Charley Chase Public

Charley Chase Public



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Thelma Todd and Charley Chase in a publicity picture from the Hal Roach studio that dates to the early days to the talkies. A
Stan Laurel, Charley Chase, Charlie Hall, Oliver Hardy and James Finlayson in Call Of The Cuckoo (1927)
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Today in 1893 Charley Chase was born.
Charley Chase 1893-1940, and Thelma Todd - goldensilents.com
Movie Still Photographs, Biography and Filmography of Silent Film Star Charley Chase
Despite his faithfulness, Melvin is always under suspicion by wife Mame. Complications erupt when a woman from a party across the hall passes out in Melvin’s bedroom just before Mame returns.…
Movie Still Photographs, Biography and Filmography of Silent Film Star Charley Chase
1927 - ASSISTANT WIVES - James Parrott
Movie Still Photographs, Biography and Filmography of Silent Film Star Charley Chase
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For other people named Charlie or Charley Chase, see Charlie Chase.
Charlie Chase, Charles Chase, Jimmy Jump
Comedian
director
screenwriter
songwriter
Charles Joseph Parrott (Oc­to­ber 20, 1893 – June 20, 1940), known pro­fes­sion­ally as Charley Chase, was an Amer­i­can co­me­dian, actor, screen­writer and film di­rec­tor best known for his work in Hal Roach short film come­dies. He was the elder brother of co­me­dian/di­rec­tor James Par­rott.
Charlie chaplin barber sceneFunniest by Charlie Ch
The Floor Below (1919) - SNUB POLLARD & MILDRED DAVIS - Charley Chase | Hal Roach
Born Charles Joseph Par­rott in Bal­ti­more, Mary­land, Charley Chase began per­form­ing in vaude­ville as a teenager and started his ca­reer in films by work­ing at the Christie Film Com­pany in 1912.[1] He then moved to Key­stone Stu­dios, where he began ap­pear­ing in bit parts in the Mack Sen­nett films, in­clud­ing those of Char­lie Chap­lin. By 1915 he was play­ing ju­ve­nile leads in the Key­stones, and di­rect­ing some of the films as Charles Par­rott. His Key­stone cre­den­tials were good enough to get him steady work as a com­edy di­rec­tor with other com­pa­nies; he di­rected many of Chap­lin im­i­ta­tor Billy West's come­dies, which fea­tured a young Oliver Hardy as vil­lain.
He worked at L-KO Kom­pany dur­ing its final months of ex­is­tence. Then in 1920, Chase began work­ing as a film di­rec­tor for Hal Roach Stu­dios. Among his no­table early works for Roach was su­per­vis­ing the first en­tries in the Our Gang se­ries, as well as di­rect­ing sev­eral films star­ring Lloyd Hamil­ton; like many other silent co­me­di­ans, Chase is re­ported to have re­garded Hamil­ton's work as a major in­flu­ence on that of his own.[citation needed] Chase be­came di­rec­tor-gen­eral of the Hal Roach stu­dio in late 1921, su­per­vis­ing the pro­duc­tion of all the Roach se­ries ex­cept the Harold Lloyd come­dies. Fol­low­ing Lloyd's de­par­ture from the stu­dio in 1923, Chase moved back in front of the cam­era with his own se­ries of shorts, adopt­ing the screen name Charley Chase.
Chase was a mas­ter of the com­edy of em­bar­rass­ment, and he played ei­ther hap­less young busi­ness­men or be­fud­dled hus­bands in dozens of sit­u­a­tion come­dies. His screen per­sona was that of a pleas­ant young man with a dap­per mus­tache and or­di­nary street clothes; this set him apart from the clown­ish make­ups and crazy cos­tumes used by his con­tem­po­raries. His ear­li­est Roach shorts cast him as a hard-luck fel­low named "Jim­mie Jump" in one-reel (10-minute) come­dies.
The first Chase se­ries was suc­cess­ful and ex­panded to two reels (20 min­utes); this would be­come the stan­dard length for Chase come­dies, apart from a few three-reel fea­turettes later. Di­rec­tion of the Chase se­ries was taken over by Leo Mc­Carey, who in col­lab­o­ra­tion with Chase formed the comic style of the se­ries—an em­pha­sis on char­ac­ter­i­za­tion and farce in­stead of knock­about slap­stick. Some of Chase's star­ring shorts of the 1920s, par­tic­u­larly Mighty Like a Moose, Crazy Like a Fox, Flut­ter­ing Hearts, and Lim­ou­sine Love, are often con­sid­ered to be among the finest in silent com­edy. Chase re­mained the guid­ing hand be­hind the films, as­sist­ing anony­mously with the di­rect­ing, writ­ing, and edit­ing.
Chase moved with ease into sound films in 1929 and be­came one of the most pop­u­lar film co­me­di­ans of the period.[2] He con­tin­ued to be very pro­lific in the talkie era, often putting his fine singing voice on dis­play and in­clud­ing his hu­mor­ous, self-penned songs in his com­edy shorts. The two-reeler The Pip from Pittsburg, re­leased in 1931 and co-star­ring Thelma Todd, is one of the most cel­e­brated Charley Chase come­dies of the sound era.[3] Through­out the decade, the Charley Chase shorts con­tin­ued to stand along­side Lau­rel and Hardy and Our Gang as the core out­put of the Roach stu­dio. Chase was fea­tured in the Lau­rel and Hardy fea­ture Sons of the Desert; Lau­rel and Hardy made cameo ap­pear­ances as hitch­hik­ers in Chase's On the Wrong Trek.
On the Wrong Trek was sup­posed to be the final Charley Chase short sub­ject: by 1936 pro­ducer Hal Roach was now con­cen­trat­ing on mak­ing am­bi­tious fea­ture films. Chase played a char­ac­ter role in the Patsy Kelly fea­ture Kelly the Sec­ond, and starred in a fea­ture-length com­edy called Bank Night, lam­poon­ing the pop­u­lar Bank Night phe­nom­e­non of the 1930s. Chase's fea­ture was plagued with a host of pro­duc­tion prob­lems and le­gal­i­ties, and the film was dras­ti­cally edited down to two reels and fi­nally re­leased as one last Charley Chase short, Neigh­bor­hood House. Chase was then dis­missed from the Roach stu­dio.
In 1937, Chase began work­ing at Co­lum­bia Pic­tures, where he spent the rest of his ca­reer star­ring in his own se­ries of two-reel come­dies, as well as pro­duc­ing and di­rect­ing other Co­lum­bia come­dies, in­clud­ing those of The Three Stooges and Andy Clyde. He di­rected the Stooges' clas­sic Vi­o­lent Is the Word for Curly (1938); al­though he is often cred­ited with writ­ing the film's song "Swing­ing the Al­pha­bet",[4] the tune ac­tu­ally orig­i­nates with 19th-cen­tury song­writer Sep­ti­mus Win­ner. Re­cent re­search as­serts that the Chase fam­ily's maid in­tro­duced the song to Chase and taught it to his daughters.[5] Chase's own shorts at Co­lum­bia fa­vored broader sight gags and more slap­stick than his ear­lier, sub­tler work, al­though he does sing in two of the Columbias, The Grand Hooter and The Big Squirt (both 1937). Many of Chase's Co­lum­bia short sub­jects were strong enough to be re­made in the 1940s with other co­me­di­ans; Chase's The Heckler (1940) was re­made with Shemp Howard as Mr. Noisy (1946) while The Night­shirt Bandit (1938) was re­made with Andy Clyde as Go Chase Yourself (1948) and again in 1956 as Par­don My Nightshirt.
Chase re­port­edly suf­fered from de­pres­sion and al­co­holism for most of his pro­fes­sional ca­reer, and his tu­mul­tuous lifestyle began to take a se­ri­ous toll on his health. His hair had turned pre­ma­turely gray, and he dyed it jet-black for his Co­lum­bia come­dies. Years later Hal Roach said "I never saw him drunk at the stu­dio, and I never saw him sober out­side of it."
His younger brother, com­edy writer-di­rec­tor James Par­rott, had per­sonal prob­lems re­sult­ing from a drug treat­ment, and died in 1939. Chase was dev­as­tated. He had re­fused to give his brother money to sup­port his drug habit, and friends knew he felt re­spon­si­ble for Par­rott's death. He coped with the loss by throw­ing him­self into his work and by drink­ing more heav­ily than ever, de­spite doc­tors' warn­ings. The stress ul­ti­mately caught up with him; just over a year after his brother's death, Charley Chase died of a heart at­tack in Hol­ly­wood, Cal­i­for­nia, on June 20, 1940. He is in­terred in the For­est Lawn Memo­r­ial Park Ceme­tery near his wife Bebe Eltinge in Glen­dale, Cal­i­for­nia.
For his con­tri­bu­tion to the mo­tion pic­ture in­dus­try, Charley Chase re­ceived a star on the Hol­ly­wood Walk of Fame at 6630 Hol­ly­wood Boule­vard on Feb­ru­ary 8, 1960.[6][7]
Since the 1990s, there has been a re­vival of in­ter­est in the films of Charley Chase, due in large part to the in­creased avail­abil­ity of his come­dies. An ex­ten­sive web­site re­search­ing his life and work, The World of Charley Chase, was cre­ated in 1996, and a bi­og­ra­phy, Smile When the Rain­drops Fall, was pub­lished in 1998.
Chase's sound come­dies for Hal Roach were briefly tele­vised in the late 1990s on the short-lived Amer­i­can cable net­work the Odyssey Chan­nel. Ret­ro­spec­tives of Chase's work or­ga­nized by The Silent Clowns Film Series were held in 1999, 2001, 2006, and 2008 in New York City.
A marathon of se­lected Charley Chase shorts from the silent era was broad­cast in 2005 on the Amer­i­can cable tele­vi­sion net­work Turner Clas­sic Movies. In late 2006, Turner Clas­sic Movies began to air Charley Chase's sound-era come­dies. In Jan­u­ary 2011, sev­eral of his sound shorts were fea­tured dur­ing Turner Clas­sic Movies' trib­ute to Hal Roach Stu­dios.
In 2007, Mighty Like a Moose (1926) was se­lected for in­clu­sion in the Li­brary of Con­gress's Na­tional Film Reg­istry, so­lid­i­fy­ing its rep­u­ta­tion as one of the most cel­e­brated come­dies of the silent era and ce­ment­ing Chase's sta­tus as a pi­o­neer of early film comedy.[8]
Kino In­ter­na­tional re­leased two Charley Chase DVD vol­umes in 2004 and 2005 for their Slap­stick Sym­po­sium se­ries. The films came from archives and col­lec­tors around the world. In July 2009, VCI En­ter­tain­ment re­leased Be­com­ing Charley Chase, a DVD boxed set of Charley Chase's early silent films.
Co­lum­bia Pic­tures has pre­pared dig­i­tal restora­tions of its twenty Charley Chase shorts, in the same man­ner as its Buster Keaton DVD restora­tions. On Jan­u­ary 1, 2013, Sony Home En­ter­tain­ment re­leased Charley Chase Shorts Vol­ume 1, part of its "Co­lum­bia Choice Col­lec­tion" MOD DVD-R li­brary. The one-disc re­lease con­tains eight of Chase's star­ring shorts and one Smith & Dale short that he di­rected, A Nag in the Bag (1938). On No­vem­ber 5, 2013, Sony Home En­ter­tain­ment re­leased Charley Chase Shorts Vol­ume 2, an­other in their MOD DVD-R se­ries, which con­tained the re­main­ing twelve Chase shorts.
The Masquerader (1914, Short) - Actor (uncredited)
Tillie's Punctured Romance (1914) - Detective in movie theatre (uncredited)
Chased Into Love (1917, Short)
Her Dangerous Path (1923) - Glen Harper
Long Live the King (1923)
The King of the Wild Horses (1924) - Boyd Fielding
All Wet (1924, Short) - Jimmie Jump
Looking for Sally (1925, Short) - Jimmie Jump
Isn't Life Terrible? (1925, Short) - The Husband
Is Marriage Goofy (1925) - Charley
Dog Shy (1926, Short) - Charley
Hard Boiled (1926) - (uncredited)
Mighty Like a Moose (1926, Short) - Mr. Moose - The Husband
Crazy Like a Fox (1926, Short) - Wilson - the Groom
Bromo and Juliet (1926, Short) - Charley
Fluttering Hearts (1927, Short) - Charley
Call of the Cuckoo (1927, Short) - Asylum Inmate (uncredited)
Limousine Love (1928, Short) - The Groom
Modern Love (1929) - John Jones
Le joueur de golf (1930)
Locuras de amor (1930) - Carlos
El príncipe del dólar (1930)
Chercheuses d'or (1930)
Garde la bombe (1930)
El alma de la fiesta (1931) - Carlitos
The Pip from Pittsburgh (1931, Short) - Charley
Monerías (1931) - Carlosy
Arabian Tights (1933, Short)[9] - Charley
Sons of the Desert (1933) - Charley - Son of the Desert from Texas
Life Hesitates at 40 (1935, Short) - Himself
Public Ghost#1 (1935, Short) - Himself
On the Wrong Trek (1936, Short) - Himself
Neighborhood House (1936) - Himself
Kelly the Second (1936) - Dr. J. Willoughby Klum
Oh, What a Knight! (1937, Short, Director)
Teacher's Pest (1939, Short) - Himself
The Heckler (1940, Short) - Noisy
^ Anthony, Brian and Edmonds, Andy (1998). Smile When the Raindrops Fall: The Story of Charley Chase. The Scarecrow Press, Inc., 23. ISBN 0-8108-3377-8
^ Lahue, Kalton C. and Gill, Samuel (1970). Clown Princes and Court Jesters. A.S. Barnes and Company, 94.
^ Solan, Yair. "Many Big Squawks." The World of Charley Chase. "Archived copy". Archived from the original on 2010-01-26. Retrieved 2009-07-12.CS1 maint: archived copy as title (link)
^ Okuda, Ted and Watz, Edward (1986). The Columbia Comedy Shorts: Two-Reel Hollywood Film Comedies, 1933–1958. McFarland & Company, Inc., 27. ISBN 0-7864-0577-5.
^ Finegan, Richard. "Swingin' the Alphabet Composer Finally Identified." The Three Stooges Journal (Winter 2005): 4.
^ "Charley Chase | Hollywood Walk of Fame". www.walkoffame.com. Retrieved 2016-06-28.
^ "Charley Chase". latimes.com. Retrieved 2016-06-28.
^ "National Film Registry 2007." https://www.loc.gov/film/nfr2007.html
^ "ARABIAN TIGHTS(1933)", Turner Classic Movies
This page was last edited on 29 December 2020, at 19:23
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