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Devil Full Movie Free
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Devil (2010) 1/3 full movie, eng. subs

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dodan 29. 05. 2012



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Hudič, cel film M. Nighta Shyamalana z angleškimi podnapisi. His Day Will Come -- VEČ: IMDB -- A group of people are trapped in an elevator and the Devil is mysteriously amongst them. The inspiration for the film comes from the folktale "The Devils Meeting" in which the Devil roams the earth in human form torturing the living. The film also mentions the folktale. Director: John Erick Dowdle. Writers: Brian Nelson (screenplay), M. Night Shyamalan (story). Stars: Chris ... več
Hudič, cel film M. Nighta Shyamalana z angleškimi podnapisi. His Day Will Come -- VEČ: IMDB -- A group of people are trapped in an elevator and the Devil is myste rious ly amongst them. The inspi ratio n for the film comes from the folktale "The Devils Meeting" in which the Devil roams the earth in human form torturing the living. The film also mentions the folktale. Director: John Erick Dowdle. Writers: Brian Nelson (scre enpla y), M. Night Shyamalan (story). Stars: Chris Messina, Caroline Dhavernas and Bokeem Woodbine. manj

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Detective Bowden must save five people trapped in an elevator: a mechanic, a young woman, an old woman, a guard, and a salesman. But Bowden must act fast, because one of them is the devil.
Directors Drew Dowdle , John Erick Dowdle Starring Jenny O'hara , Josh Peace , Chris Messina Genres Suspense , Horror , Drama Subtitles English [CC] Audio languages English , English [Audio Description]
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Supporting actors Logan Marshall-Green , Geoffrey Arend , Bojana Novakovic , Jenny O'Hara , Bokeem Woodbine , more… Matt Craven , Jacob Vargas , Joshua Peace , Caroline Dhavernas , Joe Cobden , Zoie Palmer , Vincent Laresca , Rudy Webb , Craig Eldridge Producers M. Night Shyamalan , Sam Mercer Studio UNIVERSAL PAY TELEVISION Rating PG-13 (Parents Strongly Cautioned) Content advisory Frightening scenes , foul language , violence Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
Kevin Ryan Reviewed in the United States on August 19, 2022
I've seen this before and just as good each time after, not many movies can make that
Jake Reviewed in the United States on July 28, 2022
If you like the creator behind this movie you should enjoy this one. it keeps you guessing until the end.
John's Horror Corner Reviewed in the United States on February 6, 2012
When a movie can seize our attention during the opening credits and maintain it throughout--well, we're in for something good. An impressive score, ominous but beautiful cinematography and exquisite camerawork transform this movie from "decent" to a very different and enjoyable experience. It strikes me as well-written and well-acted by a team of underrated actors. It's not gruesome or horrifying, but it kept me on my toes and, more importantly, kept my attention continuously. This expanded one-act is a gem in an era where moviemakers place more attention in trailer-editing than movie production. [B+ ] Folks, let's give credit where it's due. If you skipped this movie just because Shyamalan's name was attached to it then you made a mistake. I'll start by pointing out a key difference between this Shyamalan movie and all others: Shyamalan wrote it but did not direct it. All of his other movies, which admittedly went downhill after The Sixth Sense and Unbreakable, were both written and directed by him. I'd also like to point out that the ideas for all of his movies had the potential to be great--really great. But for any movie you need not only a proven director, but the right director for the movie in question. I think they got the director right on this one: John Erick Dowdle, who directed Quarantine, the American adaptation of the Latin phenom [REC]. The movie opens with a cautionary tale about the Devil, who occasionally gathers a group of ill-fated humans to torture them one by one before stealing them away to Hell. Cut to the opening credits we see an impressive metropolitan cityscape showcased in a distorted, upside down view to set a mood of unease--or excitement for movie thrill-seekers. The score, as if architected to accelerate heart rates, complements the visual overtones well. I am immediately on my toes, waiting to pick out the wolf-in-sheep's-clothing before a single hits the screen. The characters include a bereft, alcoholic detective who doubts his ability forgive, two elevator-surveillance security guards, two attractive twenty-somethings (a man and a woman), a floor security guard, a testy old woman, and a well-dressed mattress salesman. The game starts when we see the latter five step onto the elevator. From this moment on, a talented movie analyst might be auditing each character's wardrobe for red or anything "diabolical". But red is found on the attire of a few of them, as well as hints of red on the fabric walls of the elevator, one character's hair, the lit buttons and the digital floor number display. Nothing is obvious, which makes random suspicions free game! Interspersed with the director's attempts to bait us into snap judgments as to who is "the Devil" are elevated shots of the city, some with views looking straight up or ominously down the side of their reflective, windowed surface and others shuttling through the elevator shaft. The devout, Latin security guard (who has been doubling as an effective narrator) chimes in with his theological fears or additional details to the story which opened the movie. As tension rises, we are left to wonder if the five on the elevator are the only people gathered by the Devil, or if the detective and surveillance security were carefully chosen as well. Suspicions shift readily and regularly. We periodically learn new details about the characters which could be hints or red herrings. Expressions of fear, accusation, anger and disgust festoon the faces of our elevator players. In screenwriting they say that you don't put a gun on the wall in Act One unless it's going to fire in Act Three. Let's just say it feels like this wall belongs to the NRA president. This movie was fun and unique. As serial-moviegoers isn't that what we want? Something different and enjoyable? Something that doesn't feel like a recycled idea with a new director and different actors? If you feel the same way, then give Shyamalan a mulligan and try this movie out!
joel wing Reviewed in the United States on June 3, 2020
M. Night Shyamalan’s movies can be all over the place. Devil however is one of his best. The gist of the story is that six people get trapped inside an elevator and plays upon the guilt, faith and skepticism of everyone involved. The movie has three set of characters. First is the six inside the elevator. They are obviously the main focus. As time passes more and more things happen to them, and the crimes of their past are revealed. Then there are two security guards who work in the building. One of them, Ramirez (Jacob Vargas) is the only one that realizes what’s happening. Then there is Detective Bowden (Chris Messina) who approaches everything logically when he’s dealing with the supernatural. Each group represents something different with the people in the elevator being guilt, the guard being faith and the cop skepticism. The movie works because it is so unexpected. Shyamalan threw all kinds of stuff at the audience although he also foreshadowed the end with a voice over at the start. It also wasn’t one of those movies with a silly big twists at the conclusion. C
H. Bala Reviewed in the United States on January 2, 2011
In South America there is a myth known as the Devil's Meeting. It suggests that the Devil walks among us always, and that an act of suicide gives him license to come in and play his games. For Old Scratch delights in trapping his victims in confined spaces and there tormenting them, before taking them to Hell. M. Night Shyamalan, whose name is mud, produces this one, doesn't direct it. I don't know if that impacts your decision to see or avoid this film. I saw DEVIL and thought it didn't suck. I give it a marginal thumbs up. But it's no SIXTH SENSE. Sadly, those heady days seem to be firmly in Shyamalan's rear view mirror. I hope he proves me and you wrong somewhere down the line. Anyway, DEVIL opens with a suicide, a jumper off a highrise building. The tone is promisingly ominous. DEVIL is a supernatural locked room conundrum, except that "supernatural" being the operative word, the murder mystery isn't about to play fair with the audience. Still, when five strangers get trapped in an elevator, it's fun to right away start guessing which one of these poor souls is actually the Devil. Because that's the premise of this horror movie. When the Devil's around, everything goes wrong. To demonstrate this, the superstitious security guard (serving as the story's chorus) tosses up a jelly jam sandwich and it lands jelly down, thus ridiculously proving his point. I guess someone was required to establish the film's mythology. The guard also informs the investigating police detective (Chris Messina), as they view the stuck elevator's security camera, that the Devil is allowing them to see what they're seeing for a reason. For the police detective - coping with his own personal tragedy - the connection is easy enough to figure out. I liked this movie, didn't love it. The premise of people stranded in the elevator with the Devil is really intriguing, and I enjoyed how that was presented, liked how the Devil, identity unknown, sowed his seeds of doubt and mistrust. But I feel that more could've been done with the premise. For one thing, the trapped characters aren't developed enough and so there's no real incentive to care whether they survive or not. Also, whatever claustrophobic feel the elevator scenes produced was undermined by other scenes which featured the characters not stuck in the elevator. LIFEBOAT did the claustrophobic movie best - heck, CUBE is another fine example - and partly because there were no outside influences. The cameras focused solely on the cornered characters. Another good one is the Twilight Zone episode "Five Characters in Search of an Exit." The story isn't as suspenseful or creepy or scary as I'd hoped. The violence happens off camera, whenever the elevator lights would go out. When the lights came back on, there lay (or hung) the gristly results. Maybe most damningly, when the Devil finally makes his presence known, it's more disappointing than anything. Not at all frightening. So 3 out of 5 stars for the atmospheric ambiance and the premise and the execution of it, but I crave more than what a defanged horror film has to offer. I won't even go into how the film early on sets up sparks between the detective and that hot girl (I think she was an EMT) only to absentmindedly drop that thread. The DVD's bonus material: 3 Deleted Scenes which respectively introduce the salesman, the old woman, and the mechanic, three of the five elevator passengers (totaling 00:03:58 minutes); "The Story" - a featurette laying out the movie's premise (00:02:33); "The Devil's Meeting" - Ysamur Flores, PhD Folklore and Mythology, and the filmmakers offer some musings on the Devil (00:02:28); and M. Night Shyamalan talks about his production project "The Night Chronicles" which plans on releasing three horror films, of which DEVIL is the first (00:02:16).
The Lone Striker Reviewed in the United States on July 20, 2020
I wasn't expecting much from this movie. The script is based on a story by M. Night Shyamalan, he's let us all down a few times, and I didn't have much hope he'd broken his streak of turkeys with this. But he has: the man is emphatically back, he still has good movies in him.. Because this is a terrific one, and it's due to the story. I won't spoil anything, but I will say that this is an explicitly theological film. It's about the devil, human evil and despair. About sin, the pertinacious embrace of evil, and its consequences. It's a horror film, and it does get pretty gruesome, but in its resolution it's about repentance, sorrow, and forgiveness. The movie begins with a scene of explicit occult inversion, and ends with everything properly grounded and re-ordered toward the sky. While the subtext is that the world is deeply tainted and grayed by evil, it's made explicitly clear that that seemingly drab bleak sky is not empty and indifferent. We can forgive and repent, our hope is not vain. I cannot recommend this movie enough. If it sounds like your cup of tea, you should watch it.
L Reviewed in the United States on November 14, 2014
Argentinians have their Alejandro Jodorowsky, Americans have their David Lynch, and Poles have their Andrzej Zulawski. What makes these movie directors stand out is their unique cinematic style. All three named above, make their own type of cinema that can only be described as: original, disturbing, unorthodox, innovative, independent, etc. Zulawski's The Devil (1972) filmed on location in south-western Poland, a region known for its beautiful castles, deep forestry, and hiking trails, tells the story of a nobleman, Jacob, who gets freed from political prison and journeys back to the home of his father...the journey is incoherent and misogynistic, the people he once knew are no longer the same people he remembered...there is not one sane person amongst the characters...what makes things worse is the background setting of the story, which takes place in 1793 during the second partition of Poland and just in time when the Prussian armies are invading Poland from the west. The kingdom of Poland is in disarray, with internal faction fighting with one another, and governmental institutions either capitulating or complying with the invaders-- chaos and anarchy fills the screen--- Zulawski perfectly captures the atmosphere of lawlessness and misery in this film...plenty of dirt, mud, blood, shivering cold, and muggy-empty forests only add to the spectacle...displaying a nation on the brink of its extinction... The film opens up with a mysterious horseman dressed all in black searching a nun's convent (the convent also holds a prison/asylum compound) for a political prisoner who years ago was accused of plotting the assassination of a Polish king. The opening scene sets the mood and tone for the rest of the movie. As the enigma man runs through the halls of the convent to find his prisoner he encounters people shouting, screaming from pain and fear, he sees men getting killed, women raped,...a total chaos where rules no longer apply...
Heidi Click Reviewed in the United States on October 15, 2010
M. Night's Back in the game in his tale of evil whacking the passengers of Elevator Six of a Philadelphia high rise building. Beginning with the mysterious suidicde from the 35th floor, Detective Bowden (Julie and Julia's Chris Messina) is dragooned to become a sinister force's latest audience as it picks off an ecclectic passengers of express elevator six and to defining the metaphysics of evil after his family's killing at the hands of a hit-and-run driver. From the disorienting opening sequence to the final narration by Jacob Vargas' Ramirez, M. Night continues to bring his audience through the screen to his world with clarity and stregnth reminding us why we go to the movies. Devil's plot races forward like a controlled explosion, never boring the audience (which, when I saw it, was me.) And while the tale may seem tired, the presentation was not. I enjoyed Mr. Messina and the Elevator Cast's performances. The terror for the passengers is felt clearly with each time the lights go out and the reactions become more and more irrational and hysterical, just as it would become for any of us trapped in similar circumstances. Mr. Messina's detective follows a clear path from logic to faith which inspires those who have none. I enjoyed his journey and his presence in this picture. I last saw him in Julie and Julia and dismissed his performance in favor of his co-stars. However, after Devil, I will watch more carefully for anything with him in it. The onion peel, when the connections within the elements of a story unravel to reveal something, was executed routinely but brilliantly. Even I, a jaded film watcher, was surprised when the core came out. This is the mark of a great writer, as M Night is, despite Hollywood's need to define greatness with financial success. Bravo, guys!! This one's a keeper!!

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