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Candy Teen Nude




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Hayley's a smart, charming teenage girl. Jeff's a handsome, smooth fashion photographer. An Internet chat, a coffee shop meet-up, an impromptu fashion shoot back at Jeff's place. Jeff ... Read all
After having online chat room chats for three weeks, "Thonggrrrl14" convinces "Lensman319" to meet in person in a public place, they being up front that they are a fourteen year old girl and thirty-two year old man respectively. They are indeed precocious fourteen year old Hayley Stark and thirty-two year old photographer Jeff Kohlver. Their interactions, including their meeting, are laced with indirect sexual innuendo, most specifically on Hayley's part, although Jeff is clear also in an indirect manner that he does not have sex with minors. Regardless, Hayley is further able to convince Jeff to continue their face-to-face at his place. There, both Hayley and Jeff's true intentions come to light, their meeting which was no accident on either side, and the intentions which may be incompatible and have serious and deadly consequences.โ€”Huggo
Due to the controversial nature of the film, the budget was kept under a million dollars so the studio wouldn't ask to change anything.
Jeff's facial hair is noticeably thicker in the opening coffee shop scene than it is later in the day.
Hayley Stark: It's hard to say for sure. Maybe not a Calabasas girl. Maybe not the daughter of a med school professor.
Jeff Kohlver: Maybe not even a friend of Donna Mauer.
Hayley Stark: Maybe not even named Hayley.
[Jeff sighs and looks around in desperation]
Jeff Kohlver: Who the hell are you?
Hayley Stark: I am every little girl you ever watched, touched, hurt, screwed, killed.
Freak
Written and Produced by Mark Bell
Performed by LFO
Published by Warp Music
Courtesy of Warp Records
Used by Permission of EMI Virgin Music, Inc.
I'll admit, I was completely cowardly... I read as many user reviews about this film as possible, before offering a critique. Why? Because when attempting assessment of controversial material, its a good idea to find the "middle ground".

As one would suspect, reviewers either loved or hated this movie. Since we're on a movie review site, I found myself thinking: Is this an eerie, atmospheric shocker like Polanski's work? No... Hard Candy is shocking in places, but lacks atmosphere and an eerie edge due to its setting.

Do we have a tense and driven psychological thriller in the style of Hitchcock? Not really... Although there's moments when Hard Candy is nearly as good, this movie lacks the subtle symbolism and driven power of Hitchcock at his best.

So, what are we left with? Well... A noble but flawed project, I think. Noble because mainstream movies so very rarely attempt to grapple with difficult issues like internet pedophilia and (female) sadism. Flawed because of the writing.

The central ethos of Hard Candy asks us to accept that torture and mental cruelty is an acceptable outcome, when victims "turn" and become the attackers-that-were-attacked. The film-makers are over-manipulative here, because they know many of us wish to see dangerous sexual criminals roasted over a hot fire - but this is a medieval idea - and does not prevent crime...

Faulty logic is at work when victim becomes attacker (albeit in a different way). It's a kind of vigilante-style response, much loved by film-makers (because of it's simple, direct message). Yet, the real issues as to why crime occurs are overlooked. In fact, the real issues are side-stepped completely in Hard Candy.

Why Hayley is so driven, organized and determined to reek vengeance on this hapless photographer isn't clear to me - I think the inference is that she knew (or was) one of Jeff's victims. We have to wait to the end of the movie for this vital information - The wait's a long one and it seemed fudged.

The characters' back stories just aren't well-developed enough for us, the audience, to make clear judgments about whom we should be supporting. Stephen King's characters, for example, are much more rounded and believable.
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