Brooke Shields Nude Blue Lagoon

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Brooke Shields Nude Blue Lagoon
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A cropped version of the original 1976 picture of Brooke Shields, taken for Playboy by Gary Gross
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If the idea that such a photo exists is a little dizzying to you, its origins might make you downright queasy. Prince's work is actually a photograph of another photograph-one that Brooke's mother Teri authorized for a Playboy publication called Sugar 'n' Spice in return for $450 in 1976.
Now, as a mom, there is a lot that is cringe-worthy about this bit of information for me (a ten-year old ? Playboy ? $450 ?), especially in light of the recent hubbub Stateside about parental judgment vis-à-vis what could be child pornography . Why on earth would a mother put her daughter through that? What kind of parent does that to a minor?
Looking further into Brooke Shields early acting career didn't really comfort me.
Between her nude scenes as a girl in a brothel in Pretty Baby at age 12, telling the world "nothing [got] between" her and her Calvin's at age 14, and having to testify before Congress at age 15 that it was, in fact, a body double that did all that steamy lovemaking in the Blue Lagoon , I started to wonder how Teri Shields had escaped the attention of Child Protective Services.
So you can imagine my surprise when I ran across this article from a 1978 issue of People Magazine . In it, almost 13-year-old Brooke Shields answers some pretty tough questions about her role in Pretty Baby in a disarming and age-appropriate way: "It's only a role. I'm not going to grow up and be a prostitute. If I were in a Walt Disney movie people would never ask me if the part would affect my life. That's so dumb."
Still really a child ("I don't even have my period yet"), Brooke attends Mass every week with her mother. Boys? "Sometimes they're really stupid, but other times they're okay." Until recently, Teri would allow Brooke only to double-date, though she can now go out alone. "But I don't want to go steady. My mom doesn't like it. I'm just not ready yet." Brooke shrugs off sex-"I knew all about that when I was 2. Mom told me." When Playboy asked her what "good in bed" meant to her, Brooke nonchalantly replied, "When I'm sick and I stay home from school propped up with lots of pillows watching TV and my mom brings me soup-that's good in bed."
Clearly, taking a People Magazine interview, or really any magazine interview as the end-all-be-all of a young girl's mental state is unwise at best. And again, this brings up many more indignant mom questions ( 2 ? Really ? Playboy asked what ?) But there's something truly surprising about reading Brooke Shields, the kid, talking about Brooke Shields, the sexual icon. She has a unique combination of innocence and perspective that I never would have believed possible for a girl in her situation. That she grew up to be a well-spoken, gracious woman and thoughtful mother , avoiding the kind of breakdowns reserved for young female sex symbols (think Britney Spears, or Lindsay Lohan) speaks volumes.
Does it take away the sick feeling I have about the original photo of taken of a nude, ten-year old Brooke Shields? No, it absolutely does not. It doesn't matter how well she has turned out, I shudder that the picture was ever taken and I feel bad for the older, grown-up Brooke Shields who tried to suppress it. But it does change what I think about the girl in that picture. She does not become the victim I imagine she will.
I can't think of another young actress who was more consistently sexualized from a young age, or seems less damaged by it. I also have to believe a pretty large portion of who Brooke Shields grew up to be, and who she is today has a lot to do with how her mother (who by all accounts was basically single-parenting) raised her. Which in turn makes me wonder: Is it possible that a mother who used such poor judgment in exploiting her young daughter was also a good parent to her during that same time period? Is it possible that the same woman who made a really bad decision to have her daughter photographed that way also helped her retain good boundaries and a strong sense of self?
It's not the answer I was looking for, but it's one I'm having trouble denying.
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The movie remains one of the most controversial releases of the Twentieth Century.
Brooke Shields was only 14-years-old when she starred in the most famous adaptation of Henry de Vere Stacpoole's 1908 novel.
The Victorian story of two shipwrecked childern who grow up alone on a tropical island became overshadowed on the big screen by the scenes of the nearly naked characters falling in love.
The notorious sex scene has dominated headlines and scandalised viewers ever since. Watch our two exclusive scenes and then listen to Shields' own words about the film.
The new release is the first time the movie has been available on Blu-ray in the UK. It also includes commentaries by Shields, Atkins and the director Randall Kleiser.
Despite the restrictive R-Rating it was awarded, the movie was, unsurprisingly, a huge box office success, grossing more than twelve times its modest $4.5million budget.
The movie not only hit headlines when it was released, it led to a government enquiry and Shields was called to testify before the US Congress.
The young actress confirmed that body doubles had been used for any naked scenes and her breasts were always covered by her hair or clothing.
During a television interview she said: “The nude scenes weren’t hard because I didn’t do them. As far as the love scene go, it was just like another job.
“I wasn’t at all uncomfortable because once they said ‘cut’ I would go back to (being) me again. You just have to approach it as another job.”
A sequel in 1991, Return To The Blue Lagoon, starred Milla Jovovich and attempted to replicate the original's notoriety and box office success.
Instead it was met with riduicule by critics and bombed with the public, taking only $3million at the US box office. It is also one of the few films to hold an absolute 0% rating on Rotten Tomatoes while the 1980 movie scraped 11%.
THE BLUE LAGOON Dual Format (Blu-ray & DVD) edition is out in the Uk on April 10.
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Christopher Atkins and Brooke Shields star in The Blue Lagoon (1980). / Sony Pictures Home Entertainment
Brooke Shields was just 14 years old when she filmed The Blue Lagoon , the infamously sexy and slightly salacious island-set romance that capitalized on burgeoning hormones in a big way. The film was shocking when it debuted on July 5, 1980—but even 40 years later, it can still make jaws drop. Here’s a look at some of its more compelling tidbits, complete with undiscovered iguanas and a nifty trick to cover up nudity.
Although the film closely follows the events of the first book in Henry De Vere Stacpoole’s series, also called The Blue Lagoon , the film’s sequel (1991’s Return to the Blue Lagoon ) breaks with the storyline presented in the 1920s-era trilogy to essentially re-tell the original story (read: more tanned teens falling in love on a tropical island). Stacpoole’s books were far more concerned with the culture of the South Seas population, particularly as it was being further influenced by the arrival of European cultures.
In 1923, director W. Bowden crafted a silent version of the story. More than a quarter-century later, British filmmaker Frank Launder made a very well-received version for the big screen in 1949, starring Jean Simmons and Donald Houston. The film was immensely popular, becoming the seventh-highest grossing domestic film at the U.K. box office that year.
Brooke Shields was just 14 years old when she filmed The Blue Lagoon , which led to some challenges for the production team, especially as Shields’s Emmeline is frequently topless. So the costume designers hatched an ingenious (and, really, just kind of obvious) way to keep her covered up at all times: they glued her long-haired wig to her body.
Even after The Blue Lagoon was long wrapped, completed, and released into theaters, issues related to Shields’s age at the time of filming still lingered. Years later, Shields testified before a U.S. Congressional inquiry that body doubles—of legal age—were used throughout filming.
Cinematographer Néstor Almendros was nominated for his work on The Blue Lagoon. And while he lost out to Geoffrey Unsworth and Ghislain Cloquet for Tess , he already had one Oscar at home for his contributions to Terrence Malick's Days of Heaven (1978). The skilled DP, who passed away in 1992, was also nominated for Kramer vs. Kramer (1979) and Sophie’s Choice (1982).
Parts of the film were lensed on a private island that is part of Fiji, one of the habitats of the now-critically endangered Fiji crested iguana . The iguana appeared throughout the film, and when herpetologist John Gibbons caught an early screening of the feature, he realized that the animal that kept popping up on the big screen wasn't a familiar one. So he traveled to Fiji (specifically, to the island of Nanuya Levu), where he discovered the Fiji crested iguana, an entirely new Fijian native.
Despite its stellar source material and Oscar-nominated camerawork, The Blue Lagoon wasn’t beloved by everyone: The Razzies foisted a Worst Actress award on Shields. The actress won (lost? hard to tell?) over an extremely mixed bag of other nominees that somehow also included Shelley Duvall for The Shining . Come on, Razzies.
Because the chemistry between the two leads was vital to the success of The Blue Lagoon , director Randal Kleiser (who also directed Grease ) came up with the idea to get star Christopher Atkins feeling a little lovestruck with Shields by putting a picture of the young starlet over Atkins’s bed. Staring at Shields every night apparently did rouse some feelings in Atkins; the duo had a brief romance while filming. "Brooke and I had a little bit of a romantic, innocent sort of romance in the very beginning of the film," Atkins told HuffPost . “It was very nice—we were very, very close friends."
Despite their early attachment, Shields and Atkins soon began bickering nonstop. “Brooke got tired of me,” Atkins told People in 1980. “She thought I took acting too seriously. I was always trying to get into a mood while she would be skipping off to joke with the crew.” Still, Kleiser even capitalized on that, using the tension to fuel the more frustrated scenes, lensing the tough stuff while his leads were tussling.
Kleiser was desperate to capture authenticity for the film, going so far as to live like his characters while making it. "To shoot this kind of story, I wanted to get as close to nature as possible and have our crew live almost like the characters," Kleiser said . "We found an island in Fiji that had no roads, water, or electricity, but beautiful beaches. We built a village of tents for the crew to live in and had a small ship anchored in the lagoon for our camera equipment and supplies. This filming approach was quite unusual, but it just seemed right for this project."
This story has been updated for 2020.
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