Blonde on Blonde!
🛑 ALLE INFORMATIONEN KLICKEN HIER 👈🏻👈🏻👈🏻
Blonde on Blonde!
From Wikipedia, the free encyclopedia
^ Popoff, Martin (2016). Time And a Word: The Yes Story . Soundcheck Books. p. 105. ISBN 978-0993212024 .
^ "Article: Blonde on Blonde's Whole Lotta Love" . The Reprobate . 6 July 2016 . Retrieved 5 January 2017 .
^ "Blonde on Blonde: That time two topless models released a disco cover version of 'Whole Lotta Love' " . DangerousMinds . 7 July 2016 . Retrieved 5 January 2017 .
^ Discogs
Blonde on Blonde was a girl group formed in 1978 by the British glamour models Nina Carter and Jilly Johnson . [1] [2] After some success, particularly in Japan, they disbanded in the 1980s. Their most successful single was a cover version of Led Zeppelin 's " Whole Lotta Love ". [3] They featured in a cameo role in the 1979 British thriller film The Golden Lady and appear on the film's soundtrack album. Their album And How! was released in 1979. [4]
This article on a United Kingdom band or other musical ensemble is a stub . You can help Wikipedia by expanding it .
Liefern nach
Russische Föderation
FORTFAHREN
DIE ADRESSE ÄNDERN
Musik-CDs & Vinyl
›
Classic Rock
›
Album-Oriented Rock (AOR)
Ihr ausgewählter Zustellungsort liegt außerhalb des Versandbereichs des Verkäufers für diesen Artikel. Bitte wählen Sie einen anderen Zustellungsort aus oder kaufen Sie bei einem anderen Verkäufer.
(224 Bewertungen) 93 % positiv in den letzten 12 Monaten
Nur noch 1 vorrätig – bestellen Sie bald.
(2038 Bewertungen) 96 % positiv in den letzten 12 Monaten
Nur noch 1 vorrätig – bestellen Sie bald.
(1203 Bewertungen) 95 % positiv in den letzten 12 Monaten
Nur noch 1 vorrätig – bestellen Sie bald.
Keine Abbildung vorhanden für Farbe:
Bob Dylan Format: Audio CD
4,8 von 5 Sternen
1.724 Sternebewertungen
Auslaufartikel (Produktion durch Hersteller eingestellt)
:
Nein Produktabmessungen
:
5.62 x 4.92 x 0.33 cm; 3.84 Unzen Hersteller
:
Sony Legacy Erscheinungsdatum
:
1987 Laufzeit
:
1 Stunde und 12 Minuten Im Angebot von Amazon.de seit
:
Oktober 25, 1990 Label
:
Sony Legacy ASIN
:
B0000024OG Anzahl Disks
:
1
4,8 von 5 Sternen
1.724 Sternebewertungen
Brief content visible, double tap to read full content.
Full content visible, double tap to read brief content.
Helfen Sie anderen, mehr über dieses Produkt zu erfahren, indem Sie ein Video hochladen!
Rezensionen filtern nach Deutsch Englisch
Spitzenrezensionen
Neueste zuerst
Spitzenrezensionen
The "360 degree sound" remix is stunning. If you have a good sound system, you'll hear flat, balanced intonation and full dynamic range from every instrument. A great rerecording.
The vinyl is perfectly flat, cut perfectly round, tracks nicely. Even the label is centered. The sound on this mono Dylan album is just great. Nice clear highs and voices. The cover is very high quality and nice lined record sleeves. The last album I received in this perfect of condition was a Beatles album. ...Very Happy... Gotta love a good Dylan album...
9 Personen fanden diese Informationen hilfreich
We recently started buying CDs of our favorite albums from the 1970s and 1980s. We import them into iTunes, then export them as high quality audio onto a thumb drive we carry in the car for road trips. A real bonus when you buy certain CDs from Amazon is that you can them stream them from your Amazon music account. Bob Dylan is still great after all these years, and it was great to bring this music back into our collection.
2 Personen fanden diese Informationen hilfreich
I sought this out after I could not find a stereo copy of the remaster...some people prefer the mono but Visions of Johanna and Sad Eyed Lady of the Lowlands, et al, sound better in stereo. Great album and the vinyl is in fantastic VG+ condition that is amazing for an album of this age...the cover is good, especially for the age with ring wear. I was looking for a stereo copy of this album and I was not disappointed with this. I would buy from this vendor again as the product was better than I was expecting. I did replace the internal sleeves but that is not a surprise given it is a 50+ year old copy of a 55 year old album. The quality of the vinyl is top priority with the cover being a bit lower priority. No buyer's remorse here.
Eine Person fand diese Informationen hilfreich
This has to be in the top three although in saying that I also must add that Bob has at least 7 or 8 five star albums so add this to the very long list of master works. Flows incredible for a double album with no weak tracks. Rainy Day Women is probably my favorite Dylan tune. I especially love how it seems to offend straight people! LOL the new Sundazed mono vinyl sounds fantastic! For me maybe Highway 61 is number one with Bringing It All Back Home and Blonde On Blonde not far behind. All time great no doubt about it!
14 Personen fanden diese Informationen hilfreich
Start to finish, a classic album of loose as hell musicians barely holding it together, but sounding tight as hell at the same time. There's no explanation for how it holds other than magic.
7 Personen fanden diese Informationen hilfreich
Being an audiophile I have delved into shallow end of Dylan's work for some time. I was constantly exposed to it after high school in the mid 80s thanks to some friends. Of course I was familiar with the "hits". I just wasn't sure I could listen to his voice over and over. For years he had taken a very low priority status with me. Meanwhile I developed an affinity for unique voices. Michael Stipe, Peter Garrett of Midnight Oil, Terry Taylor most notably from Daniel Amos, Bruce Cockburn, John Linell and John Flansburgh otherwise known as They Might Be Giants to name a few. With his recent resurgence I began exploring his work through streaming outlets still wary about laying out money for him. I was enticed when this album went on sale for $2.99 recently so I broke down and bought it. It's easily the best money I've spent in a while. There are many, many rave reviews about this album and deservedly so. The album is incredible. The album is as old as I am. It was his breakout from the constraint of folk. Or is it the album that expanded the definition of what folk music was at the time? Track by track this album is a solid classic. Each track is done in a different style but each is still uniquely Dylan. His biting wit clearly evident on several tracks as are his more sensitive words. In the time I have owned this album it has gained top shelf status with me. If you're looking at starting a collection of his work I highly recommend starting here.
4 Personen fanden diese Informationen hilfreich
All the Dylan albums released in the 60's should get 5 stars but I gave this one 4 starts because some brainiac decided to remix it and over emphasized the instruments over Dylan's singing (which I like very much) and his lyrics. I don't hear about those musicians getting Nobel Prizes so why did the technician decide to emphasize the instruments over Dylan? Go figure.
5,0 von 5 Sternen
Essential Dylan
Frequently listed as one of the greatest albums of all time, it's easy to hear just why this 1966 collection garners such generous praise as it features so many bona fide Dylan classics it's practically an early "Best Of". An astoundingly assured whole, this was one of the very first rock double albums, with the wealth of material on show over nearly 73 minutes almost audacious. The third in a strong trilogy of electric albums following "Bringing It All Back Home" and "Highway 61 Revisited", Dylan's ability with a lyric seemed to step up a notch even from the supreme standards of what had gone before. Recorded principally in Nashville following largely unproductive sessions in New York, that move to the home of Country raised some eyebrows but allowed Dylan to access some of Nashville's prime session musicians who were blended with members of his new backing band The Hawks, and who went on to become The Band - all superb musicians in their own right due to constant touring and rehearsal. Opening with the bizarre "Rainy Day Women #12 & 35" a giggling Dylan leads off the album with a track that is based in the blues and features what sounds like a Salvation Army band attacking their instruments in a rasping, gruff manner playing them so hard you'd think their lives depended on it. It's an impressive start. Next track up "Pledging My Time" is also rooted in the Delta Blues, with Dylan wearing his influences on his sleeve, alternating lyrics with strong harmonica blasts. So much of this album is foremost Dylan, but next track up is a high watermark with "Visions of Johanna" so strong lyrically it's the sort of track you've simply got to take time out to listen to carefully. You can see why John Lennon was a fan right here. Dylan plays with song structure and length on this album to outstanding effect, including on "Visions of Johanna" which runs to over seven minutes. At the time people were used to the classic three minute single format, but here you also get the sublime "Stuck Inside of Mobile with the Memphis Blues Again" which also runs over seven minutes, and the simply breathtaking album closer "Sad Eyed Lady of the Lowlands" which originally took up the entirety of side 4 at an almost unheard of 11:23 length - almost unheard of except by Dylan who used a similar trick to close "Highway 61 Revisited" with the 11:21 "Desolation Row". With The Hawks used to four or five minute songs and Dylan not rehearsing the track before recording they had to come up with ideas on the hoof to embellish the accompaniment after peaking at the usual time and being astounded as a wave of superb lyrics just kept on rolling. It's a marvellous ending to the album. There's so much more to enjoy along the way especially on the sweet "I Want You" as well as one of Dylan's defining songs "Just Like a Woman". You would think that the quality control meter would dip somewhere over the course of any double album and particularly after following such an early career zenith as "Highway 61 Revisited", but it just doesn't. I will admit that it took me three or four listens to appreciate the album as a flowing, cohesive whole after being aware of a number of the tracks as stand alones, but boy, is it worth it as Dylan takes you on a vibrant musical journey. Both lyrically and musically this is an essential Dylan work and I'd recommend it wholeheartedly without hesitation.
15 Personen fanden diese Informationen hilfreich
5,0 von 5 Sternen
Blonde on Blonde...
A truly iconic album. Definitely in my all-time top five Dylan, along with ‘Blood on the Tracks’, ‘Highway 61’, ‘Bringing It All Back Home’ and ‘Desire’. However, my ‘review’ is less a critique of an album that, decades after its release, continues to be highly ranked in ‘greatest albums of all time’ polls, and more a rage against the machine (well, a whinge anyway). Time was, not so long ago, Amazon provided a platform for readers to comment on other people’s reviews. This enabled alternative views and opinions to be aired, often resulting in a more rounded and balanced collection of observations that could be very beneficial to other readers. Unfortunately, this facility was removed a while back, presumably due to misuse by a rude and self-obsessed minority who can’t tolerate anyone else having an opinion; particularly when it conflicts with their own… I think Amazon, along with many other corporations, are terrified of falling foul of the PC brigade and can’t afford to court controversy (especially over something that doesn’t bring in any profit). Isn’t it ironic that in these days of so-called liberalism, the freedom to express an alternative opinion is becoming increasingly difficult! So, while bigoted individuals are still free to write offensive reviews, quite often without any credible foundation, the rest of us are left powerless to challenge their opinions. Doesn’t seem fair in a democratic society… MSP Khan titles his 1-star review of ‘Blonde on Blonde’, “Overrated and irrelevant” and immediately asks; “Would you have tolerated a bad voice, bad harmonica and pretentious lyrics if the person was a black performer?” Excuse me, but what is the relevance of that question? At best, this reviewer’s lack of understanding of Dylan’s vocal phrasing, musicianship and poetic imagery is laid wide open. And what does his colour have to do with anything? If this is a not-so-gentle nudge at white privilege in the face of black suppression, the irony is extraordinary, considering how Dylan expressed his own outrage at the hideous treatment of black individuals in songs such as ‘The Lonesome Death of Hattie Carol’, ‘Oxford Town’, ‘Only A Pawn in Their Game’ and ‘Hurricane’. The reviewer goes on to declare that “People do not actually listen to Dylan as much as they think they do. Nobody gets into rock to listen to rubbish like this”. He/she then signs off with the following nugget of wisdom: “If dylan was starting today he would not got past the x factor final. truer words like this have not been said before”. That closing statement probably doesn’t require any further comment from me, although I feel certain Dylan would rather stab himself in the eye with a hot needle than debase himself on such a show in the first place… Alex 3000 suggests in his 2-star review that “this album is highly overrated by people who are unable to realise, maybe, that some of the tracks are really not worth listening to”. Many thanks, Alex, for pointing that out. Now I feel a complete nitwit. To think I’ve spent almost fifty years listening to this album, firmly believing I was hearing a set of finely crafted songs containing moments of majestic lyricism and musicality, without once realising that actually, some of them are not really worth listening to… I’m not a massive fan of the paintings of Pablo Picasso… So, does that make them rubbish? Of course not. Beauty, as they say, is in the eye of the beholder. I accept that while Picasso doesn’t appeal to my personal taste, that’s almost certainly due to my lack of understanding and insight into what it is about his paintings that makes them so revered by millions of others. To be completely fair, some of the low star reviewers of this album have at least acknowledged the magnificence of ‘Visions of Johanna’; ‘Just Like A Woman’; ‘Stuck Inside of Mobile’ and ‘I Want You’, all bona fide classics… However, I’d like to give special mention to the often overlooked ‘One of Us Must Know (Sooner or Later)’. This has been a personal favourite of mine since I first heard that haunting harmonica intro as an impressionable seventeen-year-old in early 1974. Listening to the forlorn lyrics and Dylan’s achingly plaintive delivery, I’d have sworn this was his own passionate attempt to reason with one of his own lost loves. Yet incredibly, when he first arrived at the studio to record the song, he apparently hadn’t even worked out the lyrics to the tune that he’d composed previously… But that’s just one tiny example of the genius of the man and why, long after ‘The X Factor’ and its clones have been played out like "skeleton keys" in the rain… "These visions of Johanna" will remain…
8 Personen fanden diese Informationen hilfreich
5,0 von 5 Sternen
The ghost of electricity
Here comes Dylan, announced by a carnivalesque, thumping drum and tambourine intro, with a flash of brass and a few dashes of harmonica - `I`m in the building` - then he starts to sing about the many ways "they`ll stone you" in a surprisingly straight, unruffled manner, until he sees something out of the corner of his eye in the studio which causes him to crack up - this happens twice and they wisely keep it in. It`s the last time he laughs on this record, but it isn`t the last of the wit, joie de vivre or levity. A steady yet raunchy blues comes next - Bob has always been a fine blues singer - called Pledging My Time (the B-side to his hit Rainy Day Women) and he plays some terrific harmonica on it. He sings with a mellow lyricism, as he does on all the tracks on this surprisingly gentle, almost `after hours` record. A classic so soon? Yep, it`s time for Visions Of Johanna. This isn`t simply a beautiful song, but a unique vision of what a song can be. Dylan was only 24 when he made Blonde on Blonde but he was already singing with the serene wisdom of a man at least twice his age. The main characters in this song are the narrator and a woman named Louise, but he keeps having visions of a mysterious lady called
Fuß tief in ihrer Muschi
PAWG mit Fettarsch beim Ficken
Krankenhausaufenthalt - Pornhub Deutsch