Daughter And Father Incest Full Movie

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Keren Yedaya's textbook portrait of a sexually abused woman is tough yet unremarkable.
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Incest continues to be inexplicably popular arthouse fodder, with Keren Yedaya’s “That Lovely Girl” prolonging the trend. A hothouse story of a father-daughter’s abusive (in all senses) relationship includes collateral issues such as codependency, self-mutilation and bulimia, making for a fairly accurate psychological profile of a sexually abused woman. If only Yedaya offered insight rather than a textbook portrait delineated solely by her protag’s victimization. Shot frequently in closeup to enhance feelings of inescapability, the pic is tough yet unremarkable, significantly marred by a vital side character lacking plausibility. “Girl” will accumulate fest and streaming dates, but little else.
Moshe (Tzahi Grad) and Tammy (Maayan Turjeman) are father and daughter. The script offers no backstory, so audiences only understand that he’s raped his child, now in her early 20s, for so long that she gets upset if he doesn’t have sex with her. His intimidation is so complete, her conviction that he’s the only person who loves her so total, that she becomes distraught when she suspects he’s with another woman. After Moshe comes home late, she asks, “Are you having an affair?” “Is it any of your business?” he demands in return, accompanying the jibe by slapping Tammy in the face and then sodomizing her from behind.
While he’s out, she binges and vomits, then pulls out an X-acto knife to add further cuts to her heavily self-scarred limbs. Daddy returns, bandages the wounds, and treats it all like a minor nuisance. Later he scolds her for getting fat: She cries, so to make her feel better, he roughly takes her from behind before leaving again. When he brings his new g.f., Iris (Tal Ben-Bina), to Passover dinner, Tammy sulks and finally runs away to the beach, where she lets four guys have sex with her.
With all the new activity, Tammy loses her purse and becomes distraught. Fortunately, Shuli (Yael Abecassis), a stranger, calms her down and takes her home, allowing her to stay the night and tending to her latest batch of self-mutilations. Who is Shuli? Does she have a job, or a life other than one devoted to this young woman she’s just met on the beach? Given the obvious lesbian overtones, including penetrating gazes and body language, audiences are led to think that Tammy is fated to be yet another victim of exploitation — it would have been a more interesting twist than the one Yedaya takes, of a selfless woman trying to break Tammy free from her abusive father. Surely the word “die,” which Tammy carved on her own arm, should have given Shuli enough pause to consider that maybe she’s a little out of her depth here.
Such thoughts remain unaddressed as Tammy ping-pongs between Daddy and her new protector, unable to break away from her codependency. Yedaya’s superior debut feature, “Or,” featured another kind of dysfunctional family, involving a teen girl and her prostitute mother; the follow-up, “Jaffa,” was less about the dynamics of parents and children, though still concerned with family power plays. With “That Lovely Girl” (originally titled “Away From His Absence,” like the novel it’s based upon), the helmer returns to the more minimal intensity of her freshman work, yet her characters are defined only by their psychological deformities – Moshe as monster, Tammy as traumatized victim. Shuli, meanwhile, is merely Good Samaritan, a far-fetched notion in keeping with Yedaya’s roughly sketched notions of personality, designed to make a statement rather than present a real human being.
Turjeman and Grad give what are generally called “brave” performances, and there’s no question they opened themselves up emotionally for this punishing psychological ride. Lensing marks a stylistic return of sorts to “Or,” also shot by Laurent Brunet, though here there’s a far heavier use of closeups, especially in the first two-thirds, which emphasize Tammy’s constricted world.
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Cannes Film Festival
Cannes Film Review: ‘That Lovely Girl’
Reviewed at Cannes Film Festival (Un Certain Regard), May 15, 2014. Running time: 97 MIN. (Original title: “Harcheck mi headro”) 
Production: (Israel-France-Germany) A Transfax Film Prods., Bizibi, Riva Filmproduktion production. (International sales: Other Angle Pictures, Paris.) Produced by Marek Rozenbaum, Michael Rozenbaum, Emmanuel Agneray, Jerome Bleitrach, Michael Eckelt.
Crew: Directed, written by Keren Yedaya, adapted from the novel “Away From His Absence” by Shez. Camera (color), Laurent Brunet; editor, Arik Lahav-Leibovich; production designer, Eyal Elhadad; costume designers, Li Alembik, Ofri Barel; sound (5.1), Simone Weber, Stephen Konken; line producers, Dan Gurfinkel, Christian Vennefrohne; assistant director, Adin Weiner.
With: Maayan Turjeman, Tzahi Grad, Yael Abecassis, Tal Ben-Bina, Ori Yadlin, Adi Shir, Or Edry, Barak Friedman, Dor Srugo. (Hebrew dialogue)
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Fathers and Daughters' name-brand cast can't cover for a screenplay that makes a half-hearted effort at delving into family dynamics but falls back on melodrama. Read critic reviews
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Fathers and Daughters: International Trailer 1
A Pulitzer Prize-winning author (Russell Crowe) checks into a mental health facility after the death of his wife, while his daughter (Amanda Seyfried) falls for an aspiring novelist (Aaron Paul) years later.
Richard Middleton
Executive Producer
Might as well have been titled "Daddy Issues: The Movie."
If it didn't so obviously want to be a Serious Adult Drama, leaned into its own melodrama with zest, it could have been pretty good.
July 8, 2016 | Rating: 1.5/4 | Full Review…
Even as I knew I was being manipulated - and what art doesn't manipulate? - I was moved.
July 8, 2016 | Rating: 3/4 | Full Review…
As the movie jounces along on florid pronouncements that overstate the obvious, "Fathers and Daughters" defies credibility and insults the intelligence.
"Fathers and Daughters" juggles too many plotlines ...
July 7, 2016 | Rating: 1.5/4 | Full Review…
A cloying, on-the-nose family drama that fails to pack an emotional punch.
July 7, 2016 | Rating: C | Full Review…
While this section of the movie can be both moving and powerful, a second storytelling timeline tracking the difficult life facing Jake's daughter (played by Amanda Seyfried) a few decades later is not so successful.
July 27, 2018 | Rating: 2.5/5 | Full Review…
Fathers And Daughters is a mawkish melodrama that, despite a starry cast, has little to recommend it.
October 26, 2017 | Rating: 1/5 | Full Review…
I've always thought Russell Crowe would make a rather crazy but loving dad.
September 20, 2017 | Rating: 3/5 | Full Review…
There are no car chases, super heroes or explosions in 'Fathers & Daughters.' Just lots of bravery, tenderness and tears.
Well-acted drama about emotional trauma has sex, drinking.
July 8, 2016 | Rating: 3/5 | Full Review…
Before excess suffocates the movie, there's a sharp sense of loss that carries significant power, almost able to buttress the entire effort.
July 7, 2016 | Rating: C | Full Review…
Might as well have been titled "Daddy Issues: The Movie."
If it didn't so obviously want to be a Serious Adult Drama, leaned into its own melodrama with zest, it could have been pretty good.
July 8, 2016 | Rating: 1.5/4 | Full Review…
Even as I knew I was being manipulated - and what art doesn't manipulate? - I was moved.
July 8, 2016 | Rating: 3/4 | Full Review…
As the movie jounces along on florid pronouncements that overstate the obvious, "Fathers and Daughters" defies credibility and insults the intelligence.
While this section of the movie can be both moving and powerful, a second storytelling timeline tracking the difficult life facing Jake's daughter (played by Amanda Seyfried) a few decades later is not so successful.
July 27, 2018 | Rating: 2.5/5 | Full Review…
Fathers And Daughters is a mawkish melodrama that, despite a starry cast, has little to recommend it.
October 26, 2017 | Rating: 1/5 | Full Review…
I've always thought Russell Crowe would make a rather crazy but loving dad.
September 20, 2017 | Rating: 3/5 | Full Review…
There are no car chases, super heroes or explosions in 'Fathers & Daughters.' Just lots of bravery, tenderness and tears.
Well-acted drama about emotional trauma has sex, drinking.
July 8, 2016 | Rating: 3/5 | Full Review…
Before excess suffocates the movie, there's a sharp sense of loss that carries significant power, almost able to buttress the entire effort.
July 7, 2016 | Rating: C | Full Review…
It's extremely saccharine and obvious in its progression.
July 7, 2016 | Rating: C | Full Review…
A sensitive drama about cutting loose a cumbersome emotional ball and chain.
July 5, 2016 | Rating: 4/5 | Full Review…
This is a high quality Hollywood production, designed for the thinking viewer. A Pulitzer Prize-winning author struggles with grief, illness, and devoted single fatherhood; and then there is his only child's life. There are pleasant New York scenes and lovely interiors. It is set among the world's elite; still the film avoids pretension. There are some writing gems: "I have more money than God" ... "the United States of Money"... . In the sex scenes, some of which are unpleasant, the film avoids pornography. Carrying the story, Crowe fills the screen with his powerful combination of warmth, tenderness and strength, and a wide, musical acting vocabulary. The young child is depicted without cloying sentimentality. Seyfried is exquisite and tragic as the adult daughter trapped in a destructive cycle. A first-class supporting cast is memorable: for just one example, watch Diane Kruger when the sheen has fallen away from her character. Jane Fonda's depth of talent and screen presence upstage Crowe - perhaps he suitably acceded to this; you get to see these two wonderful actors together in a few classic vignettes. The screenplay leaves you with an integrated work, which has spoken to you about things that matter; be prepared for tears. Despite the engaging child characters, the many happy scenes which keep lifting the mood, and the overall absence in the film of explicit sex or violence, this is not one for kids or young teens, because it is emotionally complex; it is strongly wrought, grown-up stuff, yet beautiful for it.
I found Russell Crowe to be superb in this. You cannot help but feel a little disturbed by the condition that ails his character and how it affects the life of his teenage daughter in later years. Some of it is nothing but filler and melodramatic at times but deep down there's a powerful message, if you look hard enough.
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