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De plus, amazon. Then, at other moments, Kyla comes across as an untrammelled force of nature. A live album, which asserts the integrity of the concert experience in a package with the architectonic unity of a work of art and allows for replay, offers the best of all possible worlds. The hypnotic force of Kyla's voice is in the best tradition of Afro-American music, albeit tinged with Lancashire drollery and a Lancashire accent. The songwriting is important. It affirms blues music as a living art-form and carves an original identity from the rock-face of tradition. A ratio of two covers to 14 originals seems about right. These songs sometimes draw on roleplay. Kyla is a consummate actress and the seductive 'lady bountiful' of 'In the Morning' falls within range of her stock of female archetypes. She can also admit the listener into her own life, in songs touched by lived experience, or inspired by characters and people she has known. Of the covers, Kyla's classic interpretation of 'Hallelujah' blows every other version out of the water. If this seems a large claim, you are invited to put it to the test. A four-piece with singer plus guitar, bass and drums, perhaps taking turns at the wheel, makes for a very efficient, roadworthy unit. Instrumentally, Kyla's band operates within blues rock conventions. There is one point of departure: whenever Kyla tootles on her flute, the sound transports back to the fife and drum atavism of the Como Drum Band from Mississippi, and, beyond that, to something essentially rootsy and African. Connoisseurs of blues guitar may wish to note Paul Farr's capacity to channel the expressive force of the immortals Peter Green and Jimi Hendrix, and his ability to match the intensity of Kyla's voice. Drummer Mark Warburton and bassist Danny Blomeley synchronise the pitch of intensity in perfect calibration, holding back or surging forward with deceptive ease. On the whole, Kyla and crew achieve a nice balance between sensitivity and ferocity. Tracks: 1. Passer au contenu principal. En savoir plus sur les retours gratuits Comment retrourner un article? Aller dans vos commandes et commencer votre retour Choisissez le mode de livraison Retourner le produit! Commandez dans les 14 h 32 min. Il ne reste plus que 1 exemplaire s en stock. Ventilation du paiement initial. Ajouter au panier. Vendu par. En savoir plus. Ajouter des options cadeau. Autres vendeurs sur Amazon. Image indisponible Image non disponible pour la couleur :. Live at Koniz Castle. Les prix des articles vendus sur Amazon incluent la TVA. En fonction de votre adresse de livraison, la TVA peut varier au moment du paiement. Prix Amazon. Commentaires client. En savoir plus sur le fonctionnement des avis clients sur Amazon. Images dans cette revue. Il n'y a pour l'instant aucun commentaire client. Images et contacts. Afficher ou modifier votre historique de navigation. Retour en haut. Gagnez de l'argent. Moyens de paiement Amazon. Besoin d'aide? Hors TVA. Pour les professionnels. Amazon Music Unlimited. Amazon Seconde main Produits d'occasion ou emballage ouvert. Amazon Business Paiement 30 jours.

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Label: Pigskin Records. Artist: Kyla Brox. Album including Album cover. Her music is predicated on the notion that blues and soul are indistinguishable forms, and lashes the force of Afro-American music with a distinct Lancashire sensibility. To hear the singer in full flight is to be convinced that Kyla Brox is the greatest soul singer Britain has yet produced. A ratio of two covers to 14 originals seems about right. Some of her songs are touched by lived experience, and are inspired by people she has known and loved. No really. A road-tested four-piece with the standard singer plus guitar, bass and drum line-up departs from blues rock conventions whenever Kyla tootles her flute, a sound which summons back to African atavism. Drummer Mark Warburton and bassist Danny Blomeley calibrate the pitch of intensity in perfect unity, whether holding back or surging forth. Kyla Brox. Her voice; tender, urgent, gritty, blurring the distinction between pleasure and pain, mixed with the enchantingly fluent guitar work of Paul Farr, inspired bass playing of Danny Blomeley and in-the-pocket drumming of Mark Warburton, combine to make a unique and powerful, often joyous, always emotional experience. Kyla also plays in duo form with her husband, virtuoso acoustic guitarist, Danny Blomeley, whose playing, by turns delicate and unrestrained, has earned him a following in his own right. A completely independent artist, Kyla has built her career year on year; starting out at grassroots with local pub gigs and growing to headlining concerts all over the globe, including some of the most prestigious Blues festivals in the world. With thousands of albums sold and a constantly growing fanbase, Kyla Brox is widely regarded as one of the very best soul-blues singers the British Isles has ever produced. HighRes-Studio Master files are lossless at various sample rates from Login Search. English German. View all Genres. Grunge Indie Rock New Wave. Breakbeat Techno Trance. Easy Listening. Film and TV Music. Classical Dramas Romance. Blues Folk Piano Pop. Chillout Nu-Jazz Trip Hop. New Age. Healing Meditation Nature Relaxation. Pop Rap Rap Rock. Spoken Word. World Music. Add to Shortlist. Add to Cart. Album info. Album-Release: HRA-Release: Playlist Info Discography Biography Booklet. This album contains no booklet. MQA Green light indicates the sound is identical to that of the original source material.

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