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Always Amber


Anna Linder


Come Together


Dagmar Brunow


Del LaGrace Volcano


Frigga


Hannah Reinikainen


HOME MOVIE FESTIVAL


Julia Spada


Karl-Magnus Johansson


Lia Hietala


Malin Holgersson


Maryam Fanni


Mia Engberg


Queer Archive


Queer Screening


Queer Talk


Sam Message


Sandra Linnéll


Selma & Sofie


The Passionate Spectator


The Stars We Are






Graphic Design by Maryam Fanni




Malin Holgersson at SAQMIs office. Setting Up: Come Together 2020. Photo by Anna Linder












ZOOM Screenshot by Del LaGrace Volcano




Manhood by Mia Engberg




ZOOM Screenshots by Malin Holgersson




Archive Talk with Julia Spada among others








The Passionate Spectator by Del LaGrace Volcano








Always Amber by Lia Hietala and Hannah Reinikainen



Swedish Archive for Queer Moving Images

2020-04-23 00:00
–
2020-04-26 00:00

Digital gathering for queer moving images in Gothenburg and other places
Saturday April 25 th at 10.00 – 20.30. Please note that the films will only be available from Thursday April 23 rd to Sunday April 26 th 2020. 
10 – 11.30 Your own film screening of Mia Engberg’s movies
Come Together (2007, 3 min), The Stars We Are (1997, 28 min), Manhood (1999, 10 min), Selma & Sofie (2002, 18 min. Total time: about 60 mins
11.30 – 12.15 Video conference. Short hi and welcome from SAQMI .
Q&A with Mia Engberg. A talk with Mia Engberg moderated by Anna Linder
13.30 – 15.00 Video conference . SAQMI’s future . General forum and meeting about the archive. Guests: Dagmar Brunow, Julia Spada, Karl-Magnus Johansson, Sandra Linnéll and Sam Message.
16.00 – 16.45 Video conference. Del LaGrace Volcano . Presentation and screening of The Passionate Spectator (2002, 10 min) which has been digitalized in collaboration with SAQMI.
19.00 – 20.30 Video conference + SAQMIs space Frigga for those who want to/are able to come together IRL
Always Amber (2020, 75 min). Sneak Preview. Hannah Reinikainen and Lia Hietala give a short introduction. Thanks to Story and Melissa Lindgren.
Do you want to share videos with each other? During our Come Together week we’ll make it possible for you to watch and share moving images. Send us the link/s to your material and we will collect it all and create a temporary room for queer moving images from April 20th to 26th 2020. Please look below for contributors HOME MOVIE FESTIVAL.
Come Together is made with support from Kulturbryggan. Graphic design by Maryam Fanni. Working group: Malin Holgersson and Anna Linder.
Filmmaker based in Stockholm who has made a number of films ranging from short documentaries about gay skinheads and straight edge vegans to poetic feature films exploring autofiction and the notion of time and passion. Engberg was the curator and producer of Dirty Diaries – 12 shorts of feminist porn , an art project exploring the queer gaze. She is currently working on a trilogy of feature films exploring the visual silence; a cinematic language approaching silence and darkness. Belleville Baby , premiered at the Berlinale 2013 and a second film, Lucky One , in 2019. Mia Engberg was one of the members of ska band Vagina Grande and is currently a researcher at Stockholm Uniarts.
The Stars We Are, Stockholm 1997, 28 min Kalle is gay, skinhead and living with HIV. We follow Kalle and his friends Henrik and Ibrahim during the Christmas holidays. They do drugs, drink coffee and discuss life and death, which Kalle sometimes longs for. Nominated for a Guldbagge award 1997. Best short film at the Munich Film Festival. Director and editing: Mia Engberg Camera: Ewa Cederstam Sound: Torsten Rundquist Production: Anita Oxburgh Migma Film AB Manhood, San Francisco, 1999, 10 min To be a woman and become a man when you live together with a dyke that might be a fag… What is manhood? Do you become a better man if you have experienced being a woman? A film about non-binary identity in San Francisco in the 1990s. Made in a time when trans activism and queer theory had not yet reached Sweden. Selma & Sofie, Stockholm 2001, 18 min Selma has a boring job and a boring boyfriend. When she meets Sofie at the swimming pool, she can’t stop thinking about her. An early attempt at feminist alternative porn; it’s about being in love with your swimming instructor, and wanting to have sex with her all the time. Made by a women-only production team. Director: Mia Engberg Camera: Ewa Cederstam Sound: Marie-Louise Nilebrink Set Designer: Kajsa Åman Production: Lotta Suarez-Mazar for Sexy Film
Come Together, Stockholm 2007, 3 min Faces of women masturbating. The first short made for Dirty Diaries – 12 shorts of feminist porn . Made initially as a contribution to the Mobile Movies competition at Stockholm Film Festival. Shot with a mobile phone. Director, producer, editing, sound: Mia Engberg
Dagmar Brunow (moderator), Associate Professor in film studies at Linnaeus University in Sweden. Her research interests are memory cultures, film archives, video collectives and queer historiography. In her research project The Cultural Heritage of the Moving Image , financed by the Swedish Research Council (2016-2018) she has examined how archives are currently curating film heritage in terms of diversity politics and the recognition of minorities. Dagmar divides her time between Växjö (Sweden) and Hamburg, where she is part of the programming committee for the Hamburg International Queer Film Festival.
Karl-Magnus Johansson is an archivist and public program manager at the Regional State Archives in Gothenburg, which is a unit of the Swedish National Archives. He has published several academic and non-academic works, and is the editor of two archival science books.
Anna Linder has worked in the field of moving images as an independent artist, curator and producer since early 1990s. They worked as a curator and producer at Filmform – a foundation dedicated to promotion, distribution and preservation of Swedish Art Film and Experimental Video (2004-2012). Recent projects is the research project Queer Moving Images at Valand Academy and the film Spermwhore . 
Sandra Linnéll , audiovisual archivist with a background in gender studies. Currently working at SVT archive with research, digitization and metadata management.
Sam Message , fresh queer creative on the run from Brexit and Boris madness. Driven by a demand for social justice and a desire to help the previously silenced take centre stage. Me: Drag-something, performance artist working with the surreal, the subversive and the political. Curator specialising in queer and feminist histories. Was co-curator on Rights, Justice, Faith: The Work of Emily Susan Ford (The Stanley and Audrey Burton Gallery) and assistant researcher for Peace Out (The Peace Museum UK). Researcher of queering practice and theory, Arts Management and Heritage Studies MA (The University of Leeds). Evaluator focusing on accessibility and engagement. Living in Göteborg since August, currently volunteering at SAQMI, getting involved in some grassroots and studying Swedish at Folkuniversitetet.
Julia Spada , digital archivist with a passion for the preservation of digital queer memory and a background in The Swedish Federation for Lesbian, Gay, Bisexual, Transgender, Queer and Intersex Rights (RFSL) archives.
Born in California 1957, Year of the Fire Rooster. Volcano is considered one of the pioneers of queer photography. Their work focuses on troubling the constructs of gender, sexuality and the corporeal body as a form of public intervention and antidote to heteronormative culture. Del LaGrace Volcano studied photography at the San Francisco Art Institute from 1979 – 81 eventually gaining an MA in Photography Studies at the University of Derby in 1992. As Della Grace/Del LaGrace Volcano they have produced five photographic monographs: Love Bites , 1991, an exploration of lesbian sex culture. The Drag King Book , 1999, (in collaboration with Jack Halberstam) an exploration of drag king culture in both the USA and Europe, Sublime Mutations , 2000, (foreword by Jay Prosser) is a retrospective look at Volcano’s photographic work from the 1990s. Sex Works , 2005, (afterword by Beatriz Preciado) which examines the history of sexuality of queer scenes and Femmes of Power , 2008, (with Dr. Ulrika Dahl), the first photographic monograph that celebrates queer and alternative expressions of femininity in the USA and Europe.
The Passionate Spectator , is a short film about the perils and pleasures of modern life inspired by a poem from The Painter of Modern Life by Charles Baudelaire and the life of an authentic and very queer flaneur, Brixton Brady. Shot entirely on Super 8 this experimental experiential film effortlessly crosses and interrogates the notion that urban space is a masculine entitlement. “The crowd is his element. As the air is that of birds and water of fishes. His passion and profession are to become one flesh with the crowd. For the flaneur, for the passionate spectator, it is an immense joy to set up house in the heart of the multitude. Amongst the ebb and flow of movement, in the midst of the fugitive and indefinite. To be away from home and yet to feel oneself everywhere at home. To see the world, to be at the centre of the world. And yet to remain hidden from the world. Impartial natures which the tongue can but clumsily define.” (from The Painter of Modern Life by Charles Baudelaire, originally published 1863)
Lia Hietala, born 1993 in Stockholm, Sweden. Lia first started out as director’s assistant to Swedish director Ninja Thyberg in 2014. She has since then studied documentary filmmaking at Ölands Folkhögskola and directed two fictional short films; If I Say No (2016) and My Gay Sister (2017). My Gay Sister became a big international success and won the prestigious TEDDY Award at Berlinale, worlds biggest queer film award. Always Amber is her first feature film.
Hannah Reinikainen was born 1992 in Stockholm, Sweden. She has been studying journalism at the University of Stockholm and documentary filmmaking at Biskops-Arnö. Since her studies she has been working at the production company Story, in roles including director’s assistant and editor on Shapeshifters (2017) by Sophie Vuković. She has also directed two short films. Always Amber is her first feature film.
Seventeen-year-old Amber and best friend Sebastian refuse to let society label their gender. Moving through a spectrum of fluid identities, they dream together, party together, and form friendships with likeminded people. The queer teenagers inhabit an open and loving world far away from the judging eyes of others, in which everything seems possible. But when Amber falls in love with Charlie, their utopian world is shaken to its core. Trust issues begin to emerge, and in the midst of it all, Amber has to face going through their transition alone.
HOME MOVIE FESTIVAL: Mia Engberg : The Stars We Are (1997, 28 min), Manhood (1999, 10 min), Selma & Sofie (2002, 18 min), Come Together (2007, 3 min) Del LaGrace Volcano: The Passionate Spectator (2003, 14 min) Lia Hietala och Hannah Reinikainen: Always Amber (2020, 76 min) Bitte Andersson: Dyke Hard (2015, 82 min) Mattias Andersson : TRULY BLIND (2019) Malin Arnell : Possession Princip, Flames of Protection (2013, 3 min) Saga Becker : Fuckgirls (2017, 15 min) Ester-Martin Bergsmark : She Male Snails (2012, 74 min) , Maggie vaknar på balkongen (2008, 72 min) , Swallow it (2007, 29 min) Maja Borg: MAN (2016, 13 min) Sam Hultin : Love Letter (2018, 12:37 min), Before we were (2017, 10:20 min) Hanna Högstedt : A Safe Place for The Wild (2010, 45 min) Anna Linder : Sperm whore (2016, 12 min) Brynhildur Þórarinsdóttir & Sanna Carlson : Letters by Niki Yrla ft. Elin Piel (2018, 4:30 min) , Babes Roll Out (2017, 4:20 min) Brynhildur Þórarinsdóttir : That´s what friends are for (2016, 5:21 min) Paula Urbano : Her Life (2008, 12 min) Zafire Vrba : On Animals and Cleaning (2019, 7 min) Marit Östberg : Ladybeard (2014, 2 min)
Digital sammankomst för queer rörlig bild i Göteborg och på andra platser
Lördag 25 april kl. 10.00 – 20.30. OBS! Filmerna kan endast ses från torsdag den 23 april till söndag den 26 april 2020. 
10 – 11.30 Filmpass på egen hand: Mia Engberg Come Together (2007, 3 min), The Stars We Are (1997, 28 min), Manhood (1999, 10 min), Selma & Sofie (2002, 18 min). Programlängd: ca 60 min
11.30 – 12.15 videokonferens. SAQMI hälsar välkommen .
Q&A med Mia Engberg Samtal med Mia Engberg. Moderator: Anna Linder.
13.30 – 15.00 videokonferens. SAQMIs framtid , stormöte arkivsnack. Gäster: Dagmar Brunow, Julia Spada, Karl-Magnus Johansson, Sandra Linnéll och Sam Message. 
16.00 – 16.45 videokonferens. Del LaGrace Volcano Presentation och visning av The Passionate Spectator (2002, 10 min) som digitaliserats i samarbete med SAQMI.
19.00 – 20.30 videokonferens + SAQMIs lokal Frigga för de som vill/kan ses irl
Alltid Amber (2020, 75 min) Filmkväll med förhandsvisning. Hannah Reinikainen och Lia Hietala inleder med en kort presentation. Tack till Story och Melissa Lindgren.
Vill ni visa era filmer och videos för varandra? Under Come Together-veckan finns möjlighet att se och dela med sig av rörliga bilder. Skicka länk/ar till ditt material till SAQMI, så samlar vi ihop alla och öppnar ett tillfälligt rum för queera rörliga bilder mellan 20 och 26 april 2020. Se längre ned för medverkande i HEMMABIOFESTIVAL.
Come Together genomförs med stöd av Kulturbryggan. Grafisk design av Maryam Fanni. Arbetsgrupp: Malin Holgersson och Anna Linder.
Filmskapare baserad i Stockholm vars produktion rymmer allt från kortdokumentärer om homosexuella skinheads och djurrättsaktivister till poetisk långfilm som undersöker autofiktion, tid och passion. Engberg var curator och producent för Dirty Diaries – 12 shorts of feminist porn , ett konstprojekt som utgick från den queera blicken. För tillfället arbetar hon på en trilogi med långfilmer som undersöker den visuella tystnaden; ett filmspråk som närmar sig tystnad och mörker. Belleville Baby hade premiär på Berlinale 2013 och den andra delen, Lucky One , 2019. Mia Engberg var en av medlemmarna i det feministiska ska-bandet Vagina Grande och är för närvarande forskare på Stockholms Konstnärliga Högskola. 
The Stars We Are, Stockholm 1997, 28 min Kalle är gay, skinhead och lever med hiv. Vi följer Kalle och hans vänner Ibrahim och Henrik under jul och nyår. De tar droger, dricker kaffe och diskuterar livet och döden, som Kalle ibland längtar efter. Nominerad till en Guldbagge 1997. Bästa kortfilm på München filmfestival. Regi och klipp: Mia Engberg Foto: Ewa Cederstam Ljud: Torsten Rundquist Produktion: Anita Oxburgh Migma Film AB
Manhood, San Francisco, 1999, 10 min Att vara kvinna och sen bli man när du lever tillsammans med en flata som kanske är bög… Vad är manlighet? Blir du en bättre man om du har upplevt hur det är att vara kvinna? En film om icke-binär identitet i 90-talets San Francisco. Gjord i en tid då transaktivismen och queerbegreppet ännu inte hade nått Sverige.
Selma & Sofie, Stockholm 2001, 18 min Selma har ett tråkigt jobb och en tråkig pojkvän. När hon träffar Sofie på simhallen kan hon inte sluta tänka på henne. Ett tidigt försök till feministisk porr; om att vara kär i sin simlärare och vilja ha sex med henne hela tiden. Gjordes av ett filmteam bestående av enbart kvinnor. Regi: Mia Engberg Foto: Ewa Cederstam Ljud: Marie-Louise Nilebrink Scenografi, kostym och smink: Kajsa Åman Produktion: Lotta Suarez-Mazar för Sexy Film
Come Together, Stockholm 2007, 3 min Kvinnor som onanerar. Den första kortfilmen som gjordes för Dirty Diaries – 12 shorts of feminist porn . Producerades ursprungligen som ett bidrag till Stockholm Filmfestivals kortfilmstävling Mobile Movies. Filmad med mobiltelefon. Regi, produktion, klipp, ljud: Mia Engberg
Dagmar Brunow (moderator), docent i filmvetenskap vid Linnéuniversitetet som i många år forskat kring filmarkiv, minne, videokollektiv och queer historieskrivning. I sitt forskningsprojekt Den rörliga bildens filmarv. Mångfald och minne i digitala filmarkiv (VR 2016-2018) har hon undersökt hur arkiven curerar sitt filmarv ur ett mångfaldsperspektiv. Dagmar pendlar mellan Sverige och Hamburg där hon är med i programutskottet på Hamburgs internationella queerfilmfestival Lesbisch Schwule Filmtage. 
Karl-Magnus Johansson , arkivarie och ansvarig för förmedling vid Riksarkivet Landsarkivet i Göteborg. Karl-Magnus är författare till en rad populärvetenskapliga texter och vetenskapliga artiklar och redaktör för två arkivteoretiska antologier.
Anna Linder är verksam som konstnär, curator och kulturproducent. Framförallt inom området rörlig bild. Hen arbetade som curator och producent på Filmform – arkivet för svensk experimentfilm och videokonst (2004-2012). Projekt att nämna är det konstnärliga forskningsprojektet Queera rörliga bilder vid Akademin Valand och filmen Spermahoran .
Sandra Linnéll , genusvetare och arkivarie med inriktning mot audiovisuellt material. Jobbar för närvarande som arkivredaktör på SVT med bland annat research, digitalisering och metadatahantering. 
Sam Message , nykläckt queer kreatör på rymmen från Brexit och Boris Johnson-galenskaper. Bor numera i Göteborg och jobbar ideellt för SAQMI, engagerar sig i gräsrotsrörelser och läser svenska på Folkuniversitetet. Sam drivs av kampen för sociala rättigheter
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