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Headshot photography by Emelia Hellman. Soon after its conception, PWM became a leading voice in the creation of new plays. However, the tension between production and development became too great and the project was dismantled. Having worked for years toward a comprehensive curatorial model for the selection of projects, the decision was made in to officially transition PWM away from the membership model. This shift enabled PWM to better support the evolving artistic community and collaborate more effectively with emerging and established artists alike. During this year, PWM launched the first call for applications for Dramaturgical Collaboration and deepened the organizational commitment to accessibility, equity, diversity and inclusion. Over the past 60 years, PWM has collaborated on the development of more than new works for theatre and performance. PWM continues to strengthen, develop and celebrate relationships with collaborating artists through its ongoing programming. Our journey is far from over. PWM remains steadfast in its mission to centre artists, to explore new horizons in playwriting, performance, and dramaturgy, and to work collaboratively with artists in shaping the future of theatre. As we reflect on the past 60 years, we look forward to the many more years of innovative artistic collaborations that lie ahead. We continue to stand side by side with the artistic community, celebrating their ingenuity, and supporting their creative endeavours. The Group of 5 is a collective of 5 professional independent English-language theatre companies seeking to share a creative and administrative space to establish a sustainable arts ecosystem. The Group of 5 aims to provide its members with a permanent and viable infrastructure — a physical space — where members can share resources, create, and grow our community. The vision for the Group of 5 is to sustain the development and presence of professional English-language theatre in the Quebec and Montreal arts landscape. The collective would galvanize exchanges and resources sharing among its members — both past and present—with the aim to strengthen the English-language minority community and expand upon the scope, inclusivity, and vibrancy of Quebec theatre. We believe a shared space and the resulting collective ecosystem will expand the boundaries of theatrical creation. During his studies, he took interest in dramaturgy and the history of art. Their favourite kind of plant is all of them, and they can often be found trying to keep their dog, Boomer, out of the garden. Her artistic pillars include responsible MENASA representation, radical theatre empowerment, and new play development. She currently serves as the board president for Persephone Productions Montreal. Raised in a sleepy suburb of Ottawa, Heather had no choice but to develop a rich inner life in her formative years. Their adventures so far have included art school studying theatre in secondary school , hippie music festivals and camping trips, living in France, two undergraduate degrees at Concordia University Bachelor of Arts in English Literature and Bachelor of Fine Arts in Jazz Studies, respectively , falling in love with Montreal, learning unconditional love from two wise dogs, teaching, working in the arts in support roles, and pursuing her own creative projects drawing from many practices writing, storytelling, singing, musical improvisation, performance art, soundscape composition, and collage. Her firsthand experience with the vulnerability of performance and the roller coaster ride of the creative process is what makes them appreciate the work that PWM does to help artists manage frustrations, overcome obstacles and better enjoy rewards as they shape their projects. Word on the street is Heather has a weakness for vampire movies, no matter how awful the acting or writing. Legend has it that they have taught sarcasm to an army of toddlers. It has been whispered that she has a leaky crown chakra. None of the above has been confirmed. It has, however, been confirmed by several colleagues and other witnesses that Heather has a powerful and spirited appreciation of Upon graduating, she wrote, directed, and starred in her first play, Down the Rabbit Hole , which was produced at the Montreal Fringe Festival. This creation sparked her interest in all aspects of theatre making. In , she wrote, produced, and acted in her first one-woman-show called Who, Me? Her goals include spending more time on theatre stages, at the boxing club, and at her decade-old laptop writing more plays and fanfiction. Bobby Theodore — Translator. Bobby Theodore is a scriptwriter, dramaturg, and translator. Danielle Le-Saux Farmer — Translator. Sophie Gee — Translator. Sophie is a director and creator of multidisciplinary work. Sophie is a graduate of the directing programme at the National Theatre School. Maud de Palma-Duquet — Playwright. Tamara Nguyen — Playwright. Linda Gaboriau — Translator. Her theatre translations have garnered many awards across Canada. At the Banff Playwrights Colony she was an associate director, in charge of translation projects. From , she was the founding director of the Banff International Literary Translation Centre. For the past five years, we have collaborated on two very different projects: a five character play with music about a rockstar family and the complicated legacy of our cultural icons, and a digital-hybrid solo show about power, coercion, and escaping a cult. We share a belief that how we make work is as important as the work itself. This has always been my experience with PWM, making it one of my favourite theatre institutions in Canada, and a place that I recommend to other playwrights enthusiastically and often. I went on to also participate in:. I enjoy the fact that they always have interesting offerings for development and mentorship. I love the staff, as well as the individuals they bring in to facilitate workshops. They have all been down to earth, open, knowledgeable, and just fun to be around and speak to on a human level. Having the opportunity to incorporate theatre and writing into my dance practice has been a very rewarding journey. The individuals who make up an organization are important and PWM has wonderful individuals all throughout. I never feel pressured to present as anything or one other than me, allowing myself to feel the freedom to really find my own voice and solidify my own footing. That is huge for me. One can always depend on great conversation and artistic exchange when you spend time there. As a young actor it was always a point of pride to be hired to read a new script in workshop: it was a wonderful job no matter how quickly you passed through their doors or how long you stayed; it has been some of the best training I have ever received as an actor. It taught me how to be clear and rigorous and respectful. As a playwright, I have received an incredible amount of support from the folks at PWM and would have never completed my last play without their belief in me. The relationship I have with PWM is a rare one. I have taken that and used it to build the artist I have always wanted to become. Nor would I have been able to sustain a career in Montreal as a playwright working in both English and French. PWM introduced me to the Francophone-theatre milieu as a potential translator in the s. From there grew my familiarity with the agents and stakeholders of the milieu, which led to me serving as a kind of bridge between Anglophone and Francophone theatre in Montreal, a role I happily play today, along with a growing number of bilingual and multilingual artists who make their livelihoods in both English and French in this city. Other Worlds will be presented with as a Geordie Theatre mainstage production from September 29 — October 7, Alexis Diamond — Translator. She creates works for a wide range of audiences, from toddlers, to school-aged children, to all ages, to adults only, which have garnered awards, residencies, and attention at home and abroad. Alternately playful, poetic and profound, her texts and performances break open the stories we inherit and the myths we perpetuate, often to our detriment. She has a B. Even Gilchrist — Playwright. As a scenographer, his desire for creative processes lives in finding ways in which design is the catalyst of storytelling, rather than reactionary to the script, and was very much so the case in the creation of Re:Construct. Check out evengilchrist. Certains de ses textes sont traduits en anglais, portugais, espagnol, grec, innu-aimun et en italien. He has been acting onstage and onscreen since his childhood and began working in the industry as a professional in Violeta Sarmiento Marabotto — Traductrice. Charles Bender — Translator. In , Charles co-founded productions Menuentakuan, an indigenous theatre company invested in creating new paths of dialogue amongst indigenous and non-indigenous people in Canada. As part of his community involvement, he sits on a variety of boards and comities to make sure indigenous voices are represented and heard. Marie, Ontario. Aki is a biracial, Japanese-Canadian nisei, second generation dramaturg and arts educator raised in Ottawa and Tokyo within a family of pedagogues. Since moving to Montreal Aki has worked with emerging theatre artists in training at the National Theatre School of Canada. Intercultural performance resonates deeply with Aki as a bi-racial artists whose mixed-identity has always been a centre point of her existence. Aki has been engaging in dramaturgical collaboration apprenticeships for a number of years following her studies. Since joining PWM, Aki has collaborated with a number of artists in developing their projects and is continuously discovering new elements of her artistic process with every new collaboration. She has mentored both graduate students and professional theatre makers through university training programs, internships, and play development programs at a variety of theatres. Originally from Portugal, Helena moved to Montreal in Trained in communications and performing arts, she has worked in different countries and in several fields, including directing, producing and acting for film, and acting and directing theatre. Her inspired background encircles many achievements, and her experience is in good use coordinating new training activities, through her shared position between PWM and CEAD. Anne-Sophie Grenier is a writer, performer, curator, and arts administrator. She grew up in Montreal and started training in theatre and the visual arts as soon as she could talk and walk. Whereas her management and leadership are centered in care and consideration, her artistic practice embraces chaos and flair. Her works on stage, page, and screen have been shown in Montreal, Kingston, Niagara, Italy, and Uganda. She has also worked in documentary production, festival management, and international development. She is the Chair of The Mercy Project, a non-profit organization funding health care for vulnerable women and children in resource-limited settings. Her graduate studies focused on the role that artist-run spaces play in fostering creative placemaking and healthier cultural communities. Anne-Sophie shares her life with a tiny, sassy and capricious toy poodle named Mr. Marius Pontmercy. They are an award-winning queer creator, dramaturg, and educator. Over the years, Jesse has supported over emerging Canadian storytellers as director of our Young Creators Unit. I grew up in St. Michel, an Italian enclave in Montreal. From resource mining, to dumping ground, to art. Maybe, as a metaphor for creation. I always felt out of step, outside looking in. Looking for what? Maybe a commonality that resonated for me. My community was lively, beautifully close knit, but it hid some really dark shit. Domestic violence, crushing silence, fierce racism and a basic dismissal of women. Perhaps it explains why I obsessively listen for voices that have a story to tell us, a way to see the world beyond ourselves. It has been over a decade of discovery, growth and wonder. I have had the privilege of working with playwrights from across this country, building dramaturgical relationships that I cherish and collaborating on work that has changed my relationship to the world. As dramaturgy in theatre continues to evolve and expand in definition, it is rewarding to be part of a company dedicated to the idea of discovery and experimentation. A company that puts the artist at the centre of everything it does. In , she presented Skin , a new performance piece with the interdisciplinary company The Bakery, in January, directed a staged reading of Behaviour by Darrah Teitel in March, and co-directed the audio play The Ringtone by Audrey Dwyer in April. She feeds her inner and outer punk rocker by playing in the family band The Tibaldos. She enjoys creating art about relationships, emotions, and navigating this wild world. Penina also enjoys theatrical event planning and has run a few arts based events around the city. She hopes to continue this post pandemic! Christine integrates dance and spoken word with her music, which has been performed at Festival Quartiers Danses and in the Montreal Botanical Gardens. Christine loves reading books, growing plants Ginger! Erika Squires is a theatre artist and communications specialist from St. Memorial Bursary and the Michael Cook Scholarship! You can usually find Erika curled up with a cup of tea, daydreaming design concepts, or singing at the top of her lungs! Her curiosity has shifted over the years from acting to directing to producing to dramaturgy, but she still connects to the same kid ability to explore a world and imagine it in three dimensions. Born and raised in the U. She is fascinated by the possibilities for collaboration, hybridity, and process-sharing across live performance disciplines. Sarah has two long-haired children and two short-haired cats. When she was three years old, Danielle saw The Lion King in Toronto and was immediately hooked on theatre. Since then, she has spent most of her free time writing all sorts of things, from songs, to plays, to novels, to poetry. She also managed to worm her way into PWM and successfully become a semi-regular face in the office. Nowadays, she dreams of being a published novelist and musical theatre composer in order to feed her unapologetic love of Young Adult fiction and contemporary musicals. Most of the time, though, you can find her writing music inspired by queer cartoons. I grew up in London, Ontario. In my early years, I was fascinated with the performing arts and the French language. At five years old, I asked my mom if I could learn French, so she sent me to the French Immersion school in our neighbourhood. I continued to dance professionally on cruise ships and later with independent companies in Toronto. As a result, my formative years were highly influenced by scarcity thinking. As a young adult, I was determined to not let money restrict my hopes and dreams. I am excited to change the scarcity thinking mindset we tend to tell ourselves as artists and cultural workers. This is also why I love arts advocacy and championing the public value of arts. I loved my four years at the University of Toronto Scarborough in the arts management program. I loved learning about the intersections of arts policy, financing, and human resources and how this supports and sometimes hinders arts practice. In , I moved to Montreal because I wanted to change my perspective and speak more French. For the first 4. As a centre focused on dramaturgy, I get to continue to examine, deconstruct and experiment with new ways of supporting arts practice and theatre development in Canada. Officially formed in with a video design at Osheaga Music Festival for John Jacob Magistery, we have been unofficially working together for the past five years as an all-encompassing technical team offering digital dramaturgical support, production management, and technical direction, as well as designing video, lighting, sound, set, and costumes together on live performance productions for companies in Tiotia:ke and across Canada. That said, we sometimes like to focus on one or two particular elements of a production, to really zero in on its complexity and delve into the heart of the story. Our philosophy of creation is story and character based, and in such intent, all design elements become characters in their own rights. Our job is to create worlds, and to see them through to the end. They met while studying at the National Theatre School of Canada, in the Set and Costume Design , and, Production Design and Technical Arts programs respectively, and since then they have grown as artists and creators in the performing arts world, taking on larger and larger projects each year, expanding their scope, building their tool boxes, and focusing their talents. From an early age, Juan has enjoyed diving into fictional worlds and exploring all forms of storytelling, visual and written, and as a teenager he learnt English by watching Hollywood classics, reading American literature and listening to music. It was only a matter of time for Juan to pack his life and move to a new place with brand-new stories. In between degrees, Juan had the opportunity to work in supporting roles with several cultural organizations in Montreal and Toronto where he realized that his passion for writing is readily transferable to communications work. In his free time, Juan writes fiction and makes experimental films using stock footage and iconic movie scenes. He is now learning how to combine his two passions to create narrative, visual work, and hopes to be inspired and learn a lot about writing from the PWM community. When he is not working, writing or creating videos, you will probably find Juan reading, making puzzles, or dancing alone in his living room. Maureen is a translator, dramaturg and teacher. She has translated over forty Quebec plays into English. Maureen has worked as a dramaturg and coordinated play development programmes in theatres and play development centres across the country. Josh is a punk theatre artist born in Toronto and recently moved to Montreal. Marc grew up in France and moved to Toronto at 20 to finally learn English. Over 10 years later, and he still lives in Canada! Hooked at a young age by a fantastic teacher with the skills to make century-old plays feel relevant to a preteen audience, Marc has had a lifelong appreciation of theatre. He always admired the impact a well-crafted story can have not just on the group, but also on each individual on a personal level. A green thumb at heart, he most recently took a year to learn how to grow vegetables sustainably on rooftops with LUFA Farms. Most importantly, he is the father of a fantastic baby and the husband of a brilliant writer and poet. When he has time, he loves nothing more than to take them somewhere surprising, and discover new things together. He has always been deeply drawn to art, particularly the playful and subversive kind. In , he completed his B. He has also occasionally worked as a freelance writer and videographer. Georges daycare, a role which he reprised in A trivia enthusiast, his greatest ambition is to appear as a contestant on Jeopardy! Skip to content Team. Group of 5. Heather Eaton Programs and Development Manager heather playwrights. Val Boisvert Administrative Coordinator val playwrights. Group of 5 What is the Group of 5? Who is in the Group of 5? The five dynamic theatre companies in the Group of 5 are:. Accessibility Tools. Provided by:. English Canada. Consenting to these technologies will allow us to process data such as browsing behaviour or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions. Functional Functional Always active The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network. The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user. The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you. The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes. Accept Deny View preferences Save preferences View preferences. Manage consent. Alexy Trottier alexy playwrights. Alanna Wrenshall alanna playwrights. Leila Ghaemi leila playwrights. Heather Eaton heather playwrights. Val Boisvert val playwrights. Bobby Theodore — Translator Bobby Theodore is a scriptwriter, dramaturg, and translator. Photo Credit: Keith Barker. Sophie Gee — Translator Sophie is a director and creator of multidisciplinary work. Photo Credit: Jeremy Cabrera. Photo Credit: Paule Beaudoin. Photo Credit: Charles Lafrance. Headshot by Ron Diamond. Headshot by BB Collective. Headshot par Angelo Barsetti. Headshot by Liam Mackenzie. Quinlan Green quinlan playwrights. Aki Matsushita aki playwrights. Helena Canhoto helena playwrights. Anne-Sophie Grenier annesophie playwrights. Jesse Stong jesse playwrights. Emma Tibaldo emma playwrights. Penina Simon penina playwrights. Christine ML Lee christine playwrights. Erika Squires erika playwrights. Fatma Sarah Elkashef sarah playwrights. Danielle Eyer danielle playwrights. Lesley Bramhill lesley playwrights. Other things about me: I am an arts advocacy nerd and enjoy talking with the government about the arts — I have participated in Arts Day on the Hill five times I also worked as an Advocacy Strategist with the awesome Canadian Dance Assembly , up until September I won a META award in I am obsessed with Harry Potter — the books, not the movies. Juan Velasquez juan playwrights. Josh Johnston josh playwrights. Marc Duez marc playwrights. Harris Frost harris playwrights.

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About Research. Email: peter. He is a UKCP registered psychotherapist and contributes to the current dialogue between spirituality and psychotherapy. You can follow Prof Peter Tyler's work by reading his blog, insoulpursuit. External involvement including consultancy, professional bodies and External Examining:. For media enquiries, please contact our Press Office Team by emailing press. Media enquiries For media enquiries, please contact our Press Office Team by emailing press. Get in touch Have a question? Contact us.

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