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In early , a pair of young German twins—dark-haired, pale-skinned beauties who looked like Alpine forest sprites—found themselves on the beach at Sperlonga, the resort on the Tyrrhenian, south of Rome. The women had arrived in Italy the year before in a quest for meaning, beauty, freedom, experience, and adventure in all its forms, indulging in the wild mix of self-discovery and self-escape that typified the era. Their names were Gisela and Jutta, and they were all of They had no phone or fixed address—so bourgeois. At night, they mixed with a mad array of characters on the margins, sometimes dangerously so. And all the while they took photographs—both selfies and shots of everyone around them, the known and the unknown—and posed for countless more by the likes of Claudio Abate and Robert Freeman, who had shot the Beatles for the cover of Rubber Soul. In a way, they were Warholian creatures in fact, the Warhol collaborator Paul Morrissey was among their pals in Rome , although an ocean away from Warhol, living a life of perpetual performance. For the twins, the photographic image made existence not just a private experience but the gift of an indelible moment shared with the world. They were Gisela and Jutta soon to be known in their multifarious careers as Gisela Getty and Jutta Winkelmann , already becoming famous in Germany. At Sperlonga, the sisters took a break from it all. They slept on the beach and gathered mussels for their scant meals. But there was one thing they ate on the beach that did alter them forever: LSD. I saw Jutta and her amazing beauty and vice versa, you know? Everything was just beautiful. We saw the light in everything. We felt we have to bring it into the world. Paul Getty III, the year-old rebel grandson of a man considered to be the richest in the world, was kidnapped in Rome. The boy would be subjected to a five-month ordeal that famously included the severing of his right ear, which his kidnappers packaged and mailed to an Italian newspaper. The extended Getty family—including Gisela and her two children, the actor and musician Balthazar Getty and the activist and documentary producer Anna Getty—have made a pact to not discuss these dramatizations with the media: the spotlight inevitably falls on scandal and tragedy. Yet the saga of Gisela and her twin sister, Jutta—virtually unknown in America—rekindles the strange glow of that bygone, free-spirited era. It was hard not to notice the many eyeballs in the room straying her way: she is conspicuous, vaguely mystical, with a drizzle of white hair, eyes that retain a coal-black sparkle, Pradas on her feet. More to the point: she is known here. She is one of Die Zwillinge —the twins. Gisela and Jutta are still countercultural icons in Germany, a duo who lived large and whose exploits, from Munich to Rome to Los Angeles, have the capacity to provoke astonishment, pride, wonderment, head-shaking, eye-rolling. When Jutta died last year, after a cancer battle which she documented in a harrowing graphic novel , it was news—and understandably devastating for Gisela. That would have seemed like a betrayal of my sister. The twins came from an upstanding family in the provincial city of Kassel, Germany. Jutta was older by 20 minutes. Their father, Julius Schmidt, had been an SS officer in the war, as well as a Sunday painter and a columnist who wrote about his passion, hunting, in the local paper. Theirs was the shaggy, friendly, inward-looking alternative to the bomb-throwing militancy of the anti-government Baader-Meinhof gang, which Gisela and Jutta found to be a turnoff. The precocious twins had been in and out of relationships, the unconventional contours of which matched their anti-Establishment zeal. The four set up a film-production collaborative. The twins arrived in Rome in That year, Gisela had met and married her second husband, Rolf Zacher, a handsome young German actor. Their daughter, Anna, was born in Rome that October, and the relationship quickly went into remission. The baby was bundled up and sent back to the safety and stability of Kassel. The three became inseparable. She accepted. They made plans to meet later back in Piazza Navona to celebrate with friends. Paul never arrived. He bounced around town that night hanging out with Roman Polanski, Andy Warhol, and Mick Jagger , bought a Mickey Mouse comic book, and, in the small hours of July 10, was staring at the carved face of a fountain near Piazza Farnese, when, as the world soon learned, he was pistol-whipped, chloroformed, blindfolded, and thrown into a white car by a band of malavita —small-time gangsters, not unlike the kind he enjoyed fraternizing with and buying drugs from. Robert Freeman photographed Paul and the twins a day or so before the kidnapping. Gisela and Jutta look like a double exposure of Linda Ronstadt. His left hand reaches up to his left ear. Gisela has been thinking about that severed, freckled ear for nearly 45 years. It was just like the cruelest and most unimaginable thing possible. Getty, in fact, fancied himself the reincarnation of the emperor Hadrian. Gisela confirms that it was, in fact, Paul who first floated the idea of getting himself abducted, with a huge payout. Gisela says that she, Jutta, and Paul cooked up 10 crazy ideas a day—and this was but one more over-the-top notion. It was really to bring our vision into the material world. She would die of a heroin overdose in , sending her husband into a years-long tailspin of depression and addiction. For them, as for Paul, money meant freedom, a more hassle-free version of the poverty they enjoyed in Rome. His kidnappers, she believes, may have been spurred by Mafia-style umbrage at having been trifled with, along with the promise of an easy payday. Gisela knows something about the malavita and their willingness to play at abduction. Instead, Catellone placed Gisela and Jutta under a surreal and ugly house arrest that lasted three days. In Trust, one of the twins grabs a machine gun and goes bananas. Artistic license, Gisela says. But in real life the captive sisters, envisioning their corpses floating in the Tiber, did finally manage to bolt at an opportune moment, leaning on each other for courage. The power of two, Gisela believes, is what allowed them to survive. Paul Getty, finally caving, paid, having calculated that amount to be the tax-deductible limit. Nine men would be arrested for the crime; two were convicted. When Paul rang his grandfather at Sutton Place to thank him for paying the ransom, the elder Getty was afraid to come to the telephone, thinking it might be rigged to blow up or otherwise do him harm. They conducted their brief conversation through an aide. Gisela says Paul would never speak to her in detail about his months in captivity. To this day, the Harem, Gisela says, demands rigor and a certain ascetic outlook. Their closeness and avant-garde sensibility are a testament to the solidity of the family that Gisela and Jutta—far from conventional mothers—created. Gisela and Paul arrived in L. There, they were reality-star curiosities before the reality-star age. Barbra Streisand invited them to her house for her annual holiday party; Keith Richards and Ron Wood would turn up at the Chateau Marmont, where the couple were living, and spirit Paul away on undisclosed adventures. Balthazar was born in January of , and Gisela and Paul moved to Laurel Canyon, amid redwood decks and eucalyptus trees. It was a time of family idyll. Paul and Gisela would rent horses and trot away into the Santa Monica Mountains with the kids squeezed onto the saddles. The actress Sally Kirkland baptized the kids in the backyard garden. Balthazar remembers Paul tucking him inside his leather jacket and taking him zooming up and down Laurel Canyon on a Harley. From time to time, a teenage Sean Penn babysat. Yet the twins and Paul continued on their unique paths. For Paul, forever coping with trauma, this meant a slide into heroin addiction. The spirit-seeking twins hated heroin. At some point in the 70s haze, the sisters befriended actor Dennis Hopper, another of their counterculture heroes and, like the twins, a compulsive photographer. The twins dropped acid for the occasion. Soon Jutta was lying on the grass and gazing up at the sky when the face of Bob Dylan—the man earmarked as her future husband—came into view. Jutta was mesmerized. The singer laughed, but his eyes showed little in the way of mirth. The notion of a bad trip seems to have been invented for a situation precisely like this one. Dylan took her hand. When she called the next day, a woman answered. Jutta hung up. In June, Paul got busted for stealing a pickup truck in Malibu, a goofball move. There were late nights at the Roxy. For her part, Gisela was having an affair of her own—with Dennis Hopper. She drove out to Taos, New Mexico, to visit him at his adobe fiefdom of drugs, tequila, guns, paranoia, and general mayhem. On one occasion, he called for his machine gun, vowing to shoot everyone in the house, including Gisela, to pieces. She fetched the machine gun. She remained close to Hopper throughout his life and took some stunning portraits of him. She would eventually write plays, getting involved in the Magic Theater there, where Sam Shepard cut his teeth. In the spring of , Paul took a prescribed medicinal cocktail—intended to get his drinking and drugging under control—and fell into a coma. Despite the fact that Paul and Gisela separated in and divorced in , family members attest that the two maintained a bond until Paul died, at age 54, in , with Gisela at his side—as she would be with Jutta, at the end of her life. In his own strange way, Gisela says, Paul had managed to escape the cast-iron bubble of being a Getty. In the sparse Munich apartment of a onetime partner—a mathematician—Gisela talks for nearly eight hours, day turning to night. She discusses the past, the present, and the future. I keep wondering what Jutta would say or do. Archive VF Shop Magazine. Save this story Save. Most Popular. By Hadley Hall Meares. The Best Movies of , So Far. By Richard Lawson. By Mark McKinnon. Paul and wife Gisela, in London, Mark Rozzo Contributing Editor. His reporting, essays, and reviews—on art, design, Read more. Royal Watch An overview of the chatter from Kensington Palace and beyond. Enter your e-mail. Works by Pissarro, Renoir, and Avercamp Vanished. For 43 years, police were stumped—until the dashing, enigmatic Clifford Schorer III went searching for clues online. By Adam Leith Gollner. By Rebecca Ford. An early look at the new photo memoir Lost Time and its scenes of a glittering jet set. By David Friend. As the high school cult classic gets a 30th-anniversary theatrical release, writer-director Richard Linklater reflects on its agonizing for him creation—and its eternal, chemically compatible appeal. By Mike Hogan. Award Season. By David Canfield. By Savannah Walsh. By Chris Murphy. By Anthony Breznican. November U. Stanley Tucci Answers the Proust Questionnaire. By Stanley Tucci.
In early , a pair of young German twins—dark-haired, pale-skinned beauties who looked like Alpine forest sprites—found themselves on the.
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