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If you wish to view the condition report of this lot, please sign in to your account. Live Auction Old Master Paintings. Lot Anonymous sale; de Winter, Amsterdam, 8 September , lot Possibly with John Smith, from whom acquired by P. O'Rial, Paris. Herbert Girardet, Kettwig, by , and by descent; Sotheby's, New York, 22 January , lot 33, where acquired after the sale by the Hascoe family. Plietszch, Gerard ter Borch , Vienna, , p. Oberlin, Allen Memorial Art Museum, on loan, Recklinghausen, Kunsthalle, Gesammelt im Ruhrgebiet , , no. Please note there is additional literature for this lot: J. Giltaij, Senses and Sins: Dutch painters of daily life in the seventeenth century , exhibition catalogue, Ostfildern-Ruit, , p. Sign in. Lot Essay Throughout his career, Ter Borch demonstrated his interest in capturing military life, having been exposed to its rhythms from early on as a child growing up in a garrison town in the province of Overijssel. In the s, following the end of the Eighty Years' War , the artist took to creating intimate guardroom scenes executed in earth tones and featuring a few figures organized in vertical compositions, of which the present painting is a prime example. While soldiers increasingly found their way into middle-class surroundings in Dutch painting of the period as a result of their shifting roles in peacetime, Ter Borch channeled the rustic atmosphere of earlier genre scenes of this type by depicting a simple, makeshift setting. At home in a rough environment where rubbish litters the floor and a weathered plank resting on a barrel passes for a table, three men have found different ways of passing the time. A portly officer, presumably exhausted from overindulgence in drink and tobacco, has made himself comfortable by unbuttoning his trousers and pulling down his boots before falling into a deep slumber. One of his companions entertains himself by blowing smoke into his face to rouse him under the distracted gaze of a ruddy soldier lighting his pipe. Likely originating in the work of Jacob Duck, the theme of a soldier being tickled awake was treated once more by Ter Borch in a composition dated to around and now in the Taft Museum, Cincinnati S. Gudlaugsson, op. While such amusing scenes were intended to delight viewers, they were probably also meant as cautionary reminders of the importance of maintaining military vigilance. Indeed, despite the peace with Spain, the Netherlands remained vulnerable in the s, especially along the German border, where forces spreading Counter-Reformation doctrine needed to be kept in check. An autograph copy of this painting, minus details such as the clay pipe resting on the plank, is now housed in the Wallraf-Richartz Museum, Cologne ibid. Gerson believed it was a copy. Containing various pentimenti , the present painting was first recognized as the original version by Wolfgang Stechow loc. More from Old Master Paintings. View All.

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