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The moment is perfectly complimented by a somnambulistic ethereal tune by the German group Popol Vuh, long time collaborators with Herzog. What are we about to see? A documentary about a primitive artisan, the last of his craft, struggling against modern society? From Herzog this is quite possible. But why the image of the ski-jumper? In and Steiner was the world ski-flying champion, and in he was placed second. These championships are held approximately every two years. He also won a Gold medal ski-flying for Switzerland in the Winter Olympics. Here Steiner demolished all competition by achieving a perfect score, a feat never before achieved. Even more remarkably, Steiner handicapped himself by beginning on a lower run than his competition. Furthermore, Steiner equaled the world record jump set on a longer ramp. If Walter Steiner had not existed, Werner Herzog would have had to invent him. Steiner is the quintessential Herzog hero, an obsessed individual, so confident in his own abilities that he transcends the human condition, becoming answerable to no one except possibly God. Steiner is partially a Herzog creation, a myth conjured by the filmmaker. Just me Steiner, and no other living thing. No sun, no culture. Myself, naked on a high rock…. The two non-skiing related interviews with Steiner included in the film — the one mentioned above where Steiner describes his work, and another featuring an anecdote wherein Steiner discusses the young, sick raven he had kept as a pet — have a strange, mystical quality, as though there is something profoundly metaphorical in what Steiner is saying and yet, we cannot quite grasp its meaning. Is Steiner comparing his experiences at Planica — where he became the supreme ski-flier — with those of his victimized bird? Herzog lets us discover his special universe, a world of misfits with remarkable talents such as his dwarves, the deaf and mute, Bruno S, Klaus Kinski and Walter Steiner who are forced to become outsiders in our world. It is almost as if Herzog himself is that extra ingredient that makes the magic occur. In The Great Ecstasy of Woodcarver Steiner , Herzog plays the naive, awestruck reporter, humbled by the supremacy of the ski-flier. But Herzog is also an intelligent, intuitive filmmaker. By ski-flying was reaching its limits, a fact acknowledged by Steiner in the film. This jump, 10 meters longer than the world record, was at the very extremes of ski-flying, pushing the sport to its most dangerous limits. If Steiner had jumped a further 10 meters he would have landed on a flat surface, experiencing a direct meter fall and certain death. As already noted, by the beginning of , when filming began, Steiner had already won and placed second at the World Ski-flying championship. Steiner was at his prime and was the individual most likely to test the limits of the ski jumps. Having deduced this Herzog began filming Steiner. Initially, at the Schattenberg ramp for the opening jumps of , Steiner performed badly due to injury. According to Herzog, a defeated Steiner was ignored by the spectators. It was only once Steiner competed at Planica that the remarkable occurred. Herzog, the intrepid chronicler of the human experience, carefully builds the myth. Herzog is more interested in creating an enduring peon to a unique individual. Like a political filmmaker attempting to advance a contentious hypothesis, Herzog amplifies some aspects and ignores others in an attempt to present his case. In the worlds his films create and observe anything is possible and even achievable. For example, a simple craftsman can extend the limits of human existence. Issue

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Leonie Rettig has been delighting audiences and critics throughout Germany since she gave her first recital at the age of 14 in And being given the opportunity to perform this with Maestro Gueller, whom I have known for many years, is a dream come true. She identifies most closely with the work of Franz Liszt, but she has also performed works by Bach, Rachmaninoff, Brahms, and many others. The full concert program includes:. This concert is almost sold out, so get your tickets now! About Leonie Rettig From the time she gave her first solo recital at the age of 14, the young pianist Leonie Rettig has delighted audiences and critics with her full-bodied, singing piano tone, musically accomplished and technically ambitious concert programs, and highly virtuosic yet totally natural approach to her instrument. But how can such a young artist unfold such a perfectly formed soundscape? Concert invitations have taken the young pianist to such events as the Schleswig-Holstein Music Festival, Klassik in Spandau, the Oberstdorf summer music festival, the Haigerloch Schlosskonzerte, the Leipzig summer piano festival, and the international chamber music festival at Viana do Castelo. Each year more than 50, audience members including 15, young music lovers join us in communities across Nova Scotia for performances of the music they love — from baroque and classical to pop and rock and folk. Under the inspirational leadership of Music Director Bernhard Gueller, Symphony Nova Scotia is one of the most broadcast orchestras in the country, with over 20 commercial releases and multiple East Coast Music Awards. Visit symphonynovascotia. We use cookies to improve your experience on our website, to measure the effectiveness of our systems, and to analyze traffic. By using our website, you consent to cookies in accordance with our Privacy Policy. Search Site Search Site. Release date: October 26, What's Playing. Sign up for your chance to win tickets! First name:. Last name:. Thank you! You've just been sent an email to confirm your email address. You've already been signed up. I Agree.

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