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Painting on paper describes a work in acrylic, oil or watercolor on paper or board. Painting on plastic describes paintings on plexiglas or on plexiglas and plastic box frames. Lichtenstein usually signed and dated a painting on the verso around the time it was finished, inventoried or shipped to a gallery or storage. Some pre-Pop paintings were dated in code e. See also: 8. Described are all media visible on a painting's recto. Paint is listed first, followed by graphite pencil where present, followed by the support. An inscription's medium is given beneath the media line if different from the painting media. The painting media lines in this catalogue are rarely based on technical analysis by a museum or a conservator. They are mostly informed by conversations with the artist's studio assistants, by examination of paint jars and tubes that were kept after the artist's death and by RLF records or Leo Castelli Gallery files. In this catalogue, all types of acrylic paint are listed as 'acrylic' and all types of oil paint as 'oil. RLF records and technical analysis by art museums confirm that the artist did not only use Magna, but at times Liquitex acrylic emulsion paint and, later, Golden Artist Colors acrylic dispersion paint. When Magna production stopped around , Lichtenstein bought up large amounts of Magna. He also reached out to Golden who worked with him to devise custom MSA colors in Lichtenstein's hallmark hues. Pop paintings and later works were usually painted with both acrylic and oil. It is assumed that around Lichtenstein experimented with Liquitex and Magna before adopting Magna as the main medium. In rare instances, media lines were written by the artist on the verso of a work e. For paintings from and beyond, solid colors are assumed to be acrylic and dots and diagonals are assumed to be oil. Lichtenstein preferred oil for stenciled patterns because it was slow drying fast-drying Magna stuck to stencils and resulted in stray paint strands and because, if corrections were needed, oil could be removed with solvent without disrupting the acrylic underneath. However, it is possible that Lichtenstein continued his experimentation with paints through and after However, a closer look reveals that graphite pencil underdrawing and erased lines are visible in most of them, starting with his s works. If in question from examination report results or other documentation, the presence of graphite pencil is assumed. When a researcher's examination report confirms that pencil is not visible, it is not included. Canvas Different types of canvas are not described. Art Canvas and possibly others. Circular and oval canvases were ordered from David A. Earlier paintings' canvases are typically finer and sometimes described as 'linen' in studio records. Lichtenstein created this texture by adding beach sand, usually to a thick white underlayer over which he applied the final color. Sgraffito This reductive technique of line-making is found in about 25 pre-Pop paintings. Stretchers Stretchers are not included in media lines. Anco and H. Lebron stretchers were standard beginning around Strip frames Strip frames are not included in media lines. Masking out Masking techniques are indicated, but the material used e. Watercolor application When it is applied in multiple ways, watercolor application method is described, otherwise brush is implied. Painting dimensions are given from canvas edge to canvas edge, excluding original wood strip frames nailed to the edges. For multi-panel paintings, if panels are joined, overall dimensions and dimensions of each canvas are given. If panels are separate, only panel dimensions are provided since overall dimensions vary by installation. Lichtenstein usually suggested a distance of approximately 7 inches between canvases for installation. This fact informed spacing of related images in the catalogue entries e. See also: The artist usually signed and dated his paintings on the canvas verso in charcoal and applied a spray fixative before sending it to a gallery or storage. Pre-Pop paintings are often signed or initialed on the recto in oil, or inscribed with the artist's name and other tombstone information on the stretcher or tacking margin. This work's media line has often been listed as 'Oil and Magna on canvas. For further info on media lines for paintings from c. Classification: Painting. Please read these Terms carefully. By accessing and using the Site, you agree to be bound by and comply with the Terms. If you do not agree to these Terms, you may not access the Site or use any of the information or Content as defined below therein. 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Painting mural is a large-scale painting, historically called 'mural' Painting on paper describes a work in acrylic, oil or watercolor on paper or board Painting on plastic describes paintings on plexiglas or on plexiglas and plastic box frames Dates Lichtenstein usually signed and dated a painting on the verso around the time it was finished, inventoried or shipped to a gallery or storage. Acrylic and Oil Paints In this catalogue, all types of acrylic paint are listed as 'acrylic' and all types of oil paint as 'oil. Painting on Paper: Other Mediums and Techniques Masking out Masking techniques are indicated, but the material used e. Galerie Ileana Sonnabend, Paris, by artist sale. Edwards, F. Neuendorf Sylvester Melville c. Billeter Scholz—Wanckel Pascal Hahn a. Van Schaardenburg Boime Brett Alloway b. Andreae Fabri Kirkwood Metken Weber, J. Lichtenstein, R. Waldman b. Iida Sterckx Coplans a. Meyer Calvesi Richter, W. Keller Schaff Chirico Busche Von Hassell Lovejoy Livingstone Das Kunstmagazin Hindry a. Hendra Bode Waldman Kijima Whiting Shimasaki Suenaga Yonemura Collins, B. Schmied Bandlow Beam Morel Silver Wolfe, J. View Citation of this Page Theil, Andrea. New York: Roy Lichtenstein Foundation. Reliance on Information Posted The Content as defined below presented on or through the Site is made available solely for general information purposes. Permitted Uses Provided that you comply with these Terms, we grant you a personal, revocable, limited, non-exclusive, royalty-free, non-transferable, non-sublicensable license to use this Site solely for your personal, non-commercial, educational and research purposes. 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