Candid Nudist Pics
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Phillips: Photographs (April 2017) - PhillipsIn auction
Gelatin silver print, printed later by Neil Selkirk
This work is part of a limited edition set.
Want to sell a work by this artist? Consign with Artsy.
Diane Arbus’s poignant black-and-white portrait photography captured life at the margins of American society. Her subjects included teenagers, circus performers, nudists, middle-class families, and the elderly—figures traditionally elided from fine art frames. Her intimate, compelling compositions provided raw, psychological insights that challenged dominant conventions regarding the photographer’s role and distance from her subject. Arbus, who studied photography under Berenice Abbott, Alexey Brodovitch, and Lisette Model, rose to prominence with commercial and editorial work for publications including Esquire, Harper’s Bazaar, and Artforum. The Museum of Modern Art included her work in its landmark “New Documents” exhibition in 1967, cementing her legacy as a fine artist. Following Arbus’s tragic early death in 1972, her photographs were included in a solo pavilion at the Venice Biennale. Arbus’s work has since been shown in New York, Los Angeles, Paris, London, San Francisco, and many other cities. It belongs in the collections of the Art Institute of Chicago, the J. Paul Getty Museum, the Metropolitan Museum of Art, the Moderna Museet, and the Tate, among others.
A Family and Their Car in a Nudist Camp in Pennsylvania,, 1965
A Family One Evening in a Nudist Camp, PA, 1965
Husband and Wife at a Nudist Camp, N.J., 1963
Adolescent girl at a nudist camp, N.J., 1963
Retired man and his wife at home in a nudist camp one morning, N.J., 1963
A young girl at a nudist camp, PA, 1965
A family one evening in a nudist camp, PA, 1965
A House on a Hill, Hollywood, California, 1963
Jack Dracula, the Marked Man , 1961
Patriotic Young Man with a Flag, N.Y.C., 1967
Brenda Diana Duff Frazier, 1938 Debutante of the Year, At Home, 1966
A Woman with her baby monkey, N.J., 1971
A Family and Their Car in a Nudist Camp in Pennsylvania,, 1965
Untitled (Harry Belafonte, Carnegie Hall)., 1960
Mod Girls in Sequined Dresses at Night, Paris, 1961
Purple Atmosphere, Santa Barbara, CA, 1969/2018
Untitled from The Mask Series with Saul Steinberg, 1962
Tract home and abandoned shopping cart. Colorado Springs, Colorado, 1968-1971
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Bubble Gum Girl, 1984. Photo Joseph Szabo, courtesy Gitterman Gallery.
His photographs have graced album covers, inspired Vogue's famed creative director Grace Coddington, and were even a point of reference for Sophia Coppola while directing The Virgin Suicides. Just what is it about photographer Joseph Szabo‘s images of the teenage experience that strike such a chord?
The acclaimed photographer, whose work is part of the permanent collections of the Metropolitan Museum of Art and MoMA, worked for over 25 years as a teacher at Malverne High School on Long Island. It was here, starting in 1972, that he turned his camera on his students, documenting these pivotal years. Szabo, who had studied photography at the Pratt Institute, used his craft as a coping mechanism to bridge the gap between himself and his students.
“The camera helped me to approach and connect with my students both in and out of class,” Szabo writes via email. “As I photographed my students I sensed they liked my attention and it made them feel important. So I became more inclusive of all students in my school and established relationships that resulted in trust and respect that many successful teachers have.”
Szabo's photography is a reflection of the teenage experience. He manages to expertly insert himself into their world, capturing the joy, heartbreak, insecurity, and self-confidence that peppers adolescence. In this way, the work is a timeless, compelling visual diary that transcends the era in which it was shot.
The photographic bond that tied Szabo and his students together has continued throughout the years, with the photographer often hearing from them. “I am constantly in touch with my students. They express their feelings and often say how great it was that I photographed them as teenagers,” Szabo tells us. One student, Lili, wrote, “the purpose of life is to discover your gift…the meaning of life is to give it away…thank you for keeping the memory.”
It's possible to explore more of Szabo's work in his books, Almost Grown and Teenage.
Priscilla, 1969. Photo Joseph Szabo, courtesy Gitterman Gallery.
Tom on his car, 1977. Photo Joseph Szabo, courtesy Gitterman Gallery.
Bad Ass, 1977. Photo Joseph Szabo, courtesy Gitterman Gallery.
Irena & Lena, 1975. Photo Joseph Szabo, courtesy Gitterman Gallery.
Chris on senior day, 1977. Photo Joseph Szabo, courtesy Gitterman Gallery.
Hurt, 1972. Photo Joseph Szabo, courtesy Gitterman Gallery.
Night Owls, 1971. Photo Joseph Szabo, courtesy Gitterman Gallery.
Anthony & Terry, 1977. Photo Joseph Szabo, courtesy Gitterman Gallery.
Rolling Stones Fans Bandanna, 1978. Photo Joseph Szabo, courtesy Gitterman Gallery.
Gary, Jones Beach, 1976. Photo Joseph Szabo, courtesy Gitterman Gallery.
Mrs. K. and daughter, 1970. Photo Joseph Szabo, courtesy Gitterman Gallery.
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Jessica Stewart is a Contributing Writer and Digital Media Specialist for My Modern Met, as well as a curator and art historian. Since 2020, she is also one of the co-hosts of the My Modern Met Top Artist Podcast. She earned her MA in Renaissance Studies from University College London and now lives in Rome, Italy. She cultivated expertise in street art which led to the purchase of her photographic archive by the Treccani Italian Encyclopedia in 2014. When she’s not spending time with her three dogs, she also manages the studio of a successful street artist. In 2013, she authored the book 'Street Art Stories Roma' and most recently contributed to 'Crossroads: A Glimpse Into the Life of Alice Pasquini'. You can follow her adventures online at @romephotoblog.
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Candid Nudist Pics
