Classique médiéval
⚡ TOUTES LES INFORMATIONS CLIQUEZ ICI 👈🏻👈🏻👈🏻
Classique médiéval
Dein Browser wird nicht mehr unterstützt. Aktualisiere ihn, um YouTube und unsere neuesten Funktionen optimal nutzen zu können. Weitere Informationen
Toggle navigation
Classiques Garnier
You are here:
Collections
History, art history
All fields Abstract and keywords Author Book / journal title Chapter / article author Chapter / article title Collection / journal Contributor Editor Full text Intervener ISBN EAN ISSN DOI Series
and or without
[+] [-]
Types of publication:
Books Journals Articles / chapters
Access types:
Free Chargeable
Years of parution:
from to
Years of publication:
from to
The collection Library of Medieval History publishes works by researchers of all ages who successfully link present-day problematics, traditional erudition renewed and a high quality of writing. The collection aims at a global approach to historical problems, calling on interdisciplinary methods in order to cover all fields of historical knowledge, from institutions to material culture, beliefs and representations. Combining rigorous erudition and a new approach to historical interrogation, the works in the collection Library of medieval history aim to play their part in deepening our knowledge of the Middle Ages.
30 Items
Show
4
8
12
50
per page
Sort By
Dates - Old to recent
Dates - Recent to old
Titles - A to Z
Titles - Z to A
[dir. Claire Billen , Bruno Blondé , Marc Boone , Anne-Laure Van Bruaene ]
Pagination
1
2
3
4
General catalog
Quarterly bulletin
Academic Examinations
Prizes and awards
Subscriptions
Events
Editorial principles
Services
Direct access to online databases
Terms and conditions
Privacy policy
User license
Ethical standards
Copyright © 2022 Classiques Garnier
By continuing your navigation on this site, you accept the use of cookies View privacy policy I agree
You have no items in your shopping cart
Wenn Ergebnisse zur automatischen Vervollständigung angezeigt werden, verwenden die Pfeile nach oben und unten, um sie dir anzusehen und sie auszuwählen. Nutzer von Geräten mit Touchscreen können die Ergebnisse durch Antippen oder mit Streichgesten durchsuchen.
Classic Medieval Short-Sleeved Tunic Garb
Finde diesen Pin und vieles mehr auf Olarune Inspo von Jay Jordan .
Finde diesen Pin und vieles mehr auf Olarune Inspo von Jay Jordan .
Melde dich an, um Pinterest optimal zu nutzen.
From Wikipedia, the free encyclopedia
Broad tradition of Western art music
This article is about Western art music from the Middle Ages to the present. For other uses, see Classical music (disambiguation) .
(from left to right) Haydn, Mozart and Beethoven from the 1904 Beethoven–Haydn–Mozart Memorial . All three are often considered part of the First Viennese School , and among the first composers to be referred to as "Classical"
This section possibly contains original research . Please improve it by verifying the claims made and adding inline citations . Statements consisting only of original research should be removed. ( April 2017 ) ( Learn how and when to remove this template message )
Further information: Women in music
Further information: Music education
^ The Ancient Roman citizenship classes in question were derived from the guidelines set forth by the legendary king Servius Tullius in the Servian constitution . [12]
^ In 1690, many decades after Cotgrave's 1611 definition, Antoine Furetière 's posthumous Dictionnaire universel echoed Aulus Gellius in praising Cicero , Julius Caesar , Sallust , Virgil , and Horace and referring to them as classique . [13]
^ This is why the Neoclassicism movement of the mid 18th-century was widespread in fields such as architecture and painting but not music. [16]
^ Before the beginning of the 18th-century, there was a brief flowering of court music following the Stuart Restoration . [11] Composers such as Matthew Locke and later Henry Purcell found considerable success, [17] particularly with the popular court masques . [18]
^ John Banister 's concerts quickly gained popularity, allowing him to later move his venue to Lincoln's Inn Fields , and then Essex Street ; at its peak, his ensemble consisted of nearly 50 musicians. [19]
^ For further information on the development of a classical music canon in 18th-century England, see Weber, William (Autumn 1994). "The Intellectual Origins of Musical Canon in Eighteenth-Century England". Journal of the American Musicological Society . 47 (3): 488–520. doi : 10.2307/3128800 . JSTOR 3128800 .
^ Some critics, from the 19th to 21st centuries, defined the First Viennese School in different ways. Commentators such as Johann Wolfgang von Goethe and later Ludwig Finscher excluded Beethoven from the school entirely, while the musicologist Friedrich Blume included all three in addition to Franz Schubert . [22] Charles Rosen included Haydn, Mozart and Beethoven, but only their instrumental music. [22]
^ The earliest use of the term "classical music" in English literature given by the Oxford English Dictionary ( OED ) is in the 1829 diary of English musician Vincent Novello , who said "This is the place I should come to every Sunday when I wished to hear classical music correctly and judiciously performed". [27] However, this is predated by at least 9 years from the title of the English writer John Feltham Danneley 's 1820 Introduction to the Elementary Principles of Thorough Bass and Classical Music . [28] [29] A search in Google Books gives at least three uses of the term "classical music" in the first half of the 18th-century. [30]
^ In addition to the title of Taruskin 2005 , see also, the titles of Grout 1973 , Hanning 2002 and Stolba 1998 , all of which include the term "Western music" but essentially exclude non-classical music in the Western world. Grout 1973 was first published in 1960, and it was not until the fifth edition prepared by Claude V. Palisca in 1996 that any information on jazz and popular music was included. [36]
^ The musicologist Ralph P. Locke cites composer Tan Dun as an example, and notes the title of a 2004 publication, Locating East Asia in Western Art Music . [37] See also the title of Barone, Joshua (23 July 2021). "Asian Composers Reflect on Careers in Western Classical Music" . The New York Times . Archived from the original on 28 December 2021. Burkholder, Grout & Palisca 2014 , p. 1009 note that "We may well wonder whether the term "Western [classical] music" is still appropriate when Western culture has spread around the world, and some of the most practices performers and interesting new composers come from China, Japan and Korea. Given its global reach, it may be time to rename this tradition, but as eclectic and diverse as it has become, its roots are still in Western culture reaching back through Europe to ancient Greece".
^ From all available evidence, it appears that no, or few, significant musical developments can be credited to Ancient Rome, who largely adopted the practices of their Ancient Greek predecessors. [42]
^ Musicologist Donald Jay Grout notes that even by the 20th century there were only fragments and a few more sizable examples of such Greco-Roman music that survive. [39]
^ In 1997, the Vienna Philharmonic was "facing protests during a [US] tour" by the National Organization for Women and the International Alliance for Women in Music . Finally, "after being held up to increasing ridicule even in socially conservative Austria, members of the orchestra gathered [on 28 February 1997] in an extraordinary meeting on the eve of their departure and agreed to admit a woman, Anna Lelkes, as harpist." [104] As of 2013, the orchestra has six female members; one of them, violinist Albena Danailova became one of the orchestra's concertmasters in 2008, the first woman to hold that position. [105] In 2012, women still made up just 6% of the orchestra's membership. VPO president Clemens Hellsberg said the VPO now uses completely screened blind auditions . [106]
^ Jump up to: a b c d Owens 2008 , § para. 1.
^ Jump up to: a b Schulenberg 2000 , p. 99.
^ Jump up to: a b c Schulenberg 2000 , p. 100.
^ Schulenberg 2000 , pp. 100–101.
^ Jump up to: a b Schulenberg 2000 , pp. 102–104.
^ Jump up to: a b Schulenberg 2000 , pp. 104–105.
^ Schulenberg 2000 , p. 110.
^ Schulenberg 2000 , p. 113.
^ Owens 2008 , § para. 2.
^ Owens 2008 , § para. 7.
^ Jump up to: a b c d e f g h Heartz 2001 , § para. 1.
^ Jump up to: a b Howatson, M. C. (2011). "classic" . The Oxford Companion to Classical Literature . Oxford: Oxford University Press . ISBN 978-0-19-954854-5 . Archived from the original on 7 December 2021 . Retrieved 10 December 2021 .
^ Jump up to: a b Mignot, Claude (2017). "Classic" . In Cassin, Barbara (ed.). Dictionary of Untranslatables: A Philosophical Lexicon . Princeton: Princeton University Press . ISBN 978-0-19-068116-6 . Archived from the original on 7 December 2021 . Retrieved 10 December 2021 .
^ Cotgrave, Randle (1611). A Dictionarie of the French and English Tongues . London: Adam Islip.
^ Jump up to: a b c d e f Heartz 2001 , § para. 2.
^ Pauly 1988 , p. 3 .
^ Taruskin 2005 , "Restoration".
^ Walkling, Andrew R. (February 1996). "Masque and Politics at the Restoration Court: John Crowne's "Calisto" ". Early Music . 24 (1): 27–62. doi : 10.1093/earlyj/XXIV.1.27 . JSTOR 3128449 .
^ Jump up to: a b McVeigh 2001 , § para. 1–4.
^ Weber 1999 , p. 345.
^ Jump up to: a b Heartz 2001 , "2. Earlier 'classicisms'": § para. 1.
^ Jump up to: a b c Heartz 2001 , "1. The Viennese 'Classical' idiom": § para. 1.
^ Schulenberg 2000 , pp. 110–111.
^ "classical (adj.)" . Online Etymology Dictionary . Archived from the original on 17 November 2021 . Retrieved 1 December 2021 .
^ Pauly 1988 , p. 6 .
^ Salaman, Charles K. (1 April 1879). "Classical Music" . The Musical Times and Singing Class Circular . 20 (434): 200–203. doi : 10.2307/3355606 . JSTOR 3355606 . Archived from the original on 17 February 2022 . Retrieved 7 February 2022 .
^ Jump up to: a b "classical, adj. and n.: A9" . OED Online . Oxford: Oxford University Press . Archived from the original on 17 February 2022 . Retrieved 10 December 2021 . (subscription required)
^ Squire, W. B. (2004). "Danneley, John Feltham (bap. 1785, d. 1834x6), writer on music" . In Baker, Anne Pimlott (ed.). Oxford Dictionary of National Biography . Revised by Anne Pimlott Baker. Oxford: Oxford University Press . doi : 10.1093/ref:odnb/7129 . ISBN 978-0-19-861412-8 . Archived from the original on 4 June 2018 . Retrieved 10 December 2021 . (subscription or UK public library membership required)
^ Danneley, John Feltham (1820). An Introduction to the Elementary Principles of Thorough Bass and Classical Music . Ipswich: R. Deck. OCLC 1047597428 .
^ "Classical music" . Archived from the original on 17 February 2022 . Retrieved 2 December 2021 .
^ Kennedy, Michael (1994). "classical". The Oxford Dictionary of Music (New ed.). Oxford and New York: Oxford University Press . p. 178 . ISBN 978-0-19-869162-4 .
^ Pauly 1988 , p. 2 .
^ Nettl, Bruno (1995). Heartland Excursions: Ethnomusicological Reflections on Schools of Music . Champaign: University of Illinois Press . p. 3 . ISBN 978-0-252-06468-5 .
^ Jump up to: a b Locke 2012 , pp. 320–322.
^ Taruskin 2005 , "Introduction: The History of What?".
^ Burkholder, J. Peter (2009–2010). "Changing the Stories We Tell: Repertoires, Narratives, Materials, Goals, and Strategies in Teaching Music History". College Music Symposium . 49/50: 120. JSTOR 41225238 .
^ Jump up to: a b Locke 2012 , p. 321.
^ Pauly 1988 , pp. 3 – 4 .
^ Jump up to: a b c Grout 1973 , p. 2.
^ Jump up to: a b Grout 1973 , p. 11.
^ Yudkin 1989 , p. 20.
^ Grout 1973 , pp. 10–11.
^ Yudkin 1989 , pp. 27–28.
^ Yudkin 1989 , pp. 28–29.
^ Yudkin 1989 , p. 25.
^ Fassler 2014 , p. 28.
^ Jump up to: a b c Reese 1940 , p. 4.
^ Fassler 2014 , p. 20.
^ Grout 1973 , p. 4.
^ Grout 1973 , pp. 4–5, 11.
^ Grout 1973 , p. 28.
^ Grout 1973 , pp. 11, 22.
^ Grout 1973 , p. 24.
^ Grout 1973 , p. 5.
^ Grout 1973 , p. 75.
^ Blanchard, Bonnie; Blanchard Acree, Cynthia (2009). Making Music and Having a Blast!: A Guide for All Music Students . Indiana University Press. p. 173. ISBN 978-0-253-00335-5 . Archived from the original on 17 February 2022 . Retrieved 9 November 2020 .
^ Guides, Rough (3 May 2010). The Rough Guide to Classical Music . Rough Guides UK. ISBN 978-1-84836-677-0 . Archived from the original on 17 February 2022 . Retrieved 21 June 2018 – via Google Books.
^ Hoppin 1978 , p. 57.
^ Bowles 1954 , 119 et passim.
^ Sachs, Curt (1940), The History of Musical Instruments , Dover Publications, p. 260, ISBN 978-0-486-45265-4
^ "rabab (musical instrument) – Encyclopædia Britannica" . Britannica.com. Archived from the original on 17 December 2013 . Retrieved 17 August 2013 .
^ Encyclopædia Britannica (2009), lira , Encyclopædia Britannica Online , archived from the original on 1 August 2009 , retrieved 20 February 2009
^ Grout 1973 , p. 61.
^ Grout 1973 , pp. 75–76.
^ Grout 1973 , pp. 175–176.
^ Grout 1973 , pp. 72–74.
^ Grout 1973 , p. 222–225.
^ Jump up to: a b Kirgiss, Crystal (2004). Classical Music . Black Rabbit Books. p. 6. ISBN 978-1-58340-674-8 .
^ Grout 1973 , pp. 300–32.
^ Grout 1973 , pp. 341–355.
^ Grout 1973 , p. 378.
^ "Baroque orchestral music" . BBC . Archived from the original on 7 June 2019 . Retrieved 6 June 2019 .
^ "Cantata" . Encyclopædia Britannica . Archived from the original on 7 May 2021 . Retrieved 4 November 2017 .
^ "Oratorio" . Encyclopædia Britannica . Archived from the original on 3 June 2021 . Retrieved 4 November 2017 .
^ Grout 1973 , p. 463.
^ Ward Kingdon, Martha (1 April 1947). "Mozart and the clarinet" . Music & Letters . XXVIII (2): 126–153. doi : 10.1093/ml/XXVIII.2.126 . Archived from the original on 24 December 2019 . Retrieved 5 November 2017 .
^ Swafford 1992 , p. 200.
^ Jump up to: a b c Swafford 1992 , p. 201
^ Grout 1973 , pp. 595–612.
^ Grout 1973 , p. 543.
^ Grout 1973 , pp. 634, 641–642.
^ Jump up to: a b "Romantic music: a beginner's guide – Music Periods" . Classic FM. Archived from the original on 30 November 2015 . Retrieved 27 November 2015 .
^ Pitcher, John (January 2013). "Nashville Symphony". American Record Guide . 76 (1): 8–10.
^ "The Wagner Tuba" . The Wagner Tuba. Archived from the original on 10 February 2014 . Retrieved 4 June 2014 .
^ Jump up to: a b Károlyi 1994 , p. 135
^ Jump up to: a b Meyer 1994 , pp. 331–332
^ Albright 2004 , p. 13.
^ McHard 2008 , p. 14.
^ Jump up to: a b Botstein 2001 , §9.
^ Metzer 2009 , p. 3.
^ Morgan 1984 , p. 443.
^ Sullivan 1995 , p. 217.
^ Beard & Gloag 2005 , p. 142.
^ "Contemporary" in Du Noyer 2003 , p. 272
^ "Job Guide – Classical Musician" . Inputyouth.co.uk. Archived from the original on 1 October 2015 . Retrieved 27 November 2015 .
^ LaFleur, Ezra (28 May 2020). "What is Classical Music? A Family Resemblance" . ezralafleur.com . Archived from the original on 11 June 2020 . Retrieved 28 May 2020 .
^ Gabriel Solis, Bruno Nettl . Musical Improvisation: Art, Education, and Society. University of Illinois Press, 2009. p. 150
^ "On Baroque Improvisation" . Community.middlebury.edu. Archived from the original on 27 November 2015 . Retrieved 27 November 2015 .
^ David Grayson. Mozart: Piano Concertos Nos. 20 and 21. Cambridge University Press, 1998. p. 95
^ Tilman Skowronek. Beethoven the Pianist . Cambridge University Press, 2010. p. 160
^ Jump up to: a b Citron, Marcia J. (1993). Gender and the Musical Canon . CUP Archive . ISBN 978-0-521-39292-1 . . [ page needed ]
^ Jump up to: a b Abbey Philips (1 September 2011). "The history of women and gender roles in music" . Rvanews.com. Archived
Etudiante asiatique avec des gros seins se fait gicler dessus
Lingerie déchirée baise interraciale
Inge l'esclave anale