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Staff and Student Research 2008 - Victoria University of Wellington
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University of Wisconsin Press Blog
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Fifteen years ago, I first traveled to Japan to look at its historical and cultural relationship to otherness, to difference. More specifically, I wanted to learn about how the Japanese viewed and represented disability. During my first stay in Japan, much of this eluded me for reasons I write about in In the Province of Gods,. Three years later on my second trip, I found what I was looking for. He recounts this history through the voice of Yaichi, who like Shunkin is a blind samisen singer. Yaichi is also a masseur. Samisen singer and masseur are traditional occupations for the blind in Japan. Yaichi is in the service of Lady Oichi, sister of Nobunaga. She is married to Lord Nagamasa, an ally of Nobunaga until they have a falling out. Because of his blindness, he goes unnoticed by the men but is taken into the confidence of a beautiful woman above his station. During a siege of the castle, Yaichi entertains Lady Oichi along with a visitor, the warrior priest Choroken. Lady Oichi affections are won over by Hideyoshi, even though he killed her family. In the end of the Kabuki version, Yaichi is left on stage, remembering his Lady, who appears in the distance playing her koto. She disappears, leaving Yaichi decidedly alone and crying. But, as in much of Japanese culture, the story simultaneously conveys opposing ideas. He lives in Berlin. My father was born in Grand Forks, North Dakota. He, my mother, one sister, and I all graduated from UW—Madison, and my step-grandfather, Clarence Dykstra, was its chancellor. But it took me sixty years to write about the Midwest—and then it was thanks to Bill Zinsser, my late, great writing teacher. When Bill went blind, he stopped writing and teaching formally, but he met individually with some writers in his rambling Manhattan apartment. I was one of the lucky ones. I went about once a month. That was the deal. It was Bill who urged me to go looking for the grandfather I never knew—Franz Rickaby, who had died when he was only thirty-five. My grandmother had called him Frenzy. With a fiddle on his back, he sought the songs of the shanty boys from the camps of the quickly disappearing white pine forests. His resulting songbook was published by Harvard University Press several months after he died in The book became a minor classic in the world of American folklore and folksong. And I came to know a slice of American history from the lumber industry to the forest fires, from cutover land to the last remaining majestic white pines. I dove into the files of archives and historical societies from Galesburg, Illinois, to Ladysmith, Wisconsin, to Virginia, Minnesota, and points in between. Pinery Boys was born. Gretchen Dykstra is a writer living in New York City. The recipient of multiple honors for travel writing, essays, and memoir, her book is new in paperback and published today. One of the central questions of my memoir is whether it is possible to divorce ourselves from our own cultural norms when we encounter something shocking, exotic, or simply foreign. Recently, a professor of French history approached me with concerns that his university students were resistant to, almost angry about, the idea of Muslim women wearing hijab. A strong feminist sentiment among his students rejected the head scarf as a symbol of misogyny; my professor friend was concerned that this led to feelings of hostility about Islam. How, he wondered, could he get non-Muslim young men and women in New England to consider the hijab from the point of view of the person wearing it—to put aside the cultural norms they take for granted? It seems easy now, as a seasoned teacher, to turn to theory and philosophy to combat this kind of resistance among young people, or any people. But the truth is, we human beings react to difference, and we react to the foreign, because of the visceral feelings they inspire. We have good feelings about those ideas that make us feel powerful or validated. We reject those symbols that make us feel threatened. This is the human condition. We are a fragile, emotional species. I wrote The Blind Masseuse to explore my own gut reactions over the years—and to see how experience, reason, intellect, and even humor might combat those gut reactions. If we are not honest about our emotional truths as individuals, we will never eradicate xenophobia, racism, misogyny, and nationalism. In our suddenly ultra-hostile political environment, and a U. First, they need to provide some rational basis upon which to land at this conclusion. Beyond the scarf is an intricate set of social and religious rules that require thought and context. The important thing is that they have considered—truly imagined themselves on—the other side of the scarf. Alden Jones has lived, worked, and traveled in more than forty countries, including as a WorldTeach volunteer in Costa Rica, a program director in Cuba, and a professor on Semester at Sea. She teaches writing at Emerson College in Boston. Here is Badger baseball season by season, the highlights, the heroes, and the drama from more than one hundred years of baseball. Hofler digs in to reveal each telling detail and scandalous anecdote, which no one would appreciate more than Dunne himself. Compulsive reading. His expedition proves that our inner and outward journeys can take us everywhere we need to go, from happiness at home to elation at the ends of the Earth. Stone, editor in chief, National Geographic Traveler. Judith Vollmer, author of The Apollonia Poems , reflects on writing poems while concentrating on place— city in particular—as a lens to perceive and listen to spaces and the people inside them. The plate glass window facing the street shimmered opalescent blue earlier this morning. Now the glass shifts and resumes the scratched-pearl gray our Pittsburgh sky customarily displays, steady, our mid-Atlantic temperate-zone nerve system holding its own in all seasons. I come here to read, mostly, and write in my notebooks at a quiet table with a hot Americano en route to its second refill. Tiny cousin to Rome, whose centro storico is nearly identical in size and population to ours, my city accumulates and shows off layers equally breathtaking and ruined; writing over and etching onto stories and designs with every emerging generation. She is my harsh teacher and eternal mother—if my city is, in fact, female, and I sense she is. Charles Hood, author of Partially Excited States , explains the double meaning behind his title and explores a variety of curious phrases in the English language. Somebody at Yale once asked John Ashbery about his relationship to the English language. One wishes to be polite, but come on now— really? All of your work to all of language? It would be impossible for any of us to answer that, but most especially somebody whose artistic register spans every octave from Abstract Expressionism to parking tickets. Ashbery said oh no, there must be some confusion. And saying that, he slipped off to freshen his drink. It seems to me American English is like an enormous tiger shark, a monster fish whose gullet contains toasters, clocks, two-by-fours, other sharks, pieces of surfboard, half of a suit of armor. One thing about American English: nobody can accuse us of being all hat and no ranch. Macabre pictures gave Huck Finn the fantods; Mr. Twain also preserved for us galoot, palaver, and forty-rod rotgut whisky. New words arrive daily: clickbait provides a pleasing spondee in the mouth, but I like older, folksier terms, like whisky jack for gray jay. Jardine and Mr. Tom Mix, May 21, Dude is equally inclusive: it used to mean a poor surfer, a term extrapolated from dude ranch, whose label came from the Scots for posh clothing, duds. Whatever happened to pen pals? Do you call it a crayfish or a crawdad? Same creek-bottom bug-lobster, but names change by region. The poet Jonathan Williams loved documenting the language of Appalachia. In my new book, I play with this heritage. The cover photo was taken on a cross-country road trip and the title Partially Excited States I borrowed from material science. Somebody in a hurry is a highballer; in logging, a high climber is the person who tops a spar tree and hangs the butt rigging. Irish karate? Some day I want to publish my still-in-progress poem that celebrates aviation slang: to bingo —to abort, be diverted. No way, brave dudes and dudettes. Best reason to want to live to be ? Just to find out what our hep cat language plans to do next. Charles Hood is a writer of poetry, fiction, and creative nonfiction, a photographer, and an artist. A longtime animal spotter, he has seen more than six hundred mammal species and more than five thousand species of wild birds. In his global travels, he has trekked to the South Pole, been lost in a Tibetan whiteout, and recovered from bubonic plague. This is a mature book that manages to be idiosyncratic in its thinking but universal in its concerns. This is a poet whose ecstasy and despair present two sides of the same blade, sharpened on a grim and gorgeous world. He knows the blades and shrieks and pleasures and sweet sick twists in our human hearts, and this bestiary forces us to look, hard and long, in our own mirrors. Please, everyone, read this book! Take this journey with her and return newly alive to the pleasure of moving through the world. Rupp and Susan K. Contributors deftly tie LGBT content to the broader goals of teaching history, not simply making visible the lives of everyday queer people but prompting critical engagement. Essential for college and university libraries supporting teacher training degree programs and curricula in American history, LGBT studies, and the social sciences. Essential, undergraduates and above; general readers. Denton Welch —48 died at the age of thirty-three after a brief but brilliant career as a writer and painter. The revealing, poignant, impressionistic voice that buoys his novels was much praised by critics and literati in England and has since inspired creative artists from William S. Burroughs to John Waters. His achievements were all the more remarkable because he suffered from debilitating spinal and pelvic injuries incurred in a bicycle accident at age eighteen. Though German bombs were ravaging Britain, Welch wrote in his published work about the idyllic landscapes and local people he observed in Kent. All fifty-one letters that Welch wrote to Oliver are collected and annotated here for the first time. I made my first trip to Austin, Texas, during the summer of to locate and transcribe the correspondence of Denton Welch, partially funded by a small research stipend and a University of Kansas Endowment loan. My book originated from the work I did during this visit. As it happened, Ned, one of my closest friends from Lawrence, Kansas, had moved to Austin a couple of years prior and was working for a rare book and manuscript restoration business. Though I knew I would be spending most of my daytime hours in research, I made plans to get together with my friend during the evenings. Ned picked me up at the Austin airport and took me to the bed and breakfast run by Martha Campbell in the Hyde Park area of Austin. Martha had lost her husband and had converted her home into a lovely and relaxing oasis for visiting scholars at the University of Texas. My digs were a series of light-filled rooms where I immediately felt at home. Martha is a well-read and feisty Texas woman, much like her idols Governor Ann Richards and Molly Ivins, and we had many lively political and literary discussions during my time in her home. Some of my most memorable moments at Ms. I was quite used to the deafening droning of cicadas as evening fell, but not to geckos. I was amazed and delighted to see several of these tiny lizards clinging adhesively to the porch walls, then darting after any mosquitos or other insects coming into the danger zone. I half expected one of these creatures to leap onto my shoulders in hot pursuit of its nocturnal quarry, but it never happened. As we sat on the bank of the Colorado River, we heard a deafening squeaking and whirring, preceding waves of bats winging and pirouetting their way down the river channel in search of mosquitos. Ned and I spent a lot of time together, bicycling to Barton Springs for relief from the intense south Texas heat , along the numerous bike paths on the banks of the Colorado, and finally climbing the cliffs above Lake Travis for an exhilarating view of the Texas hill country. On my last Saturday in Austin, we took a hike among some rocky outcroppings near the river. Both wore round, wire-rim glasses, both had a mass of curly hair, and both were intensely attuned to the minutiae of the world around them. Among the things that Denton and Eric enjoyed most were their hikes and bicycling trips around the English countryside, the same types of things Ned and I cherished most during my visit to Austin and in my previous experiences with him. Also, like Denton for Eric, I long ago realized that Ned is one of my soulmates, but also like the writer and his companion, our connection can never be fully and mutually shared; there are barriers. However, no one will ever share in the same way my sense of wonderment in and bewilderment by our world including geckos, bats, and fire ants better than Ned. Daniel J. He lives in Kansas City, Missouri. A couple of times a year, I get together with several friends who all once lived in the same neighborhood in San Francisco. We were sitting around at a recent reunion, and one friend mentioned that our old neighborhood still hers , full of expensive wooden Victorian homes, has a firetruck that patrols at all times, always out of the barn. Where do you usually see it? We got spirit, yes we do, we got spirit, how about you? Manifestos are more I than We, and a noisy, hilarious We at times, like a misfiring car alarm on a Saturday morning, waking up the neighborhood even if the neighborhood is not ready to be awakened. There is the Royal We of queens and popes and threatening law firms. The Nuptial We of married couples is, as Joan Didion described it, the classic betrayal. Sometimes, there was never a We involved in the first place. And there is the Memorial We. The Memorial We is a We that connects the present and the absent. I feel the Memorial We most strongly around Arlington or the Vietnam Memorial or the AIDS quilt, where most of the We are far away, but the multitude of names surrounds us, where pronouns become proper nouns, thousands of names. My name appears as editor on a book recently published by the University of Wisconsin Press, with twenty contributors far more vital than I, each writing about what I would call secular pilgrimage. They are the mad ones who make the manifestos. The Little Rock 9 were threatened for daring to integrate Arkansas schools, but now the high school that hated them is a museum in their honor and a place to which civil rights advocates make pilgrimages every year. I have, as a Catholic, thought quite a bit about the saints of my religion. Then that person would die and leave a huge, gaping hole in the fabric of the village, and the people would miss her so keenly that they just knew that person was close to God. Perhaps we just want to give thanks. That is the essence of the Pilgrim We, I suppose. This might have been the dream of a secular nation that our founding fathers tried to create. He teaches creative writing at Northwestern University and gave the keynote address to the American pilgrims on the Camino de Santiago de Compostela. Robert Tewdwr Moss was a journalist of astonishing versatility who was murdered in London in , the day after he finished this book. He left this lyrical gem as his legacy. Well written and excellently translated. Angola, a former Portuguese colony in southern central Africa, gained independence in and almost immediately plunged into more than two decades of conflict and crisis. What is less known, and what Cubans in Angola brings to light, is the significant role Cubans played in the transformation of civil society in Angola during these years. Offering not just military support but also political, medical, administrative, and technical expertise as well as educational assistance, the Cuban presence in Angola is a unique example of transatlantic cooperation between two formerly colonized nations in the global South. Linda Howe offers the ultimate guide to understanding the cultural policies of the island. Fascinating and comprehensive. Defining the political and aesthetic tensions that have shaped Cuban culture for over forty years, Linda Howe explores the historical and political constraints imposed upon Cuban artists and intellectuals during and after the Revolution. During my first stay in Japan, much of this eluded me for reasons I write about in In the Province of Gods, Three years later on my second trip, I found what I was looking for. Since each string of the samisen has sixteen stops, the three strings together have forty-eight: when you teach a beginner how to play the instrument you help him memorize these stops by marking them with the forty-eight characters of the alphabet. So when blind musicians want to communicate secretly they can do it by playing on the samisen, using this system as a code. Tanizaki Junichiro. In this guest post, she comments on her quest to find the grandfather she never knew, tracing his steps through the Upper Midwest. Alden Jones. We are pleased to announce four new books to be published in April. To what erotics of knowledge does the ecstasy of reading such a cosmos belong? Glass with laser pattern. Ancient Apollonia. Know Your USA. We are pleased to announce five new books to be published in March. Denton Welch. The Harry Ransom Center. Martha Campbell in front of her bed and breakfast. Congress Street bats. Barton Springs. Lake Travis.
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Winner of the Brittingham Prize in Poetry and published in the Wisconsin Poetry Series , You Beast includes poems ranging from found text to villanelles and from short plays to fables. In this guest blog post, Lantz offers us a fable for our time. When I was writing You, Beast , I kept returning to fables, particularly those involving animals. A good fable has tremendous compactness and rhetorical force. Many fables are political in nature, but by stripping away the sociocultural particulars of a situation, their lessons become harder to refute. This is actually the second draft of my post for the UW Press blog. In my original draft, I drew a connection between one of the poems in You, Beast and some aspects of the current political landscape. He is the editor of the Texas Review , co-curator of thecloudyhouse. He has been a Jay C. Judith Vollmer, author of The Apollonia Poems , reflects on writing poems while concentrating on place— city in particular—as a lens to perceive and listen to spaces and the people inside them. The plate glass window facing the street shimmered opalescent blue earlier this morning. Now the glass shifts and resumes the scratched-pearl gray our Pittsburgh sky customarily displays, steady, our mid-Atlantic temperate-zone nerve system holding its own in all seasons. I come here to read, mostly, and write in my notebooks at a quiet table with a hot Americano en route to its second refill. Tiny cousin to Rome, whose centro storico is nearly identical in size and population to ours, my city accumulates and shows off layers equally breathtaking and ruined; writing over and etching onto stories and designs with every emerging generation. She is my harsh teacher and eternal mother—if my city is, in fact, female, and I sense she is. Charles Hood, author of Partially Excited States , explains the double meaning behind his title and explores a variety of curious phrases in the English language. Somebody at Yale once asked John Ashbery about his relationship to the English language. One wishes to be polite, but come on now— really? All of your work to all of language? It would be impossible for any of us to answer that, but most especially somebody whose artistic register spans every octave from Abstract Expressionism to parking tickets. Ashbery said oh no, there must be some confusion. And saying that, he slipped off to freshen his drink. It seems to me American English is like an enormous tiger shark, a monster fish whose gullet contains toasters, clocks, two-by-fours, other sharks, pieces of surfboard, half of a suit of armor. One thing about American English: nobody can accuse us of being all hat and no ranch. Macabre pictures gave Huck Finn the fantods; Mr. Twain also preserved for us galoot, palaver, and forty-rod rotgut whisky. New words arrive daily: clickbait provides a pleasing spondee in the mouth, but I like older, folksier terms, like whisky jack for gray jay. Jardine and Mr. Tom Mix, May 21, Dude is equally inclusive: it used to mean a poor surfer, a term extrapolated from dude ranch, whose label came from the Scots for posh clothing, duds. Whatever happened to pen pals? Do you call it a crayfish or a crawdad? Same creek-bottom bug-lobster, but names change by region. The poet Jonathan Williams loved documenting the language of Appalachia. In my new book, I play with this heritage. The cover photo was taken on a cross-country road trip and the title Partially Excited States I borrowed from material science. Somebody in a hurry is a highballer; in logging, a high climber is the person who tops a spar tree and hangs the butt rigging. Irish karate? Some day I want to publish my still-in-progress poem that celebrates aviation slang: to bingo —to abort, be diverted. No way, brave dudes and dudettes. Best reason to want to live to be ? Just to find out what our hep cat language plans to do next. Charles Hood is a writer of poetry, fiction, and creative nonfiction, a photographer, and an artist. A longtime animal spotter, he has seen more than six hundred mammal species and more than five thousand species of wild birds. In his global travels, he has trekked to the South Pole, been lost in a Tibetan whiteout, and recovered from bubonic plague. This is a mature book that manages to be idiosyncratic in its thinking but universal in its concerns. This is a poet whose ecstasy and despair present two sides of the same blade, sharpened on a grim and gorgeous world. He knows the blades and shrieks and pleasures and sweet sick twists in our human hearts, and this bestiary forces us to look, hard and long, in our own mirrors. Please, everyone, read this book! Take this journey with her and return newly alive to the pleasure of moving through the world. Rupp and Susan K. Contributors deftly tie LGBT content to the broader goals of teaching history, not simply making visible the lives of everyday queer people but prompting critical engagement. Essential for college and university libraries supporting teacher training degree programs and curricula in American history, LGBT studies, and the social sciences. Essential, undergraduates and above; general readers. Denton Welch —48 died at the age of thirty-three after a brief but brilliant career as a writer and painter. The revealing, poignant, impressionistic voice that buoys his novels was much praised by critics and literati in England and has since inspired creative artists from William S. Burroughs to John Waters. His achievements were all the more remarkable because he suffered from debilitating spinal and pelvic injuries incurred in a bicycle accident at age eighteen. Though German bombs were ravaging Britain, Welch wrote in his published work about the idyllic landscapes and local people he observed in Kent. All fifty-one letters that Welch wrote to Oliver are collected and annotated here for the first time. I made my first trip to Austin, Texas, during the summer of to locate and transcribe the correspondence of Denton Welch, partially funded by a small research stipend and a University of Kansas Endowment loan. My book originated from the work I did during this visit. As it happened, Ned, one of my closest friends from Lawrence, Kansas, had moved to Austin a couple of years prior and was working for a rare book and manuscript restoration business. Though I knew I would be spending most of my daytime hours in research, I made plans to get together with my friend during the evenings. Martha Campbell in front of her bed and breakfast. Ned picked me up at the Austin airport and took me to the bed and breakfast run by Martha Campbell in the Hyde Park area of Austin. Martha had lost her husband and had converted her home into a lovely and relaxing oasis for visiting scholars at the University of Texas. My digs were a series of light-filled rooms where I immediately felt at home. Martha is a well-read and feisty Texas woman, much like her idols Governor Ann Richards and Molly Ivins, and we had many lively political and literary discussions during my time in her home. Some of my most memorable moments at Ms. I was quite used to the deafening droning of cicadas as evening fell, but not to geckos. I was amazed and delighted to see several of these tiny lizards clinging adhesively to the porch walls, then darting after any mosquitos or other insects coming into the danger zone. I half expected one of these creatures to leap onto my shoulders in hot pursuit of its nocturnal quarry, but it never happened. As we sat on the bank of the Colorado River, we heard a deafening squeaking and whirring, preceding waves of bats winging and pirouetting their way down the river channel in search of mosquitos. Ned and I spent a lot of time together, bicycling to Barton Springs for relief from the intense south Texas heat , along the numerous bike paths on the banks of the Colorado, and finally climbing the cliffs above Lake Travis for an exhilarating view of the Texas hill country. On my last Saturday in Austin, we took a hike among some rocky outcroppings near the river. Both wore round, wire-rim glasses, both had a mass of curly hair, and both were intensely attuned to the minutiae of the world around them. Among the things that Denton and Eric enjoyed most were their hikes and bicycling trips around the English countryside, the same types of things Ned and I cherished most during my visit to Austin and in my previous experiences with him. Also, like Denton for Eric, I long ago realized that Ned is one of my soulmates, but also like the writer and his companion, our connection can never be fully and mutually shared; there are barriers. However, no one will ever share in the same way my sense of wonderment in and bewilderment by our world including geckos, bats, and fire ants better than Ned. Daniel J. He lives in Kansas City, Missouri. An exploration of the subversive politics of humor in the most important story in Theravada Buddhism. In his penultimate and most famous incarnation, he appears as the Prince Vessantara, perfecting the virtue of generosity by giving away all his possessions, his wife, and his children to the beggar Jujaka. Taking an anthropological approach to this two-thousand-year-old morality tale, Katherine A. Bowie highlights significant local variations in its interpretations and public performances across three regions of Thailand over years. The Vessantara Jataka has served both monastic and royal interests, encouraging parents to give their sons to religious orders and intimating that kings are future Buddhas. But, as Bowie shows, characterizations of the beggar Jujaka in various regions and eras have also brought ribald humor and sly antiroyalist themes to the story. Historically, these subversive performances appealed to popular audiences even as they worried the conservative Bangkok court. The monarchy sporadically sought to suppress the comedic recitations. As Thailand has changed from a feudal to a capitalist society, this famous story about giving away possessions is paradoxically being employed to promote tourism and wealth. McCoy, Thongchai Winichakul, I. We spoke with him about his findings on this timely subject. A lot has been written in the popular and academic press about mass incarceration, as the number of Americans in prison has increased tremendously since the s. What does your book add? Most writing on mass incarceration deals with the subject as a generalized national phenomenon. However, the vast majority of American prisoners— about seven in eight —are held in state institutions after being sentenced in state courts under state laws. Really, it is state-level policies and practices that have driven the unprecedented imprisonment boom that we have seen in the U. This helps to explain why mass incarceration has hit some states a lot harder than others. Yet, there are very few studies that explore the experience of particular states in depth. We will not have the full story of mass incarceration in America until state experiences are better understood. My book covers the historical development of sentencing policy in Wisconsin over a period of more than forty years. Only a handful of other states have been studied in a comparable fashion. I hope to enrich the literature by putting another state that has had a distinctive experience under the microscope. Of course, I think my book will also hold a special appeal for Wisconsinites who are interested in better understanding and possibly reforming penal practices in their own state. In some respects, the Wisconsin experience has been representative of the overall national experience. At present, the prison population amounts to about out of every , state residents. This figure is not far off the national average of state prisoners out of every , U. In essence, Wisconsin went from being a low-imprisonment state forty years ago to a middle-of-the-pack state today. In some neighborhoods in Milwaukee, in particular, imprisonment has become a routine and expected part of the life experience of young men of color. Let me first address two common errors about mass incarceration. However, the vast majority of arrests have been for low-level offenses, like simple possession of marijuana , and the offenders have tended to cycle in and out of the criminal-justice system relatively quickly. Thus, in Wisconsin, the portion of the prison population serving time for drug offenses topped out at about 15 percent, and has since dropped to below 10 percent. The national numbers are a little higher, but the fact remains that mass incarceration would still exist even if every drug offender were released from prison tomorrow. Second, it is often said that mass incarceration resulted from the adoption of mandatory minimums and other laws that took away the discretion of sentencing judges. It is true that Wisconsin, like many other states, adopted a host of new statutory minimums in the s and s. However, upon closer inspection, the minimums are revealed for what they really were—largely symbolic enactments that vented public frustration over crime without actually doing much to pump up the prison population. Minimums were relatively short, or narrowly targeted, or included safety valves that permitted judges to avoid them. In some states, like California, discretion was much more dramatically curtailed. However, the Wisconsin story demonstrates that mass incarceration happened without aggressive changes in sentencing law. In Wisconsin, the prison population initially exploded because crime exploded , and because judges and prosecutors lacked confidence in the ability of the Department of Corrections to manage the rising tide of offenders effectively in the community. But then, even when crime stabilized in the s, the prison population continued to grow, as indicated in the figure below. Sentences were becoming more severe, reflecting the entrenchment of tough-on-crime attitudes among criminal-justice officials. In Wisconsin, as in most states, judges and district attorneys are elected, which makes it perilous for these key local officials to appear overly lenient. For a few years, generous parole practices partly counterbalanced tougher sentences , but parole grew politicized in the mids and was effectively phased out. Commentators have been calling for large-scale decarceration in the United States for years. The numbers-crunchers tell us that that this could likely be accomplished with little or no adverse impact on public safety. The historical experiences of Wisconsin and Minnesota offer a telling comparison. The two states had similar crime and imprisonment rates in the early s. In recent years, the opponents of mass incarceration have particularly emphasized the fiscal burdens of imprisonment. It is true that corrections expenses are stressing state budgets in Wisconsin and elsewhere. Local taxpayers are now paying more for corrections than they are for the University of Wisconsin, which hardly seems an ideal way to prioritize public expenditures. Still, I am skeptical that appeals to fiscal restraint alone will inspire much decarceration. Fear of crime remains widespread, and people resist thinking about crime policy in terms of dollars and cents ; the stakes just seem too high. Reformers need to make the case that new sentencing policies would not only save money, but actually make us safer. Accumulating bodies of evidence show that imprisonment can make some offenders more likely to reoffend , while some types of community-based rehabilitative programming can significantly reduce risks of recidivism. However, I argue in my book that real reform likely requires more than just a good public education campaign. Ultimately, as a society, we must move beyond the reflexive vilification of offenders and recognize their shared humanity. They are not just criminals, but also parents, children, spouses, neighbors, friends, and employees, and many desperately want to do something positive with their lives. Moreover, most come from disadvantaged backgrounds and have faced extraordinary adversity growing up, which ought to inspire at least a little compassion. If we care about the well-being of prisoners, and the well-being of those on the outside who are connected to them, then we should care very deeply about the excessive use of imprisonment that is reflected in the mass-incarceration numbers. This is not to say that we should empty out the prisons tomorrow. Saint Augustine taught us to hate the sin, but love the sinner. If we were really to take that teaching to heart, we would find ways to protect public safety and hold offenders accountable, but without doing so much unnecessary damage to so many human lives along the way. He is an editor of the journal Federal Sentencing Reporter and has published many articles on sentencing law, criminal procedure, and public opinion about the criminal justice system. She reflects in this post on contemporary examples of the performative aspect of confession and how we have come to expect that as an audience. Brown is an associate professor of English at Drake University, and her new book is published in the University of Wisconsin Press series, Wisconsin Studies in Autobiography. I need to confess something here: I am an avid fan of the kinds of pop culture that many in my field readily disparage. Indeed, the predictability and the repetition are the very things that I find not only appealing, but also fascinating. They are shorthand, performative gestures toward confession that blur the boundaries between fiction and nonfiction by manipulating and satisfying audience expectations. Firmly ensconced in celebrity culture, she is always expected to write about her love life, to keep the conversation and speculation going, even if the songs become formulaic. Her songs, and the items about her in gossip columns, feed each other in a symbiotic relationship that may assure her career longevity. Summer brought the twelfth installment of The Bachelorette , and the most recent Bachelor in early was the twentieth season of that series. In both of these iterations of. Last year, on April 17, my best friend from growing up died. JoJo, and her viewing audience choosing to watch and commenting online, expected confessions and rewarded adherence to the well-worn tropes of autobiographical, confessional narrative. Given the pop music and reality TV references in this post, a reader might be tempted to dismiss the observations here as trivial or irrelevant, but the performance of autobiographical conventions also affects, and can even shape, our politics. This humanizing strategy was highly gendered , creating a portrait of self-proclaimed policy wonk Hillary Clinton as an emotional, even sexual, entity—a topic for another post. His book is published today in the Wisconsin Studies in Autobiography series. What influence do you think that President Obama has had upon readers and writers of African American autobiography? In putting together this collection of eleven essays on African American autobiography, I was particularly interested in Robert B. States for the last eight years is himself an African American writer. He wrote in the preface to the edition of his memoir that he wanted to revise parts of his book, because he would have told his life story differently had he written it later in his life. But, he commented that his memoir would be read differently as republished in a post world, so he was quite aware of the relationship between text, reader, and context. One could reread pertinent African American life narratives from the past, for example, in the context of the blacklivesmatter movement. The last four essays in Reading African American Autobiography explore these themes. The contributors and I collectively make the case that reading these life narratives in the twenty-first century requires scholars to consider a wide array of texts and a host of critical approaches. We also directly address ways that innovative critical frameworks, such as ecocriticism or queer theory, allow scholars to reread seminal life stories from our past in new ways. The slave narratives published in the antebellum period still remain very important, of course, but my book makes the case that scholars need to spend more time analyzing other overlooked texts and lives. More work needs to be done to recover neglected aspects of African American lives and to dig into texts that have not received adequate critical attention. We also call for studying a wider range of genres. Scholars today can look at the presentation of self in blogs, YouTube posts, graphic narratives, films, and photography, to name just a few genres. The intersection of genealogy and genetics, too, has produced all kinds of new information on African American lives that we need to consider. The printed page is still important, but these other channels make it clear that African American life narrators are telling their stories and exploring the self in ways beyond the writing of a memoir. All these varied explorations have expanded the canon of African American life narrative in dramatic ways. There is no doubt that the field must and will become more interdisciplinary. In the book, we also look at celebrity life writing in the twenty-first-century. Almost all examples of this in the African American life narrative canon are collaborative projects. It would be fruitful to study that process, especially if there is documentation transcribed interviews, recordings, and the like mapping how the celebrity and the collaborating writer worked together. In the chapter that you contributed to this collection about Olaudah Equiano, you draw on the history of books and publishing to shed light on the complex textual histories of the African American autobiographical tradition. Usually, Equiano is understood as one of the main individuals of African descent involved in the political movement against the slave trade in s Great Britain. The point of my chapter is that there is a whole different story on Equiano if you look closely at the several different editions of his autobiography that were published in the United States, both during his lifetime and following his death. Studying abridged, unauthorized, and posthumous editions of early black Atlantic life writing reveals a great deal about the changing histories and contexts of works that shaped the beginnings of the African American life writing tradition. Eric D. Essential reading for anyone interested in transitional justice and conflict resolution, in Rwanda and beyond. Stern and Scott Straus, Series Editors. Andrews, Series Editor. This accessible and well-argued book is an essential resource for understanding contemporary memoir. Let me begin with a fable: The old rabbit was a learned animal who prided himself on being very fair, and the other animals looked to him for guidance. One day, a mouse came to see him. Do you see? The next morning, a badger came to see the rabbit. To what erotics of knowledge does the ecstasy of reading such a cosmos belong? Glass with laser pattern. Ancient Apollonia. Know Your USA. We are pleased to announce five new books to be published in March. Denton Welch. The Harry Ransom Center. Congress Street bats. Barton Springs. Lake Travis. We are pleased to announce two new books to be published in February. Murtaugh Denton Welch —48 died at the age of thirty-three after a brief but brilliant career as a writer and painter. How hard did mass incarceration hit Wisconsin? Getty Images. We are pleased to announce these new and soon-to-be-published books.
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