Cherry Bomb Nude

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Cherry Bomb Nude

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Definition:
cherry bomb (noun): a round, red, powerful firecracker
Cherry Bomb was all over men’s magazines in the 1970s and 80s – Cheri , Oui , and countless others – both as a model and as a roving rock reporter. One moment she’d be adorning the pages in teasing pictorials; the next she be reporting backstage from concerts featuring then-up-and-coming rock stars like the Police, Ted Nugent, or the Buzzcocks.
Remarkably, this high-profile dual career was only a small part of Cherry Bomb’s life: she was a regular at Andy Warhol’s Factory, dated musicians like Dennis Wilson and Keith Moon, appeared in the cult X-rated film Chorus Call (1978) as well as several loops, had her own clothing business, and was a stripper.
But perhaps her highest profile came when she joined the cult rock band Thor , one of the great near-miss groups of the 1980s – and married the lead singer. 
For the first time, Cherry Bomb tells her eventful life story to The Rialto Report.
Good question…! All the magazines back in the 1970s said I was from Georgia, but I’m actually from North Carolina.
They said Georgia because I lived in Atlanta before I moved to New York, and it was easy to say I was a Georgia Peach. And I never corrected them because I didn’t want anyone to trace me back to my family in North Carolina… But really, I’m a proud North Carolinian.
What did your parents do for a living?
My father had his own business – a sheet metal company. And my mother worked for him, although they were also musicians on the side. They did little shows for fun. But basically, we lived off his company. And that’s where I got my nickname Rusty.
My dad had a bunch of people who worked for him, and any time I stopped by the company office, they would say I was “cute as a little pumpkin” because of my red hair. I told my parents I didn’t like that because I wasn’t fat like a pumpkin – so they come up with ‘Little Rusty’ instead.
Yes, a sister – and she had beautiful red hair too.
Did you get your love of music from your parents?
Yes, we used to sing and play together. My mother was in a group called the Johnson Sisters, and they performed at openings, parties and fairs. My father was a good guitarist too.
Did you liked the same music that your parents liked?
Not exactly… when I was a kid I was infatuated with the British invasion. Like everybody else my age, it started with The Beatles. Music was my gateway to everything and everyone. When the British groups started coming to America, I’d do anything to make enough money to buy tickets to see them.
Even though my parents loved music, they didn’t want me to go to shows because I was so young. They’d ask, “Who’s gonna escort you?” But I was like, “Who cares! I’ve gotta see The Kinks. I’ve gotta be there!”
Hundreds… My friend Rio and I were both in high school, and I remember the first time, when we went to Virginia and saw Alice Cooper. The show was at a college campus. I bought their album without ever hearing it or knowing who they were just because I saw a picture of them, and their hair went down to their butts… just like mine. And I thought, “I’ve never seen anybody’s hair go all the way down to their butt. I gotta have this album. I don’t know who they are, I don’t care who they are, but they gotta be cool! They were so good. And we met Alice Cooper too.
Alice Cooper, ‘Easy Action’ album cover
And so your career of meeting musicians started…!
Yes! When I was in high school, Led Zeppelin came to America for the first time. I was smart enough to get third row seats and wear a very low-cut top. After the show when we were leaving the venue, their limo pulled up, the door flew open and the band said “It’s you. You’re the girl from the third row. Get in!”
As a pin-up model later on in your life, you were known for being voluptuous. How aware of that were you as a teen?
It wasn’t obvious at first. For most girls, each month when we get our periods, our breasts get a little bigger. With my friends, their breasts would shrink back down when their period was over but that didn’t happen to me. Starting around age 14, mine just kept getting bigger and bigger and bigger.
I actually went to a doctor. He was an older male doctor. I told him about what was happening and asked him if I had some kind of hormone imbalance. And he just said, “What’s your problem? Every woman wishes she had that problem!”
He said that basically I was going to be a big busted lady.
When I was young, I just wanted to be like everybody else. My breasts meant I wasn’t treated the same, and I got too much attention. I was afraid of boys when I went out, so I’d only go out with my best friend. If guys tried to touch me, and they did, she would smack them. She was funny.
I was just too young to deal with what was happening. I used to slouch to try and keep attention off of me. I had another doctor who’d tell me to pull my shoulders back. He’d say, “You must stand up straight so you don’t impair your health. And anyway, you’re lucky to have those breasts. Show them off!”
It took me a while to grow into my body. My body was ahead of my brain’s self-realization. Even when I modeled for the magazines, it took a while to accept myself. But slowly, I came out of my shell, and became braver to the point where I was comfortable approaching pretty much anybody.
By the time I was 16, I knew I had something that nobody else had – and that it could attract men.
Did you date a lot in your teenage years?
I was dating, but I wasn’t sexually active. I was going out with guys older than me, and they scared me a bit. And I always liked athletic guys.
I met this hockey player when I was still in high school, and we started going out. I told my mother, “I’m going out with this guy, and he’s gonna teach me how to skate because he’s on this ice hockey team.”
Then she saw his picture in the newspaper and she said, “He’s not just on the team, he’s the captain of the entire North Carolina ice hockey team!”
I knew he wanted to have sex with me, but he also knew I was younger so he was very careful. He didn’t want to get into trouble either.
What were your career aspirations when you were in high school?
I told my parents that as soon as I graduated from high school, I was going to England. They told me not to expect them to pay for it, and I said don’t worry – I’d pay my own way.
I said, “If I make the money, can I go?” And they answered, “Oh yeah, if you make the money, you can go.”
You gotta know, I made the money!
I had a little cottage business making clothes. I’d finally found sweaters and things that stretched enough to fit me, but it still wasn’t easy to find things that fit me properly – and that’s in part why I started making my own clothes.
I began to buy fabric, and I cut and sewed them into items I could wear. I’d see clothes that people were wearing in magazines, and I started making them for myself.
So how did that turn into your own business?
People liked the clothes I made, and they started asking me where I got them… so I started making them for other people.
And you made copies of popular fashions…
It started there. But then I began designing my own stuff, not just copying what I saw. And I started selling them to local boutiques. Eventually I was brave enough to approach department stores and meet with their buyers. They’d take a few pieces and tell me, “If it sells, we’ll get back to you.” A week or so later, I’d get a call and they’d say, “We sold out immediately, and now we’d like to buy some pieces for all of our stores. How fast can you get them to us?”
What clothing were you making, and how were you producing it?
I had different things I was doing. At first, it was tapestry belts, purses, accessories and things. Then I learned how to cut patterns and I hired sewers to finish the items. Later on, I had a partner to help.
We were smart about it. We’d go and buy left-over upholstery – fabrics that were cheap to buy in bulk. We’d pay the sewers by the piece – not by the hour – so we could manage labor costs. These were mostly ladies sewing at home.
All of this was while I was still in high school. I had no experience whatsoever. I was even written up in the local newspapers for it.
So all this clothing business was to enable you to raise enough money to go to London?
Yes! Eventually I made enough money to go and I stayed for a full summer.
My friend from home, Rio, and I rented a flat, and we became members of the Speak-Easy, a private late-night club where all the musicians used to hang out. You had to know somebody to be able to join, and I think it was Jeff Beck, who’d been the guitarist for the Yardbirds, who got us the membership.
When you first got to London that summer, what neighborhood did you live in?
It was called Willesden Green. We met these guys that were chefs, and that was the best thing that you could ever have happen to us.
Yes, they were really good-looking, looked like rock guys, but they were chefs, and they were going to culinary school. These guys said, “If we give you a list and you buy the food, we’ll make dinner every night so we can practice our cooking on you.” So we thought, “Oh yeah!”
Plus we were right by Morgan Recording Studios where Rod Stewart recorded, also in Willesden Green.
How did you meet all these famous musicians, like Jeff Beck, when you stayed in London?
I think I stood out, partly because of the clothes that I made. They were unique and I looked different than everyone else. I had a thing about me, and I didn’t look like just the average girl. I got to know a lot of rock stars because of the fashions I’d wear.
I’d go to a show, and someone on stage would see me and say, “I wanna meet that girl.” So the musicians would send somebody to meet me. That’s how I met the Beach Boys, and I started going out with Dennis Wilson.
Oh yeah. Oh, God, we went back and forth for years. I met him when I was that young girl, and he picked me out and had the roadies come and get me. I ended up in the back seat of the limo with him, and I did do a little stuff with him. Nothing completely X-rated, just almost…
Later, Dennis and I wanted to put out a magazine together. He had the money and we had some great ideas. We were going to focus it on the lifestyles of rock and roll stars – like what Robin Leach did, but rock style. But we could never make it happen… in part because of his drug use.
I actually have pictures of him and me later in New York City right before he went back to Los Angeles and died. He was so drugged up by then, and I warned him he was overdoing it.
I partied sometimes but I never went too far. Dennis was over the line, and he couldn’t stop.
So you were mixing with musicians and chefs in London?
Yes, people joked that when I was a kid, I went out with all the drummers. I never planned it, but I guess it just ended up that way. That’s who I was attracted to. They liked me; I liked them.
Like John Bonham from Led Zeppelin. I dated him, too. Robert Plant got mad because he liked me, and he wanted me. But I liked John. They flew me and my friends in on their jet, and I stayed at the Waldorf Astoria with him. Actually, I’d already met them on their first American tour, when I was still in high school.
I was so enamored with all of the British guys. I went crazy for them. Led Zeppelin. The Who. I went out with Keith Moon for a while. I used to drag him around to parties because he was the funniest guy you ever met in your life.
Was England as amazing as I imagine in the 1970s?
It was rock and roll heaven. I was just a kid – 18 years old – but I felt like I knew everyone.
Did you make any money while you were there?
I continued making clothes. I started doing costuming for some of the musical groups. I’d go to a show and just give things to people. That generated word of mouth and interest, and then orders would follow. For example, I made some clothes for Peter Gabriel.
Then I started writing about the music shows I was seeing. I didn’t know if I could sell the reviews or not, but I wrote them anyway.
Were you ever interested in getting into a band yourself?
Initially I was a bit too shy. I didn’t think I was talented enough to be on stage, so I just wrote about musicians instead. But eventually I went in and recorded a few things with different people. Later when I was living in New York, I sang a few times with Neon Leon. It was mostly small stuff here and there, but it gave me more confidence.
What happened when the summer in England ended?
My best friend, Rio, and I began a clothing business together in Atlanta. It was Rio and Rusty and it lasted for two years. Clothing and accessories. We were selling items to department stores, and they were all made from tapestry fabric or velvet – things we bought from North Carolina’s textile industry. We’d go and buy what was left over and make all of our goods from that.
We had two names. At first, it was called ‘Street Thing’. And we had a store in Atlanta, on the Atlanta strip, called ‘Psych and Soma’, which meant Mind and Body.
So when you came back from the U.K., you set up in Georgia?
Yes. Then Rio and I went to New York.
What year did you arrive in New York?
1974. I was 22. I lived on Thompson Street where I had a three-level apartment. It was amazing, a brand-new building with a gymnasium. It was great.
I went to study at the Fashion Institute of Technology (FIT).
Were you living with Rio in New York?
Yes. She was my business partner and my best buddy. But then she got religious in the weirdest way. We both started going out with these two guys who were Buddhist. I didn’t really like it – it wasn’t my thing – but she stayed and eventually went to L.A.
Then I was alone, but that was a good thing because that’s when I had to figure out what to do with my life.
What was New York like when you arrived?
It was amazing. And of course, I immediately got into the music scene. I’d go to rock clubs and after-hours clubs – and I met people like Neon Leon at Max’s Kansas City.
I also became part of the Andy Warhol scene, and hung out a lot at The Factory.
What was your relationship with Andy Warhol like?
We argued a lot! When I saw how he didn’t do his own artwork, it just made me angry because I was working so hard in art and fashion school. But he liked me because I’d tell him the truth about what I thought, so he kept me around. The only issue was that my honesty meant I didn’t get invited to everything with him.
Did Andy ever use you for any of his art?
Yes, he photographed me. What he used to do was… he would take Polaroids of you. He’d take hundreds and hundreds of Polaroids. And they’d sit on the floor and his assistants would pick them up. He’d take a picture of the top of your head, or of an eye ball. Hundreds, hundreds of them. He said I was unusual so he wanted to use me.
But the only way he paid people was by giving token handouts. And so even though I didn’t have much money, I said, “I’m not doing it, Andy. That isn’t how I wanna make it in my own life.
Did you know any of Andy’s other people?
I already knew Holly Woodlawn from Atlanta, way before Andy. She came into our store because she wanted some of our clothes because they were unusual. That’s how I knew Jackie Curtis too.
When I moved to New York, and while I was at FIT, Rio and I were in this drag theater group because. First, it was ‘The San Francisco Cockettes’, then it became ‘The Angels of Light’, and then the one in New York City was called Hot Peaches – which is the troupe I was in. I was singing and dancing with them, and we performed at the Mercer Arts Center, which was huge at the time.
Wasn’t Marsha P. Johnson part of Hot Peaches?
Yes, Marsha was my friend. She wasn’t famous when I knew her, but she was later on the cover of Time magazine.
Did you date much when you got to New York?
I went out with a musician named Eric Emerson. Eric Emerson was this beautiful, blond, little guy – an amazing ballet performer who had this rock group called The Magic Tramps. They were really good.
Eric had been with the Stilettos singer Elda Gentile. After I’d been with Eric a while, I realized he was dating Jane Forth at the same time and that she was his girlfriend – she was a famous member of Warhol’s Factory. He was sneaking around and seeing me on the side.
I didn’t know he was with Jane, but when you’re young, you don’t ask a lot of questions. I figured if he was going out with me, he didn’t have a girlfriend. When I found out, I thought, “This isn’t good. I don’t want anybody mad at me for trying to stealing their boyfriend.”
How did you come across the adult film scene and the men’s magazines in New York?
I met Sharon Mitchell on the music scene. We became fast friends, and I fell in with this cross-section that consisted of people from the music world and people from the porn business. I’d hang out with Marc Stevens , Elda Stiletto, Jean Silver – even Debbie Harry, who was forming Blondie, was in the group for a little while.
It was a fabulous time for music and art in New York.
While I was going to FIT, Sharon was doing the XXX stuff. To make money I’d book little gigs for myself like shoe or hand modeling – stupid stuff like that. I was interested in doing more modeling, and Sharon was always around these photographers. I didn’t want to do any XXX stuff, but she gave me some photographers’ names to call. She helped me get started.
Is that what led you to Cheri magazine?
Yes, one of the photographers that Sharon knew said to me, “There’s this new magazine, and I’m friendly with the people that started it. They’ve already gained some popularity. And they’ve drawn this mascot that… looks a lot like you. I want you to copy the poses so we can send the photos to the publisher.”
It was around 1976. The magazine was Cheri and it was in its first year.
So what happened to those shots you took?
The photographer sent them to the Cheri editor, Peter Wolff, and a few days later he called me and said, “I love you, and I want you to come over right away.”
The next thing I knew I was at Sardi’s with Peter, and he was hysterical that I was the girl he’d been looking for. He told me he wanted a mascot for the publication and he had this idea of a girl in his head. He got one of his art directors to draw it up based on his description. And it turned out that drawing looked a lot like me… it was this little skinny red-headed girl with big boobs.
Peter Wolff (left) with photographer Peter Hurd
How did Peter persuade you to work for Cheri?
He brought some issues of Cheri to show me and to make sure I knew what I was getting into. He said, “We’re not Penthouse or Playboy. We’re controversial – a little on the wilder side. We don’t know if we’re gonna make it. But if you want to take a chance, you gotta be willing to do all of it.”
I was like, “Hell yeah – I love all this, I love being naked and celebrating nudity.”
I knew Peter and I were going to get along great.
Had you seen Cheri magazine before you met Peter?
I think I had. In New York at the time, there were newsstands everywhere, and they had men’s magazines stacked up on the floor. They had titles like Penthouse, Playboy, Club, High Society and, yes, Cheri. These magazines were huge because it was all so new, and people were fascinated. Men would get a newspaper or a Time Magazine, then slip one of these men’s magazine underneath.
First ever issue of Cheri magazine, August 1976
I loved him. Peter and I got along absolutely great right from the get-go. That first night he said, “Get your lawyer, get whoever you n
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