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Новосибирск красавицы Сибири
Novosibirsk’s Siberian Beauties


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Anna Yuzhakova takes her laptop computer with her to the restaurant car. She wants to show her international visitor the many charms of Siberian beauties. They are the result, she says, of years of mixed marriages by citizens from different republics of the former Soviet Union.
Anna is a scout. She discovers new talents for the Noah Models agency in St. Petersburg.
She is herself a former model. Four times a year she crosses her native region by train searching for the next top models, the ones who will one day strut the catwalks of Paris or New York.
Her travelling companion, Stephane Hababou, watches the photos of would-be models scroll across the screen. He’s also a scout. He represents the prestigious Marilyn agency in Paris.
It’s his first trip to Siberia. Hababou says it’s the best way for him to find new prospects ahead of his competition.
There’s not a moment to waste. Anna and Stephane stop in every large city of the region, holding a casting call that is open to all.
About 50 teen girls in black undergarments and stiletto heels greet Anna and Stephane at every stop. Some move nervously. Others proudly show off their curves.
The presence of this visitor from Paris ramps up the pressure. Everyone knows Hababou holds the key to a possible career abroad. It’s an opportunity to follow both an American and French dream, a chance to escape the daily drudgery of life in Siberia.
Anna invites Marina Korotkova to step forward. The 17-year-old barely has the time to take two steps before a cutting remark welcomes her into the world of modelling, even if pronounced under the guise of humour. “Marina is a little overweight.” At 93 centimetres, her hips are too wide. The visitors still take a few photos and recommend she go on a diet.
Russia’s largest modelling school is in Novosibirsk. It’s a unique breeding ground for girls who start training as early as age 10 or 12. They learn fashion photography techniques and how to sway their hips on a catwalk.
Fifteen-year-old Kristina Churina, a recent graduate, catches Stephane Hababou’s eye. If she loses a little weight, she could end up in Paris within the year, modeling the creations of top designers.
But few are chosen. Anna selects about 30 young women during each of her Siberian scouting trips. Only a fraction of them will ever end up with real modelling careers.
To be ready to seize the opportunity if presented with it, Kristina has been taking intensive English courses. She also has a plan B. She’s studying tourism and hopes to one day manage a large hotel.
Anna Yuzhakova takes her laptop computer with her to the restaurant car. She wants to show her international visitor the many charms of Siberian beauties. They are the result, she says, of years of mixed marriages by citizens from different republics of the former Soviet Union.
Anna is a scout. She discovers new talents for the Noah Models agency in St. Petersburg.
She is herself a former model. Four times a year she crosses her native region by train searching for the next top models, the ones who will one day strut the catwalks of Paris or New York.
Her travelling companion, Stephane Hababou, watches the photos of would-be models scroll across the screen. He’s also a scout. He represents the prestigious Marilyn agency in Paris.
It’s his first trip to Siberia. Hababou says it’s the best way for him to find new prospects ahead of his competition.
There’s not a moment to waste. Anna and Stephane stop in every large city of the region, holding a casting call that is open to all.
About 50 teen girls in black undergarments and stiletto heels greet Anna and Stephane at every stop. Some move nervously. Others proudly show off their curves.
The presence of this visitor from Paris ramps up the pressure. Everyone knows Hababou holds the key to a possible career abroad. It’s an opportunity to follow both an American and French dream, a chance to escape the daily drudgery of life in Siberia.
Anna invites Marina Korotkova to step forward. The 17-year-old barely has the time to take two steps before a cutting remark welcomes her into the world of modelling, even if pronounced under the guise of humour. “Marina is a little overweight.” At 93 centimetres, her hips are too wide. The visitors still take a few photos and recommend she go on a diet.
Russia’s largest modelling school is in Novosibirsk. It’s a unique breeding ground for girls who start training as early as age 10 or 12. They learn fashion photography techniques and how to sway their hips on a catwalk.
Fifteen-year-old Kristina Churina, a recent graduate, catches Stephane Hababou’s eye. If she loses a little weight, she could end up in Paris within the year, modeling the creations of top designers.
But few are chosen. Anna selects about 30 young women during each of her Siberian scouting trips. Only a fraction of them will ever end up with real modelling careers.
To be ready to seize the opportunity if presented with it, Kristina has been taking intensive English courses. She also has a plan B. She’s studying tourism and hopes to one day manage a large hotel.
Siberia is known around the world for its frigid temperatures. But in the world of fashion, the region is famous for being home to the most beautiful women in the world.
The measuring tape is king. Minimum height: 172 centimetres (5 feet, 6 inches). Maximum hips: 90 centimetres (35.4 inches).
Casting calls are open to all and attract about 60 hopeful young women every time they are held.
The measuring tape is unforgiving. With hips measuring 93 centimetres (36.6 inches), Marina Korotkova is considered “a little fat.”
Stephane Hababou, from the Marilyn agency in Paris, has come to Siberia to find the most promising beauties before his rivals do.
Anna Yuzhakova (centre), herself a former model, visits Siberia four times a year on behalf of the Noah modeling agency in St. Petersburg.
Anna discovers 30 to 40 fresh and interesting faces every month.
Anastasia Akhmameteva catches the eye of Stephane Hababou. Her ticket to Paris is within reach.
For the ones left behind, the rejection is often brutal.
15-year-old Kristina Churina just graduated from Novosibirsk’s modelling school and has caught the attention of the Paris agency.
But Stephane Hababou hesitates about Kristina: “If she loses weight, we’ll see see how she changes.”
Siberia is considered a modelling reservoir, thanks to ethnic mixing.
A little powder, and barely pubescent girls turn into femmes fatales.
A fashion show after the casting call allows scouts to observe the models in real conditions.
For many young women from small villages, modelling offers a chance to travel and earn a lot of money.






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Published: 20:36 BST, 2 June 2014 | Updated: 22:45 BST, 2 June 2014
These are the 'too-short' shorts that caused administrators at a Montreal high school to kick student Lindsey Stocker off campus.
Stocker donned the jean shorts To Beaconsfield high school on the first hot day of the season, and was temporarily suspended when she refused to change.
The grade 11 girl is seen wearing the controversial shorts for the first time, in pictures published by the Montreal Gazette .
'Too short': These are the denim shorts that got Montreal teen Lindsey Stocker suspended from school
Stocker unwittingly started a revolution by refusing to change out of a pair of shorts, when she was told they were not appropriate for school on May 21.
She refused, and instead printed a poster that she plastered over the school, questioning why girls' bodies were the focus of the rules instead of boys' behavior.
During third period on that day, two vice principals entered her classroom and told everyone to stand up so their outfits could be inspected .
'And when they came to me after about two rows of looking they stopped and told me my shorts were too short and I had to change,' Stocker told the National Post .
Get shorty: Lindsey Stocker says she was humiliated in front of her class for wearing a pair of shorts on a hot day
'They continued to tell me would be suspended if I didn't start following the rules. When I told them I didn't understand why I had to change they told me that it doesn't matter - I don't have to understand the rules, I just have to comply by them.'
Stocker felt singled out and humiliated in front of her class, but what concerned her more was a set of rules that focused on girls' bodies rather than boys' behavior.
So instead of complying with the rules, she went and printed up about 20 posters and stuck them up all over the school.
The posters read, 'Don't humiliate her because she's wearing shorts. It's hot outside. Instead of shaming girls for their bodies, teach boys that girls are not sexual objects.'
Statement: Although Stocker's poster only remained up for about 10 minutes before teachers took it down, it had the desired effect
Support: Stocker has had strong support on social media and other girls at her high school are wearing shorts to school in solidarity
The posters were taken down by teachers after about 10 minutes, but they live on in social media.
Stocker also has won the support and admiration of other girls at school.
'Most people are agreeing with her, women shouldn’t have to cover themselves up completely because we shouldn’t be viewed as sexual objects,' student Sierra Drolet told CJAD News .
Lauren Paquay, 15, showed up wearing shorts in support of Stocker. She said the dress code verification - making girls stand up with their arms by their sides to ensure their outfits are fingertip length - is 'humiliating.'
School rules: The school district spokesperson says there are dress rules for both girls and boys
'People are being judged for the way they dress, they have to change because boys look at them. The boys should be the ones who have to learn to treat women better and look at them in a different light,' she told CBC .
The chairperson of the Lester B Pearson School Board told CJAD News that Stocker has been suspended for not following the rules.
'The rules are there to help the children learn and prepare them for their future work places, high school is a job for them, they are there to learn to function in society, so it’s important that the rules be followed,' Susanne Stein Day says.
'Girls and boys have rules on dress codes; it is not a girl, boy thing, that’s not the point.'
'I was in violation for showing my legs,' she says. 'And that, point blank, is a problem for me.'
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এই উইকিতে, ভাষার লিঙ্কগুলি পাতার উপরের দিকে নিবন্ধের শিরোনামের পাশে রয়েছে। উপরে চলুন ।

২ রচনাশৈলীর বৈশিষ্ট্য এবং জাপানের বাইরে এর অর্থ


↑ "ロリコン" (জাপানী ভাষায়)। SPACE ALC। জানুয়ারি ১২, ২০১৪ তারিখে মূল থেকে আর্কাইভ করা । সংগ্রহের তারিখ জানুয়ারি ৭, ২০০৮ । উদ্ধৃতি শৈলী রক্ষণাবেক্ষণ: অচেনা ভাষা ( link )

↑ ঝাঁপ দিন: ক খ গ Darling, p.82

↑ ঝাঁপ দিন: ক খ McCarthy, Helen and Jonathan Clements (1999). The Erotic Anime Movie Guide . Woodstock, NY: Overlook Press. See pp. 43, on lolikon anime.

↑ ঝাঁপ দিন: ক খ Feitelberg, Rosemary (জুন ২২, ২০০৭)। "On the drawing board. (Lehmann Maupin gallery)" । Women's Wear Daily । পৃষ্ঠা 13 । সংগ্রহের তারিখ জুলাই ৩০, ২০১২ । His paintings include a garter-wearing prepubescent maid and a knock-kneed girl in a panty-exposing pose—apparent references to his Lolita complex, or what manga and anime followers refer to as being a 'lolicon.' 

↑ Connolly, Julian (২০০৯)। A reader's guide to Nabokov's "Lolita" । Studies in Russian and Slavic literatures, cultures and history (annotated সংস্করণ)। Academic Studies Press। পৃষ্ঠা 169 । আইএসবিএন 1-934843-65-2 । 

↑ ঝাঁপ দিন: ক খ Shigematsu, Setsu (১৯৯৯)। "Dimensions of Desire: Sex, Fantasy and Fetish in Japanese Comics"। Lent, J.A.। Themes and Issues in Asian Cartooning: Cute, Cheap, Mad and Sexy । Bowling Green, OH: Bowling Green State University Popular Press। পৃষ্ঠা 129–130। আইএসবিএন 978-0-87972-779-6 । 

↑ Ito, K. (১৯৯২)। "Cultural Change and Gender Identity Trends in the 1970s and 1980s"। International Journal of Japanese Sociology । 1 : 79–98। ডিওআই : 10.1111/j.1475-6781.1992.tb00008.x । 

↑ Shigematsu, Setsu (১৯৯৯)। "Dimensions of Desire: Sex, Fantasy and Fetish in Japanese Comics"। Lent, J.A.। Themes and Issues in Asian Cartooning: Cute, Cheap, Mad and Sexy । Bowling Green, OH: Bowling Green State University Popular Press। পৃষ্ঠা 138। আইএসবিএন 978-0-87972-779-6 । 

↑ Goode, Sarah D. (২০০৯)। "Paedophiles online"। Understanding and addressing adult sexual attraction to children: a study of paedophiles in contemporary society । Taylor & Francis । পৃষ্ঠা 29। আইএসবিএন 978-0-415-44625-9 । সংগ্রহের তারিখ ৮ মার্চ ২০১১ । 

↑ Blanchard, R.; Kuban, M. E.; Blak, T.; Klassen, P. E.; Dickey, R.; Cantor, J. M. (২০১০)। "Sexual Attraction to Others: A Comparison of Two Models of Alloerotic Responding in Men" । Archives of Sexual Behavior । 41 (1): 13–29। ডিওআই : 10.1007/s10508-010-9675-3 । পিএমআইডি 20848175 । পিএমসি 3310141 । 

↑ ঝাঁপ দিন: ক খ গ Kinsella, Sharon (২০০০)। Adult Manga । University of Hawai'i Press। পৃষ্ঠা [ পৃষ্ঠা নম্বর প্রয়োজন ] । আইএসবিএন 0-8248-2318-4 । 

↑ "The Darker Side of Cuteness," The Economist , May 8, 1999.

↑ Schodt, Frederik L. (১৯৯৬)। "Modern Manga at the End of the Millennium"। Dreamland Japan: Writings on Modern Manga । Berkeley, California : Stone Bridge Press । পৃষ্ঠা 54–55। আইএসবিএন 1-880656-23-X । 

↑ Hills, Ben; Kanamori, Mayu (৬ অক্টোবর ১৯৯৫)। "Breaking the mould" । The Sydney Morning Herald । পৃষ্ঠা Spectrum, p.9 । সংগ্রহের তারিখ ১৩ ফেব্রুয়ারি ২০১১ । 

↑ Willis Witter (এপ্রিল ৬, ১৯৯৭)। "Teen prostitutes sell favors after school in Tokyo" । The Washington Times । ৬ সেপ্টেম্বর ২০১৭ তারিখে মূল (fee required) থেকে আর্কাইভ করা । সংগ্রহের তারিখ জানুয়ারি ১৩, ২০০৮ । 

↑ ঝাঁপ দিন: ক খ Tony McNicol (এপ্রিল ২৭, ২০০৪)। "Does comic relief hurt kids?" । The Japan Times । সেপ্টেম্বর ৭, ২০১১ তারিখে মূল থেকে আর্কাইভ করা । সংগ্রহের তারিখ নভেম্বর ১০, ২০১৫ । 

↑ ঝাঁপ দিন: ক খ গ Galbraith, Patrick W. (2011) Lolicon: The Reality of ‘Virtual Child Pornography’ in Japan ওয়েব্যাক মেশিনে আর্কাইভকৃত ৬ আগস্ট ২০১৭ তারিখে Image & Narrative 12 1 83-119.

↑ Shinpo, Nobunaga , সম্পাদক (ফেব্রুয়ারি ১৪, ২০০০)। "すべてはエロから始まった"। 消えたマンガ雑誌 [ Vanished Manga Magazines ] (Japanese ভাষায়)। Tokyo , Japan: Media Factory । পৃষ্ঠা 30–37। আইএসবিএন 4-8401-0006-3 । অজানা প্যারামিটার |trans_chapter= উপেক্ষা করা হয়েছে ( সাহায্য ) উদ্ধৃতি শৈলী রক্ষণাবেক্ষণ: অচেনা ভাষা ( link )

↑ Bouissou, Jean-Marie. (2010). Manga: Historire et Univers de la Bande Dessinée Japonaise. Arles, France: Editions Philippe Picquier. p. 289. The term "burikko" derives from buri = "style, manner" and ko, from kodomo = "child;" Bouissou, p. 289.

↑ "COMIC LO エルオー最新刊" । Akane Shinsha। মার্চ ১২, ২০১০ তারিখে মূল থেকে আর্কাইভ করা । সংগ্রহের তারিখ মার্চ ১২, ২০১০ । 

↑ Galbraith, Patrick W. (২০০৯)। The Otaku Encyclopedia: An Insider's guide to the subculture of Cool Japan । Foreword by Schodt, Frederik L. and Photography by Katsuhide, Asuki (First সংস্করণ)। Tokyo, Japan: Kodansha International । পৃষ্ঠা 128 –129। আইএসবিএন 978-4-7700-3101-3 । 

↑ Zank, Dinah (2010). Kawaii vs. rorikon: The reinvention of the term Lolita in modern Japanese manga. In Comics as a Nexus of Cultures (Jefferson, NC: McFarland). pp.215-216

↑ Shigematsu, Setsu (১৯৯৯)। "Dimensions of Desire: Sex, Fantasy and Fetish in Japanese Comics"। Lent, J.A.। Themes and Issues in Asian Cartooning: Cute, Cheap, Mad and Sexy । Bowling Green, OH: Bowling Green State University Popular Press। পৃষ্ঠা 129। আইএসবিএন 978-0-87972-779-6 । 

↑ Darling, 85–6.

↑ Jason DeAngelis (মে ২৯, ২০০৭)। "Seven Seas Entertainment Talks about Nymphet " । Anime News Network । সংগ্রহের তারিখ জানুয়ারি ১৮, ২০০৮ । ...those who are speaking out against Nymphet seem to be disturbed by the relationship between two characters in the story, namely an elementary school student and her adult teacher. 

↑ Murakami, Takashi (editor). Little Boy: The Arts of Japan's Exploding Subculture . New York: Japan Society, 2005. pp.54-55 আইএসবিএন ০-৩০০-১০২৮৫-২

↑ ঝাঁপ দিন: ক খ "Glossary Entry: Lolicon" । Anime Meta-Review । অক্টোবর ১১, ২০০৭ তারিখে মূল থেকে আর্কাইভ করা । সংগ্রহের তারিখ জানুয়ারি ৬, ২০০৮ । 

↑ Finnegan, Eric (জুন ১৪, ২০১০)। "Shelf Life: Teatrino for Two" । Anime News Network । সংগ্রহের তারিখ মার্চ ১৪, ২০১১ । 



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