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In , the family decided to transform part of the old textile factory, located in Ontinyent, into La Casa Gandia Blasco, a personal proposal beyond furniture, which invites a reflection on living and the role that design assumes in the configuration of the world we inhabit and our relationships with people and objects. Courage, equality and experience. The promotion of female talent is an essential part of the identity of Gandia Blasco Group. In commitment to equity and diversity, we continue to strive to open up new paths that serve to promote the professional advancement and skills of women across the board in the company. For this reason, at Gandia Blasco Group and through the efforts of our firms we promote work in an environment in which all professionals can develop their careers regardless of their gender or personal context. A family business in whose evolution, growth and internationalisation women have played a key and strategic role. We have always had the power and independence to make decisions so that we do not make a special effort to achieve something that, fortunately, we already have. What we do try to do is to generate an energy of mutual support around us that allows all the women we work with to develop and continue to grow professionally, especially the most disadvantaged. It is a long road, you must not lose your passion, you must firmly believe in what you do. When all this comes together, you transmit values that go beyond the products you design. Young fashion designer Juan Vidal selected one of La Casa Gandia Blasco spaces to photograph his new fall-winter campaign. The ecstasy of dawn. Gandia Blasco is today a well-known and recognised outdoor furniture company which, to a great extent, has managed to highlight the quality of Spanish design internationally. The brand began to operate by producing blankets during the Spanish post-war period. Since then, the manufacture of outdoor furniture with aluminium profiles and white colours, the hallmark of the house, has been added to production of textiles. In , the family decided to transform part of the old textile factory, located in Onteniente, into La Casa Gandia Blasco : a place halfway between a family home and a brand space-concept. Location: Onteniente. Surface Area: square meters divided into five floors. The area is 7, square meters and the house yard is 1, square meters. Interesting fact: The house was the result of restoration work on an old textile factory from the s and s, and maintains its interior structure and height. Since its foundation in , Gandia Blasco has been a family business and continues to be so until the present day. Some years ago, the family moved into the old factory. This is often serves as the meeting place on weekdays. The building, which has not lost its industrial charm, has become a place where the colour white and Mediterranean airs reign. Ephemeris that we remember with a series of photos that we enjoyed making during a photo-call against a maritime backdrop to the beat of a live jazz band. But Gandia Blasco Group has never stopped exploring new horizons. The textile tradition is continued with the GAN brand. The indoor brand of Gandia Blasco Group continues to grow around the world. People who together with collaborators and friends rely on and believe in the project. Despite its impressive growth we remain true to our founding values without forgetting our roots, maintaining our reputation as an international reference in the outdoor furniture sector while still reinventing ourselves on a continual basis. It was his attraction for the games of light and shadow that led the designer to create this new outdoor furniture. From studio to private apartments — pool included! Several paths lead to Casa Gandia Blasco. One traces a route dotted by specific events: dates that shook up the fate of the company, pieces that became benchmarks for the habitat sector, groundbreaking carpets, furniture that blurred the line between indoor and outdoor styles. A journey structured by collections, from furniture to GAN carpets, an in-depth examination of every single piece, right through to the most comfortable chaise-longue in the catalogue. Worn out by the long tour, we would then kick back under a pine tree at the foot of the Mediterranean to feel the quintessence of Casa Gandia Blasco caressing our skin. On the other hand, we could also stop beating around the bush and venture right into Casa Gandia Blasco without even ringing the bell, plunging straight into its metabolism, eagerly nosing around, hungry to identify which fuel drives its engine. This is a unique set of people who believe in teamwork, most probably as a concept based on elective affinities and self-selection. A place laden with the smells and grooves of the real world, a space that integrates the scenes of life to their fullest extent. A space that veers away from separation to bring together the physical and the emotional, function and work. A place where we can even dare to conjure up the most hidden meanings of the home. Are we willing to overstep issues like style, decoration or trend to analyse exactly how we want to live? Can we imagine a life-house concept where everything fits? La Casa Gandia Blasco stands as a real and a metaphorical space. Casa Gandia Blasco considers the reciprocity between the private and the social, and the need to tackle substantial arguments, identity, coexistence, culture, learning, knowledge, business, personal fulfilment. Obviously, Casa Gandia Blasco is not for sale. It stands as an invitation to reconsider the issue from top to bottom and to suggest solutions that lighten our existence and facilitate the experience of completeness and Beauty. There is always time to back down. Have we mentioned Na Xemena yet? A lot has probably been said about this architectural piece located on the top of a hill facing the sea, on the island of Ibiza. We will now embark on a journey, a rite of passage, that closes the circle. We need to go back to the beginning. It happened by accident, almost. It was born from an outlandish idea: to manufacture outdoor furniture using aluminium profiles for windows. It was almost like DIY. Lack of money fuels imagination. The year was , and the wicker chair was the be all and end all of outdoor furniture. It was high time to improvise something that would tie in with the rehabilitation of the house. That experiment was like doing a triple back flip without a safety net, since the blanket company set its eyes on outdoor furniture. Fate always manages to find its way and to surprise us. This house represents the aesthetic, conceptual and spiritual culture of Gandia Blasco, lacing the air with reminiscences of its origin, an atavistic sea that gave birth to several civilizations. A personal manner of understanding the Mediterranean, the communion with Nature, the sensoriality, the light and a certain degree of mysticism. However, Na Xemena can be taken as a cautionary tale: follow your instinct, listen to your intuition, believe in your dreams, they will guide you better than a compass. Does that sound funny? You can live without furniture, you can even live without a house. Gandia Blasco has never forgotten its biography. The company rethought itself after a four decade career spanning from the early s to the late s manufacturing and exporting top quality blankets. They took their expertise, gave it a twist and stayed true to their roots. At the time, they took a high risk bet when they decided to put their money on contemporary design. True to its origin, the company designed textile lines for the home, building the world of carpets into their offer. They focused on seeking a new and personal language channelled through excellent designs. In the mid 90s the company Gandia Blasco debuted unexpectedly in the outdoor furniture sector with Na Xemena, a small collection that blew everyone away. Nobody understood it! And then acting accordingly. Construction started in , in the very centre of Ontinyent. The building was seen, by those who actually noticed it, as an attempt crafted by a disciple of rationalism to leave behind a notable creation on the landscape of squalid post-war Spanish architecture. The mere decision of expanding the sides of the rectangle has redirected the construction towards the key concept in architecture, light. Is it not precisely that vitalist conception of design, and that indolent and playful way of understanding beauty, that has made this one of the favourite brands on the international scene? He is a free, restless spirit. Born to hunt, to design products and to draw new pathways. He leads us into the belly of a monster that remained dormant until not long ago. The construction spreads out over more than 6, sq. For over half a century, time stood still in some of the ramshackle warehouses. Once the rehabilitation works are completed, the structure will be ready to tell new stories. As he thinks back to those days, a sliver of sunlight magically slices through the dark room. We are not alone, millions of specks of dust float in the immensity of time striking up a silent conversation. Catalogues cannot capture moments like that. People born in these lands recognise the smell of processed wool, cotton, cloth, dyes, the convenience of the nearby mountains and rivers. Since the Middle Ages, and long before, the soul of this region has been textile to the core. Or it was at least. What remains is guarded and stimulated by Gandia Blasco. Readily, not snobbishly, as if it were the most organic thing in the world. Living your childhood to the beat of textile mills marks your emotional education. Their awareness of textures and matters has allowed Gandia Blasco to develop a very fine tuned tactile intelligence. This company also knows how to pick out a good artisan in a crowd. Everything is produced without leaving the house; quality, like nobility, obliges. Consequently, their designs add the qualities of authenticity and honesty, given their support of and commitment to the industry and economy of the area. The time has come for Casa Gandia Blasco —the real place and the metaphor— to become a physical and symbolical expression of the principles that have give way to and continue to fuel the brand. The structure stands for the brand. It involves creativity, mobility, interrelation, exchange, invention, transparency. It involves shedding light on the values within, fuelling the engine. The space designated for offices and administration has been relocated to a vast section on the first floor, whilst the third and fourth floors are home to new sections that cater to the exchange of knowledge, research and debate. Meetings, workshop and exhibitions will structure a programme that aims to combine ideas and praxis. Their support for emerging talent —thanks to the Gandia Blasco Competition— ties in with a multidisciplinary proposal. The Casa del Conocimiento House of Knowledge provides a way to understand design and transfer it to all sides of everyday life. Detached, prefabricated, semidetached, detachable… Forget about stereotypes, inflexibility and dogmas when it comes to houses. In the sands of this slippery turn of the century, is there a concept sturdy enough to stop a house crumbling down? The conceptual strategy that structures Casa Gandia Blasco has relied on transferring the exercise in design to the very epicentre of movement to achieve long-lasting and stable results do not mistake stability with immobility. This space continuum explains Casa Gandia Blasco and structures the different furniture options. The success of a table, a bench or sunshade goes beyond a convenient shape. This system of overlapping maps faces design with one of its most difficult challenges: where is the boundary that separates the inner skin from the outer layer? We need to rethink criteria and ask ourselves if when we exit our microcosm is it not, in fact, to enter a larger cosmos, be it city, country or Nature. The Casa Gandia Blasco considers these relationships, contexts and the fluidity of the spaces we live in. The impossibility of freezing movement and action. How does this large open air square influence the dynamics of Casa Gandia Blasco? It mirrors the vital role that a heart plays in a body. Nevertheless, in other ways the courtyard represents the organisational, psychosocial and humanist superstructure of Casa Gandia Blasco. Yet this construction lives, breathes and evolves in the present. The dog could mess things up, and he does. When you sort out the problem of dealing with productive and leisure time, you realise there is time for everything. This space recuperates the forgotten art of conversation; it echoes the agora of ancient Greece, the quintessential public space. How wonderful to find this real courtyard in a real house in a real village even though the country seems less real by the day. It is a symbol of the easygoing, super cool spirit, the deepest dimension of the homo ludens. A lemon tree, an orange tree and a laurel add a lot to the scene. Life does not have to be that complicated. In the courtyard one feels the chemistry of the place and infers the infinite possibilities. No instruction manual, you learn on the go. La Casa Gandia Blasco In , the family decided to transform part of the old textile factory, located in Ontinyent, into La Casa Gandia Blasco, a personal proposal beyond furniture, which invites a reflection on living and the role that design assumes in the configuration of the world we inhabit and our relationships with people and objects. News History. Weaving networks for female leadership in business. La Casa Gandia Blasco. Houzz TV report. Mediterranean light. Weaving networks for female leadership in business Courage, equality and experience. The ecstasy of dawn Young fashion designer Juan Vidal selected one of La Casa Gandia Blasco spaces to photograph his new fall-winter campaign. Houzz TV report A factory turned into an open house for everyone This house is the flagship of Gandiablasco, renowned for its contemporary outdoor furniture. Mediterranean light 75 years ago that Gandia Blasco was born under the sun of Spain, between Valencia and Alicante, between the white light and the blue waves… This pioneer remains one of the leaders in high-end outdoor furniture. Weaving through life. Home to inspiration. Home to memory. A man is known by the company he keeps. Home to textile identity. Home to shared knowledge. Home to design. Home to friendship. Written by Matilde M. Weaving through life Several paths lead to Casa Gandia Blasco. Home to textile identity Tactile intelligence As he thinks back to those days, a sliver of sunlight magically slices through the dark room. Home to design Overlapping maps for indoor, passdoor, outdor Detached, prefabricated, semidetached, detachable… Forget about stereotypes, inflexibility and dogmas when it comes to houses.

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