Chloe Grace Moretz Oops

Chloe Grace Moretz Oops
For fans of actress Chloë Grace Moretz
Those quads looking kind of swole. Let me find out Chole could squat those reporters lol.

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For fans of actress Chloë Grace Moretz
It's like she's saying: "Oops! Was I too hot for you?" 😂🥵🔥

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Fans don't always get rewarded for watching their favorites show up live on shows or stage, but sometimes, something kind of big happens. Other times, something a little funny happens. Chloe Grace Mortez went through something a little funny on a live show recently. Sadly for her, but a little bit of fun for the rest of us, the seams of Chloe's shirt began to slowly tear as she walked into the building where the show was being filmed. Too bad for the former child-actor-turned-full-fledged-silver-screen superstar, but even the stars go through the funny little mishaps that make life so sweet.

When she got on stage at WWHL, Mortez was happily sporting the de-shredded velvet fashion statement, and it looked as good as ever. Whoever Chloe's seamstress is, she worked one amazing miracle, and in record time, too. Chloe also gave us a look at her incredible acting chops, as there wasn't even the slightest hint that something had gone wrong earlier in the night.

[Photo by Paul Zimmerman/Getty Images]

"A lot of people wouldn’t expect a grown man to be able to depict women in that way," the actress told IndieWire. "That’s what’s so special about Luca [Guadagnino]."

jonathanm

November 2, 2018 10:33 am

Zachary Marsh

November 2, 2018 12:37 am

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Chloe Grace Moretz and Luca Guadagnino attend “Suspiria” film premiere
[Editor’s note: The following article contains minor spoilers for “ Suspiria .”]
Luca Guadagnino is earning heaps of praise for his “Suspiria” remake, an ambitious reinvention of Dario Argento’s 1977 horror classic. Set at a highly competitive girls’ dance school in Cold War Berlin, the film touches on themes of inherited trauma, hysterical women, and Germany’s postwar shame — all bathed in blood and witchcraft. An unlikely candidate to pass the infamous Bechdel test, which measures gender parity onscreen, “Suspiria” actually features only two male actors, each with a single line apiece. (There is an old man, but he’s played by Tilda Swinton). It’s a slam dunk for women onscreen, though it does put them through a meat-hook-shaped ringer.
Chloë Grace Moretz plays Patricia in the film, a dancer who goes missing from the school and provides the first mention of witchcraft in the movie’s opening scene. At an event during the Provincetown Film Festival in June, Moretz had many nice things to say about Guadagnino. Though she was tight-lipped on details at the time, she did say “there’s a good bit of nudity in the movie,” referring to an epic final scene featuring all the actresses in a blood-spattering resurrection ritual.
“What really hit me was that it’s not voyeuristic in the slightest bit,” Moretz said. “It is one of the most empowering, in terms of femininity, it’s a very interesting depiction of physical femininity and womanhood, and that plays a role in the Wicca of it all, and how that’s used in ritual.”
At only 21 years old, Moretz has been in Hollywood for over a decade, having started her career as a child actress in “The Amityville Horror.” Earlier in the conversation, she revealed her disappointment in “Kick-Ass 2,” a sequel to her hit action comedy, which upset many fans and critics by forcing a romance between the two teenaged main characters, including the one played by Moretz.
It was clear in her voice that even at 21, she is already fatigued by Hollywood’s view of women and girls, but she lit up when talking about Guadagnino.
“A lot of people wouldn’t expect a grown man to be able to depict women in that way,” she said. “What’s so special about Luca is that he doesn’t see gender. He sees a person. And he wants to depict what is special about that person, be it male or female, as adequately onscreen as he can. He’s really special though, he’s one of the most authentic, pure souls.”
Moretz has worked with A-list directors such as Martin Scorsese, Tim Burton, Olivier Assayas, and Kimberly Peirce, but Guadagnino’s inventive directing style made quite the impression. She called the film “the closest thing to modern Stanley Kubrick I’ve seen,” and praised Guadagnino for always pushing actors to “go further.”
“He really will let you do whatever you want. And it’s completely unconventional. There’s no typical set-ups, there’s no medium, wide, close,” she said. “You’ll have a camera up there in the corner, you’ll have a camera below, you’ll have a camera on your fingers, you won’t know what’s happening but you’re just going on this crazy whirlwind 20-hour day. It’s wild.”
Amazon Studios released “Suspiria” in New York and L.A. on October 26, where it led specialty box office charts. It expands to more 250 theaters on Friday, November 2.
This Article is related to: Film and tagged Chloe Grace Moretz , Luca Guadagnino , Suspiria
“she is already fatigued by Hollywood’s view of women and girls”…and then Moretz goes on to praise the nudity (which wasn’t needed). Funny how women are very selective about what is empowering (when it suits them) and what isn’t. In the end, guess what? It’s still nudity.
As for the movie, once again, why do a remake of a classic? And oddly, Chloe has been in a remake of Carrie, Let the Right One in, Suspiria…all three original movies classics which were VASTLY superior.
I’ve seen so many actresses defend gratuitous/exploitive nudity just because it’s in a good project.
How do I get a job synthesizing the rationalizations for nudity on screen? (Not opposed, btw.)
Agreed about The Killing of a Sacred Deer. That film deserves more praise than it got. Ridiculously well made. Still very much looking forward to seeing this new Suspiria.
“the closest thing to modern Stanley Kubrick I’ve seen”
Someone should see The Killing of a Sacred Deer. And before anyone says anything, I actually have seen the new Suspiria. I can see the Kubrick vibes she got in it, but Sacred Deer is like Eyes Wide Shut’s spiritual sequel.
The reviews are actually very mixed.
The film is as divisive as “mother!”
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