COLOR RHAPSODY
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Ubbe Ert "Ub" Iwerks ( ub EYE-wurks; March 24, 1901 – July 7, 1971), was an American animator, cartoonist, character designer, inventor, and special effects technician, known for his work with Walt Disney Animation Studios in general, and for having worked on the development of the design of the character of Mickey Mouse, among others. Born in Kansas City, Missouri, Iwerks met fellow artist Walt Disney while working at a Kansas City art studio in 1919. After briefly working as illustrators for a local newspaper company, Disney and Iwerks ventured into animation together. Iwerks joined Disney as chief animator on the Laugh-O-Gram shorts series beginning in 1922, but a studio bankruptcy would cause Disney to relocate to Los Angeles in 1923. In the new studio, Iwerks continued to work with Disney on the Alice Comedies as well as the creation of the Oswald the Lucky Rabbit character. Following the first Oswald short, both Universal Pictures and the Winkler Pictures production company insisted that the Oswald character be redesigned. At the insistence of Disney, Iwerks designed a number of new characters for the studio, including designs that would be used for Clarabelle Cow and Horace Horsecollar. One of Iwerks' most long-lasting contributions to animation was a refined version of a sketch drawn by Disney that would later go on to become Mickey Mouse. Iwerks was responsible for much of the animation for the early Mickey Mouse and Silly Symphony cartoons, including Steamboat Willie, The Skeleton Dance and The Haunted House, before a falling out with Disney led to Iwerks' resignation from the studio in January 1930. Iwerks' final Mickey Mouse cartoon was 1930's The Cactus Kid. Following his separation with Disney, Iwerks, operating under Iwerks Studio, created the characters Flip the Frog and Willie Whopper along with the ComiColor Cartoons series as part of a contract with Metro-Goldwyn-Mayer, but the new studio failed to rival its competitors. Iwerks later directed two Looney Tunes cartoon shorts for Leon Schlesinger Productions and several Color Rhapsody cartoons for Screen Gems before joining Disney again in 1940, after which he worked with special visual effects on productions such as 1946's Song of the South. Iwerks had two children, Donald Warren Iwerks and David Lee Iwerks, with his wife Mildred Sarah Henderson. Iwerks died of a heart attack in Burbank, California, in 1971 at age 70. Iwerks was posthumously named a Disney Legend in 1989. His likeness has been featured in his granddaughter Leslie Iwerks' 1999 documentary The Hand Behind the Mouse: The Ub Iwerks Story as well as the 2014 feature film Walt Before Mickey, in which he is portrayed by Armando Gutierrez. Iwerks received three nominations at the Academy Awards, for which he won one. He also posthumously received the Winsor McCay Award at the 1978 Annie Awards and the Hall of Fame award at the 2017 Visual Effects Society Awards.
In connection with: Ub Iwerks
Title combos: Iwerks Ub
Description combos: series cartoon had Mayer of was Color 1989 before

Golden age of American animation
The golden age of American animation was a period that began with the popularization of sound synchronized cartoons in 1928 and gradually ended in the 1960s when theatrical animated shorts started to lose popularity to the newer medium of television. Animated media from after the golden age, especially on television, were produced on cheaper budgets and with more limited techniques between the late 1950s and early 1980s. Many iconic, famous, popular animated cartoon characters emerged from this period, including Walt Disney's Mickey Mouse, Fleischer Studios' Popeye, Warner Bros.' Looney Tunes characters, and MGM's Tom and Jerry. Over the course of these four decades, the quality of the media released throughout the golden age has often been debated. The peak of this era is usually cited as during the 1930s and 1940s, attributed to the theatrical run of studios including Walt Disney Animation Studios, Warner Bros. Cartoons, Metro-Goldwyn-Mayer Cartoons, Paramount Cartoon Studios, Walter Lantz Productions, Terrytoons, and Fleischer Studios. In later decades, namely between the 1950s and 1960s, the era is sometimes divided into a "silver age" due to the emergence of studios such as UPA, DePatie–Freleng Enterprises, Hanna-Barbera Cartoons, and Jay Ward Productions; these companies' presence in the industry grew significantly with the rise of television following the golden age's conclusion. Furthermore, the history of animation became very important artistically in the United States. Feature-length animation began during this period, most notably with Disney's "Walt-era" films, spanning from 1937's Snow White and the Seven Dwarfs and 1940's Pinocchio to 1967's The Jungle Book and 1970's The Aristocats (last animated films produced before his death in 1966). During this period, several live-action films that included animation were made, such as Saludos Amigos (1942), Anchors Aweigh (1945), Song of the South (1946), Dangerous When Wet (1953), Mary Poppins (1964) and Bedknobs and Broomsticks (1971), the last one being the last theatrical film to receive an Academy Award for their animated special effects. In addition, stop motion and special effects were also developed, with films such as King Kong (1933), The Beast from 20,000 Fathoms (1953), The War of the Worlds (1953), Hansel and Gretel: An Opera Fantasy (1954), 20,000 Leagues Under the Sea (1954), Forbidden Planet (1956), The 7th Voyage of Sinbad (1958), Jason and the Argonauts (1963) and 2001: A Space Odyssey (1968). Animation also began on television during this period with Crusader Rabbit (the first animated series broadcast in 1948) and early versions of Rocky and Bullwinkle (1959), both from Jay Ward Productions. The rise of television animation is often considered to be a factor that hastened the golden age's end. However, various authors include Hanna-Barbera's earliest animated series through 1962 as part of the golden age, with shows like Ruff and Reddy (1957), Huckleberry Hound (1958), Quick Draw McGraw (1959), The Flintstones (1960), Yogi Bear (1961), Top Cat (1961), Wally Gator (1962) and The Jetsons (1962). Several of these animated series were the first to win Emmy Awards for their contribution to American television. Other Hanna-Barbera productions related to the golden age were Atom Ant (1965), Wacky Races (1968) and the theatrical animations with Columbia Pictures, such as Loopy De Loop (1959) and the feature films released between 1964 and 1966.
In connection with: Golden age of American animation
Title combos: American Golden animation American Golden American animation of age
Description combos: and win the animated 2001 peak grew to Emmy
Color Classics are a series of animated short films produced by Fleischer Studios for Paramount Pictures from 1934 to 1941 as a competitor to Walt Disney's Silly Symphonies. As the name implies, all of the shorts were made in color format, with the first entry of the series, Poor Cinderella (1934), being the first color cartoon produced by the Fleischer studio. There were 36 shorts produced in this series.
In connection with: Color Classics
Title combos: Classics Color
Description combos: all Poor Color by Classics 36 Classics for Symphonies
The Fox and the Crow (animated characters)
The Fox and the Crow are a pair of anthropomorphic cartoon characters created by Frank Tashlin for the Screen Gems studio. The characters, the refined but gullible Fauntleroy Fox and the streetwise Crawford Crow, appeared in a series of animated short subjects released by Screen Gems through its parent company, Columbia Pictures.
In connection with: The Fox and the Crow (animated characters)
Title combos: characters animated The Fox and the characters and Fox
Description combos: Gems of the and refined the Fox through cartoon
Color Rhapsody is a series of usually one-shot animated cartoon shorts produced by Charles Mintz's studio Screen Gems for Columbia Pictures. They were launched in 1934, following the phenomenal success of Walt Disney's Technicolor Silly Symphonies and Warner Bros.' Merrie Melodies. Because of Disney's exclusive rights to the full three strip Technicolor process, Color Rhapsody films were produced in the older two-tone Technicolor process until 1935, when Disney's exclusive contract expired. The Color Rhapsody series is most notable for introducing the characters of The Fox and the Crow in the 1941 short The Fox and the Grapes. Two Color Rhapsody shorts, Holiday Land (1934) and The Little Match Girl (1937), were nominated for the Academy Award for Best Short Subject (Cartoons).
In connection with: Color Rhapsody
Title combos: Rhapsody Color
Description combos: the Disney of series Bros shorts Charles in Bros
Totally Tooned In is an American syndicated television animated cartoon compilation series consisting of theatrical cartoons from the animation studios Screen Gems and UPA. It was created and executive produced by Rob Word. The series was produced by Columbia TriStar International Television (now known as Sony Pictures Television) from 1999 to 2000 and broadcast in several international markets before making its American television debut on Antenna TV on January 8, 2011, where it continued to air until 2015. It began airing on MeTV Toons on June 30, 2024.
In connection with: Totally Tooned In
Title combos: In Tooned In Totally Tooned
Description combos: by 2011 it television known theatrical Toons by Antenna

Toon In with Me is an American live-action/animated anthology television series created by Neal Sabin for MeTV and MeTV Toons. It previously also aired on MeTV Plus until the launch of MeTV Toons. A special preview episode aired on January 1, 2021, with the main series officially debuting on January 4, 2021. The show is hosted in live-action segments by Bill, MeTV's "cartoon curator", along with his puppet friend, Toony the Tuna. Each episode contains four to six animated shorts taken from classic series including Looney Tunes/Merrie Melodies, Tom and Jerry, Betty Boop, Popeye, Color Rhapsody, Woody Woodpecker, and many others. Unlike previous anthology series or reruns of these classic cartoons, many of these airings are remastered from their original negatives. Many of these remastered shorts have not been released on home media or streaming, making these airings the first time some of the cartoons are seen remastered and restored in HD.
In connection with: Toon In with Me
Title combos: Me In Toon with In Me with In Toon
Description combos: hosted streaming on these on live these of the
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