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Published: 15:08 GMT, 19 February 2016 | Updated: 13:09 GMT, 21 February 2016
A photographer is changing the perceptions of beauty-standards in love with a powerful series of nude images depicting couples of varying sizes, persuasions and colors.
New York City-based photographer Substantia Jones' Adipositivity Project aims to show that love has no specific shape or form, but can always be seen as beautiful.
Her latest series of images, in honor of the just-passed Valentine's Day, features couples of different races, different sizes as well as LGBT people spending intimate moments together in varying states of undress.
Love is love: Substantia Jones has photographed couples of difference sizes and races as part of her Adipositivity Project, which aims to show that all love is beautiful
Honest portrayal: Substantia's subjects for this series are from marginalized populations, including the LGBT community, that rarely see themselves represented in the media
Make your own rules: The photographer hopes that her images will help to show others that they don't need to confirm to society's stereotypical views of what love 'should' look like
‘We must make our own visibility,’ the photographer told Mashable . ‘The unenlightened like to believe fat people are unworthy of love and long-term romantic partnerships. To that we say “bite me”.
‘A visual reflection of ourselves in our extended environment is vital for happiness and well-being.'
She added: ‘Marginalized populations - fat people, people of color, the disabled, the LGBT community, and older folks - too rarely see themselves represented in the media, and are even less often portrayed in a positive or neutral manner.'
Substantia's images show couples fully nude, cuddling in bed, enjoying a shower together, or even just having a quiet moment in front of a window or a fireplace.
Some are shot in vivid colors, while others are in black and white, and the level of graphic nudity varies from photo to photo.
Not true: Substantia explained that their are people who believe 'fat people are unworthy of love'
Moment of bliss: Some of the images see couples naked and cuddling in bed together
Making a statement: The series captures couples of all races, genders and ages, and also depicts some LGBT pairings, such as this one
Several of the couples featured have one or two plus-size partners, or are of varying races, or are born the same gender - essentially couplings that are less frequently represented in 'neutral or positive' ways in media.
The images are a part of the photographer's mission to help people create their own definitions of what they think love looks like. She encourages people to 'add your own to your photo mixtape'.
'Constant bombardment of imagery which doesn't reflect your personage can create body shame and it's been proven to cause health risk by fueling minority stress,' she said.
For Substantia, it's all about adding representations of yourself to the conversation - make yourself visible.
Touching moments: While some couples are pictured in a more passionate embrace, others are simply sharing a quiet moment together
Light it up: Many of the images are shot in front of a window, with the natural light helping to highlight every angle of the subjects' bodies
Romantic scene: This particular image sees a couple curled up on a rug by a fireplace
Getting close: Some of the pictures in the series show people of varying sizes who are in a relationship
Taking a stand: A lot of the pictures were shot inside, however this couple opted to brave the outdoors and pose in front of the river
Sweet kiss: Substantia shot some of the images in vibrant colors, while others were done in black and white
Hot and steamy: In this black and white photo, a woman can be seen hugging her partner from behind while in the shower
Powerful photos: Some couples chose to pose with their clothes on - but the images still make just as poignant a statement about their relationship
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When you’re fat in this culture, you are expected to either be an apologist or be struggling to do something about the weight,” says New York photographer and radio host Substantia Jones.
Jones — whose real name is Kimberly Massengill — has photographed hundreds of naked or nearly naked fat women as part of a photo activism campaign called The Adipositivity Project. In the photos, fat women pose fearlessly on busy New York streets while wearing bikinis, flirt with the camera clad in red lingerie, or, comfortable in their own skin, sit by an open window wearing nothing at all.
“This is the first time that I thought that everything could be beautiful, and everything could be something someone would want to see,” one of the women photographed said.
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The fabulous calendar girls of Whimple
The fabulous calendar girls of Whimple
When it came time for Cathy Bartlett-Horwood to drop her dressing gown to the floor and stand naked in her village hall in front of her friends, she was nervous. The 60-year-old has had a complicated relationship with her weight for many years. She was so nervous, in fact, that she was physically sick beforehand.
Nevertheless, she persisted. Bartlett-Horwood became part of a group of brave women who’ve come to be known as the "Wonders of Whimple." The "wonders" are thus-named because they posed naked in the village’s most scenic spots for a calendar celebrating the beauty of the village's female population.
This calendar is more than a photographic paean to the female form. It’s a fundraiser for this village's year-long mission to change the way its residents feel about their bodies.
The village’s name is one you might not have come across before, for the village itself is deep in the heart of rural Devon—a county in the south west corner of England. Readers imagining a scene not unlike the idyllic filming location of the 2003 film Calendar Girls wouldn't be entirely off the mark.
Whimple is comprised of winding lanes dotted with thatch-roofed whitewashed cottages with the occasional farm thrown in for good measure.
But, beyond the chocolate box prettiness of the village, its 1,173 inhabitants have been working hard to acknowledge and embrace the beauty of their own bodies. It's by no means been an overnight flick-of-a-switch process for many of the people involved.
Gill Wilson— an eating disorders therapist—is the woman behind the movement. It all started in January 2016, when Gill organised screenings of a documentary in the village called Embrace .
The film—created by Australian activist Taryn Brumfitt after a successful Kickstarter campaign—explores the issue of "body loathing" and aims to inspire people to change the way they think and feel about their bodies.
"After having my three children, I ended up hating my body," says Brumfitt in the documentary. "So I trained hard, and I'm standing there in my perfect body and I’m not happy." Brumfitt says she didn't want her daughter to grow up feeling the same way so she traveled the world to find out why so many people hate their bodies.
Wilson’s decision to screen the documentary in the area is one backed up by research. According to Dove’s Global Beauty and Confidence Report, which surveyed 10,500 women from around the world, British women have one of the lowest self-esteem scores, and just 20 percent said they liked the way they looked.
Alarmingly, a 2016 report by the Children’s Society found that girls are “less happy than they used to be” about their physical appearance. The research found that more than one-third of UK girls are unhappy with the way they look, a 30 percent rise over five years.
Wilson says that after she put on two screenings in the village, people came forward with ideas to further the notion of embracing one’s body image. One of which was a calendar.
“I was getting loads of emails, and the biggest messages was that the film needs to be shown in schools, but you need a licence for it to be shown in schools,” says Wilson. But, the idea of the calendar presented a solution to the licence issue—the proceeds raised by the Wonders of Whimple could pay for licences.
Word of the calendar spread through the village, and slowly but s
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