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Casey Dick is known for The Awakeover (2020), Diva's Perfect Posse (2015) and OffSet Web Series (2017).
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2 wins.

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The Awakeover
Ex-Boyfriend (Segment "Finally A Friend")

Diva's Perfect Posse
Kaz O'Nova / Kaz / Bartender / Porn Star 3

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2019

Uncaged
(Short) ( completed )

ICE Agent

2021

Get Tony Scarboni
(Short)

Vinny Magilicutti

2020

The Awakeover
(Short)

Ex-Boyfriend (Segment "Finally A Friend")

2019

Sara's Audition
(Short)

Tommy

- The Black Mamba Episode
(2018)
... Gym Trainer

- Perfect PXXX
(2018)
... Kaz O'Nova / Porn Star 3

- Perfect Plot Part 2
(2018)
... Kaz O'Nova

- Perfect Pair
(2017)
... Kaz O'Nova

- Perfect Pitch
(2017)
... Kaz O'Nova

2017

Crushed!?: Shogun
(Music Video)

Casey Dick

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A black adult film actor is suing a director after his white female costar called him the N-word twice during a scene without his permission.
Maurice McKnight, 38, whose porn star name is "Moe the Monster," filed a lawsuit at the Los Angeles County Superior Court against Arizona-based DF Productions, Inc. and James Joseph Camp III on Thursday.
McKnight claims that Camp tried to convince him twice to consent to the racial slur, but he adamantly refused. "I told him, 'No, I don't like the word,'" McKnight told BuzzFeed News . "I said, 'I don't care if she's OK with it—I don't like that word and I'm not down with it.'"
The adult film actor says his costar, Deborah Hinkle, whose porn name is Ryan Conner, was present during both exchanges but she said the word twice anyway while filming the ejaculation scene which was later uploaded to interracial porn website dogfart.com.
"I just felt violated and betrayed," McKnight told New York Daily News . "I've shot over 50 scenes for this company. For a long time, I was one of their top guys. And I'm always publicly talking about racism. For them to even ask me was an insult, then to do it against my will, it hurts. It feels like it was a setup."
Dan Gilleon, McKnight's attorney, said: "The use of the N-word in the workplace is extraordinarily harmful to African American workers. It's a violent, abusive word that embodies the pure evil of racism. It has no place in our society," he said. "Moe is going high by filing a lawsuit instead of acting in kind to this egregious act of racism."
According to the lawsuit, DF Productions, Inc. "targets racist viewers and entices them into paying DFI money in exchange for the right to view racist adult films."
After the incident, McKnight asked for the footage to be edited by the company, but the director refused his demands. McKnight alleged that Cable Rosenberg, the owner of the company, also sent him abusive messages when he continued to protest the "fraudulent act of racism in the workplace" over the next several months.
"Make your dick hard again and stop being a beta male… It's getting embarrassing. Anymore tortious interference and we'll take this to court," Rosenberg wrote in a text message to McKnight, according to the court documents.
Camp also said in a message to McKnight: "You're a disgrace. To your people. To your family. To yourself."
In the lawsuit, McKnight alleged that the messages not only "constituted further discrimination, they also determined the malice and ill will the defendants held towards McKnight."
Newsweek was unable to reach Rosenberg or Camp for comment. Hinkle has not responded to a request for comment.
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Part of HuffPost News. ©2022 BuzzFeed, Inc. All rights reserved.
Darren moved to California around 1975, leaving Tim and his hometown behind. Tim remembers warning him that he'd be "just another pretty face" on the West Coast. But it wasn't long before that pretty face started popping up in the adult bookstore back home.
Nov 20, 2012, 06:08 PM EST | Updated Feb 2, 2016
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I wasn't sold on whether I should interview anyone besides actual Colt models for my project about the men of Jim French's Colt Studios . The point of the project has always been to give voice to primary sources. But the only man harder to find than a living Colt model is one who's willing to talk to me.
And it quickly became apparent that while I might never be sure of exactly how well Tim* knew Darren, his experience of the time and place I'm trying to understand wasn't observed from the sidelines.
"Darren and I grew up in the same town," Tim says. "We were in a small community of gymnasts. We connected eyes a few times and went from there. It wasn't a romance between us, just a good fit sexually. But we were also good friends and stayed close until he died."
According to Tim, Darren "always got a lot of attention. He was the kind of guy who, whether he rejected you or gave you the green light, left everyone feeling good."
Darren moved to California around 1975, leaving Tim and his hometown behind. Tim remembers warning him that he'd be "just another pretty face" on the West Coast. But it wasn't long before that pretty face started popping up in the adult bookstore back home.
"I saw his face on the cover of a magazine," he says. " Blueboy , I think. And he always modeled under his real name, so he wasn't hard to find."
When Tim visited Darren in California, Darren told him that he "really wanted to get to Colt," that he knew Jim French's work was "on another level from any of the work he was doing."
That same year, Tim received some photos from Darren in the mail.
"I thought to myself, ' These look good,'" Tim says. "They were the first pictures of him that looked as attractive as the guy I knew. And honestly, I felt relieved. I could tell from the pictures that he trusted the photographer."
Darren worked with Colt for about four or five years, as well as some more "aggressive" work with other studios.
"All the other stuff Darren was doing looked pretty rough next to what he did with Jim," Tim says. "Even the duo films he did with Colt were real choppy and grainy. They never had the same magic as the stills."
Tim attributes much of this "magic" to Darren's stable upbringing: "He was modeling under his real name! It wasn't some alter ego for him. He didn't have a chip on his shoulder about life back home. I think it's what made him so natural in front of the camera."
"Darren's parents always supported him," Tim goes on. "They knew he was gay. They knew he was 'modeling.' He had a deal that he wouldn't do anything to embarrass them. I think it's how he managed to avoid the darker parts of the lifestyle -- drugs, hustling and all that."
After a few years, Darren got into a serious relationship and stepped away from the adult industry. But in Tim's mind, Darren's decision was as much a result of the changing sexual atmosphere as it was a result of the new romance.
"Everything started moving to video," Tim says. "When he started, it was just like getting some guys together, turning the camera on and seeing what might happen. But with VHS, people started writing scripts with plots and trying to act and direct. It just turned into a big production. It wasn't fun anymore."
Darren died of a sudden heart attack in 1995, several years after moving back to the hometown where Tim still resides. After the funeral, Tim went to Darren's parents' house and noticed a familiar image in an arrangement of photos in their living room.
"It was crazy, but one was definitely a picture by Jim French," he tells me. "The same set-up from one of Darren's Colt shoots, just fully dressed and smiling wide to the camera. He told me once that when he wrapped a shoot with Jim, he would say, 'Now take one or two I can give to my family.' But to actually see it on his mother's mantle, right after his funeral, it was pretty surreal."
Before bidding Tim farewell, I ask if he knows any other performers in the adult industry, hoping he might connect me to another interview.
"Oh, sure!" he says, as though the men I've been scrambling to track down for over a year shouldn't be so hard for anyone to find. "Most of them are gone now. But there were a lot of guys who'd get a little body on 'em and try it. Maybe not forever, but it was like doing drugs: You try it once, and now you can say you tried it. I came up in a close-knit community of athletic men. And I looked the part, so I could move with these guys comfortably."
I become very conscious of whatever "part" I look (or don't) and how uncomfortably I have always moved with "these guys."
No one has ever asked me to take my clothes off in front of a camera. Hoping I might achieve a contact high, I ask Tim if he ever tried this "drug" himself.
"Yeah," he says, a similar nonchalance to his voice. "Some print modeling, some physique stuff in college. But I wasn't a natural for it. I was always afraid it would come back to haunt me. But you've got to remember: Back then, everybody had it.
"Ninety-five percent of the guys in porn today aren't memorable," he goes on. "Hairless below the eyebrows, on some head trip, where they can't look like they're enjoying themselves. That moment's just over now. Maybe I'm an old timer. But it seems like even younger men are looking back to that era and can see it was a special time.
"I mean, even you," he says. "Why are you looking back?"
I freeze, feeling the lens of my own camera suddenly point back at me.
And for what it's worth, I feel a little naked.
*Following our interview, "Tim" asked that I remove any names and identifying information, to protect "Darren's" family.

2:13PM Wednesday, October 19th, 2022
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