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I am a man of science. With its immense advances, and despite its limitations, it never ceases to reveal to me the secrets of the universe. But the elusive secrets of the human being are something else. I am also an atheist, and I never cease to be surprised again and again by how myths and intangible beliefs are able to shape so intensely the lives of millions and millions of people worldwide. That capability of imagination and belief in the intangible is able to awaken the cruelest manifestations of wickedness or of developing all the good and beautiful that can be within us. I approached the world of the Dervishes with enormous curiosity and many questions in the air. Asking questions and looking for answers. They allowed me to enter their rich world eager to share it with others, and under a serious, even transcendent appearance, while I portrayed them or during the ecstatic moments of their ritual dance they never ceased to show their pride in being what they are. Unveiling their secrets, understanding their way of facing life, reaffirms my idea that every human being has the right to choose his or her own myth and the power to decide how intensely to follow it. Is there a limit to all this? Of course there is: the boundary between respect and intrusion, between tolerance and force or aggression - however slight - the boundary between freedom and coercion. The boundary, in short, between good and evil. Until the Turkish-Greek population exchange agreements of , a peaceful coexistence was shared between the small Greek community and the Ottoman Turks, with the former faithfully practising the Orthodox religion and speaking their own language. An Islamic Sufi theologian, scholar and one of the greatest mystical poets of all time, he is the author of the Masnavi-ye Manavi; a masterpiece of universal mysticism which is, for many Sufis, the second most important work after the Qur'an. The Masnavi's greatness and longevity in time lies in its universality; allowing each of us, regardless of social condition, race or belief, to approach it like a mirror in which we can see the innermost corners of ourselves. Poetry, fable and metaphysical themes are entwined in its vast and complex tapestry; however, Mevlana is not simply a poet, storyteller or philosopher — he is first and foremost a master of the soul, an 'Insan Kamil', an Arabic term for the perfect human being. His legacy and teachings of tolerance and respect for others, regardless of their condition, are revered around the world as proof that it is possible for individuals and groups to focus on what unites them rather than what separates them. His father, his father's father, and countless generations before them all belonged to the Mevlevi, a Sufi order founded by Mevlana's followers and widely recognised throughout the Ottoman Empire. In the s, he was among the first to be initiated in the practice of Sema - ritual dance - in Konya. He received Mevlevi training from the great masters of the time and has since dedicated his life to passing down this knowledge to new generations, preserving the authenticity of the ritual. When the Turkish government realised the tourism potential of the whirling dervishes in the s and relaxed the bans, Semazen Mevlevi who practise the Sema of all ages and conditions began to practise the ritual once more, now seen by tens of thousands of tourists every year. This presents a double dilemma for the Mevlevi community: private practice or mass spectacle, mystical experience or professionalisation. Ismail Fenter, 67 and Semazen at the Mevlana International Foundation, believes that the essence of Sema should remain strictly intimate and private and that no one should practise it for any reason other than to connect with the divine. Being Mevlevi radically affects our lives and never affects us if others witness our rituals because, according to our belief, they also receive Allah's reward for being with those who do good. It is the fire of Love. The long white robe, called tennure, that protects the dervish from the worldly fire. The black cloak, called hirka, symbolises their ego, which they take off before starting their turns. The position of the hands during the turns, one towards the sky to receive the divine breath, the other towards the ground to transmit it to the world. At the beginning and at the end of the ritual, a group of dervishes in the presence of their spiritual master, seem to be nothing more than a group of believers gathered for a common interest. But at the climax of the ritual: White robes unfolded by the centripetal forces of the spinning, arms unfolded, heads tilted back, eyes closed in maximum concentration or half-open in ecstatic expression, the whisper of feet spinning on the ground, the soft wind arising from the robes like circular butterfly wings. It is all hypnotic, beautiful, electrifying. Without a solution of continuity, it seems that the feeling of community has disappeared and each one of them floats, in direct connection with the divine, in an individual and transcendent universe. Through Rpnunyez's photography project, we have been able to experience the spiritual and human connection between belief, respect, tolerance, and freedom. His work has pushed the boundaries of what is possible in photography and has allowed us to gain insight into the power of belief. We can take from this project that everyone should have the right to choose their own myth and to decide how intensely to follow it, as long as mutual respect and tolerance are maintained. Let us all learn from this project and strive to live by these principles in our everyday lives. July 26, Photography and story by Rpnunyez Introduction by Melanie Meggs. Rpnunyez, a man of science and an atheist, has been pushing boundaries with his photography, exploring the depths of human belief in the intangible. During , Rpnunyez made two trips to Iran, during which he was able to experience the legacy of Sufi poet and scholar Jalal-ud Din Mohammed known as Mevlana first-hand. Through his photography, Rpnunyez is able to capture the pride and joy of the dervishes as they perform their ritual dance. His photographs display the connection between respect, tolerance and freedom on one hand, and force and aggression on the other. He believes that everyone has a right to choose their own myth and to decide how intensely to follow it, as long as respect and tolerance are maintained. There is a way of breathing that is shameful and suffocating and there is another way to breathe, a breathing of love, that allows you to open yourself infinitely. You were born with wings. Why do you prefer to crawl through life? Mustapha Holat, 76 years old. Wisdom is the palace of God. Muhammed Berk, 8 years old. Yussuf Mevlevi, 16 years old. The pain we embrace becomes joy. Take it into your arms where it can change. Ali Kaya, 28 years old. Social media expert. Then will come a time when you feel the wings you have created. Huseyin Sitki Holat, 52 years old. Basl whirling dervish. Huseyin Sitki Holat during a Sema session. Is it not time to turn your heart around a temple of fire? Ozhan Gultepe, 42 years old. They find each other all the time. Hakan Gultepe, 40 years old. Whirling Dervish. Safa Kucukkomurler, 25 years old. Electronic engineer. Don't turn around. Keep your eyes on the window. That's where the light comes in. Toprak Efe Kilich, 14 years old. Toprak Efe Kilic and his father Omer Kilic. Mehmet Enes Bagci, 37 years old. It is rain that makes flowers grow, not thunder. Ali Sems, 52 years old. Art Educator. Yesterday I was intelligent, so I wanted to change the world. Today I am wise, so I want to change myself. Dance in the middle of the fight. Dance in your blood. Dance when you are completely free. Group of whirling dervishes in the central phase of the Sema. In the foreground Omer Kilic in full ecstasy. Become the sky. Use an axe against the wall of the prison. A stunning exploration. MUD Dedipya Basak's documentary project explores an year-old lake's struggle against global warming, highlighting its relevance and urgency in modern times. She portrays them as essential to cultures steeped in Animism, reflecting the enduring essence of human authenticity. Her story takes us to the village of Poshina, where we meet Sahib.

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