trippin'"
b/w "Those Memories Of You"
"Pipeline" (with Stevie Ray Vaughan)
b/w "Love Struck Baby" by Stevie Ray Vaughan (Non-album track)
Wikimedia Commons has media related to Dick Dale.
Content is available under CC BY-SA 3.0 unless otherwise noted.
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Дейл, Дик — Википедия
Dick Dale - Wikipedia
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Рок-энциклопедия. Dick Dale
Dick Dale
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