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The first serious story I ever wrote was to impress a girl. We met one summer during college in a small town with a big lake. Over the course of our weeks together, she taught me how to sail. I bought her bags of gummy bears at the old-timey candy store on Main Street. Few things scare me more than a dance floor, and yet I kept up with her because I was smitten. When summer ended, we both went to back to our respective colleges, a thousand miles apart. Months later, when every word was perfect, I sent her the resulting pages, all nicely bound. A few days later, via a very polite AOL Instant Message conversation, she said she found the book charming. She added that in the interim she had found someone else, the man she would later marry. As the editor of 99U, I now get to do what I love every day: track down, investigate, and spread the word about creative leaders who are mastering their crafts, building incredible careers, and shaping their industries. And whereas product pitches disrupt our lives and exasperate us, stories provide something of value and are enjoyable. It uses 99U articles as examples, so readers can see how an editorial property evaluates ideas, decides which ones get published, and why. Step 1: Find your story by identifying your unique spin on a universal theme. So we looked more closely at her life in an attempt to uncover what we could about someone who has never led a global branding campaign and is not widely known outside of her community. Norma Jeanne Maloney outside of her Texas studio. Hell, she even drove a meat truck for two years to fill her coffers during a work slump. Her rent is relatively low, giving her the financial freedom to create on her own terms. The more we learned about Maloney, the more we got behind her story, because in it we saw a familiar, compelling theme: Here is someone who has spent nearly half her life doing whatever it took to do what she loves. Making sacrifices to live the creative life might be the theme of your story, too. Or it may not be. Begin by outlining other universal themes — like the underdog story or the coming-of-age story — to find the one that best fits your journey. Then sketch out the details that paint your character portrait using as many bits of real-life flavor as you can come up with: hand-painted signs! From sunup to sundown! The meat truck! Stories need motion. They need action. Better yet, stories should have both, because your goal is to add as many memorable wrinkles to the narrative as you can in order to differentiate your tale from every other one in the marketplace that follows a similar theme. Take a scenario we at 99U get pitched a lot: that of a young artist who moves to New York City with nothing but a suitcase and a dream to put their artistic stamp on something. So how did we pick the one we published over the rest? We decided to feature Nigerian artist Laolu Senbanjo because his physical journey was so great. He grew up in a family where the males, for generations, had become lawyers because that was considered a respectable job. Senbajo initially went that route himself, but then quit and opened an art gallery in Nigeria. But Senbajo kept at his art, and received a visa to the United States. Laolu Senbanjo. But there are other strivers who come from humble beginnings and travel long distances, so how could Senbanjo separate himself from that pack? Not bad! In the process, his multiple thematic adventures have given the audience more strands of his narrative to connect with. No good story is complete without it. That means you have to share tough moments — even moments when you failed. This is tough for everyone. Think of an aspiring Olympian who misses the Olympics one year, then sacrifices for four more years before trying again. This helps explain why our readers connected with master woodworker Mira Nakashima. She let us in on those moments that hurt. George often made important decisions for Mira, including where she would attend college Harvard , what she would study architecture , and whom she would apprentice under him. Mira Nakashima. Flawless execution on the part of Mira was the expectation. But no matter how hard she worked, it was never enough. It was this moment of the story that really sold us on publishing this piece. Imagine if your boss never complimented you on your work. Now imagine if that person was your father. How do you come back from that? Mira, naturally, is feeling low as a result. George passed away in , and Mira finally takes over the shop. She knows she must move forward and evolve. She does, leading the Nakashima Studio into one of the most impressive chapters of its history. If Mira had been born into a renowned family, enjoyed success working for her dad, and then taken over a thriving business, that would have been a nice albeit standard narrative. But stories need to be more provocative — they need to push people out of their comfort zones. That gives Mira a chance to show the audience her human spirit and fortitude — just like an Olympian — making her someone we want to cheer for, both at her low and in the end. This is the fun part of the storytelling process, the place where you must inject your own personality and character to further make the narrative your own. The key is to add details in spots where they can make the biggest impact, in particular those moments that are out of the ordinary or when you are introducing a particular character or scenario. Your goal is to show your audience what is happening, not tell them, as your aim is to depict a scene that allows the reader to process it on their own terms and reach their own conclusions. The more you can show them, the more real the scene becomes. The opening paragraph is particularly important and often the most challenging. You have a few sentences to make readers care about where this tale is going. So it was my responsibility to find a way to differentiate his story from that of every other painter the audience has encountered. Here is the result:. Was it the blinding two-day sandstorm? My goal here was to describe an unsettling scene by drilling into the details. That can come later, because how he is painting creates way more tension. The birds-eye elevation! The possibility of death! As you develop your style, your goal should be to say things in fresh ways. And take us to unexpected places that shake us free of the usual stereotypes. Over time, these descriptors will become part of your literary spice kit, devices you can use to carve out your own voice and say things in a way unlike anyone else. Step 5: Teach us something we can benefit from. When we did a piece on Bob Mankoff , the former cartoon editor of The New Yorker , we realized he had two stories in one. The second one to emerge was that this guy really knew something about how to generate winning ideas under tight deadlines. Each week Mankoff oversees a process where about 50 New Yorker cartoonists submit 10 cartoon pitches each for a handful of openings in the magazine. We wanted to mine him for his knowledge on the topic, so this story had the ability to reach multiple groups of people: cartoon junkies a relatively small demographic and people who need good ideas fast essentially everyone. Throughout the course of the piece, Mankoff let us in on three strategies he uses to come up with a good idea under pressure. The easiest way to get a good idea, he said, is to dream up a lot of ideas. The juxtaposition gets his brain thinking What if? A number of New Yorker cartoonists keep unsold cartoons in their files and return to them again and again, refining the punch lines until one day they stick. Mankoff has delivered something of value in an entertaining, enlightening way. And providing value to your audience, something at the heart of any good story, makes what you say worth listening to. Matt McCue is the former editor of 99U. He lives in New York City, but he is willing to travel long distances for a good meal. Find him on Twitter at mattmccuewriter. Log In. Discover Assets Jobs Behance Pro. Do not sell or share my personal information. Sign Up. Behance Behance. Hire Freelancers. View your notifications within Behance. Log In Sign Up. Adobe, Inc. Navigate to adobe. Illustration by Giacomo Bagnara. Step 2: Take us on an adventure Stories need motion. Step 3: Reveal your struggles Conflict. Step 4: Add literary spice to jazz it up This is the fun part of the storytelling process, the place where you must inject your own personality and character to further make the narrative your own. Find more posts about creativity on our blog. Have a suggestion? Contact beteam adobe. Recent Posts. Empower your creativity with Behance. Discover the newest Behance features for Adobe MAX designed to boost your creative potential, including profile customizations, freelance projects, and more. Tips and Tutorials. Discover the transformative impact of mentorship on your creative career and learn why having a mentor is essential for success. Artist Spotlight. Artist Spotlight: Kate Anto. How graphic designer Kate Anto forged her creative career through persistence and dedication to continued learning.

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