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Ecology of the Zombie proposes that the zombie - an originally Haitian figure - is fundamentally ecological in that it encapsulates the logic of the specific nature-society relations that constitute the capitalist world-system. In its various incarnations - from enslaved body toiling on fields, to vacant-eyed, light-skinned female imprisoned within patriarchal structures, to the cannibalistic mass zombie roaming apocalyptic scenarios - the zombie speaks powerfully to capitalism's constitutive metabolic rifts, that is, the alienation of the mass of the population from their lands and their bodies. The book provides an original perspective on the twentieth-century cultural history of this figure and offers an important intervention in current debates around the ecologies of Gothic imaginaries. It argues for the centrality of the Caribbean monstrous to understanding Gothic ecologies, due to the region's central role in the emergence of capitalist modernity. 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Select Format Select format. Abstract Ecology of the Zombie proposes that the zombie - an originally Haitian figure - is fundamentally ecological in that it encapsulates the logic of the specific nature-society relations that constitute the capitalist world-system. View chapter. Sign in Get help with access. Institutional access Sign in through your institution Sign in through your institution. Get help with access Institutional access Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: IP based access Typically, access is provided across an institutional network to a range of IP addresses. Sign in through your institution Choose this option to get remote access when outside your institution. Click Sign in through your institution. 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The extensive Introduction lays out medieval philosophical and physiological theorisations of emotion, closely bound up with cognitive processes. Following chapters investigate the changing lexis for emotion in Middle English, examining how translations from French affect the ways in which feelings are imagined. Bodily affect, both involuntary displays and deliberate gesture, is discussed in detail. Performativity — getting things done with emotions — and performance are shown to become interlinked as more sophisticated models of selfhood emerge. Concepts of interiority and the public persona, the self and self-presentation complicate the changing modes through which feeling is expressed. Literary texts are pre-eminently devices for producing emotion of various kinds; the book proposes ways of tracing how authors incorporated techniques for eliciting emotions into their narratives and their effects on their audiences. By the end of the medieval period two vital developments had expanded the possibility for varied and complex emotional expression in texts: the development of the long-form romance, encouraged by the advent of printing, and the concept of autofiction; new possibilities emerged for authors to write the emotional self. Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:. Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account. Choose this option to get remote access when outside your institution. Enter your library card number to sign in. If you cannot sign in, please contact your librarian. Many societies offer single sign-on between the society website and Oxford Academic. If you do not have a society account or have forgotten your username or password, please contact your society. Some societies use Oxford Academic personal accounts to provide access to their members. See below. A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions. Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian. For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more. Our books are available by subscription or purchase to libraries and institutions. Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. Sign In or Create an Account. Sign in through your institution. Subject All Subject Expand Expand. Arts and Humanities. Historical Archaeology. Prehistoric Archaeology. History of Architecture. Art Forms. History of Art. Theory of Art. Cold War. Colonialism and Imperialism. Diplomatic History. Genocide and Ethnic Cleansing. History by Period. History of Education. History of Gender and Sexuality. Intellectual History. International History. Labour History. Legal and Constitutional History. Local and Family History. Maritime History. Military History. National Liberation and Post-Colonialism. Oral History. Political History. Regional and National History. Revolutions and Rebellions. Slavery and Abolition of Slavery. Social and Cultural History. Theory, Methods, and Historiography. Urban History. World History. Literary Studies Romanticism. Literary Studies American. Literary Studies European. Literary Studies Eco-criticism. Literary Studies - World. Literary Studies to Literary Studies 19th Century. Literary Studies 20th Century onwards. Literary Studies African American Literature. Literary Studies British and Irish. Literary Studies Early and Medieval. Literary Studies Gender Studies. Literary Studies Plays and Playwrights. Literary Studies Poetry and Poets. Literary Studies Postcolonial Literature. Literary Studies Queer Studies. Literary Studies Travel Literature. Literary Studies War Literature. Literary Studies Women's Writing. Literary Theory and Cultural Studies. Mythology and Folklore. Shakespeare Studies and Criticism. Media Studies. Musical Structures, Styles, and Techniques. Moral Philosophy. Social and Political Philosophy. History of Religion. Religion and Art, Literature, and Music. Society and Culture. Cultural Studies. Ethical Issues and Debates. Hobbies, Games, Arts and Crafts. Sports and Outdoor Recreation. Travel and Holiday. Visual Culture. Constitutional and Administrative Law. Criminal Law. History of Law. Human Rights and Immigration. International Law. Private International Law and Conflict of Laws. Public International Law. Medicine and Health. History of Medicine. Public Health and Epidemiology. Public Health. Science and Mathematics. History of Science and Technology. Social Psychology. Social Sciences. Anthropology of Religion. Regional Anthropology. Social and Cultural Anthropology. Business and Management. Business History. Criminology and Criminal Justice. Economic History. Financial Institutions and Services. History of Economic Thought. Educational Strategies and Policy. Comparative Politics. Conflict Politics. Environmental Politics. European Union. Gender and Politics. Human Rights and Politics. Indian Politics. International Relations. Irish Politics. Latin American Politics. Middle Eastern Politics. Political Behaviour. Political Economy. Political Institutions. Political Sociology. Political Theory. Politics and Law. Public Policy. Public Administration. Regional Political Studies. Russian Politics. Security Studies. State and Local Government. UK Politics. US Politics. Regional and Area Studies. Comparative and Historical Sociology. Economic Sociology. Gender and Sexuality. Health, Illness, and Medicine. Marriage and the Family. Migration Studies. Occupations, Professions, and Work. Race and Ethnicity. Social Theory. Social Movements and Social Change. Social Stratification, Inequality, and Mobility. Sociology of Religion. Sociology of Education. Sport and Leisure. Urban and Rural Studies. Browse all content Browse content in. Advanced Search. Search Menu. Approaches to emotion in Middle English literature. Search in this book. Approaches to emotion in Middle English literature Get access. Carolyne Larrington Carolyne Larrington. Oxford Academic. Google Scholar. Published online:. Published in print:. Cite Icon Cite. Select Format Select format. Keywords: emotions , Middle English literature , romance , medieval translation , emotion theory , performativity , audiences , Chaucer , interiority , selfhood. View chapter. Sign in Get help with access. Institutional access Sign in through your institution Sign in through your institution. Get help with access Institutional access Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: IP based access Typically, access is provided across an institutional network to a range of IP addresses. Sign in through your institution Choose this option to get remote access when outside your institution. Click Sign in through your institution. Select your institution from the list provided, which will take you to your institution's website to sign in. When on the institution site, please use the credentials provided by your institution. Do not use an Oxford Academic personal account. Following successful sign in, you will be returned to Oxford Academic. Sign in with a library card Enter your library card number to sign in. Society Members Society member access to a journal is achieved in one of the following ways: Sign in through society site Many societies offer single sign-on between the society website and Oxford Academic. When on the society site, please use the credentials provided by that society. Sign in using a personal account Some societies use Oxford Academic personal accounts to provide access to their members. Personal account A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions. Viewing your signed in accounts Click the account icon in the top right to: View your signed in personal account and access account management features. View the institutional accounts that are providing access. Signed in but can't access content Oxford Academic is home to a wide variety of products. Institutional account management For librarians and administrators, your personal account also provides access to institutional account management. Purchase Our books are available by subscription or purchase to libraries and institutions. Purchasing information. Views More metrics information. Total Views More from Oxford Academic. Authoring Open access Purchasing Institutional account management Rights and permissions. Get help with access Accessibility Contact us Advertising Media enquiries.

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