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Book Now. Understory is a web-based, inter-provincial series dedicated to showcasing improvising artists working across Canada and to building a network between the artists and their audiences. Presented as a monthly series until January , 42 different artists from across Canada present 14 different sets over the course of seven concerts. In addition to employing technology to build a fertile province-spanning creative community within Canada, Understory is equally invested in exploring it as a means to envision new forms of exchange. One performer initiates, recording their element, and the others follow, adding their contributions in succession in layers that are eventually reconciled in post-production. To further emphasize the notion of collective creation and authorship, all artists for each set must agree to the final combined product before it can officially be presented to the world…. As we take a dive of faith into the depths of the ocean, underwater sea creatures cry to us for help. Are these the sounds of the first breaths of newborns or the last breaths of dying? The sound collage of music box, creaky floors, shipwreck, fuzzy rain, and purring cat, takes us into an old forgotten living room where we are permitted to reach into our past and find answers for our present. We first enter into a dream of pastel watercolours, an imagined world that has the power to become reality where we feel safe to open hearts, minds, and ears as observers and change-makers. We skip stones and hold each other with care. We transform into a chipmunk family, gathering our nut bounty into a little dark cave. As the sun sets, we chomp away into a dizzying state, dancing with twirling nut-ballerinas, and fall asleep as walnut-drunken chipmunks. As we dream some more, we freely dance on tightrope and sing to our beloved from afar. Bea Labikova is a Slovak-Canadian saxophonist and improviser whose music traverses free improvisation, avant-garde, modern jazz and Slovak folk music. In her solo project, Mt. Joy, Bea couples wind instruments with electronic processing, creating spacious sounds that reflect the arctic tundra where she travels regularly. She is scheduled to attend an arts residency in Svalbard near the north pole to develop Mt. Bea is the co-founder, visual artist and one-half of the driving force behind the Women From Space Festival. Brandon Auger is a sound artist, improviser and structural builder based in Halifax, Nova Scotia. His minimalistic work promotes the amplification of electronic idiosyncrasies and vibrational nuances in both acoustic and synthetic environments. He has also worked greatly with members of Mocean Dance and Kinetic Studios, fusing his approach to sound with various choreographers. His compositions, installations, live performances and collaborative projects span across Canada and the U. She collaborates on shows and recordings with a wide variety of creative musicians and ensembles across Canada. Based in Montreal for two decades, Jennifer returns to her Manitoba home in From within a multiplicity of artistic adventures, she remains grounded in a passion to create meaningful experiences. Leslie Ting is a violinist and interdisciplinary artist and has been creating immersive, music-driven performances since with her definitive work, Speculation. Committed to inclusion and creative approaches to access, Leslie has worked closely with renowned blind theatre artist and disability arts advocate Alex Bulmer and Deaf performer Thurga Kanagasekarampallai. Leslie is an Associate Artist with performance company, Volcano. Nicole Rampersaud is a composer, improviser, and trumpet player saud has a unique voice that cuts across a broad range of musical practices and traditions. Her intrepid listening and boundless curiosity have made her an internationally sought-after collaborator throughout several musical communities. She relentlessly seeks out and creates spaces to work with a diverse and expanding group of music-makers as a means of exploring and nurturing new connections between creative practices. In solo performances, Nicole improvises composites of her pieces in the moment, resulting in compelling structures that engage audiences in the creation of a connected experience. Small, continuous gestures suggest the anxious, unceasing drive to the future. But are they? Or are they the present of smaller beings? What happens when tiny gestures meet the vocalize that accompanies routine? When silent witnesses of the past are given voice, march alongside us in the present, and ask us to slow down and reflect? Geordie Haley is a guitarist, composer, improviser and educator with more than 25 years of presenting and performing original music. He conducts a monthly improvising workshop for Suddenly Listen. Geordie has an active career as a contributor to many creative projects. Kayla Milmine loves the new and under-explored sonic possibilities that only the soprano saxophone can offer. Her unique approach has the edginess and brashness of Anthony Braxton and Roscoe Mitchell yet also a warmth and thoughtfulness reminiscent of Steve Lacy. Peter Morin is a grandson of Tahltan ancestor artists. He has now lived away from his home territory for most of his life, but like his ancestors who have walked on the land, he carries Tahltan knowledge, ideas and history with him wherever he is. Every step along the way, Tahltan knowledge has guided his researching, dreaming, learning, making of the past twenty years of artistic and curatorial practice. Gabi improvises, composes and performs music as a soloist under the moniker Ah! La lettre! They mentor musicians of all ages to explore the language of music. Her work as a musician and as a teacher are intrinsically tied. Gabi values the unexpected nature of musical play and aspires to have an impact upon the culture and education of humans. Joel LeBlanc is a composer and multi-instrumentalist and learns in motion. Primarily self-taught, his formative training earned on the road with award-winning trio Hot Toddy who toured internationally from to Joel joined Ken Aldcroft to record and tour The Long and Short of It beginning his foray into freely improvised music. He has received numerous provincial grants, including most recently, The Rack; a study in solo guitar and racked harmonica involving microtonal detail and extended technique for diatonic harmonica, something still relatively unexplored. Naomi McCarroll-Butler is a saxophonist, clarinetist, and instrument maker from Toronto. She can be found making a wide range of music, from the full-throated clamour of saxophone duo SALT to the spectral whispers of Decoration Day. Playing them, carving them, attaching them to slides, and combining them in harmonic sets is revealing a deep ancestral and physical mystery; the exploration of this instrument and the just intonation it implies is guiding her work towards a major new direction. She and her music have been featured by presenters and festivals across Ontario. Adams Video Editor: Evan Shaw. Your brains are going to turn into tasty spaghetti. We hear frolicking of gut-gushes and gorgeous songs and a deep interplay on regurgitation. So get ready to mix a cocktail from your own gastric juices. This is a visceral workout for your body, fluttering your ears into realms of throat stretching, fizzy drinks, and intestinal tract roller coasters. Eat your gut out Foley! Hope you enjoy your happy meal. Through breath and space, poetic, and cyclical movements, you will venture into the life of the deep sea, the deepest layer in the ocean. From the aquatic depths, you will be transported into dreamscapes, foggy trails, and thunder rumblings. Take in this sonic ear massage, swim in the drones and dip your toes into these melodic water-flowing ripples. Debashis Sinha is a sound artist, composer, performer and musician. His sound art work is heavily influenced by his long career in theatrical sound design as an award winning sound designer and composer, creating audio for productions for organizations such as Soulpepper, the Stratford Festival and Necessary Angel. Currently, Sinha is exploring the possibilities of machine learning and artificial intelligence as a toolset and conceptual impetus for his story-based sound works. As a settler, she is grateful to live and work in Tkaronto, on the traditional territories of the Mississaugas of the Credit First Nation, Anishinaabe, the Haudenosaunee and the Wendat First Nations. Her most recent solo release combines dry and processed voice to create soundscapes beneath simple, earnest melodies and stories. Purgatory and Plastic Babies. Aisha Sasha John is a choreographer, performer and writer interested in creating performances that are the occasion for real and multitudinous actions of love. Gurpreet Chana is a Toronto based musician, engineer, composer, performer, and explorer. This practice has been nourished through live musical exchange. Whether as a soloist, a rhythmic accompanist, or melodic co-conspirator, he is philosophically grounded in an egalitarian view of the creative process. Stephanie Chua is an expressive and versatile Canadian pianist devoted to presenting and performing contemporary works through musical insight and innovative programming. A feast for the senses, we hear a carefully curated ensemble of tiny fairies dancing on the piano like a stage, angelic-monstrous deep breaths, an ever-expanding hot air balloon filled with fire, and a fantastical eye exam conducted by a magical optometrist wizard. The morphings of negative becoming positive spaces, dizzying plant-life becoming the inside of eye-lids and licking tongues, we experience a fun house of detuned banjo, waterphone, multi-phonics and pinball machine musics all at once, expertly melting into one another. We wish chemistry class could be like this. If you imagine that you are a cat not pretending to be a cat, but that you are a cat , then you are all set for this adventure at the night market. Ultimately, you will have an adventurous night out and curl up in your favourite basket, after breaking into a wicker store, and dream of floating in beds upon beds of fluffy clouds. Elysha Poirier is a multidisciplinary artist working with animation, film and video for live performance. Working with digital and analog methods, she creates playful conversations between generative art and video. Poirier translates audio into real-time graphics, transporting the viewer to an imaginative world where boundaries are inverted, rearranged, and transposed. From these sources, she creates complex worlds and introspective terrains that are inherently emotional, like the peaks and valleys of our internal landscapes. Poirier has realized a wide range of installations and engaged in performances for dance, experimental music, live cinema and theatre. Lori Freedman is a composer and clarinetist known for her provocative and creative performances. Her artistic practice spans the gamut of activities in contemporary and improvised music. A first generation Canadian of British and Indian descent, the Halifax improviser is a self-described traditional non-traditionalist. Exploring the full sonic capabilities of the acoustic piano through extended techniques and a wide range of piano preparations, he is able to coax a variety of colours and extreme dynamic contrast. Crofts has performed in numerous settings and collaborated with organizations including suddenlyLISTEN, Upstream and the Creative Music Workshop and is also committed to teaching and mentorship in creative music. Ben Grossman is a musician and sound artist, improviser, composer, and noisemaker. He works across fields, having featured on over CDs and contributed composition writing and sound design for film and television, theatre, dance and installations. Through extended techniques and electronic processing, Grossman seeks to use it as a physical interface for sound creation, spontaneous composition and the exploration of acoustics and form. Emily Kennedy is a cellist based in Fredericton, New Brunswick. Her practice aims to synthesize her classical training with her interests in improvisation, minimalism, field recordings, and pop music. In her work, she explores themes of translation, repetition, self reflection and time. Kennedy is a graduate of the performance program at the University of Ottawa and Wilfrid Laurier University. Yunjin Claire Lee is a Korean Canadian pianist, keyboardist, sound designer, composer and producer. Her debut album Voluntary Response garnered her an international fanbase and her latest single, the ambient techno track Underwater Arcade , has been featured on radio stations across the country. This collaboration reminds us of experiencing change in a place through movement and stillness. We hear sounds of deep walking steps, stretches of sticky dough and rock formations. Listening to them feels as if you are diving deep into a book of adventures, where the more chapters you read, the explorations can only get deeper over time. This sounds like a call for us to break out of our inner cells and proudly rage against the. Carlie Howell is a multi-instrumentalist, composer and media artist. An inspired poet with a diverse musical vocabulary, she performs her original songs with her country band Carlie Howell and The DeHarms, the Brazilian-Canadian trio Laranjeiras, and solo under the moniker Rose Quartz. Carlie has an active studio practice, and facilitates in schools and community organizations. On stage, in the classroom, and in life, she seeks to create physical and emotionally safe spaces where all can learn with ease and thrive creatively. Carlie lives in Iris, PEI Epekwitk and enjoys gardening, birdwatching, and walking in the woods with her partner Tanya and their cat Chicken. Isaiah Ceccarelli is a drummer, composer, and improviser. As a drummer, he has performed and recorded in countless jazz and improvised music settings since the late s. Based in Vancouver, she is an active ensemble performer and conducts research focused on cultural equity and pedagogy. A dedicated music educator, Attariwala has taught violin and viola for over thirty years at institutions such as York University and Regent Park School of Music. She recently fulfilled a series of commissions that offer musical reflections on works by visual artists Peter Morin, Nep Sidhu and Jeffrey Gibson, and is creating a score for bharata-natyam dancer Sujit Vaidya. It is influenced by the world of ethnomusicology and systems theory, which both serve to inform her on universality and intersubjectivity, and how her own self and the way she listens can fit in with that. She does this by using various processing techniques, including looping, distorting, stretching, slowing, shifting pitch, and more. Each procedure means something to her personally about her subjective understanding of the world. This processing is, in essence, a way for her to show to the listener how her own listening frames the world and context. This effort to keep on listening to the self is the thing that carries her. Michelle Lafferty is a mezzo-soprano and First Nations indigenous woman from the Northwest Territories. Lafferty has performed numerous roles throughout her career, including Mrs. Lawrence Centre for the Arts. Most recently, she was part of a team of musicians and composers with Calgary Opera that curated the Namwayut , an opera about indigenous resilience. Viviane Houle is a vocalist, improviser, songwriter, composer, teacher and therapist. She has performed in opera, folk, new music and the world of improvised music. Houle has been a featured soloist with various orchestras and ensembles, including the Vancouver Opera Orchestra, the Vancouver Symphony, as well as improvising orchestras and ensembles such the NOW Orchestra, Eye of Newt Ensemble, and the Berlin Improvisers Orchestra. Her critically acclaimed recording, Treize, a collection of improvised duets produced by Jesse Zubot, was released on the Drip Audio label. Houle is based in Roberts Creek on the Sunshine Coast. This collaboration feels like a warm hug, which may be something we all need right now. Their collision of sonic worlds, spaces and aesthetics bring in a kaleidoscope of twists and turns to keep you on your toes! We love the push and pull that challenges our notions of sound, tugging at our heart and ear strings into new listening heights! Arthur Bull has been active on the improvised music scene in Canada since the mids, during the early days of the Music Gallery in Toronto. Over the years, Arthur Bull has collaborated with many other leading Canadian and international improvisers, and has appeared on more than 25 CDs in solo, duo and group settings. Arthur Bull is a published poet, with five poetry books to his name, and works as an activist for small-scale fisheries, locally and internationally. Germaine Liu b. Liu is interested in exploring and sharing things she finds joyful in collaborative settings, with hopes that participants are open and willing to participate. She loves tactile, movement, sonic and physical explorations of found objects and percussion. She is also part of the Willow Gardens Collective with friends, where she is happily learning how to grow, share food, care for and love the land. Louise Campbell is a Montreal-based musician whose professional hats range from conductor to cultural mediator, community arts facilitator to Teaching Artist. As a composer, performer and improviser, Louise seeks to interrogate and renew the ways in which we make music by creating new works with everyone, regardless of age, ability, level of prior experience, or training. She has toured as a performer, guest artist, and lecturer of improvised and composed musics across Canada, the US, France, Germany, and Brazil, and most recently in zoom rooms around the world. Her current projects include the improvisation duo Pama with Michael Waterman theremin and invented instruments. Mei Han Ph. Han studied with Gao Zicheng and Zhang Yao, two zheng masters, and took the top zheng performance position at the prestigious Beijing Zhan You Ensemble at the age of Moving onto international stages, she has been exploring new directions for solo zheng and unique combinations of zheng with other instruments in a contemporary experimental aesthetic. She has performed with leading artists around the world in a multitude of musical genres from symphonic, chamber and New Music; Understory Show 2 Details for MOCA to traditional and World music; and from Creative Improvisation to electronic. She has recorded eight albums, three of which received nominations for the Canadian Juno Award and that of the Songlines England. A multi-instrumentalist, injury and chronic illness led her to find a way to make music accessibly. From an improvising practice involving feedback systems to electroacoustic recordings, experimental dance records and indie pop songs, her work has appeared on multiple labels internationally. This episode was presented in collaboration with the Canadian Music Centre, as part of their Multilocation festival. Search Close this search box. July 15, Episode 1 : July 15 — August Episode 2 : August 19 — September Episode 3 : September 16 — October Episode 4 : October 21 — November Episode 5 : November 18 — December Episode 6 : December 16 — January Episode 7 : January 20 — Feburary Episode 7: January 20 — Feburary Technical Production Credits. Episode 6: December 16 — January Episode 5: November 18 — December Episode 4: October 21 — November Episode 3: Sept 16 — Oct 21, Episode 2: August 19 — September Episode 1: July 15 — August View More Programmes. October 3, Wong Winsome Dumalagan. September 8, Michael Nicoll Yahgulanaas. Alex Da Corte. Rubber Pencil Devil. Ceal Floyer. 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Confessions of a Turkish drug dealer

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Turkey is currently suffering through a major drug epidemic. Volkan tells his friends about his experience and much like him, his other 12 year old friends are also curious. We started using it together. I would constantly get expelled from school. We were a group of 3 or 5 friends. We wanted to buy drugs but we needed money. So when we were going to buy, we would ask others if they wanted to buy with us. So we thought since the others were buying a lot, we could buy more and sell to them too. According to the National Police narcotics report, 2. The amount of heroin seized is up And Meth busts are up Volkan says that he made six times the minimum wage in his line of work. My cousin was dealing too. I found myself hanging out with him more. The money was sweet, It pulled me deeper into it. I would make six times the minimum wage. Friends our age could afford to go out once a month, but we could party every day. I wanted respect. I was already working before I started dealing, but the money was never enough. And it was hard work. I would see people making money and earning respect. Where I live, everything is materialistic. I wanted what they had. It is necessary to be very well organized. The port authority, the police, the narcotic police will be aware of most of these drugs imported by ship from abroad. In other words, three out of 10 people will know, and they will receive a cut. The younger generation is very inclined to use drugs. People do not intentionally turn to drugs. They use it to distract themselves from future anxiety, family problems, economic problems, and problems in school. Confessions of a Turkish drug dealer. Turkey News. Bize destek olun. Patreon'dan destek ver. Confusion following proposal to collect yearly defense industry contribution from credit card users 15 Ekim Maslak Mahallesi, Dereboyu 2.

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