Blonde sur blonde
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Blonde sur blonde
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(242 ratings) 91% positive over last 12 months
(1276 ratings) 93% positive over last 12 months
(2046 ratings) 97% positive over last 12 months
Bob Dylan Format: Audio CD
4.8 out of 5 stars
1,811 ratings
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Is Discontinued By Manufacturer
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No Product Dimensions
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5.62 x 4.92 x 0.33 inches; 3.84 Ounces Manufacturer
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Sony Legacy Original Release Date
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1987 Run time
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1 hour and 12 minutes Date First Available
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October 25, 1990 Label
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Sony Legacy ASIN
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B0000024OG Number of discs
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1
4.8 out of 5 stars
1,811 ratings
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Top reviews
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The vinyl is perfectly flat, cut perfectly round, tracks nicely. Even the label is centered. The sound on this mono Dylan album is just great. Nice clear highs and voices. The cover is very high quality and nice lined record sleeves. The last album I received in this perfect of condition was a Beatles album. ...Very Happy... Gotta love a good Dylan album...
I sought this out after I could not find a stereo copy of the remaster...some people prefer the mono but Visions of Johanna and Sad Eyed Lady of the Lowlands, et al, sound better in stereo. Great album and the vinyl is in fantastic VG+ condition that is amazing for an album of this age...the cover is good, especially for the age with ring wear. I was looking for a stereo copy of this album and I was not disappointed with this. I would buy from this vendor again as the product was better than I was expecting. I did replace the internal sleeves but that is not a surprise given it is a 50+ year old copy of a 55 year old album. The quality of the vinyl is top priority with the cover being a bit lower priority. No buyer's remorse here.
Steven Haarala Top Contributor: David Bowie
"Blonde On Blonde" is the 3rd in Bob Dylan's Holy Trinity of albums. If you are a Dylan fan, you probably know what the other 2 are. This one includes many of his most recognizable early songs, such as "Rainy Day Women", "I Want You", "Just Like A Woman" and "Memphis Blues Again". It also has 2 songs, 2 of the greatest songs ever written, which rival any I have ever heard for sheer volume and quality of poetic imagery well matched by musical accompaniment: "Visions Of Johanna" and "Sad-Eyed Lady Of The Lowlands". Both tracks are rather long, and you can lose yourself in the compact cosmos that each provides. On all tracks in general, Bob and his band go effortlessly from rock to pop to blues to folk, and all combined points therein. I do not dislike one single track. This is simply one of the essential albums of the Universe. It helped to define a generation. ***Addendum October 26, 2016*** I listened to this album today and noted that it was released in 1966. That means that 50 years ago, I was a curious teenager, sitting on my bed, hearing this album, enthralled and overcome by its greatness. And I still feel the same today. Dylan recently won the Nobel Prize for Literature "for having created new poetic expressions within the great American song tradition". He certainly deserves it. He. Changed. My. Life.
One of Dylan's masterpieces! (And, I think, the first double album in popular music.) THIS is THE ONE, and only, album where Dylan actually sang as people sing who do Dylan impersonations! Notice the blurry cover photo. Notice the title "Blonde on Blonde". White on White. Drugs, nihilism? How could that be so when the most respected rock musician / artist of all time heads down, in 1966!, to Memphis (!) to play his most creative, musically, songs with country music session musicians! No, as always, Dylan CARED, and DARED, to crash through one more "limit" put before him! "Sad Eyed Lady of the Lowlands" is one song that covers a whole album side, but no one who listens to it can ever want it to stop. So much genius. "Visions of Johanna" is the ultimate of what Dylan called "that wild mercury sound" that he searched for. With beautiful music and lyrics, Dylan captures another eternal truth for all men who dare to love! (He later performed the song in a solo acoustic version. Its amazing! I think it is on "Biograph", Dylan's first "box set". I hope "Biograph" is still available as it is full of outtakes and live performances that, if you know and love the original song, will blow you away again!
After enjoying reviewing Johnny Cash/Willie Nelson VH1 Storytellers yesterday ****, thought it would be fun to review one of Bob Dylan's seminal records "Blonde on Blonde." This is an album that has grown on me. (Stars are iTunes for the songs from 1-5, and plays on iTunes). I have had this album for a while. But I usually listen to tracks off it randomly not the album as a whole, so this will be fun. 1. Rainy Day Women #12 & #35 -- The carnival rambunctiousness of everybody get stoned, as it's often known. So don't feel so alone, every.. body must get stoned. **** (18) 2. Pledging My Time -- Not a song I know as well. Weaker track on this excellent album. *** (2) 3. Visions of Johanna -- One of Dylan's more underrated songs. Captures the wonderful, surreal spirit of this album. And a beautiful rhythm. I really love Bob Dylan's voice. This song just makes me happy. **** (15) 4. One Of Us Must Know (Sooner Or Later) -- Another track I don't know as well on this album. Doesn't come together like many of the anthemic tracks on this album, but a nice song. *** (2) 5. I Want You -- Guitar with harmonica works as a song. I just love the playfulness of Dylan's voice on this song. And "I want you, I want you, I want you, so bad" sounds like a trite line, but totally works. Wonderful song. **** (23) 6. Stuck Inside Of Mobile With The Memphis Blues Again -- A song I don't listen to enough. Has all of the storytelling, surrealism and fun of this album. Oh momma, is this really be the end. Reminds me of one of my favorite Dylan songs "Ballad of a Thin Man." Just got added to my "Awesome Sauce" playlist. **** (2) 7. Leopard-Skin Pill-Box Hat -- Always happy to hear this song. One that I love to sing to. Maybe I should do this for karoeke. Easily one of my favorite all-time songs. Playful surrealism again. I don't mind him cheating on me, but I'd sure wish he'd take that off his head, you brand new leopard-skin pill-box hat. ***** (29) 8. Just Like a Woman -- Absolutely a signature song. And one of the most heartfelt on this often wonderfully silly record. Just makes me happy. She just aches just a like a woman, but she breaks just like a little girl. ***** (31) 9. Most Likely You Go Your Way (And I'll Go Mine) -- A lot of long titles on this album. Back to the silly, surreal songs. Doesn't come through for me like some of my favorite tracks on this record. *** (3) 10. Temporary Like Achilles -- A nice song. Still a good track, but on "Blonde on Blonde" it seems pedestrian. *** (4) 11. Absolutely Sweet Marie -- The playfulness and great melody is back. After two songs that don't quite reach the level of the best of this album. Wonderful. But to live outside the law, you must be honest. **** (25) 12. 4th Time Around -- Very pretty opening. Vocal is a little muddy behind the instrumental on this one. This probably could have used more takes. Good song that could be better. You do in to the melody as it goes on. *** (5) 13. Obviously 5 Believers -- Kind of a crazy start, very brassy. Doesn't flow as well as the best tracks of the album. To me this is an album that you can listen to in pieces. *** (5) 14. Sad Eyed Lady of the Lowlands -- Dylan is good at the long, storytelling song. Effermal and a perfect ending. It's a really lovely song. Bob Dylan is a master at the harmonica. **** (5) This is a great album, one of the best I own. Just fantastic. There is a reason Bob Dylan is my all time 2nd favorite music performer to Johnny Cash. So many great songs on this record in ranking order (4 stars plus): Leopard-Skin Pill-Box Hat, Just Like a Woman, Visions of Johanna, Absolutely Sweet Marie, I Want You, Rainy Day Women #12 & 35, Sad Eyed Lady of the Lowlands, Stuck Inside Of Mobile With The Memphis Blues Again. 8 of 14 songs on an album being 4 star plus and 2 being 5 stars is extremely rare for me, great and amazing album.
5.0 out of 5 stars
Blonde on Blonde...
A truly iconic album. Definitely in my all-time top five Dylan, along with ‘Blood on the Tracks’, ‘Highway 61’, ‘Bringing It All Back Home’ and ‘Desire’. However, my ‘review’ is less a critique of an album that, decades after its release, continues to be highly ranked in ‘greatest albums of all time’ polls, and more a rage against the machine (well, a whinge anyway). Time was, not so long ago, Amazon provided a platform for readers to comment on other people’s reviews. This enabled alternative views and opinions to be aired, often resulting in a more rounded and balanced collection of observations that could be very beneficial to other readers. Unfortunately, this facility was removed a while back, presumably due to misuse by a rude and self-obsessed minority who can’t tolerate anyone else having an opinion; particularly when it conflicts with their own… I think Amazon, along with many other corporations, are terrified of falling foul of the PC brigade and can’t afford to court controversy (especially over something that doesn’t bring in any profit). Isn’t it ironic that in these days of so-called liberalism, the freedom to express an alternative opinion is becoming increasingly difficult! So, while bigoted individuals are still free to write offensive reviews, quite often without any credible foundation, the rest of us are left powerless to challenge their opinions. Doesn’t seem fair in a democratic society… MSP Khan titles his 1-star review of ‘Blonde on Blonde’, “Overrated and irrelevant” and immediately asks; “Would you have tolerated a bad voice, bad harmonica and pretentious lyrics if the person was a black performer?” Excuse me, but what is the relevance of that question? At best, this reviewer’s lack of understanding of Dylan’s vocal phrasing, musicianship and poetic imagery is laid wide open. And what does his colour have to do with anything? If this is a not-so-gentle nudge at white privilege in the face of black suppression, the irony is extraordinary, considering how Dylan expressed his own outrage at the hideous treatment of black individuals in songs such as ‘The Lonesome Death of Hattie Carol’, ‘Oxford Town’, ‘Only A Pawn in Their Game’ and ‘Hurricane’. The reviewer goes on to declare that “People do not actually listen to Dylan as much as they think they do. Nobody gets into rock to listen to rubbish like this”. He/she then signs off with the following nugget of wisdom: “If dylan was starting today he would not got past the x factor final. truer words like this have not been said before”. That closing statement probably doesn’t require any further comment from me, although I feel certain Dylan would rather stab himself in the eye with a hot needle than debase himself on such a show in the first place… Alex 3000 suggests in his 2-star review that “this album is highly overrated by people who are unable to realise, maybe, that some of the tracks are really not worth listening to”. Many thanks, Alex, for pointing that out. Now I feel a complete nitwit. To think I’ve spent almost fifty years listening to this album, firmly believing I was hearing a set of finely crafted songs containing moments of majestic lyricism and musicality, without once realising that actually, some of them are not really worth listening to… I’m not a massive fan of the paintings of Pablo Picasso… So, does that make them rubbish? Of course not. Beauty, as they say, is in the eye of the beholder. I accept that while Picasso doesn’t appeal to my personal taste, that’s almost certainly due to my lack of understanding and insight into what it is about his paintings that makes them so revered by millions of others. To be completely fair, some of the low star reviewers of this album have at least acknowledged the magnificence of ‘Visions of Johanna’; ‘Just Like A Woman’; ‘Stuck Inside of Mobile’ and ‘I Want You’, all bona fide classics… However, I’d like to give special mention to the often overlooked ‘One of Us Must Know (Sooner or Later)’. This has been a personal favourite of mine since I first heard that haunting harmonica intro as an impressionable seventeen-year-old in early 1974. Listening to the forlorn lyrics and Dylan’s achingly plaintive delivery, I’d have sworn this was his own passionate attempt to reason with one of his own lost loves. Yet incredibly, when he first arrived at the studio to record the song, he apparently hadn’t even worked out the lyrics to the tune that he’d composed previously… But that’s just one tiny example of the genius of the man and why, long after ‘The X Factor’ and its clones have been played out like "skeleton keys" in the rain… "These visions of Johanna" will remain…
5.0 out of 5 stars
Essential Dylan
Frequently listed as one of the greatest albums of all time, it's easy to hear just why this 1966 collection garners such generous praise as it features so many bona fide Dylan classics it's practically an early "Best Of". An astoundingly assured whole, this was one
Une orgie à la maison
Un trio avec une brune incroyable
Plaisir oral avec Valentina Nappi