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Chapter three examines British narratives of the rebel in Libya during the conflict in It begins by outlining the interconnectedness of rebellion, revolution and romance. Referring to cultural narratives found in the works by poets such Byron and Shelley it shows how much of romanticism is rebellious and revolutionary and how rebels and revolutions are frequently romantic. The chapter emphasises the ambiguous nature of the rebel story by turning to the portrayal of the orientalist and romantic Arab in pop-cultural representations including the film Lawrence of Arabia and focusing on the narrative element of setting, characterization and emplotment. Part three of the chapter then engages with the media narrative of the rebel in the Libyan conflict found in British newspapers and the political elite. Employing the method of narrative analysis it shows a predominantly romantic story of the rebel in Libya in which one encounters an emotional setting, unprofessional, brave and young rebels emplotted to be fighting for the ideal of freedom and democracy in an asymmetrical conflict against an brutal and unjust Gaddafi. The final part of the chapter examines marginalised narratives which depict human rights violations by rebels and a linkage between rebels and al Qaeda terrorists. Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:. Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account. Choose this option to get remote access when outside your institution. 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Our books are available by subscription or purchase to libraries and institutions. Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. Sign In or Create an Account. Sign in through your institution. Subject All Subject Expand Expand. Arts and Humanities. Historical Archaeology. Prehistoric Archaeology. History of Architecture. Art Forms. History of Art. Theory of Art. Cold War. Colonialism and Imperialism. Diplomatic History. Genocide and Ethnic Cleansing. History by Period. History of Education. History of Gender and Sexuality. Intellectual History. International History. Labour History. Legal and Constitutional History. Local and Family History. Maritime History. Military History. National Liberation and Post-Colonialism. Oral History. Political History. Regional and National History. Revolutions and Rebellions. Slavery and Abolition of Slavery. 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Introduction: once upon a time …. Collapse 3 British narratives of the rebel in Libya. Rebellion, revolution and romance Rebellion, revolution and romance. The romantic Arab rebel? Expand British media narratives on rebellion in Libya British media narratives on rebellion in Libya. Setting Setting. Characterization Characterization. Emplotment Emplotment. Expand Romantic narratives on Libya among the political elite Romantic narratives on Libya among the political elite. Expand Alternative yet marginal stories of rebellion Alternative yet marginal stories of rebellion. The marginalization of crimes and human rights violations by rebels The marginalization of crimes and human rights violations by rebels. The marginalization of a link between rebels and al-Qaeda The marginalization of a link between rebels and al-Qaeda. Conclusion Conclusion. Notes Notes. Conclusion: the end. Expand End Matter. Alexander Spencer Alexander Spencer. Oxford Academic. Google Scholar. Cite Icon Cite. 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