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Darwin Correspondence Project

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He studied film, Slavic Studies, and Philosophy in Berlin, where he lived and worked for many years as an author and translator. Since , he has taught translation and contemporary German-language literature at Moscow State University. In addition to his work as a poet, essayist, and translator primarily from Russian , he is also editor of the online portal www. Berlin Edition per procura. Wien Lana Gesammelte Werke. Anja Bayer, Daniela Seel Ed. Zur Theorie des schlechten Werkzeugs. Merve Verlag. How can I put this: sein gelassen is truly both a comforting and tragic work. The book is wide awake and sleepwalking at once; it grasps and releases those thoughts which slip away in semiconsciousness. Illuminating as it obscures. It is a book of memory which transcends memories without betraying them. It is very clear but simultaneously faded, transfigured, bedazzled, blurry, and austere. And yet it remains removed from the austerity of something which begins from the resignation that all things are one and the same. Because things are not the same. Sophisticated and wholly unsophisticated. Different with each read. It is awake and yet never awoken. It slumbers without ever falling asleep. It follows after the humblest distraction and yet stays standing when the floodtide overwhelms the river bank. It rustles, stares, blinks, and never opens an eye. Eyelids unclosing. It speaks with this voice and the other. Snow white and darkened. And it flickers so slowly the eye cannot follow suit. And Berlin keeps changing in the meantime: friends earning their money on the road, never around. The rising rent prices drive them apart, time growing short, thoughtless differences forcing their way through unhindered. No time to meet. And the same clock ticking on over the doorway of the gloomy corner shop. Now and then, word that someone has fallen ill but is—happily—already back on the road to recovery. Tickets booked, again and again. It is a tragic work, yet it shifts like the weather: different at each moment. Constantly changing its weight, changing its form. How does it do this? Frontsteps at night. Afar — Enlight glancing upward: Ahasver Ahasver. Fright Stream-of-Images. Abstand — Irrlichter heraufgeschaut: Ahasver Ahasver. Be connected with Versopolis: Subscribe to the Newsletter. Follow us:. Hendrik Jackson - Germany -. Berlin sein gelassen — Aufzeichnungen. Berlin Im Licht der Prophezeiungen. Berlin Im Innern der zerbrechenden Schale. Poetik und Pastichen. Berlin Translations Wiktor Iwaniv: The automic stories. Monika Rinck. More about the poet. Aslight gust among papers, blinking a sheet sails fromthe half-near satchel. On the paved banks: blackbird trill, shift, roll , a valley enclosed. The cube turns time : new figure, the movement slows. Sideways drawn streaks on the trees , schlieren in the sky. Summer bloom, body-drunk, greedy, dropping joints barques — gone by. Squalls over the pavement—back—sail—an island, blinks in the dark. Translated by Rosemarie Waldrop. Picture Postcard To O. I live in a crumbling ruin rough-hewn as if from the middle ages. On the clotheslines hang bits of slavic cloth, no hellenism to warm me, here the stoves are fed with sulfuric coal, no horseshoe, I suppose, above the threshold, applause brings a grunt in heathen riot-tones. Just a hairy-calved laugh at the screen opposite or the unending chirp of the tram above the firewall, the sleepy dozing off toward the unmanufactured. Moments of crystallization, flow with the day. As by imprinting you pull yourself out from the earth, heavenly greetings sent off; a companion in the convoluted tunnel-system of psychological stratum, the entire humus of society, declining. Self activating - charge towards Light. Always in manic exhumation. Momente von Kristallisation, in den Tag hinein. Illumination, or? Droning Bees from under: a stalac black. Summen Bienen von unten: stalak ein Schwarz. Translated by Paul-Henri Campbell. I am writing voices to you, I am freezing into the absolute, I am drowning.

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