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A cabaret singer takes up with a millionaire to pay for her gravely ill husband's operation.
American chemist Ned Faraday marries a German entertainer and starts a family. However, he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance at being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner, she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe, she continues with Nick but when Ned returns cured, he discovers her infidelity. Now Ned despises Helen but she grabs son Johnny and lives on the run, just one step ahead of the Missing Persons Bureau. When they do finally catch her, she loses her son to Ned. Once again she returns to entertaining, this time in Paris, and her fame once again brings her and Townsend together. Helen and Nick return to America engaged, but she is irresistibly drawn back to her son and Ned. In which life does she truly belong?—Gary Jackson
Cary Grant said that Josef von Sternberg directed him not really much during the filming, but taught him the most important thing. On the first day Grant came on the set, von Sternberg looked at him and said, "Your hair is parted on the wrong side." So Grant parted it on the other side and kept it that way the rest of his career.
Check is shown on screen written to Helen Jones. This is her stage name so not sure how she will cash the check.
Edward 'Ned' Faraday: Dr. Pierce, I have a rather peculiar request to make. I want to sell you my body.
Opening credits are shown with a background of water reflected at a swimming hole. As the credits end, we see women swimming in the swimming hole.
The original German release and some television prints of "Blonde Venus" exclude the opening scene, where Herbert Marshall encounters Marlene Dietrich and friends "skinny-dipping" in a lake.
Featured in The Love Goddesses (1965)
Treue Liebe Nur du allein
(uncredited)
Music by Friedrich Silcher
Played during opening credits and as background music several times
One of Dietrich's best and a great love story
This is Marlene Dietrich at her best. From reading the reviews here all I can say is there's a whole lot of people in this world who are way too cynical. Marlene Dietrich and Herbert Marshall loved each other in this film, for crying out loud. There is no other way this movie could have or should have ended, without seeming contrived and false. And maybe Marlene Dietrich couldn't sing. So what ? The only actress in cinema movie history who ever rivaled her in sex appeal was Greta Garbo. This is a great movie.
The Criterion Channel’s February 2021 Lineup Includes Marlene Dietrich & Josef von Sternberg, Guy Maddin, Ghost Dog, and More
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