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In my work as a reviewer the band I undoubtedly hear most in other musicians work is Opeth, where some might use elements of their free-flowing long song structures interspersed with soft, and heavy, sections to create an alternate style. Alley however have seemingly done away with trying to make anything different from it; instead happy to do exactly Opeth do and leave it at that. Thankfully I love all Opeth, especially their darker, older material and 'The Weed', Alley's debut release, is done with sincere conviction and aptitude to not be a huge problem. After a droning introduction, from 'Coldness' and 'Dust Layer' on there is so little to separate 'The Weed' from an album like 'My Arms, Your Hearse' that I hardly need explain the style on offer here to anyone who knows Opeth which is everyone, I hope. Frequently starting slowly and building up the tempo to glimpses of intense drama, the songs don't follow a conventional pattern, lacking a defined verse-chorus-verse structure like said other band resulting in an album that will take a few listens to fully integrate oneself into. The production is very heavy and punchy with a nice level afforded to the bass in particular that really couldn't leave anyone short-changed who knew what they would be getting themselves into with a purchase of this album. This is a record from a young band with great potential in their musicianship, and if you are able to accept the staggering similarity to one of today's metal giants, there is much to enjoy in it, but for Alley to go far more individuality is going to be required so that future reviews won't be blighted by the usage of another band's name quite so intensively as this one Author: Ellis Woolley Solitude Productions Author: Kritik Solitude Productions Although, is this a nice surprise anyway? While listening to this album a couple of times I tend to think it lacks some things. Sure, the typical Opeth ingredients are present, like the incredible long, epic songs the final song is with its twelve minutes even long for Opeth-standards , the combination of overwhelming majestic death metal eruptions with subdued, seventies prog-like acoustic guitars, and the growling death metal howls with the fragile clean voice. I also heave heard Mikael Akerfeldt growling and roaring more impressively, just like the clean vocals just miss that fine-shaped elegance which Mikael taught himself on the last couple of albums. Also the intro messing on a sitar for almost five minutes is more irritating than interesting. Even in Siberia where four Opeth alter egos created this shameless, yet impressive piece of idolatry. Author: Evil Dr. Smith Solitude Productions Opeth inkognito? Keine Spannung, keine Entwicklung, kein gar nichts. Ist ja nicht illegal. Es klingt halt alles exakt wie Opeth, aber sonderlich schlimm ist das ja nicht. Author: Christian Heckmann Solitude Productions The opening one is an intro so we're actually talking about 6 long tracks. From the very first notes of 'Coldness' you can hear all the influences of the band. They will remind you of Opeth too many times during the listening of the album. At least, Alley, are good musicians and the result is good as this style requires good skills. To be completely honest i'm not a fan of Opeth and i can't say i'm excited by Alley's music but even if i don't prefer this technical side that much i have to admit that they are very good in what they do. They have a great structure in most of their songs with several tempo changes and many melodies and the excellent production along with the great vocals of Andrey are their strongest points. If you like Opeth then this is a very good suggestion. If you prefer more melancholic stuff then you can check out some of the other releases of their label. Author: Bleeding Solitude Productions Comparatively speaking, while other Progressive bands are too claustrophobic to confine themselves to the boundaries of one genre, ALLEY seems to be fully fulfilled dwelling on the virtual terrains of one band and ruminatively chewing the leftovers of its long regurgitated orchids. Had the Russians intended their debut for the national market; accredited their sound to their idols; and perhaps sung in their mother tongue, I would have partially tolerated their limited approach justifying it by them trying to enrich the musical encyclopaedia of the local public. Author: George Solitude Productions Alley are a Russian band who play a highly progressive kind of post-Death Metal. On first listen I hated this, on a second one I liked it pretty well, and now I can't decide. There are things about this I like, and things I really don't. The basis for Alley's sound is a rhythmically complex base of heavy Death Metal riffing laced with long, prog-tinged solos. Vocals are mostly harsh, with an intelligible approach that is vicious without being pukey. Where I think this album fails is in being too proggy, as they mix in a lot of clean vocals and more chromatic, post-rock style riffage, and these elements do not always work that well. Some of the melodies are quite good, and the clean vocals themselves are perfectly decent, but the upshift from downtuned Death-style riffs to clean, six-string chords for the post-rock bits is jarring, and while sometimes these passages are driving and interesting, sometimes they are just too bouncy and happy-sounding. An overall Cynic influence can be detected, and that's not good at all. When Alley stay aggressive and keep to the Death Metal sound, their intricate riff-style is quite good, but the over-the-top prog leanings are often too much, and the post-rock stylings makes this a quite a schizophrenic album. This disc trades a lot of visceral punch for intellectual posing, and in the end I think it traded too much. This album is interesting, but that doesn't make it great. Author: Sargon the Terrible Solitude Productions Other much-needed considerations: losing the pointless intro and sequencing tracks in a manner other than from shortest to longest, which makes this album go on interminably. Author: Matthew Kirshner Solitude Productions The problem is that these four guys have taken this proverb a bit too literally while writing the six tracks for their debut album. Every song on The Weed is a major Opeth rip-off. Author: Gilles Solitude Productions This album is a high quality recording,sounds to be professionally mixed and is very smartly presented. Using long compositions in a very unpredictable and unusual manner which tend to give it's listener a feeling or emotion that can be hard to pinpoint in discription. In my opinin this is one of those albums which has to grow on you and some may not be sure of what they really think of it the first go around, I have found that the more I listened to 'The Weed' the more I was able to connect with it's mood. My Account. Orders Comparison list Wish list Track my order s. Track my order s. Sign in Register E-mail. Password Forgot your password? Register for a new account. Sign in. Remember me. Cart is empty. View cart. List price: Price in points: points. Reward points: points. Availability: In stock. Add to cart. Alley - Amphibious CD. Out of stock. Description Details Feedback Tags. Young but professional musicians offer for all lovers of hard and smart music perfect mix of progressive and death metal in best traditions of Opeth and Daylight Dies. Bright compositions, professional playing and high quality of record make Alley a part of circle of bright representatives of Russian hard scene. Mixing and mastering of record made in famous studio NavahoHut. Country Of Manufacture:. Review Live 4 Metal With a moniker like theirs, a logo font that reminds me of the style used on s American diners and a band photo on their Metal Archives page that looks doesn't look unlike Hanson used to in my mind , little did I expect Russians Alley to be a Soviet Opeth clone. This is a record from a young band with great potential in their musicianship, and if you are able to accept the staggering similarity to one of today's metal giants, there is much to enjoy in it, but for Alley to go far more individuality is going to be required so that future reviews won't be blighted by the usage of another band's name quite so intensively as this one Author: Ellis Woolley. Review Blogger Schizo Author: Kritik. Author: Christian Heckmann. Review Harm. Author: Bleeding. Author: George. Review The Metal Crypt 3. Author: Sargon the Terrible. Author: Matthew Kirshner. Review Metalrage 5. Author: Gilles. Author: Kindra RavenMoon. All Labels. Get social. My account Sign in Create account. 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