Children Erotic Scenes

Children Erotic Scenes




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The love scene has been a part of cinema right from the beginning. One of the first movies ever screened was simply called The Kiss (1896), a 47-second smooch – newspaper editorial writers were scandalised. By 1910, film storytelling had developed enough that a love scene could serve as a crucial part of a narrative. Actress Asta Nielsen’s stunning seduction of a circus performer in the Danish film The Abyss, in which she grinds her hips against him while taking part in a gaucho dance, radiates sexual heat. It’s a sex scene with clothes on, the moment Nielsen’s character metaphorically consummates the relationship. She was the sexual aggressor – and audiences in Europe and America were shocked. The scene was censored throughout parts of the US. (Motion Picture Distributors)
Depictions of sex in American cinema loosened up considerably during the 1960s after studios stopped enforcing the Production Code. But an independently produced film that helped kick off the Blaxploitation craze, Sweet Sweetback’s Baadasssss song, went further than any American film to that point. It featured unsimulated sex, as Melvin Van Peebles, also the director of the film, makes love to several women while his character is on the run from law. Most controversial of all, he placed his naked 13-year-old son Mario Van Peebles in one scene to depict his character as a youth at the moment when he lost his virginity to a prostitute. (Cinemation Industries)
Britain didn’t lag behind the American underground cinema in opening up new sexual frontiers. Ken Russell had already courted scandal with the [nude male wrestling match he staged in Women in Love](http://www.bbc.com/culture/story/20140527-how-10-movie-taboos-were-broken), but The Devils took it a step further. A tale of religious hysteria and sexual panic in 1600s France about a town the Church believes is infested with demons and witchcraft, the movie shows nuns engaged in an orgy, while surrounded by Christian iconography. In one scene Oliver Reed portrays Jesus as he’s taken down from the cross only to be ravished by a lusty Vanessa Redgrave – this two years before The Exorcist and 16 years before The Last Temptation of Christ provoked outrage for mixing sexuality with the sacred. (Warner Bros)
The Japanese film from master provocateur Nagisa Oshima paved the way for Lars von Trier’s Antichrist in its depiction of sexual violence. It shows the evolution of a torrid affair, through unsimulated sex, between a damaged man and woman in 1930s Japan, whose sexual lives build toward greater and greater extremes including erotic asphyxiation. Like the notorious real-life incident from 1930s Japan on which it’s based, the movie’s final love scene culminates in castration and murder. (Surrogate)
David Lynch’s film is full of disturbing moments – including an agonising sequence in which Dennis Hopper’s nitrous-oxide huffing maniac rapes Isabella Rossellini. But its ‘love scene”’ in which Rossellini demands the film’s hero Kyle MacLachlan beat her, is nearly as disquieting. Few films before Blue Velvet had examined the power dynamics of sexuality to such visceral effect, and a number of film critics, including Roger Ebert, couldn’t accept that. Ebert famously wrote, "[Rossellini is] degraded, slapped around, humiliated and undressed in front of the camera. And when you ask an actress to endure those experiences, you should keep your side of the bargain by putting her in an important film." (DEG)
Marvel Comics’ irreverent fowl got the big screen treatment in a film produced by George Lucas, but this was not exactly child-friendly entertainment in the manner of Star Wars. It flirted with unsettling ideas about inter-species romance, or outright bestiality – something rarely ever depicted on film. Howard is shown to be quite a libidinous duck who reads a magazine called Playduck and attempts and nearly succeeds in seducing human Lea Thompson. In one almost-steamy scene he gets her into bed and, after she says “I can’t find the right man,” utters the immortal line “Maybe it’s not a man you should be looking for”. Though they are affectionate with each other, thankfully no actual feathers fly. (Universal Pictures)
Director Larry Clark and screenwriter Harmony Korine wanted to make a film that showed teenage promiscuity in American urban life. The result was unflinchingly raw – and extremely controversial as it featured actual teenage actors playing teenage roles, while the tradition has often been for older actors to play such parts. The opening moments alone comprise an extended love scene between a 17-year-old boy and a 13-year-old girl. Clark said that he hoped to make a movie that would be the cinematic equivalent of The Great American Novel. The Washington Post, however, called it “virtually child pornography”. (Miramax International)
Vincent Gallo’s reverie on grief, about a man examining the various stages of a relationship that’s caused him regret, may be the ultimate cinematic lightning rod. It not only drew boos at Cannes, Roger Ebert declared it to be the worst film in the history of the festival. One scene in particular left the audience stunned: an extended sequence in which Chloe Sevigny performs oral sex on Gallo. One can argue that it reveals the codependent nature of their relationship and is essential to the story – but the close-up framing and extended duration of the scene made some think that art had become pornography. (Wellspring Media)
South Park creators Trey Parker and Matt Stone created a blistering satire of US foreign policy – along with Hollywood celebrity culture and filmmaking clichés – in Team America: World Police, staged entirely with marionettes. One moment particularly stood out and caused the film nearly to be slapped with an ‘adults only’ rating in the US: a love scene between two of the puppets. Using the aesthetic of a children’s film in an aggressively sexual way drew controversy, though the directors defended it by saying that simulating a hook-up between the puppets reflects the joking way kids actually play with their toys. Particularly acrobatic, the scene’s duration was one and a half minutes at first but Parker and Stone had to cut it down to 50 seconds until the US ratings board would give it a less restrictive classification. (Paramount Pictures)

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Child actors often deal with themes that are not familiar to most children: violence, drugs, and intimacy, to name a few.
We can find great talents at any age, even among children. Along the history of movies, we have seen that kids are able to handle some impressive scenes and deal with their roles as seasoned actors. Who doesn’t remember Linda Blair possessed by a demon at the Exorcist? Or the whole cast of the emblematic movie Kids?
Some of the greatest stars, like Jodie Foster and Natalie Portman, started playing movies at a very early age, and both played memorable characters. But what is the limit for the exposure of children to certain subjects on movies? Those actors often deal with themes that are not familiar to most children: violence, drugs, and sex to name a few.
In movies, children and teenagers can be seen fighting against the demon, killing people ( or planning to), discovering sex and drugs. Some of those movies were recorded decades ago when rules were more flexible. So the chances of we see a child playing a prostitute on screen again are very little.
We selected 15 actors who played controversial movie scenes when they were still very young. What do you think? What movies would you add to the list?
Linda Blair was only 13 years old when she was chosen to play Regan in the film The Exorcist. The plot itself could already be considered “too much” for a child to read or see, but Linda also had to play controversial scenes such as abusing herself with a crucifix and rubbing her mother’s face at her crotch. And who doesn’t remember the neck twist and vomiting scene?
After the movie was released Blair had problems with her social life since people were really afraid of her. They saw the character she played instead of the person she is. The actress played several other movies, but none of them came close to the success achieved by The Exorcist.
This Drama tells takes place in New Orleans at the turn of the 20th century. Brooke Shields was 12 years when played Violet, the “Pretty Baby”, a girl who was left behind by her mother in a brothel and had to become a prostitute.
Violet’s virginity is auctioned by the brothel owner, who sees the girl as a very valuable product. The scene of a child being surrounded by older men willing to buy her virginity it’s not easy to watch. Later Violet falls in love with a - much older - photographer who shows up at the brothel and the movie revolves around their romance.
Pretty Baby is fulfilled with nude scenes played by Brooke Shields. No wonder the movie brought up a lot of controversy since openly talks about child prostitution and pedophilia.
Two years later Shields was the star at the classic Blue Lagoon. Although the plot is much less complex than Pretty Baby, she was only 14 years old when shooting sexy scenes.
The script of the semi-autobiographical movie was written in six days and it’s based in the life of Nikki Reed when she was between 12 and 13 years old. Evan Rachel, was 13 years old when played Reed at the movie. Nikkie is also in the movie, playing Evie, Reed’s best friend. She was 14 years old when started shooting the movie.
Thirteen shows the life of Reed, who had a regular life until she meets Evie (Nikki Reed), who shows her a life that seems to be much more exciting. Drugs? Check. Alcohol? Check. Underage sex? Check. Automutilation? Check. Shoplifting? Check.
The polemic caused by the movies, that talks about drugs, alcohol, and sex among young teenagers was emphasized because it was inspired by a real history. Evan Rachel Green received the Golden Globe as the best actress for her role. Holy Hunter, who plays Reed’s mother, was nominated for the Oscar as best supporting actress.
Based in a best-seller written by Anne Rici, Interview With The Vampire was one of the most expected movies of the year because it brought together the greatest ( and hottest) Hollywood star at the 90’s: Tom Cruise ( Lestat) and Brad Pitt ( Louis).
At some point of the history, they turn the 10 years old Claudia into a vampire. The girl is played by a very young Kirsten Dunst, who was also a 10-year-old. As we know, vampires don't age, so Claudia remains stuck in the body of a child forever, but her mind stills evolving.
The public can see the small child turn into a vampire thirsty for blood, killing an entire family, getting rid of bodies. There is also a glimpse of her sexuality since she develops a platonic love for Louis.
Although she was very young, Dunst was very convincing as Claudia and portraying emotional struggles too complex for her age.
Natalie Portman is considered one of the most talented actresses of her generation and she started showing up her talent very early. Her first appearance in the cinema was in the movie Leon when she was 12 years old. She played Mathilda, a girl whose family is murdered and, running to save her own life, starts living with her neighbor Leon (Jean Reno).
However, Leon is a cleaner for the Mafia, so he kills for a living. Mathilda soon starts to show interest to become a cleaner and he starts training the little girl. She also develops an unusual relationship with Leon and she even introduces herself as his wife in a hotel.
In a scene, while playing with Leon, Mathilda impersonate several famous people, including a racy Madonna and a seductive Marilyn Monroe singing “Happy Birthday”. Leon is visibly uncomfortable.
This is considered one of the best works of Luc Besson. However many people consider it inappropriate due to the high level of violence involving a child and, most of all, the subtle sexual content behind Mathilda and Leon relation.
The movie was based on Vladimir Nabokov’s novel and tells the history of Humbert Humbert ( Jeremy Irons), a middle-aged professor who rents a room at the house Charlotte Haze ( Melanie Griffith), a widower who lives with her teenage daughter, Lolita ( Dominique Swain).
Humbert becomes so obsessed with Lolita who marries her mother to become closer to her. Haze finds Humbert’s diary and finds out about his sexual fantasies with her daughter. A car hits Haze, she dies and Humbert is finally free to live his “love” with Lolita.
The role of Lolita was declined by Natalie Portman and Dominique Swain took it. She was 15 years old when played Lolita and had to shoot many sexy and seductive scenes. The movie was so polemic that had issues to find a distributor in the United States and was first released in Europe.
The movie is based on a Comic Book and tells the history of a nerd, Dave Lizewski (Aaron Johnson), who decides to become a superhero. But who really steals the scene in the movie is the 11-year-old Chloe Moretz, who plays Hit-Girl, who was trained by her father played by Nicolas Cage.
The Hit-Girl is also responsible for the most controversial scenes in the movie since she doesn’t hold back in saying bad words. Many groups wanted to censor the movie, especially because of the line “"Okay, you c****, let's see what you can do now”, said by Chloe. Hit-Girl also plays a lot of violent scenes, fighting against the bad guys.
Full of violence, sarcasm, and too much bad words, the movie was a success all over the world.
In an interview, Chloe said that "If I ever uttered one word that I said in Kick-Ass, I would be grounded for years! I'd be stuck in my room until I was 20! I would never in a million years say that. I'm an average, everyday girl."
Jodele was 9 years old when starred Tideland, a mix of Alice in the Wonderland and Psych. The movie tells the history of Jeliza-Rose, a lonely girl who is raised by drug addicted parents. After both dies, she sees herself alone, living in a house in the middle of nowhere, and her only companies are doll heads.
After a while, she meets her unusual neighbors, with whom she develops a strange relationship of dependence and affection.One of them used to date her father when they were young and believes that stuffing his ex’s body and pretend he is still alive is a reasonable idea.
The woman’s brother, a mentally impaired young man, becomes Jeliza’s best friend. However, Jeliza starts to develop deeper feelings for her neighbor, what makes the relation becomes creepy. Those scenes are really uneasy to watch.
In the early 90’s we were in use to see Macaulay Culkin playing sweet movies like “My Girl” and the comedy “Home Alone. The majority of his fans were children, so it was a surprise when he was announced as the star of this thriller - and not playing the good boy. Culkin was 13 years old when played a sociopath in this movie.
After the death of his mother, Mark Evan (Elijah Wood), a 12-year-old boy, goes live with his uncle and aunt. There, he also meets his cousins, Henry (Macaulay Culkin) and Connie (Quinn Culkin) . Mark and Henry have the same age and get along very well and became inseparable. However, Henry fascination with death and manipulative personality makes Mark feels very uncomfortable.
Henry is very pleased every time he notices his cousin is afraid of him. Other things that pleases him? Trying to kill his little sister and causing traffic accidents.
Jodie Foster played the teenager Iris when she was 12 years old. The movie, considered a Martin Scorsese’s masterpiece, is starred by Robert De Niro, who plays Travis Bickle a discharged marine guy who becomes a Taxi Driver in New York.
Jodie is not one of the main characters in the movie, but her presence is one of the most remarkable things about it. Bricke hires Iris, but he uses his time not for having sex with her but trying to convince the girl to leave prostitution behind. At some point, Bricke receives a letter from Iri’s father, saying thank you for helping his daughter.
In a later interview, Foster revealed that the director didn’t know how to approach her to explain the scenes and that they felt very uncomfortable about her character. "Scorsese would say something like 'unzip his fly' and just start laughing and not know what to do so he would hand it over to Robert De Niro and then Robert would tell me what to do.
We were all creeped out by Esther, played by Isabelle Fuhram, when she was 11 years old. A couple adopts an adorable and smart orphan, just after they lose their little son. It doesn’t take long until the girl starts to show a strange behavior, making her new mother ( played by Vera Farmiga) feel very insecure. Of course, just her is able to see that side of Esther and her partner thinks his wife is becoming mentally unstable.
Esther turns to be a cold, manipulative and violent child. Her favorite victim is her little sister, who can’t talk. The girl also develops an obsessive relationship with her father and tries to seduce him.
It’s always a challenge to play horror movies with children. Especially in a plot like The Orphan, where Esther shows to have a grown-up personality ( even sexually). The movie is also full of violent scenes.
This Italian movie was directed by Pier Giuseppe Murgia and is considered one of the most polemic movies of all times. The history revolves around a teenage couple Laura (Lara Wendel) and Fabrizio ( Martin Loeb) who lives in an idyllic place and are discovering love and sex. Everything goes well until a new girl arrives. The presence of Silvia ( Eva Ionesco) starts to mess up with their relationship.
The plot seems to be innocent, but the movie is disturbing. Wendel and Ionesco were only 12 years old when playing the movie, that is full of nudity and sex scenes. Fabrizio forces his girlfriend to have sex with him and also makes her watch while he is having sex with Laura.
Unsurprisingly, the movie triggered protests and it was banned in many countries. In 2010, a Dutch court decided that the Maladolescenza qualifies as child pornography because of the sex scenes involving children.
Saoirse Ronan was 16 years old when played Hanna, a cold blooded killer who was raised in a remote part of Finland and trained by her father, a former CIA agent since she was two years old. Needless to say that she has a life completely different from other teenagers. During almost two hours of the Movie, Hanna hardly ever shows her emotions and is able to kill her enemies without thinking twice.
After the death of her father, Hanna had the mission to find veteran intelligence operative Marissa Wiegler (Kate Blanchett). Ronan had to play a lot of violent scenes in a plot that c
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