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You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early. Not on view. This image cannot be enlarged, viewed at full screen, or downloaded. As part of the Met's Open Access policy , you can freely copy, modify and distribute this image, even for commercial purposes. Use your arrow keys to navigate the tabs below, and your tab key to choose an item. Title: Saint Mary Magdalene in ecstasy, supported by two angels. Artist: Pieter de Bailliu Flemish, born Antwerp, Date: ca. Medium: Engraving; first state of two. Classification: Prints. Accession Number: The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee. We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments. Visiting Sleeping Beauties: Reawakening Fashion? Public Domain. Open Access. Inscription: Inscribed in margin lower left: 'P. Rubbens pinxit. Agent: Gustav Mayer. Hollstein I. Paris, , cat. Learn more about this artwork. How Engravings are Made. An illustrated explainer. Resources for Research The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Feedback We continue to research and examine historical and cultural context for objects in The Met collection. Drawings and Prints at The Met. The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of works from Cornelius Vanderbilt, a Museum trustee, in

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You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early. Antonius Wierix, II Netherlandish. Not on view. This image cannot be enlarged, viewed at full screen, or downloaded. As part of the Met's Open Access policy , you can freely copy, modify and distribute this image, even for commercial purposes. Use your arrow keys to navigate the tabs below, and your tab key to choose an item. Title: The Ecstasy of St. Date: ca. Medium: Engraving; first state of two. Classification: Prints. Accession Number: The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee. We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments. Visiting Sleeping Beauties: Reawakening Fashion? The Ecstasy of St. Public Domain. Open Access. Agent: Gustav Mayer. Alvin ; Hollstein LXV. Learn more about this artwork. The Vision of St. How Engravings are Made. An illustrated explainer. Resources for Research The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Feedback We continue to research and examine historical and cultural context for objects in The Met collection. Drawings and Prints at The Met. The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of works from Cornelius Vanderbilt, a Museum trustee, in

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