Cannibal Holocaust Nude Scene

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Cannibal Holocaust Nude Scene
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CANNIBAL HOLOCAUST presents the found footage of a group of four documentary filmmakers who experience brutal death at the hands of a savage South American tribe of flesh-eaters.
Directors Ruggero Deodato Starring Robert Kerman , Francesca Ciardi , Perry Pirkanen Genres Horror , Adventure Subtitles English [CC] Audio languages English
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Ruggero Deodato - director See profile
Producers Franco Di Nunzio , Franco Palaggi Studio Box Office Spectaculars, Inc. Content advisory Foul language , smoking , nudity , sexual content , violence Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
montecarlostar Reviewed in the United States on May 1, 2018
By one of those lucky accidents in life, I ran into this movie while leisurely browsing online. It immediately brought back childhood memories of me walking inside a video club, and seeing the movie box in the shelves, but my brothers would never let me rent it. The images I saw back then were so powerful that they stuck to my brain to this day, as sure enough, they came back as soon as I got back in touch with this little diddy. When I started reading more about it, my curiosity burst into flames. I just had to watch it. And I am so glad I did. This is not just a stunning work of gore, it’s a masterpiece! Everything about this movie is incredible: from the genius found footage concept idea (the first of its kind! honestly, how cool is that?... take that Blair’s witch!), its intriguing ultimate message, and of course, all the glorious non-stop carnage. Deodato takes no prisoners. This film goes all the way like its publicity says! I found the decision of using Robert Kerman as the leading actor an odd one (but one that in the end, worked). By the late seventies, Kerman had not really done anything of importance except porn (the notorious Debbie Does Dallas at that, one of the most famous movies of that genre), so he was a non-obvious choice, to say the least. I think he does a decent job in this film, in part probably because he’s someone who wouldn’t feel intimidated by its gruesome nature (and definitively would not bother being “groped” by a group of enthusiastic native women). His acting is all you would expect from a porn actor, “stiff” (pun intended) and subpar, but after all it serves the purpose, because this is not a film about great acting, but about great “being” (especially in regard to the cannibals). Filming real native tribes (I doubt they were actual cannibals) appears to many as an unsurmountable challenge. How the hell do you direct natives on film? The answer, surprisingly, is pretty simple, and it’s given by Deodato in the full length commentary. You just ask them and they obey. As simple as that. They do whatever they are told. Apparently, being on camera (whether they understood what it meant or not) was a real treat for the natives, and they all were making fun among themselves thinking these light skin people were crazy! But, free meals and lots of fun, hey who would say no to that?? The extra materials in this DVD are a real treat which makes it a must for real fans. The booklet contains two posters of the movie in different languages and some liner notes. The audio commentary was very revealing, particularly of the personalities of Deodato and Robert Kerman. They ended up being the total opposite of what I expected them to be. You would think of Kerman, as the alpha male porn star, pricky, arrogant, full of himself, but instead here’s this sweet, insecure, slightly depressed quiet little man. On the other hand, I was thinking of Deodato as the humble, professional, introvert director, but he happened to be all what I thought Kerman would be. Blunt, stuck up, and quite a jerk at times. Throughout the commentary audio, you could tell that Robert just couldn’t stand being with that guy. He must hate Deodato with a passion. There was zero chemistry between the two. To make things worst, between Deodato’s broken English and Kerman’s one word per minute speech pace, the commentary was very painful to listen to. Its contents could also have been more interesting. I think there were far better things to discuss than what was included, so tragically, this commentary was a lost opportunity. Now let’s move on to the on-camera interviews. Kerman’s interview produced in me a shock only comparable to watching the movie for the first time. Now it makes sense why there is virtually no interview of him to be found anywhere in the internet. I wonder if he ever gave interviews at all. The conversation starts with Kerman sitting at the weirdest, most uncomfortable angle with respect to the camera, so you can see him most of the time almost from behind. He’s sitting in front of a mirror, so you can see the camera (and Kerman) reflected on the mirror all the time (seriously!?). It’s all so unprofessional that it looks like a 3-year old set the whole thing up. Later, the cameraman moved to another, slightly better angle, revealing that the interview is taking place in a locker room of sorts, where you can see things thrown over the floor everywhere. Kerman’s appearance is thoroughly pathetic, he obviously did not care about his looks at all (I wonder if they even told him this would be a filmed interview, as opposed to just audio). He keeps on sipping his coffee making annoying noises, rubbing his face, and speaking at the aforementioned one word per minute pace. All those years in porn must have eaten half of his brain away! In the end, the interview leaves you with a bitter taste, you can tell that his life nor his acting career went where he wanted them to go. He gives the impression of being a total failure in life. And it looks that he didn’t even like the movie after all! The other interviews were much better. Yorke’s interview was by far the best of the three, giving a structured narrative of the whole filming process, unlike Kerman’s which was a hot mess. The rest of the extra materials in the second DVD are really tasty for a fan of the film. Finally, I want to talk about the music, composed by Riz Ortollani. Part of what makes Cannibal so epic is precisely this soundtrack masterpiece. The main theme and many of the incidental pieces are not the dissonant cheap scares you would think (though there is some dissonance in the sound at some point), but rather some of the sweetest, most melodic music of its time. It may sound funny, but the continuous use of the “pew pew” bite works extremely well and one of the most original ideas for a horror movie soundtrack ever! I guarantee you, it will stick to your head for weeks after you’ve heard it. The extreme contrast of the brutality of the scenes and the ethereal music is part of what makes this movie so powerful and memorable. Deodato himself has said that this approach was borrowed from him by directors such as Quentin Tarantino and Oliver Stone to recreate the overly dramatic effect. I imagine it could also be the inspiration behind the final scene of “The Mission” by Roland Joffe. Deodato is unquestionably a legendary director. He deserves much more praise than he gets. Maybe it’s the kind of movies that he chose to make what relegated him to “cult” director status. However, Cannibal is far from being the B movie garbage that many people think it is. Leaving aside the gruesome gore and the obscenely graphic scenes (not speaking about the infamous animal butchery, of which Deodato does not seem all that regretful in his interview… it looks as if he’s just sorry that he was caught); the theme, rhythm, shock and ultimate message of this movie are all of everlasting value, and this film will always be among the most dreadful, daring, horrendously delicious pieces of degenerate art there will be. And if you want to know who the real cannibal was, his name is Ruggero Deodato!
Avid reader Reviewed in the United States on November 13, 2018
The restored 2 disc set is of decent film quality, and the background information is very interesting. One is allowed to select either the original, of one cut to remove some of the animal cruelty shots. And for many, the killing of animals may be very difficult, especially the first animal killed. In the background commentary, that particular one got a lot of dissention. The pretense is film makers going on a documentary journey into cannibal country to investigate life there. It is graphic, disgusting in parts, sensational in others and lots of nudity. But the thing to understand it that is it a movie, not a depiction of reality. It was designed to generate controversy and money, although censorship stopped distribution almost from the start. What makes this movie interesting is that when it was made, it stretched the bounds of 'decency' and freedom of expression, and for that reason, is useful to have available for some to watch. But no, people were not eaten. People were not burned to death, and legs were not cut off, etc. This is movie making perhaps at the extreme. But animals were killed and eaten and often that is not pleasant to watch. But also, few people ever see how the meat got to their table either. Obviously, this is not a movie for the mainstream viewer. But it was filmed in the Amazon area, under conditions of extreme heat and humidity and in lots of mud. But the movie was scripted, and it is acting, based on what the director wanted to show. In parts, the movie is quite fascinating. But it is a MOVIE.
Juliette Noir Reviewed in the United States on January 5, 2018
This film is like no other. It was made in 1979, when real depictions of violence and sex were in vogue. I watched in three parts, mainly because some scenes were too upsetting and couldn't go on. I gave it another chance each time, because I believed I had to finish it (first and last time I will!) so I could understand what the director's message or intention was. It was a visceral, brutal, graphic, and disturbing film. I understood that was the intention of it. The depictions of violence looked very authentic. I really wished the animal violence wouldn't have been real. In conclusion, this movie is a must if you're a horror fan, film scholar, or thrill seeker. It's not a film to love or hate. It's a roller coaster of human, basic emotions. Like a haunted attraction. (Spoiler) At the end, there was a social commentary moment, when one of the main characters asks himself: "Who are the real cannibals here?"
Dean Oldfield Reviewed in the United States on April 23, 2020
I think that I've seen too much in my real life to be affected by this film. The most disturbing thing about this is the need to kill live animals on film to create a sense of realism, and then to have it not work. Nothing creative about this whole project. Stiff and forced acting from the "crew" and unrealistic natives, well actually they were much better at acting. I'm giving it two stars for it's effort and built up hype. I can't really imagine that this is a serious sub-genre. To each his own I guess.
Totally Awesome Reviewed in the United States on August 11, 2021
This is an 1980 Italian horror film directed by Ruggero Deodato. However, I must warn you. This film is the core of the most violent films ever made. It contains scenes of barbaric torture and sadistic cruelty graphically shown. You will see extreme gore violence which will offend you, shock you and torment your mind beyond imagination. A rollercoaster experience of anxiety, repugnance, horror, disgust and repulsive emotions will crash with your morality and consciousness. This movie is not made for the casual horror fan. This film will replay in your head over and over for days. If you are an animal lover, please do not watch this movie. Real animals were killed in the most horrific cruel way during uncut scenes. Rape, savage murders and cruel human torture scenes are realistically shown. If you are not ready to watch something so disturbing as this masterpiece. I sincerely warn you, DO NOT watch this film. You will regret it. 5 days after the release of this film, the director was arrested and charged with life sentences for the murders of the cast during the production of the film. At trial, Ruggero Deodato proved the cast was alive by them appearing in court. But, before the film was released worldwide, he made the cast sign a contract not to make public appearances anywhere for one year. To make the impression they truly died in the Amazon’s. A successful tactic that bit him in the ass. Later on, the charges of murder were dropped. This film is so controversial it was banned in more than 50 countries. The U.S. banned it for 3 years and allowed its screening in 1983. On a lighter note, this film is a masterpiece. Great cinematography with excellent video quality. The movie soundtrack and theme song fits perfectly with the content of the film. Making it feel creepy. The movie has a deep meaning. A gripe against the sensational media and the irony between savages and civilized people. I definitely recommend this film. It’s an experience you’ll never forget.
Katie Reviewed in the United States on September 17, 2018
I love this movie, a true work of genius that will be doomed to be controversial....I love this movie as an anthropologist because it brings out how primitive and destructive we the modern world really are. This movie transcended time and politics trying to teach us a lesson as the human race challenging the viewers believe system when defining “us” the civilized and “them” the savages,,,,let’s take this concept one step further and apply this concept to the political climate in 2018,,,”US AND THEM” a concept that still exists today that remain the #1 threat to humanity in my eyes,,,as an anthropologist like I stated. All scenes, the violent and sexual scenes ARE NOT REAL, and it is a true sign of directorial genius that some reviews think the scenes are real....moreover the Italian government also thought they were real and arrested the director for murder until he produced the actors in question,,,,the deal being the directed wanted that hype and made the actors stay out of the public’s eye thus creating the illusion of possible truth,,,and that folks IS CINEMATIC GENIUS, and it proves that Hollywood hype and money cannot buy a TRUE PIECE OF ARTISTIC CINEMATIC ART,,,,,The what I like to term “the Malinowski effect” is so beautifully and elequently demonstrated challenging the viewers personal ethnocentric perceptions,,,,,simple terms, it challenges the viewers personnel “us and them “ perceptions even if on a subconscious level,,,,,,,lastly, again as an anthropologist I find it sad that we as humans still seperate ourselves to feel superior to each other based of geographical adaptations influencing individual cultures......and to the reviews that really thought the scenes were real,,,,this movie did its job,,,,and yes we today in 2018 think “us” are superior and that makes me sad.
IntoTheFugue Reviewed in the United States on November 6, 2020
This is a 3 disc set. Disc one is the feature itself in both the animal cruelty free cut and the grisly uncut version. The transfer is gorgeous, still maintaining the film grain while not once devolving into a mess. It's particularly impressive given that it has to present two different types of film stock. This is the best the controversial film has ever looked. Period. The sound is crisp and clear. Dialogue is distinguishable and clear and the music sounds spectacular. It is a 2.0 mix for those wondering but that is very suitable given the context. Disc 2 contains a slew of features from interviews, to docs, to recorded events. Disc 3 is the Ortalani score in a nice sleeve. The box comes with reversible art in a nice slipcase both feature iconic imagery and art. This is a no brainer. A must get for fans of Italian/Grindhouse/Gore/Film History/Exploitation. Snatch it up.
sylvia Reviewed in the United States on April 23, 2018
This is the only movie I've ever seen that gave that heart pumping anxiety. I know there is actual real footage that is much worse, but I don't watch those kinds of things. I found it ironic that an Italian made this film about Americans since the worst savagery of western civilization was committed by Ancient Romans and as far as I know it's not customary for young Americans to go off to the Amazon with a mind to terrorize natives. Another irony is that the filmmaker was actually filming the future scene of one of histories most savage acts, which was perpetrated on Americans at the World Trade Center. So the final commentary "who are the real savages?" ended up being a terrorist. If anything I think this film gives civilization a dose of humanity at it's lowest possible level and destroys the romanticism of "going native" which is so often portrayed in western cinema. The most recent example is "Lost City of Z" which portrays Percy Fawcett's death at the hands of the natives as a kind of mystical end that Percy welcomed. In reality it was probably more like Cannibal Holocaust with Percy and his son meeting the worst kind of end. The fact is the meanings in the film are nonsensical, because in truth everybody involved in this film probably didn't trade their homes in society and go off and join the cannibal tribe. Are they so comfortable in their life that they have to invent outlandish comparisons? I'm sure you could also take the communist approach as well and say the film is about American capitalism and how the Americans are driven, as portrayed by the 4 journalists, to commit savage acts to achieve monetary gains. Once again, it's nonsensical because that is not reality because if was reality they wouldn't have to use a fictional story to achieve their message. Despite that, I will say the film succeeded where almost all films fails, which is somewhere in it is some deeper truth about life and humanity that might not be utterly clear, but regardless you feel it.

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