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From a very long time, since i was a young boy. I have a precise memory of my childhood: my dad who used to draw beautiful and super funny greeting cards for the whole family, and me trying in every way to copy him. I obviously failed miserably, my dad drawings were beautiful and too complex for me. I remember the drawing battles that I used to lose every day against my best friend of that time he still is now! I always start flipping through my old sketchbooks and my notebooks, that over the years I have filled with interesting photos and doodles. When i find something that catch my interest i start to work on that subject. I usually work on very large sheets of paper as large as possible , in this way i avoid the risk to have limits that force me in some direction. When the artwork is done, i simply cut the sheet in a proportioned size. Generally it is while my hand is moving on paper that I find ideas. If I try to find a good idea just staring at the wall, I could stay there for days without finding anything. I have to move my hands and to do something to activate the mind. My passion and obsession with drawing materialize in the point of contact between paper and pen and in the sound that they produce together. The different types of paper, and above all, the pens, are my great obsession.. It is almost impossible to steal one from me, my friends know that: I also use the iPad when I need it, especially when I have to create a graphic that will then be printed on clothing, because in that case I need a very clean file to create the screen printing frame. I lso use it when i have to change a design for a tattoo. It is very useful for these things. The technique that I mainly use, and that gives me the most satisfaction, is crosshatching, that is a fairly slow technique. It takes me a while to finish a drawing, then obviously it depends on the size and complexity of the subject. In short, I make decisions quicker. It is my job. Drawing is the core of everything i do, and I try to use it at degrees. It can stay there on paper, it can be framed and embellish a wall, it can become a shirt, it can be printed on a wardrobe or on a plate on which someone will eat, or maybe I will tattoo it on the arm of a client, to remain there for a lifetime. I love my job. I completely lose track of time, worries disappear, I end up on another planet where I find peace and silence. For me it is a kind of meditation. I think that through drawing I can express what I really am. Strengths and weaknesses, my passions, my taste and my limits. Yes, I draw for this reason. My main source of inspiration are books and songs. I love the great classics, my favorite authors are definitely Dostoevsky, Flaubert and Yourcenair. Another source of inspiration are the songs, the phrases of a refrain, or an impact title, I often turn it into an image. Three moments. The first one is when i opened my showroom in Turin, perhaps even earlier, while I was furnishing it, trying to find singular objects and decors in some hidden warehouses. I felt that the birth of something beautiful was near. The second one is the first time that I accidentally met, in a city far away from mine, a guy that was wearing a tshirt designed by me. It was funny and exciting. The last moment is that time that a girl came in the shop where i work, asking to get her first tattoo done from me. She was super tense and nervous, but after we finished, she pulled out a giant smile and asked me if she could hug me. It moved me. Surely I struggled to convince myself of my abilities, and to realize that drawing could become my job. Nothing more. I can be reached on instagram sacronero or hardtimesdesign, on facebook Marco Costantini or Hardtimes Design, visting www. I drew as a child, but not very seriously. I practiced it everyday after my office job and soon it became another love. My process always starts with research. I also love being inspired by what other artists are creating, especially if their styles are very different from mine. After that, I start with a pencil sketch and fix it up as closely to the final as possible. Then I block the sketch with colors before going into linework. It depends on the level of detail — something fun and simple can take as little as an hour or two. On average most of my works will take somewhere between three to thirty hours all-around. I love to draw to tell stories and convey feelings I have a hard time putting into words. For example, feeling lonely while being an introvert or trying to practice gratitude in moments of anxiety things I think many people are trying to do during this pandemic situation. When I draw these feelings, it gives me a sense of both release and nostalgia. When others say they can relate, it helps us all not to feel as alone. My proudest moment would be at the very beginning of my career when I painted my first mural. It was during a time when I felt abused at the design agency I was working at. The day I resigned after much deliberation I reached out to my favorite coffee shop in New York and pitched them a mural in their shop. They accepted and together we collaborated on a 80 ft. To this day, it is one of my favorite projects and walking in there is a surreal experience every time! I recently went full-time freelance at the beginning of The volume of work was plenty at the time, however, the COVID situation has turned that momentum on its head. The best we can do is be adaptable, come up with alternate creative solutions, and learn to breathe and take a break! I would be at home, with my family, my boyfriend, and our two dogs. How can people get in contact with you? People can contact me via email or instagram! Email: hello laurenelizabethlee. I draw when I want to. I stop when I no longer want to. Because I do it when I know I like it. Simply because nothing will ever replace the senses associated with traditional art. Even if I love digital for a lot of things. I always have paper and a pencil with me. Even to take notes. All the illustrations that you can see on my insta are generally done between 30min and 1h. Less for very simple designs and several hundred or even thousands of hours for the biggest projects I have had. The answer is simple although the obstacle is difficult. And continue to be happy every day with that. It was the biggest obstacle of my life but overcoming it brought me 10 years of wisdom about life in general. By sending me a message on instagram : snowbayles. Thanks Fabian fabianbranas. The first one: I think about something I feel, or a message I want to share, and then I write some words associated to it. To continue, I use these words to inspire me to do some sketches. Sometimes it can take a few days. After that, I show it to my family and some friends to have their feedback. And sometimes I restart it, or put it aside for some days and come back on it later. When I walk, when I take a shower, when I cook, when I read, when I drive, … an idea pop up in my brain and I have to draw it. Magic or excessive imagination? It depends on my brain. If an idea pops up, it takes me less than an hour. If I have to search for a good idea and sketch a lot, a drawing can take me a few days. Illustration is becoming my job now. This is the only way to get them out otherwise I feel overwhelmed, my brain heart overheat and… BOOM! For him, art was inevitably associated with the bohemian life. He is working hard since years in a big company to support his family and his son wanted to make art.. No security. Not so much money. An impossible life for him. I open my fridge, grab a beer and drink it watching the ocean, listening the waves. I grab another one. But there are some things which are frequently in my drawings:. IG : fabianbranas. Its cool light, constant changes and the mysterious ways it affects life on Earth has been inspiring artists through the ages. A simple subject to paint, moon art most often turns magical, bringing the sense of mystique and an air of secrecy. Erica Gilliam thesleepypine has created a wonderful bullet journal spread, filled with Moon phases and decorated with gold leaves, along with instructions on how to fully benefit from each of the waxing and waning events. I finally finished my YouTube video of the process of painting my bullet journal this month! I started working on it a week ago and unfortunately ended up sick yet again… I just cannot catch a break! However, it is live!! Click the link in my profile to see how I painted each of these spreads!! La luna nunca a sido blanca para mi. Happy Holidays, everyone! A post shared by Rayna Schwab rayna. Tatiana Boiko tatianabs. First Full Moon of new decade! I have been drawing and crafting things since I can remember. Professionally as a full time illustrator, for the past five years. However, in total since my studies as a graphic designer give or take for the past 11 years. First step of the work is research of the subject I am interested by reading a lot of books, poems and etc. After I have a concept, I start creating different little variations pencil sketches. When I decide on a final draft, I proceed by selecting a surface, paper or wood. Final step is to outline the work and fill in all the details with different pen sizes and occasionally I may use other mediums too. Each drawing requires different things, materials and time to be completed. I can finish something very small in a few hours, but mostly it takes me days, weeks or even months to finish a piece. Coming up with an idea, making multiple sketches, revisions and of course the complexity and size of the work play significant role. For me it is a career. However, there is a very fine line between these two, it can be both. You can separate the business side of the work but when you are creating, art is enjoyable. Is about making and exploring things, whether you do it as a profession or not. I want to create worlds that people can escape to, to dream, to travel for a few seconds or minutes. The actual act of drawing, the process is very pleasing and inspiring. Our vast natural world and its living inhabitants in every form and shape, both good and bad. Books and poems hold unlimited inspiration for me, as they open different worlds to dive in and spark up thoughts and feelings. They can send me an email at meni. You could very well say Blanche is the Queen of Eucalyptus Leaves, with a number of stunning renditions of the subject, including the lovely red versions. Blanche paints her leaves and florals loosely, achieving subtle gradients and beautiful watery transitions. Tiens donc! Mina Park minartillust paints the most striking botanicals in layers. In her Instagram post featured here, Mina plays with several colour mixes to create a rust-tinged, classical green and turquoise eucalyptus branch. Certainly one of the most exceptional eucalyptus-themed artworks. Her eucalyptus leaves are vivid and semi-realistic, and her presentation simple and elegant. How long have you been drawing? Since I was little. At the beginning I was just doodling weird faces and after my school art teacher encouraged me to do body and more details on them, I started developing my sketches even more. I remember drawing during all my school classes but after I went to college I stopped for some years. I started drawing again 4 years ago. For my personal projects I usually start right away, while having a clear mind and a good mood. As you have noticed I love drawing characters always starting from their eyes which I believe they are the mirror of their souls. For commissioned projects I am following a different route, like doing a research first to get some knowledge on the subject. After that ideas come and go and when I have the initial idea ready I start sketching it roughly. Digital vs traditional? I used to work exclusively traditional but for almost one year now I tend to work more and more digital. To be honest I love both and I really miss drawing on paper and experiment with different mediums. How long does it take to create it? When I start to draw I completely loose the sense of time, my minimum is around 6 hours and maximum can even take days. Why do you draw? Drawing for me is a tool of mind-travelling to undiscovered places exploring your self-consciousness and heal yourself. What inspires you? Everything that surrounds me can be a source of inspiration such as nature, animals, poetry, music, people, movies and so many more. What is the proudest moment that you have achieved? I sure have memories that I felt proud of myself though! What is the biggest obstacle that you have faced? I think that my biggest obstacle was myself, my lack of confidence and my doubts on whether I was good enough as an artist. Seeing people appreciate my work gave me the necessary strength to overcome it and continue doing what I love the most. You have one day to live, how do you spend it? I would prefer not knowing it was my last day cause I would most likely panic. You can send me an email at elenigdrawing gmail. Developing a theme and exploring other possibilities while using the same colours or the same subject, is very common among the surface pattern designers, and a way to tell a story in more than one chapter. Ellen Crimi-Trent ellencrimitrent , a Massachusetts-based artist and designer, uses all types of mediums in her expressive artwork and often paints in sets or series. Her wall of white-on-black flowers, done in acrylics, is a beautiful example of the variety that can be achieved simply by changing composition and layout of a single subject, while using the same limited palette. My studio wall makes me happy when that biggie in the middle is sold I might cry but At least I will be happy knowing somebody loves it as much as me. Her peonies featured below are among those luxurious samples. Gosia Gregorczyk mkonejn , based in Gdansk, Poland, uses watercolours to create stunning gestural florals. As a surface pattern designer, Gosia often paints a series of flowers which either spread to another sheet of paper, or show a different angle and a variation on the theme in several editions, each entrancing on its own and absolutely fabulous when put together. I am so excited and happy. I am still waiting for information whether any of these paintings will be featured in 4th print edition. I will let you know at my story. For as long as I can remember. I like to think I was always the best artist in the room—unless there was another artist in the room. Despite not being extremely gifted, I was fortunate to always have the support of my parents, teachers, and friends, so I just kept doing what I enjoyed. Eventually, I discovered my strengths and got better through practice. I have ADHD and drawing is an effective way for me to slow down and relax while keeping my mind and hands moving. As a student, I was constantly doodling in class, which always helped me attention though some of my teachers found that hard to believe. It could be something as little as a leaf or as big as the mountains that gets me feeling creative. And now that I have kids of my own, they inspire me to keep drawing. I see their fearlessness when they create and when they use their imagination. I also want them to see what happens when you pursue what you love and commit yourself to making it a part of your life for the long haul. Unfortunately, Inkline Ridge no longer produces an income for me after the brutal Instagram algorithm updates last year; my follower count is 6, lower than it was one year ago after a steep decline in visibility. However, I do still work on occasional commissions—most recently for Patagonia—and I do a lot of sketching and illustration as part of my full-time job as a freelance graphic designer. I love spending time with both, so I tend to go through phases. I tend to work on a lot of digital illustration to support the brands I work with as a freelancer. Working digitally allows me to work efficiently and shift direction and adjust details based on client feedback without taking a hit to my time or their budget. Nearly all the pieces I post to my Instagram account take 15—60 minutes, though my bigger acrylic paintings on wood tend to take 2—3 hours. Even though my trees are usually just little scribbles, it still takes time to lay down a few hundred. Four years ago, the agency I was working for went under and I was owed a substantial amount of money when I left. My employers at the time were like family to me, so it was financially and emotionally draining for us. To make things worse, my wife and I had just taken custody of my teen brother and sister when we already had to kids of our own. Our mom had passed away a year before, and their dad had just been arrested. So, overnight we went from raising two small kids to also supporting and guiding two struggling teenagers. Desperate to support my family of six, I frantically grabbed hold of some freelance projects while I figured out what was next for us. Needless to say, this period of transition in our lives was turbulent and testing—much more so than my four years as a Marine. Overcoming those hardships is by far my proudest moment. IG: inklineridge. Website: Inklineridge. How do you paint food? The same is true when it comes to the choice of media. Marina Pravnik marinapravnikart , from Ukraine, applies a very delicate palette of soft, highly diluted colours to her botanical illustrations. You could say she paints with tinted water — water with a drop of colour — which results in exceptionally graceful, refined compositions with vintage feel. Her fruit, florals, still life and landscapes are marked by an airiness and spontaneity of a thorough colour connoisseur, an aesthete predominantly interested in the play of colours, shades and contrasts. But for the white to truly glow, some colours and shades have to be added. In addition, Evgenya manages to find the right consistency of each shade, so the resulting artwork ends up being entirely breathtaking. Leaving the white of the paper on lightest parts, Stephanie adds shades of grey gradually, starting with the most diluted, lightest tone and ending with the most saturated colour in the shaded areas. Workshop de Fundamentos de Aquarela — parte I, dias 16 e 17 de maio, no Rio. As far back as in kindergarten I was mostly interested in painting and drawing. As soon as I had a pen in my hand growing up I started doodling. In I slowly started to get more serious about it. I always start by making fast sketches, mostly to try out ideas and find a good composition. I have a small book that I use for this purpose. After that I draw it on a piece of paper using a pencil. If I decide to draw it digitally I take a picture of the sketch and import it to a drawing program on my iPad. Somehow I feel more in control when I draw with pen and paper. Normally it takes between hours, depending on the complexity and the technique I use. Most of the pieces I make are not very big in size. When drawing bigger I sometimes spend a few days on a drawing. Most of all because I love it. I always did and I think I always will. One of the things I really like is to get lost in a drawing. I find it very relaxing at the same time as it keeps me focused. Nature is my biggest source of inspiration. I grew up in Norway with beautiful nature all around. I also always liked geometry and patterns. A couple of years back I made a decision to leave my job and what I considered safe and familiar behind in order to move to another country. Working on becoming a full time artist. I would spend it with the people I love. Email: ankatsom gmail. Instagram: www. Online shop: www. Since forever. As a child I would always be drawing, alone or with friends. I still do that, annoying I think. Every schoolbook and later notes from meetings has always been smeared with drawings and doodles. The funny thing is, that I remember conversations and situations better from looking at the drawings than reading my own notes, because my handwriting is so crappy. It varies. Sometimes I know excactly what the final result will be, and finish within an hour going straight to ink. Sometimes I do pencil sketches forever to capture the right movement or mood. Both and more! I cherish the feeling of paper and pen, the sound and smell. I love that it is irreversible, that it counts. It gives a focus and feeling of presence I sometimes find it difficult to find in the digital realm. But I work a lot from my Ipad and enjoy it as well, for architectural illustration, competition projects I use it professionally with my office. I am experimenting with photogravure technique these days, a wonderful mix of digital crafts and traditional crafts. I hope to beging sharing the results soon, very excited! The ink drawing is a creative outlet and art project, a place where you can let your imagination run and get lost in the sweetest possible way. I guess we all take inspiration from everything around us. Having personal moments in the context of the built environment. The climate crisis inspires me to act and draw, not only in the apocalyseporn-style, but as a way to raise awareness and inspire action. Women inspire me on a daily basis. The elegance and expressions of female gestures. I am working on a grapic novel on the daily life with bipolar disorder with my girlfriend Tina who is the bipolar one — she writes and I draw. The process is posted on insta the. I hope you will follow and support it. This project is btw completely done digitally on the Ipad. I got a grant from the Danish Arts Foundation thanks btw to help finding time for it besides my architectural practice. And now made an timeline for the project with my publisher. Very exciting. At shows — and I have a webshop bulowink. I sell originals only by personal contact — so dm on Instagram for requests. If we overcome the basic obstacles like getting out of bed, providing food, staying healthy, multiplying and in general being a decent person — the biggest obstacle often proves to be your own ego. No doubt. We all know watercolour wet-in-wet is the best thing since discovery of the hot water — no question about it! Even though this beautiful technique simply boils down to adding wet paint to the wet surface, one needs to understand how wet, how much paint, when to stop and how exactly to direct the delicate play of colours, in order to create something magical. The following three masters of the technique should be used as an example! Interior designer and watercolour artist Alla Kontsedaylova allakontsedaylova from Belarus paints the most breathtaking florals. Vibrant yet airy, saturated yet transparent and light, clearly recognizable but still deliciously loose, as if not made by the human hand. Jane Davies janedavieswatercolours , based in UK, provides a gallery of equally flawless artwork. Specializing in pet portraits and British wildlife, Jane paints magnificently loose animal portraits and the fluffiest birds of pray. Lovely to find new homes for Mr Tod and Silverswift at the exhibition today! Canadian artist Dawn Wood watercolourjoy , just like all the wet-in-wet masters, seems to create paintings by pure magic, without brushes or ever touching the paper. Dawn shows enviable skill in her free-flowing florals and the entire family of enchanting kitties, birds and wildlife, but her ability to suggest shapes forming out of sheer splashes of watery paint is most obvious in her ethereal landscapes. Spring is here! You have to travel to fantasy world to have fun and enjoy your life and see some colour surrounded by grey and old buildings and sadness of communist country. I was always been interested in art, drawing and creating -out of clay, wood, whatever is playable. Illustrations and tattoo designing also tattooing is my full time job now. I usually work and create at night. Depends what I do, but always starts from green tea or weak coffee and music or podcast. Most of my drawings are digital now, I think if someone create that super tool like Ipad to make artist life easier, why not. I still respect hand drawing and doing it from time to time, but my tattoo design are all done digitally. Still love smell of paper or acrylic pain, even unpacking of blank new canvas still give me a smile. Depends what and how deep I want to go with it. I love detail, in illustration, tattoo designs, my paintings or sculptures. Every different think I do taking different amount of time. Sometimes I start and finish something month or year after. View this post on Instagram. Are you fascinated by the Moon? Have you ever wondered how a subject becomes a trend? Do you paint in sets?

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