COME TO THE SUNSHINE

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Van Dyke Parks (born January 3, 1943) is an American multi-instrumentalist, songwriter, arranger, record producer, singer, and former Warner Bros. Records executive whose work encompasses orchestral pop, elaborate recording experiments, Americana iconography, free-associative lyrics, and Caribbean sounds. He is best known for his 1967 album Song Cycle and his collaborative work with acts such as the Beach Boys, Lowell George, and Harry Nilsson, as well as various film and television scores. Born in Hattiesburg, Mississippi, Parks studied voice and piano at the American Boychoir School in Princeton, New Jersey, touring nationally with the choir during his youth. He concurrently pursued child acting roles in television and theater productions. After relocating to California in 1963, he performed folk music with his brother Carson along the West Coast and contributed arrangements to Disney film soundtracks, including "The Bare Necessities" for The Jungle Book (1967). Following two singles issued on MGM Records—"Come to the Sunshine" (1966) and a folk rock adaptation of Beethoven's Ninth Symphony—he became an active session musician in Laurel Canyon, working with artists such as Tim Buckley, Judy Collins, and the Byrds before collaborating with Brian Wilson on the Beach Boys' Smile, later completed in 2004 as Wilson's solo album. In 1966, Parks joined Warner Bros. through producer Lenny Waronker, with whom he collaborated on numerous albums—including those by Harpers Bizarre, Randy Newman, Arlo Guthrie, and Ry Cooder—and formed part of a creative circle at the label. One of the most expensive LPs ever produced at the time, Song Cycle achieved critical acclaim and influenced the 1970s singer-songwriter movement despite poor sales. He transitioned to an executive role at Warner Bros., where he facilitated label signings—including the Beach Boys, Little Feat, Peter Ivers, and Beaver & Krause—and spearheaded the first ever label division centered on promotional films for artists; his concepts later became foundational to MTV. Influenced by the 1969 Santa Barbara oil spill, Parks deepened his engagement with Caribbean musical traditions, promoting Trinidadian calypso and steel pan music through projects such as his album Discover America (1971), productions for Mighty Sparrow and the Esso Trinidad Steel Band, and Nilsson's mid-1970s recordings. After the late 1970s, Parks focused on composing for film and television, contributing to works including Popeye (with Nilsson, 1980), Follow That Bird (1985), and The Brave Little Toaster (1987). He authored a trilogy of children's books based on his 1984 album Jump!, a musical adaptation of Br'er Rabbit folktales. He has remained active as a collaborator and arranger, working with artists such as Haruomi Hosono, Rufus Wainwright, Silverchair, and Joanna Newsom, while releasing three additional studio albums: Tokyo Rose (1989), Orange Crate Art (with Wilson, 1995), and Songs Cycled (2013).

In connection with: Van Dyke Parks

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Title combos: Parks Dyke Parks Dyke Van

Description combos: producer the of recording his to where recording the

Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968

Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.

In connection with: Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968

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Description combos: notes Era It viable that in Elektra guitarist roughly

Eternal Sunshine of the Spotless Mind

Eternal Sunshine of the Spotless Mind is a 2004 American surrealist science fiction romantic drama film directed by Michel Gondry and written by Charlie Kaufman from a story by Gondry, Kaufman, and Pierre Bismuth. Starring Jim Carrey and Kate Winslet, with supporting roles from Kirsten Dunst, Mark Ruffalo, Elijah Wood and Tom Wilkinson, the film follows two individuals who undergo a memory erasure procedure to forget each other after the dissolution of their romantic relationship. The title of the film is a quotation from the 1717 poem Eloisa to Abelard by Alexander Pope. It uses elements of psychological drama and science fiction and a nonlinear narrative to explore the nature of memory and love. Eternal Sunshine of the Spotless Mind opened in theaters in the United States on March 19, 2004, to widespread acclaim from critics and audiences, who praised the visual style, editing, writing, score, themes, direction and performances, especially of Carrey and Winslet. The film was a box office success, grossing $74 million on a $20 million budget, and was named by the American Film Institute one of the Top 10 Films of 2004. At the 77th Academy Awards, Bismuth, Gondry and Kaufman won the Academy Award for Best Original Screenplay, and Winslet received a nomination for the Academy Award for Best Actress. The film has been named by several publications as one of the best of the 21st century. It was the inspiration behind several music projects, such as Jay Electronica's 2007 piece "Eternal Sunshine (The Pledge)", Jhené Aiko's 2014 tracks "Spotless Mind" and "Eternal Sunshine", Bastille's 2022 single "Remind Me", Ariana Grande's 2024 album Eternal Sunshine and Mark Lee's song "Journey Mercies" from his 2025 solo debut album "The Firstfruit".

In connection with: Eternal Sunshine of the Spotless Mind

Title combos: the of the of Sunshine Mind the Spotless of

Description combos: by critics his the style in 10 Top film

Sunshine pop

Sunshine pop (originally known as soft pop) is a subgenre of pop music that originated in Southern California in the mid-1960s. Rooted in easy listening and advertising jingles, sunshine pop acts combined nostalgic or anxious moods with "an appreciation for the beauty of the world". The category largely consists of lesser-known artists who imitated more popular groups such as the Mamas & the Papas and the 5th Dimension. While the Beach Boys are noted as prominent influences, the band's music was rarely representative of the genre. Sunshine pop enjoyed mainstream success in the latter half of the decade, with many of its top 40 hits peaking in the spring and summer of 1967, especially just before the Summer of Love. Popular acts include the Turtles and the Association. Other groups, like the Millennium, Sagittarius, and the Yellow Balloon were less successful but gained a cult following years later with albums like Begin (Millennium, 1968) and Present Tense (Sagittarius, 1968) being sought on the collectors’ market.

In connection with: Sunshine pop

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Feelin' Groovy

Feelin' Groovy is the debut album by the American sunshine pop band Harpers Bizarre, released in 1967. The record peaked at #108 on Billboard's Top 200 Albums chart in May 1967. Over on the Hot 100 Singles chart, "The 59th Street Bridge Song (Feelin' Groovy)" peaked at #13 in February 1967 and "Come to the Sunshine" peaked at #37 the following May.

In connection with: Feelin' Groovy

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Title combos: Feelin Groovy

Description combos: 13 band debut is American pop following the Harpers

Come to the Sunshine: Soft Pop Nuggets from the WEA Vaults

Come to the Sunshine: Soft Pop Nuggets from the WEA Vaults is a 2004 compilation album released by Rhino Handmade, one of two new compilations using the Nuggets name. The title comes from the first track "Come to the Sunshine", performed by Harpers Bizarre. As the title suggests, all 24 tracks were taken from the library of the Warner Music Group. The labels represented in this release are Atco, Colgems, Cotillion, Jubilee, Loma, Reprise, Valiant, and Warner Bros. Records. The compilation was produced by Andrew Sandoval who created a radio series based around the collection. The program features 45's like the ones included on Come to the Sunshine: Soft Pop Nuggets from the WEA Vaults but expands the concept out to feature 1960s releases from every label. The album was later re-released in the United Kingdom with a slightly revised track listing under the name "A Whole Lot of Rainbows", the title referring to the song by the Salt. Some of the songs were changed owing to EMI's ownership of some of the selections. The Street Corner Society's "Summer Days, Summer Nights" was replaced by Jan & Dean's "I Know My Mind," and The Coronado's "Trip To Loveland" was substituted with "The Sound Of Children" by The Aliis.

In connection with: Come to the Sunshine: Soft Pop Nuggets from the WEA Vaults

Title combos: Come Sunshine Sunshine Come WEA from the Nuggets the

Description combos: from referring and the but releases Days was from

Come to the Sunshine

"Come to the Sunshine" is a song written and recorded by Van Dyke Parks and covered by several other artists. It was one of two singles Parks issued through the MGM label in 1966 before moving to Warner Bros. the following year.

In connection with: Come to the Sunshine

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Title combos: Sunshine Come the Come to Come the to Sunshine

Description combos: Come year Come covered written the 1966 singles MGM

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