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Log in Register. Search titles only. Search Advanced search…. Forums New posts Search forums. What's new New posts Latest activity. Buy ads! New posts. Search forums. Log in. Install the app. Moroccan Nights. Contact us. Close Menu. As of today ICMag has his own Discord server. In this Discord server you can chat, talk with eachother, listen to music, share stories and pictures Join now and let's grow together! Join ICMag Discord here! More details in this thread here: here. You can check it here. Come join in! JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding. You are using an out of date browser. It may not display this or other websites correctly. You should upgrade or use an alternative browser. My weed finds in Guatemala. Thread starter clp Start date Apr 21, Recently went to Guatemala for the last three months and was able to score some good weed in a few locations. I wasn't too picky on the quality knowing that some places I'd only be able to find schwag I first found some weed from a local guy in Antigua. Like a year old semi-punk kid. The kid that looks like a dealer Also look for anyone wearing alot of rasta stuff. They are almost always dealers. Local shoe shine kids also offered me weed. They will initially start at Last edited: Apr 24, Thanks for posting! Pictures would probably bring more attention to this thread. Sounds like a very fun trip. Thats a great idea! I'll throw some in man! Oliver Pantsoff Active member Veteran. Nice pics bro. You could sell tourist trips with those pics.. Corium Member. Hello clp thank you for sharing those pictures. Very nice place here. Oh shit guys! I took the pics from google images haha. I did go to the locations but the pics are not actually mine. Sorry for the confusion. That was what the places actually looked like though. Pana was even more beautiful. Hope its still helpful. Kalicokitty The cat that loves cannabis Veteran. Nice report Sounds fun. Guatemala is awesome and super cheap to visit. Hope this helps. I've always wanted to go to Guatemala, and everywhere else for that matter. I've read that it is among the best places to go in Central America. I've also heard it can be dangerous, although I've never let this stop me before. Did you have any issues? They say there is some major gang warfare going on in the capital, and yet, main cities are usually worse for crime than the rural towns. For some reason latin America seems a little dodgey to me. I've been to Europe, and much of Asia. Never had any issues, and frequently went places alone, and often drunk, which I shouldn't have been. Blessed perhaps? Or cautious, and decent. Some of that dope looked half decent! I had better keep a closer eye next time I'm on the road. I usually limit my smoking, as I've the notion it is all shake, shit, outdoor. I might be losing out on the chance to taste a nice Sativa. Alright heres the situation down there: Basically. Especially for women, they are often raped and killed and the police do nothing. I watched a video called Killers Paradise where the police wouldn't try to solve a case if the victim was wearing red finger nail polish.. Sorry for the vent. The police down there piss me off.. Alright past the scary parts The rest of Guatemala is quite friendly and safe. Clubs can be dangerous but they can be very fun too Guatemala City after night is probably not safe. If buying weed don't go into back allies If buying a tuck-tuck small moped taxi for people do not buy it late at night, the drivers are hired by gangs to take you to a random place and rob you. If in a robbery situation - Be calm - Give them what they want, don't fight or do anything dumb, they will hurt you if they're mad. It's best to keep money in a money belt or in 2 diff places. Although I rarely did this some places its good. Some good plants all over; don't be too skeptical Hope this helps! McTore Member. Awesome report! I didn't expect that you could find weed that good in Guatemala, wow.. Makes me get my hopes up a bit for when I'm going to Honduras. I planted a few bag seeds and within 2 weeks they were pretty large, grows way faster there than in the states. I'm sure hondurus will be similar lush tropical climate for outdoors but if you can get over to San Pedro not terribly far and its an AWESOME place one of my favorites in the world. Good lucky and have hun! Also my general guidelines for guatemala can probably be applied to most if not all South and Central american countries. Sun Ra Member. It will be helpful. Guatemala is a place that I feel drawn towards and will probably visit in the next year or so. I have heard about the dangers, but still want to go. I was recently in Belize, and it was a very cool, laid back country. I'm sure that the other countries surrounding it are much riskier for an American to visit. Looks like you got some nice finds there. Awesome report and photos clp, I have family in Panajachel but have never been there myself, but from what you have shown and said it's the same info what my family members say also. Good stuff, inspires me more to get all the way over there from OZ. Peace an Respects. MrWeekend Member. Click to expand Ya maybe they arent quite exact the 3rd was the best buy haha. TopShelf Member. Guatemala sounds alot like the experience I had on my first surf trip to Costa Rica. We stopped in Montezuma a small town full of ex-patriot gringos and a few head shops, we scored some terrible shit that was like nothing but leafy material, no buds, total shit like were saying about some of you're scores. Then we made our way to Mal Pais a small village on the coast that caters to surfers and eco travel types, ran into some real live Jamaican rastas who hung out by the beach, Lord knows they had the killa shit, WOW. Good times. You must log in or register to reply here. Latest posts L. Toker's Den. Pandora closes her amphora Latest: Cactus Squatter 7 minutes ago. Pandora Seed Bank. The Original O'l Farts Club. Latest: bigsur51 16 minutes ago. Old Stoners Crash Pad. Sur seeds test grow for humid outdoor conditions Latest: vatoloco 29 minutes ago. Test Grows - New Varieties.

Textile Villages

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But when we got news of a bit of funding for improving digital capacities through the Nuttingham School of Art and Design thanks to Dr. Katherine Townsend , we knew we wanted to take this opportunity to work with the weavers in these communities. And we saw great potential benefit in photography training so that we can better represent their work and facilitate the telling of their stories to the world. Take a look at the Q and A below with Evelyn, as she shares about the very first visit that she lead spoiler alert — it went very well! How long have you been working with the weavers in Chamelco and Tactic, and in what capacity? Before that, I knew the representative of the association in Chamelco, Margarita, but it was this time that I started to work more closely with the group. And with the weavers in Tactic — we started working together also in as part of our Artisan Direct project on our website. The department of Alta Verapaz is beautiful and known for its green areas. It was my first time in Chamelco and Tactic. Chamelco strikes me as a well-organized municipality, with paved roads surrounded by nature. People walk the streets calmly, and the houses are painted colorfully. The area where the weavers live in Tactic is higher up, with a spectacular view surrounded by plantations, vegetation, and small paths. We visited the house of the group representative, Aura, who is in charge of organizing the group of weavers so that they can offer handwoven pieces for sale. Because her house also serves as the neighborhood day care, there are books, little desks, and other materials for kids. They adapted an area of the house for the weavers to work on their looms after day care, and they come together to share their progress on their work and stories about their day-to-day lives. Each weaving requires so many hours of dedication, I love the moment when the weavers weave together, and their children are nearby learning, playing, and helping. This is work learned through the generations, and the weavers simultaneously dedicate time to be mothers, wives, daughters. I love that the people are still preserving their traditions, and even given the situation with Covid, business is already going back to normal. It was lovely to get to know more members of the two groups of weavers during our visit for the photography and informed consent workshop. In Chamelco, the board members were the participants, and they are in charge of sharing what they learned with other members of the group. It was a dynamic day with delicious food and a one-of-a-kind chocolate drink. Both of the groups received us with open arms and lots of enthusiasm to learn, both youth and adults paid attention when it came to photography technqies, and with the available resources on hand, we discussed how important it is nowadays to be able to share through images their work and the artists behind each handwoven piece. It was a unique experience to share with hard-working women, with hands that produce art every day. Without a doubt, I would like to go back soon to get to know each and every one of them more. Fue mi primera vez visitar Chamelco y Tactic. Chamelco es un municipio muy bien organizado con calles pavimentadas rodeado de naturaleza. La gente muy tranquila caminando por las calles, y las casas pintadas de distintos colores. Visitamos la casa de la representante del grupo, Aura, quien se encarga de organizar el grupo de tejedoras para que puedan ofrecer sus piezas a la venta. Some figures and patterns are specific to regions or towns, and others such as geometric figures seem to appear in many areas. Specific techniques used Yes, there are many variations to brocade! Beliefs are often regional, and interpretations of similar figures can vary so much depending on who you ask. And just like other cultural aspects, these beliefs have probably shifted over time, adapting, mixing, evolving. These explanations were prepared by the cooperative of weavers from the same town that we work with, the ones whose work we feature here on our Artisan Direct page. Can you spot some of the same figures in the beautiful huipil? Find it here. They are also very personal, as weavers have been known to incorporate their hopes, dreams, even prayers into the panels on backstrap looms. And when it comes to the sale of such labor-intensive weavings dear to hearts, there are some ethical concerns. In rural areas, weavers often resort to selling their handwovens to textile vender middlemen who have a reputation for bargaining down to the lowest price possible, knowing that rural weavers generally do not have direct access to markets and taking advantage of such a situation. When brand new, handwoven huipil pricing can be made by considering material and labor costs. But once the garment is worn, how does that affect the retail value of the piece? As with most used things, there is devaluation to consider. There may be stains, even holes; overall general wear and tear that come with use. As a general rule as Kakaw Designs over the years, we have tried our best to stay away from the repurposing of traditional huipiles, unless we are able to source directly from weavers or find pieces that are very worn — in the sense that when a garment is almost falling apart, we feel better about cutting certain parts and using them for other purposes. But in general, cutting brocaded textiles is not something we take lightly. Like anything we own. What is important, though, is making sure that the weavers are compensated well, even for worn garments, and honoring the cultural heritage of these artworks. This week, we listed 8 huipiles being sold by weavers themselves from our partner cooperative at San Juan Cotzal. They are full of traditional motifs from the town like birds, corn, and deer. And most importantly, because the weavers are all part of the cooperative, they have learned how to price their pre-loved garments fairly. I agree with how they have valued their work, and believe that clients should feel confident that the weavers are receiving good compensation for their work, even with the challenges of including general use devaluation. The pandemic last year allowed us to make some really important pivots. Opening up our Artisan Direct page was one of them — started out of need for rural artisan groups to reach markets when everything got shut down in a very literal sense, including local markets, stores, transport, and tourism. Now, Guatemala is open, but the benefits are only very slowly trickling down to rural communities like Cotzal. You can find these pieces and more from Cotzal on their section on our website. As we get more and more involved with online weaving classes , we thought that a short list of common vocab might be helpful. The following is meant to be a simple introduction, and explained by me Mari in the context of weaving in Guatemala only. Please keep in mind that there are so many different textile traditions around the world, and many of these techniques in a different context are applied in a different way. Backstrap weaving: a pre-colombian simple loom technology that consists basically of sticks and yarn. On one end, the loom is attached to a pole, tree, or anything stable, and on the other, to the weaver, around the waist with a belt. It can be rolled up and moved easily. This is the technique used in Guatemala for traditional huipiles blouses worn by women and more garments. Predominantly practiced in Guatemala by women. Similar looms are found in many parts of the world. Brocade weave: technique used to create patterns in the weaving. In Guatemala, the type of brocade is supplementary weft brocade. Many additional threads are introduced into the weft during weaving, row by row. Footloom weaving: using a larger wood-based loom that was brought by the Spanish to Guatemala. In Guatemala, the weaving on such a loom is performed predominantly by men. It is possible to incorporate techniques such as ikat and brocade on this type of loom, as well as tapestry weave. Ikat: a resist-dye technique applied to thread before the weaving process. Knots are placed in calculated positions in order for the thread to reveal patterns when the knots are opened after dyeing. Traditionally, this weave is for blouses, using only white on white. Footloom-woven textiles usually have two clean selvages, but not the starting and ending points of the panel, because these parts are cut off the loom. Backstrap-woven textiles may have four clean selvedges, but making a textile like this requires the knowledge, skill, and patience. Not all backstrap-woven panels have four selvages; they may have two, three, or four. Traditionally, Maya textiles are used to their fullest extent by not cutting the panels, thus keeping the structure intact an utilizing the selvages. Supplementary weft : the additional threads used to create designs for brocade figures. This allows for extra color to be incorporated into the textile. In Guatemala, the use of additional weft threads create colorful brocade designs. We always have one more helper actively involved on the ground, too, as we are sharing the weaving action on two different devices always — one computer view for a larger view and one cell phone view for a more detailed close-up. For a beginner class, nothing. For a more advanced class, we do recommend some relevant experience. Please check each course description in our Experiences section to choose the right one for you. While not an absolute requirement, we do recommend having a loom either for the class or shortly after, so you can practice your learnings. Need a loom? If you would like to record the session in your screen view, please make sure to log in with a compatible device, and we can give you permission so you can record it directly. Yes, we do! We also started this Facebook group for backstrap weavers to share their progress and challenges. We hope to build a community supporting and helping each other. If you have any questions, you can share them there! The online classes are hosted from the open patio of her home. That was probably Tikal, the beloved family parrot. Yes, this is how we first got started with the classes! Please write to Mari at mari kakawdesigns. We will keep updating our Experiences section with new class offerings. Please check there. Looking to learn a new crafty skill while at home these days? To start, these are the contents of each kit. We currently have three naturally-dyed color variants available. After the starching, I spent some time to separate the threads. After that, though, it keeps the fibers more neat and avoids fuzziness and clumping. Here are some simple videos filmed at home, following COVID restrictions so not at all professional, but I figured better to just to it. I hope they are somewhat helpful and can get you started on your first backstrap loom. For this simple loom, there are only two steps yay! They are demonstrated separately in the following two videos. The rest is just repetition. I would suggest stopping there, and leaving all the tools attached to the loom, and hanging the piece on your wall as home decor. You likely have some questions. And on the day the very first positive virus test result was found, we were meant to start our Textile Travels. What a timing, huh? While we had a few cancellations, there were two participants who were already in the country, along with my mom. But on the day we were scheduled to come back to Antigua, it became more dire to do so, and quickly, because a public transport ban had been announced the night before. At that point, we did decide to cancel the rest of the trip, and hang out in Antigua. I think these are good steps for trying to control the virus. And perhaps more than that, these are good measures for controlling the panic that can arise, especially in rural communities. For me personally, the potential chaos arising as well as the antagonizing of foreigners because COVID is coming from outside the country , have been more worrisome, especially when responsible for a small group of foreigners. Misinformation and at times flat out lies can spread as fast as the virus itself in areas where access to reliable information and the education to be able to weed through such rumors are lacking. But, we made it. Everything went fine. We still had a great trip, an adventure hopefully never to be repeated, but still a pleasant adventure together. We always have to leave something for next time. I hope everyone is staying safe and healthy wherever they are. All the internationals from our travels have gone home now. I am still here in Guatemala, hanging out at home with Berry. I shared a little bit about the difficulties being away from artisans, and the idea for Kakaw Designs has always been to support talented artisans in Guatemala. Emmy shares her honest story about the how and why behind her new brand, take a look! I first came to know and live in the beautiful country of Guatemala through working at an NGO focused on coffee communities. Working in a small town primarily made up of small-scale agriculture, I worked alongside coffee producers and got to know the skilled work and art of coffee. Along the way, I met several artisans, some who have generations of craft experience and others who are newfound makers. What started as purchases and custom-made requests for myself turned into a desire to share these beautiful forms with others while supporting talented artisans. Not to mention that there are a multitude of different processes and techniques. Picking up textiles with Francisca. Like many visitors, we came for an afternoon to check out the little shops that line the main road up from the dock. Little did I know at the time that my first scarf purchase from one of those little shops would grow into something more. Through Mari I was introduced to Francisca, the co-op president, and I set up a natural dyes demonstration to get a glimpse of the process behind botanical-based dyes. My inner environmentalist was intrigued by the amazing, vibrant colors that plants can produce. Diversification is essential. Over time I began to learn more and more about the world of Guatemalan textiles and the skilled people that make it happen. One of my favorite personal pieces I have worked with Elvia on has been pillow covers, of which there have been several iterations with the most recent being the collaboration with the weaving cooperative! Throughout all this, I had never really thought about starting a business. So begun the idea of not just buying pieces for myself, but to contribute to other market avenues for artisans, albeit small. I still have a lot to learn, but I figured that the worst failure would be never trying. The word Kaleido means beautiful form in Greek. I found it fitting, as there are so many beautiful things in Guatemala — the breathtaking landscapes, detailed craftsmanship and especially the gracious and hospitable people. Artisan relationships are the heart of Kaleido Collection. Kaleido Collection hopes to be a small part of that change along with many other like-minded organizations and brands that seek to make just and dignified work the only acceptable practice. My favorite part was probably dyeing with Francisca and her cooperative of dyers and weavers. Indigo was especially fun, and I feel like where we were able to explore different designs and ideas well, since we all had a bit of experience with the magical dye, and had at least seen some had even made intricate shibori designs. I even stuck my jeans in the vat, and by the end of the day there was a whole line of indigo-dyed jeans, all from the weavers and their family members. I loved that they liked the idea! Line-up of jeans dyed in indigo. Indigo beauties, trying new things with the weavers. We also organized workshops for embroidery, ikat, backstrap brocade weaving, as well as many visits to observe other techniques. It was a packed itinerary, but we squeezed in down time whenever we could. I have some new ideas on how to improve the trip — how to encourage even more idea exchange, prepare the participants better for them, and make sure the artisans get as much out of the workshops as possible and not just the travel participants. Rural travel is beautiful in more ways than just textiles. This first trip took place in August, which was meant to be helpful for those busy during the school year. With that said, please let me know if you would like to receive more information about the next trip, or if you have any particular requests. Brocade weaving class. We are opening our creative textile workshops during Textile Travels to those already in Guatemala! Come learn more about the textile traditions of the beautiful Maya country, and practice some of the techniques yourself. Get creative, have fun, exchange ideas to benefit artisans and participants alike. These workshops also include home-cooked meals and local visits to experience authentic village life. Cultural exchange through shared passions in textiles. Search for:. The glass is used to serve water, and represents good health and nutrition. It represents humans, their unity and how parents take care of their children. Also known as the four cardinal points. It symbolizes life itself. It would travel to the other side of the mountain, and when it rained, they all went up to the heavens. They would sing every afternoon from the clouds. This is the figure that represents human beings, and it protects people who travel to other towns, even countries. The cooperative of weavers from San Juan Cotzal, all proudly wearing handwoven huipiles that likely feature many of the above traditional brocade figures. Find their creations for sale here. The color red represents strength in Cotzal. Photo by Aiko Kobayashi. Photo by Lisa Jennings. This is the warp to be woven on a backstrap loom. In this case, she started with already dyed-yellow thread. This will be dyed again after the knotting is complete, so the parts under the knots will remain yellow while the rest will be dyed with the second color. Here is an example of an ikat pattern from dyeing the warp, visible on the loom. During the knotting and the dyeing processes it can be difficult to decipher what the design will look like when finished. All three panels used for this picbil piece have four clean selvages, which can be noted here by the absence of fringing. All the floral and zigzag patterns above are created on the loom with the incorporation of supplementary weft threads. This ikat warp is being put on the loom after the dyeing process. The warp on a pedal loom in Momostenango. To start, this one explains the parts of the loom:. Let me know! Email mari kakawdesigns. Kakaw Designs. Blog at WordPress. Subscribe Subscribed. Sign me up. Already have a WordPress. Log in now. Loading Comments Email Required Name Required Website. Design a site like this with WordPress.

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