Cherish Nudes

Cherish Nudes
It was the assignment of an ambitious young photographer’s dreams: capturing Hollywood’s sexiest star for Look magazine in 1960. Lawrence Schiller’s chemistry with Marilyn Monroe seemed promising, and their professional relationship deepened when he photographed her on the set of her final, never-finished movie,* Something’s Got to Give.* The breathtaking nude shots from that shoot, some unpublished till now.
Related: Read an adaptation of Lawrence Schiller’s memoir about photographing Marilyn, from the June issue.
Related: Lawrence Schiller’s books Marilyn & Me: A Photographer’s Memories and Marilyn & Me: A Memoir in Words and Photographs .
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Monroe, in a never-before-published picture, shot during the pool scene in Something’s Got to Give, May 1962.
A previously unseen selection of nudes, taken three months before the actress’s death.
A previously unseen selection of nudes, taken three months before the actress’s death.
Yves Montand peers into co-star Monroe’s dressing room while shooting Let’s Make Love, 1960.
Montand, Monroe, and Paula Strasberg.
Monroe, with Strasberg, on the Something’s Got to Give set, 1962.
Monroe outside Dean Martin’s trailer.
On her 36th birthday, with Wally Cox and Martin, in his dressing room.
A touch-up from makeup man Whitey Snyder.
Marilyn Monroe on the set of Something’s Got to Give, May 1962
Taking it off for director George Cukor
Taking it off for photographer Lawrence Schiller’s camera, 1962.
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What to Watch See All What to Watch
Home Article Miley Cyrus' 'Wrecking Ball' director's cut has even more nudity: Watch it here!
By Kyle Anderson Updated September 25, 2013 at 05:01 PM EDT
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Miley Cyrus' 'Wrecking Ball' director's cut has even more nudity: Watch it here!
this link is to an external site that may or may not meet accessibility guidelines.
Miley Cyrus’ “Wrecking Ball” video now has a director’s cut.
But rather than tone down the tawdriness, the new version of “Wrecking Ball” actually amps it up. Watch it below:
Isn’t that scandalous? There’s not a stitch of clothing on her face! At least she was wearing shoes in the original.
All jokes aside, the most offensive aspect of the new version of “Wrecking Ball” (which is clearly an homage to Sinead O’Connor’s classic “Nothing Compares 2 U” clip) is the presence of director, photographer, and professional creepshow Terry Richardson at the end.
What do you think of this version of “Wrecking Ball”? And what is your anticipation level for her forthcoming album Bangerz ? Will you be picking it up right away, or have you hit the splash line on the former Hannah Montana? Let us know below.

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Keith Moon Drives Naked Into a Holiday Inn Swimming Pool (1967)
Photo : Jack Kay/Daily Express/Hulton Archive/Getty
John Lennon and Yoko Ono, 'Unfinished Music No. 1: Two Virgins' (1968)
Jim Morrison Arrested for Onstage Nudity in Florida (1969)
Photo : Don Paulsen/Michael Ochs Archives/Getty
Janis Joplin, "Standing Nude" (1972)
Photo : Keystone-France/Gamma-Keystone/Getty
David Cassidy, 'Rolling Stone' Cover (1972)
David Bowie, 'The Man Who Fell to Earth' (1976)
Iggy Pop, 'Little Caesar' Cover (1979)
Prince Gets Cheeky at the VMAs (1991)
GG Allin, 'Hated: GG Allin and the Murder Junkies' (1993)
Photo : Frank Mullen/WireImage/Getty
Rage Against the Machine Protests the PMRC (1993)
Photo : Kevin Estrada/Retna Ltd./Corbis
Photo : Steve Granitz Archive/WireImage/Getty
Alanis Morissette, "Thank U" (1998)
Red Hot Chili Peppers at Woodstock '99 (1999)
Photo : Frank Micelotta/ImageDirect/Getty
Janet Jackson's "Wardrobe Malfunction" at Super Bowl XXXVIII (2004)
Matt & Kim and Erykah Badu Go Au Natural (2009, 2010)
DMX Sprints Naked Down a Hotel Hallway (2013)
Lenny Kravitz's Pants Do Not Go His Way (2015)
Justin Bieber Caught Without His Calvins (2015)
Miley Cyrus and the Flaming Lips Announce a Nude Concert (2015)
Photo : Christopher Polk/MTV1415/Getty

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Wayne Coyne and Miley Cyrus weren’t the first to bare all
As Miley Cyrus and the Flaming Lips prepare for the health department nightmare that is t he world's first all-naked concert , here's 20 times famous performers have gotten outside of their clothes — to make a statement, to increase sales or just because they thought no one was looking.
There are many versions of what went down at Keith Moon's 20th birthday party but they all involve the Who drummer ending up without pants. We know the bacchanal took place at the Holiday Inn in Flint, Michigan, and that Moon, fleeing sheriff's deputies, slipped on some birthday cake and chipped his tooth. As for the rest? Maybe the festivities began with the drummer dynamiting toilets. Maybe Herman's Hermits depansted him. Maybe he drove a Cadillac into the motel pool. Or maybe it was a Lincoln Continental. The important thing is, you could totally see the wild man's junk.
While John's wife Cynthia was vacationing in Greece, he invited Yoko Ono over for some experimental music and chill. The two proceeded to record hours of unlistenable sounds, essentially as foreplay. "Instead of making love, we went upstairs and made tapes. And then as the sun rose we made love and that was Two Virgins ," Lennon later said. Even more startling for Beatles fans than the decidedly un-pop recordings released as Unfinished Music No. 1: Two Virgins was the album art — a full frontal nude shot of John and Yoko, with a matching portrait from the rear on the flipside. EMI refused to distribute the record: When it did appear in stores, it was often sold it in a brown bag.
The Doors frontman's notorious inability to keep his kingsnake from crawling out of his leather pants landed him in the Dade County pen. He allegedly whipped out his regal lizard in front of "hundreds of unescorted junior and senior high school girls," according to the Miami Herald. Morrison denied the charges (officially: "lewd and lascivious behavior in public by exposing his private parts and by simulating masturbation and oral copulation"); and an appeal of his conviction was still pending when he died in 1971. Guitarist Robbie Krieger, taking a "pics or it didn't happen" stance, has long since supported Jim's claim to innocence, and in 2010 outgoing Florida Governor Charlie Crist won the late singer a full pardon.
This photo of Janis Joplin, wearing only beads and folding her hands strategically below her waist, became her most representative image when it was published in 1972, after her death. The iconic shot, captured by photographer and graphic designer Bob Seidemann in 1967, offers a poignant glimpse back at hippie idealism. According to Seidemann, he'd wanted just to shoot Joplin topless, but she insisted on full nudity. "That's the way she was," the photographer said. "She wanted to take her clothes off real bad."
Far more talented and beloved musicians have stripped for Rolling Stone over the years . But multiple generations of former teen idols who take off their clothes as a way of announcing their maturity can thank the artist formerly known as Keith Partridge. Cassidy hoped that Annie Leibovitz's nude portraits — revealing just enough bare hip to demonstrate the 21-year-old Partridge Family star's nakedness on the cover, cropped just below the pubes inside the mag — would help him shed his bubblegum image. The accompanying story, "Naked Lunch Box," in which he discussed his drug use ("not smack, but grass and speed and psychedelics"), essentially linked nudity and candor.
David Bowie became a star by playing up the otherworldly nature of his emaciated, androgynous pallor. But the most fully realized alien he embodied may not be Ziggy Stardust, but Thomas Newton, the enigmatic spaceman at the center of Nicolas Roeg's jarring 1976 film The Man Who Fell to Earth (even if Bowie now claims he was so coked up he barely remembers the filming at all). Much as he had done with Mick Jagger in Performance , Roeg played off Bowie's celebrity allure, proving that stripping a star naked only increases his mystique. The extended nude romp between Bowie and Candy Clark includes a gun as sex prop.
"We're not 50-year-old patrons of the arts," underground New York writer Dennis Cooper announced in the first issue of his magazine. "We're young punks just like you." And for 12 issues, Cooper's zine-turned-journal was where avant-garde poetry and punk-y glamour consummated their relationship. Issue 8 of Little Caesar boasted the mag's defining image: a full frontal black-and-white shot of Iggy Pop in his sinewy prime. The muscular definition of his upper body and his confident swagger were striking that his significant, uh, passenger might not even be the first thing you notice.
We had already seen a lot of Prince in the Eighties, whether he was proudly showing off his briefs on the cover of 1980's Dirty Mind , rising from the bath with sexual menace in the video for 1984's "When Doves Cry" or baring gratuitous side-butt (with a raised knee obscuring our view of his scepter) on the Lovesexy album cover in 1988. But his most daring moment of exposure came while performing "Get Off" on the VMAs. Prince's neatly tailored leopard-print outfit was indeed eye-catching but, for such a notorious exhibitionist, seemed relatively modest. Then he turned his back to the crowd.
No celebrity had ever commanded control over her own naked image so audaciously as Madonna in this coffee table book. Bonus skin: shots of Big Daddy Kane and Vanilla Ice, in their physical prime, captured for the ages.
Copious nudity was pretty much the least offensive part of GG Allin's act. This doc, filmed when The Hangover 's Todd Phillips was still an NYU student, allowed curious bystanders to experience the brutal essence of Allin's live show without the danger that the deranged punk would hit you with a beer bottle, his fist or worse. The film's centerpiece takes place in the East Village club Space at Chase, during an early-Nineties parole-violating tour, where a drunken, naked Allin takes a dump on the floor and flings it at the audience.
Rage Against the Machine were still rap-metal up-and-comers when they took the Lollapalooza stage in Philadelphia, naked, gags on their mouths, a letter painted on the chest of each member to spell out "PMRC." The band stood in silent protest of the industry's capitulation to censorious prudery from the Parents Music Resource Center, the organization that, in 1985, had pressured the RIAA into slapping Parental Advisory labels on all but the most squeaky-clean of albums. The naked stand lasted long enough for the crowd to begin booing until police hauled them off. Bassist Tim Commerford later recalled that his manhood looked like "a half roll of nickels. It was as if I came out of the ocean … I was trying to fluff things up to get the blood flow to happen."
In 1995, the internet lost its virginity. In the Eighties, a homemade flick of two famous newlyweds — Mötley Crüe drummer Tommy Lee and Baywatch star Pamela Anderson — celebrating their love would have circulated only via faded bootleg dubs. But the recording spread ridiculously fast online. The internet, first created for national security purposes and then publicized with the high-minded goal of allowing the spread of useful knowledge and productive commerce, promptly revealed its earthier uses. Tommy and Pam soon settled out of court with the company that posted the video, which was allowed to continue marketing the sex tape.
In "Thank U," the first single from Alanis Morisette's 1998 album Supposed Former Infatuation Junkie, the singer strides through L.A. wearing nothing but a beatific look, bestowing gratitude upon the universe. The idea came to her in the shower, Morissette later said, and was to be "less about overt sexuality and more about the symbolism of being really raw and naked and intimate in all these environments where you'd seemingly need protection."
The Chili Peppers were the nakedest band of the Nineties, often wearing tube socks (and nothing more) as though they were heavy-duty knit foreskins (a practice the band started way back in 1983). So it's only fitting that Flea, whose member was the most frequently seen of all the band's members, would cap off the decade by repeatedly wearing nothing but his bass onstage. He was nude at Reading and at Leeds and, most notably, at Woodstock '99.
"I'm gonna have you naked by the end of this song," sang Justin Timberlake, Janet Jackson's surprise guest for her Superb
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