Carlo Carrera

Carlo Carrera




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Carlo Carrera
From Wikipedia, the free encyclopedia
Carrà in front of Le Figaro , Paris, February 9, 1912

^ Cowling and Mundy pp. 52–53.

^ Cowling and Mundy p. 52.

^ Cowling and Mundy p. 56.

^ Cowling and Mundy p. 57.

^ Pinkus, p.20

^ Antliff, p.2; Pugliese, p.16

^ Antliff, p.2

^ "Stale Session" . ti.ch .


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Carlo Carrà ( Italian: [ˈkarlo karˈra] ; February 11, 1881 – April 13, 1966) was an Italian painter and a leading figure of the Futurist movement that flourished in Italy during the beginning of the 20th century. In addition to his many paintings, he wrote a number of books concerning art. He taught for many years in the city of Milan .

Carrà was born in Quargnento , near Alessandria ( Piedmont ). At the age of 12 he left home in order to work as a mural decorator.

In 1899–1900, Carrà was in Paris decorating pavilions at the Exposition Universelle , where he became acquainted with contemporary French art. He then spent a few months in London in contact with exiled Italian anarchists , and returned to Milan in 1901. In 1906, he enrolled at Brera Academy ( Accademia di Brera ) in the city, and studied under Cesare Tallone . In 1910 he signed, along with Umberto Boccioni , Luigi Russolo and Giacomo Balla the Manifesto of Futurist Painters , and began a phase of painting that became his most popular and influential.

Carrà's Futurist phase ended around the time World War I began. His work, while still using some Futurist concepts, began to deal more clearly with form and stillness, rather than motion and feeling. Inspired by Trecento painting, children's art, and the work of Henri Rousseau , Carrà soon began creating still lifes in a simplified style that emphasized the reality of ordinary objects. [1] In 1917 he met Giorgio de Chirico in Ferrara, and worked with him there for several weeks. Influenced by de Chirico, Carrà began including mannequin imagery in his paintings. [2] The two artists were the innovators of a style they called " metaphysical painting ". By 1919, Carrà's metaphysical phase was giving way to an archaicism inspired by the works of Giotto , whom he admired as "the artist whose forms are closest to our manner of conceiving the construction of bodies in space." [3] Carrà's painting The Daughters of Lot (1919) exemplifies the new direction of his work. Throughout the 1920s and 1930s, he concentrated mainly on landscape painting and developed a more atmospheric style. [4] An example from this period is his 1928 Morning by the Sea .

He is best known for his 1911 Futurist work, The Funeral of the Anarchist Galli . Carrà was indeed an anarchist as a young man but, along with many other Futurists, later held more reactionary political views, becoming ultranationalist and irredentist before and during the war. He supported fascism after 1918. In the 1930s, Carrà signed a manifesto in which called for support of the state ideology through art. [5] The Strapaese group he joined, founded by Giorgio Morandi , was strongly influenced by fascism and responded to the neo-classical guidelines which had been set by the regime after 1937, [6] but was opposed to the ideological drive towards strong centralism . [7]

1911, Rhythms of Objects ( Ritmi d'oggetti ), oil on canvas, 53 x 67 cm, Pinacoteca di Brera

1917, Il cavaliere dello spirito occidentale (Western Horseman) , 52 x 67 cm, private collection

1918, L'Ovale delle Apparizioni ( The Oval of Apparition ), oil on canvas, 92 x 60 cm, Galleria Nazionale d’Arte Moderna , Rome, or Collezioni R. Jucker, Milan


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Wears a tattoo on his left bicep with the words "MAC".






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2008, marked the beginning of the steady-going career of Carlo Carrera, in the adult film world. Standing an impressive 6'5" and maintaining a superbly-crafted 220 lbs of muscle and an equally magnificent endowment, Carlo continues to gain a fan base with both female and male viewers. Prior to his transition into the pornographic domain, Carlo worked as a bouncer in a local Miami club bar. Despite his intimidating stature, he is regarded as being one of the nicest bouncers anyone could meet. Generally, on camera, during any of his scenes, he is quite gentle with the women, which stands in contrast to his physical power and background being a bouncer. At age 32, when he first appeared before cameras, Carlo was born sometime in 1976 in the Dominican Republic. He lives in Miami, Florida and can be seen in several of the Florida-based porn productions by Bang Bros and Score Entertainment Group.

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November 22 ,

1978

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