Channel 4 Moms Make Porn

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Channel 4 recently wrapped up their new three-part series Mums Make Porn.
The series came to a close on Wednesday, Apri 3rd, with their adult movie showcased at a private screening in London.
Now, however, that film is available to watch online. Here’s everything we know about Mums Make Porn!
Left to Right: Emma, Anita, Sarah-Louise and Sarah
Mums Make Porn is a show that aims to change the way we think about X-rated content online.
Many teenagers’ first knowledge of sex is formed or influenced by what they access on the internet. And this type of material is often very problematic in his depicture of everyone’s favourite intimate time.
Rather than nurturing sexist attitudes in the youth, Mums Make Porn will see a group of ordinary mums create their own teenage-friendly film about the topic.
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The parents will write, cast, direct and edit their mum-approved 12-minute pornographic film, which will then air on Channel 4.
Emma Morgan, Executive Producer said of the three-part series:
We were shocked by the stats about the impact of free mainstream porn online on the younger generation. It was clear that a lot of young people were accessing porn and were being influenced by it.
Left to Right: Emma, Anita, Sarah-Louise and Sarah
We felt it has real purpose to do something meaningful to provoke debate and encourage responsible conversations between parents and their children and draw attention to the issue
Mums Make Porn has now finished, with the last episode airing on Wednesday, April 3rd.
However, you can catch up with all of the episodes online thanks to the official Channel 4 media player, ALL4.
The grand finale of Mums Make Porn saw the four mothers release their adult movie into the online world.
A specific website has been set up for the film, where you can watch it.
It is only available for UK viewers and contains ADULT CONTENT, only for those at least 18 years old.
If you're watching #MumsMakePorn and wondering what the finished film looks like, here you are: https://t.co/PgI7dR3NLL. It's actual porn with actual sex, so you'll have to verify that you're over 18 to watch, because we're responsible.
— Channel 4 (@Channel4) April 3, 2019
Originally, there were five mums signed up to the series. However, one pulled as the show started to clash with her religious and moral views.
Emma has a close relationship with her daughters and feels that it’s a must in order to broach topics such as losing your virginity and the morning after pill.
To her, porn was a natural progression from this.
Speaking of the 12-minute film they eventually produce, Emma said:
It’s two separate sex scenes but they mirror sexual positions. One is daytime; one is at night. They interlink within the edit. It is all about the build up and exploration of the body and asking.
Manchester mum of six, Sarah-Louise, admitted that she had not watched sexual online content in a long time.
However, she wanted to broaden her knowledge, particularly for her daughters, who told her that they would compare themselves and their own bodies if they found out that their boyfriend watched porn.
Sarah has two daughters, aged 16 and 12, and never considered breaching the subject of sex with either of her girls prior to filming the series.
The 40-year old from North Wales explained that some of the graphic sexual content she has seen online brought her to tears.
Anita has four boys, the oldest now 24.
Unlike some of the other mothers, she is used to speaking openly about sex and porn with her sons – even over the dinner table.
Anita told Channel 4 of her experience:
I wasn’t shocked by what I had seen. Everything I enjoy with my husband isn’t that but I was aware of what was out there. I had already had conversations with my children about being careful about what they saw. The reason I got involved is I knew it was out there.
https://www.realitytitbit.com/whats-on/five-reasons-why-this-time-with-alan-partridge-series-2-is-very-unlikely-what-next-for-steve-coogan
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Chris has a First Class Film and Journalism (Joint Honours) degree from De Montfort University and previously studied film at A-level, making him HITC’s resident movie guy. Chris’s passion for all things cinema has been with him from a very young age and he has written for a number of publications, from Taste of Cinema to local sites. He has been with HITC for a five years, exploring the world of film and television while looking out for the latest titles to excite and inspire audiences.
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Aware that much online pornography is violent, degrading and can have a damaging effect, we wanted to see what it would look like if it was made by a group of mums, says Kate Farnaby
Production company Firecracker Films
Commissioners Sarah Lazenby; Clemency Green
Length 3 x 60 minutes
TX 10pm, Wednesday 20 March, Channel 4
Executive producers Emma Morgan; Jes Wilkins
Shooting producers/directors Guy Simmonds; Caroline O’Shaughnessy; Izzy Fonseca
Series producer Kate Farnaby
Post house MSV
Right from the start, we knew that casting, access and even crewing up for Mums Make Porn wouldn’t be easy. The title is brilliant because it does exactly what it says on the tin, but the word ‘porn’ can make people react in funny ways and not everyone wanted to be involved.
We’re British and we’re all way more prudish than we’d like to admit. Telling my 70-year-old Yorkshire parents what I was working on was the most awkward conversation I’ve had since they found the pill in my bedroom.
The commission began when Channel 4 said it wanted to find mischievous and noisy ways to tackle some of the most important issues of the day. That is the kind of challenge that the team at Firecracker Films love to embrace.
As a mum of teens, executive producer and creator Emma Morgan’s original idea came from her own personal experience. The reality is that porn is everywhere and can be accessed by anyone, of any age.
Porn itself is not the enemy and it is going nowhere; the problem lies in the prevalence of violent, degrading, hardcore, explicit content, which can have a very damaging effect on young people.
We thought that if porn is this generation’s sex education, then what would their parents rather they were watching? If mums made a porn film, what would it look like?
We knew the success of the whole project hinged on our cast. Luckily, we had a great casting team and a very supportive commissioning editor, Clemency Green. Between us, we agreed on our final five mums – who are all amazing.
They are a real cross-section of feisty, intelligent women that we feel represent modern mums in 2019, all of them facing the same challenges of parenting in a digital age and all of whom reacted very differently to the porn world.
One was a Christian from an Asian family and had never seen a porn film in her life, one was an avid porn watcher and another vomited when faced with too much bodily fluid on a porn set.
Once we cast the mums, we faced the next major challenge – how on earth do a bunch of total novices make a porn film? And how do we film them making their film, all within 10 weeks? As the producers, we were making a film about people making a film – it was all very meta.
We had three excellent PDs tirelessly following the five mums and capturing the reality of them making a porn film in an observational-documentary style.
We wanted to catch the highs and lows in the moment and see the mums making their own mistakes along the way. But we were also facing the usual challenges of any other production with budget and time constraints, so we needed them to do it quickly.
We tried not to overproduce the scenes, instead letting them play out as naturally as possible, often with emotional or hilarious results.
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Our producer, APs and researchers got some amazing access that would help guide the mums through the process and they gave us some brilliant scenes, such as going to the annual UK adult producer’s awards and a scriptwriting session with porn writer Dick Bush.
When the time came for the mums to make their porn film, they put all their energy into creating an ethical movie with high production values, but for us, filming them filming a porn film was an enormous challenge. The preparation that went into it was immense for our production team.
We had our entire crew, plus the porn film crew, our five mums and their four porn performers – it felt like we were making a feature film, only with naked people everywhere.
Capturing all the action on this crucial shoot was vital but it was very similar to all our previous shoots – we didn’t have any idea what was going to happen and had to go with the flow without missing a second.
Being across the edit, I have seen just how much footage we shot in a relatively short space of time and it left us with a mammoth task. Having three cameras on big scenes was crucial to cover all the action, but it meant we had hundreds of hours of footage that needed wading through and whittling down to three.
But with a very talented edit team, we have a series that will make our audience think, laugh and get angry, and possibly horny. I doubt I’ll ever get to say that again.
STRIKING THE RIGHT TONE OF MISCHIEF AND PURPOSE
The conceit of five working mums making a porn movie is inherently funny, but at the heart of our series lies an important issue about the increasingly easy access young children have to hardcore pornography online.
As director, it was crucial for me that we struck the right tone.
From the outset, we wanted to make a series that mixed mischief with purpose; a comedy of manners, featuring five ‘fish-out-of- water’ mums that was both provocative and thought-provoking.
It was our aspiration that every episode should make us laugh, cry and think. No small task.
Visually, we wanted to film an elegantly shot series that despite its constructed nature retained an ob-doc feel.
Intimacy and feeling present in the room with the mums on their journey were important, be it when they were at home chatting to their kids, or on a porn set, feet away from the action.
We also worked hard to juxtapose the domesticity and comfort of our mums’ worlds with the darker, often quite sinister culture of the porn industry.
In terms of kit, we opted to film the series on Sony FS7s, fitted with Shape arms and quick-release base plates. The FS7 is a versatile camera that can handle run-and-gun-style observational filming.
But also, with a little more time and care, it can produce some beautiful, cinematic images that add production value. For interviews, we paired the FS7 with Zeiss Cine Prime lenses. The camera has the added benefit of being proficient in low light, which was handy on the porn sets.
I rigged the camera with a five-inch HD monitor, which enabled me to look away from the screen more often. This allowed me to maintain eye contact with contributors and keep a lookout for those interesting moments of actuality or cutaways on the periphery of my vision, which are often missed when staring at a screen.
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