Blonde Redhead Rick And Morty

Blonde Redhead Rick And Morty
From Wikipedia, the free encyclopedia
This article is about the alternative rock band. For their eponymous album, see Blonde Redhead (album) . For the DNA song they are named after, see A Taste of DNA .
"3 O'Clock" redirects here. For the time, see 12-hour clock .
Blonde Redhead performing at the Coachella Valley Music and Arts Festival in Indio, California, United States
L-R: Kazu Makino, Simone N. Pace, Amedeo F. Pace

^ Michele Chisena (August 26, 2014). "Blonde Redhead, i gemelli italiani che con l'alternative rock hanno trovato l'America" . la Repubblica (in Italian) . Retrieved April 4, 2022 .

^ Tracy Frey. Blonde Redhead at AllMusic . Retrieved 4 April 2022.

^ Claudio Fabretti. "Blonde Redhead - Noise-rock in agrodolce" . Ondarock (in Italian) . Retrieved April 4, 2022 .

^ Carr, Eric (April 12, 2004). "Misery is a Butterfly" . Pitchfork . Retrieved November 5, 2011 .

^ Mishan, Ligaya (May 11, 2015). "Blonde Redhead's Simone Pace Finds His Backbeat in Two Tiny Sips" . The New York Times . ISSN 0362-4331 . Retrieved September 12, 2016 .

^ "Blonde Redhead" . Allmusic . Retrieved November 2, 2013 .

^ Lobenfeld, Claire (May 8, 2013). "Blonde Redhead (1995)" . Stereogum.com . Retrieved August 25, 2016 .

^ Lobenfeld, Claire (July 12, 2013). "La Mia Vita Violenta (1995)" . Stereogum.com . Retrieved August 27, 2016 .

^ Lobenfeld, Claire (July 12, 2013). "Blonde Redhead Albums From Worst To Best" . Stereogum.com . Retrieved August 25, 2016 .

^ Lobenfeld, Claire | (July 12, 2013). "Fake Can Be Just As Good (1997)" . Stereogum.com . Retrieved August 27, 2016 .

^ Lobenfeld, Claire (May 8, 2013). "In An Expression Of The Inexpressible (1998)" . Stereogum.com . Retrieved August 25, 2016 .

^ Lobenfeld, Claire (July 12, 2013). "Melody Of Certain Damaged Lemons (2000)" . Stereogum.com . Retrieved August 27, 2016 .

^ "Blonde Redhead" . Freewilliamsburg.com. March 23, 2004 . Retrieved February 20, 2012 .

^ Claire, Lobenfeld (July 12, 2013). "Misery Is A Butterfly (2004)" . Stereogum.com . Retrieved August 27, 2016 .

^ Epstein, Sharon. "Contact Ed Dzubak" . Dzubak.com . Archived from the original on March 26, 2011 . Retrieved August 25, 2016 .

^ Lobenfeld, Claire (May 8, 2013). "23 (2007)" . Stereogum.com . Retrieved August 25, 2016 .

^ "Blonde Redhead - The Dungeon Masters (Original Motion Picture Soundtrack)" . Discogs.com . Retrieved August 25, 2016 .

^ "The Playlist: Blonde Redhead Composing The Score To The Documentary, 'Dungeon Masters' " . Theplaylist.blogspot.com. July 14, 2006 . Retrieved February 20, 2012 .

^ " "The Dungeon Masters" Blonde Redhead Soundtrack and DVD Release" . Retrieved August 25, 2016 .

^ "Stereogum" . Stereogum.com . Retrieved August 25, 2016 .

^ Dempster, Gemma. "Blonde Redhead interview" . Supersweet.org . Retrieved August 25, 2016 .

^ Cohen, Ian (September 14, 2010). "Blonde Redhead: Penny Sparkle Album Review" . Pitchfork.com . Retrieved August 25, 2016 .

^ "Blonde Redhead - Chart history | Billboard" . Billboard.com . Archived from the original on August 10, 2018 . Retrieved August 25, 2016 .

^ Youssef, Andrew (November 18, 2010). "Blonde Redhead, Ólöf Arnalds @ Music Box, Hollywood 11/16/10" . Stereogum.com . Retrieved August 25, 2016 .

^ Stosuy, Brandon (July 12, 2011). "Download Blonde Redhead Remix EP Feat. Gayngs, Games, SALEM, Pantha Du Prince" . Stereogum.com . Retrieved August 27, 2016 .

^ Jump up to: a b Hannah, Andrew (September 9, 2014). "Simone Pace of Blonde Redhead: "We've always done what we wanted" " . Thelineofbestfit.com . Retrieved August 25, 2016 .

^ "Blonde Redhead: An Interview with Simone Pace" . March 2, 2015 . Retrieved September 12, 2016 .

^ " 'Rick and Morty's' Most Dramatic Moment Has Spawned a Savage New Meme" .

^ Bowe, Miles (June 10, 2014). "Blonde Redhead – "No More Honey" + Barragán Details" . Stereogum.com . Retrieved August 27, 2016 .

^ "Blonde Redhead – "Dripping" " . July 8, 2014 . Retrieved August 27, 2016 .

^ Breihan, Tom (December 3, 2014). "Blonde Redhead – "Dripping" Video" . Stereogum.com . Retrieved August 27, 2016 .

^ "Blonde Redhead gets comfortable with past records | The Japan Times" . Retrieved September 12, 2016 .

^ "The Commentator" . March 21, 2012 . Retrieved September 12, 2016 .

^ "Blonde Redhead - MASCULIN FÉMININ [Numero Group]" . Numerogroup.com . Retrieved August 25, 2016 .

^ Minsker, Evan (June 14, 2016). "Blonde Redhead Announce Numero Group Box Set Masculin Féminin" . Pitchfork.com . Retrieved August 25, 2016 .

^ "KAZU: Adult Baby" . Pitchfork.com .

^ "BLONDE REDHEAD | full Official Chart History | Official Charts Company" . Officialcharts.com .

Kazu Makino
Amedeo Pace
Simone Pace
Maki Takahashi
Toko Yasuda

Blonde Redhead is an American alternative rock band composed of Kazu Makino (vocals, keys/ rhythm guitar ) and twin brothers Simone and Amedeo Pace (drums/keys and lead guitar /bass/keys/vocals, respectively) that formed in New York City in 1993. The band's earliest albums were noted for their noise rock influences, though their sound evolved by the early 2000s with the releases of Misery is a Butterfly (2004) and 23 (2007), which both incorporated elements of dream pop , shoegaze and other genres. [4] They have released nine regular studio albums and have toured internationally.

Amedeo and Simone Pace were born in Milan , Italy , [5] and grew up in Montreal ( Saint-Léonard ), but later moved to Boston to study jazz . After earning Bachelor's degrees , they entered the New York City underground music scene. Blonde Redhead formed in New York in 1993 after Amedeo and Simone met Kazu Makino, an art student at the time, by chance at a local Italian restaurant. [6] The band named themselves after a song on the 1981 EP A Taste of DNA by the no wave group DNA .

Blonde Redhead's self-titled debut album was released in 1995. [7] Shortly afterwards, fourth member Maki Takahashi left the band and was replaced by her friend Toko Yasuda as bassist. Yasuda played on the band's second album La Mia Vita Violenta also released in 1995. [8] Both records appeared on the New York label Smells Like. The band continued as a trio. [9]

Their third album, Fake Can Be Just as Good , was released through Touch & Go in 1997. [10] The band enlisted the help of Vern Rumsey of Unwound , who filled the role of guest bassist. Subsequent albums featured Skúli Sverrisson , who the twins knew from their time in Boston.

On their fourth album, In an Expression of the Inexpressible , Guy Picciotto of Fugazi was hired as producer. [11] Picciotto also contributed in the construction to the song "Futurism vs. Passéism Part 2" as well as lending it his vocals to the 1998 release. In 2000 Picciotto also co-produced Melody of Certain Damaged Lemons with Ryan Hadlock , an album about the relationship between Makino and Amedeo Pace. [12]

The four-year delay between Melody of Certain Damaged Lemons and Misery Is a Butterfly is attributed to Makino's recovery time after being trampled by a horse. [13] Much of the visual and lyrical imagery of Misery Is a Butterfly is reflective of the accident, especially in the music video for "Equus." It was the last time Picciotto produced the band. [14]

In 2006 Makino recorded vocals for the film Sisters . [15] Alan Moulder mixed the trio's album 23 which was released on 4AD, in April 2007. [16]

In mid-2008, they wrote and recorded the score of the documentary feature film The Dungeon Masters . [17] The film premiered at the Toronto International Film Festival and was released on February 12, 2010; a soundtrack album was released in July 2010. [18] [19] In 2009, Blonde Redhead contributed to the AIDS benefit album Dark Was the Night produced by the Red Hot Organization .

In March 2010 the band included a demo version of the song "Not Getting There" on a 4AD sampler entitled Fragments From Work In Progress . [20] Their eighth album, Penny Sparkle , was released in September 2010 through 4AD. [21] The album was again mixed by Alan Moulder, [22] and reached 79 in the Billboard 200 chart. [23] For the subsequent tour the band added a key-board player. [24] The band released a six-track remix EP in July 2011. [25]

A year later, the band started the project for their next album but without the support of 4AD. Self-financed, the band embarked on a haphazard recording schedule with producer Drew Brown. [26] Simone Pace noted about Brown's involvement that "he has so much experience and definitely dictated the direction of the record; the choices of instruments, concept and that it was minimal." He forced the band to use analogue instruments. [27]

In April 2014 their song " For the Damaged Coda " was used in an episode of the first season of the cartoon Rick and Morty . The use of this song was again repeated in April 2017 in the third season. The use of the song became an important plot device regarding the character "Evil Morty" for the series. Around 2018 this song became an Internet meme expressing the sadness one feels at the worst moments of one's life. [28]

The band released their ninth album, Barragán , on September 2, 2014 through Kobalt. [26] It was preceded by the single "No More Honey" that appeared in June. [29] It was followed by the second single, "Dripping," [30] which included a video. [31] The band also provided the soundtrack to the Danish film The Commentator . [32] [33]

In June 2016 it was announced that the band would release the box set Masculin Féminin on September 30 through The Numero Group . [34] It contains 37 tracks, which cover the first two albums, associated singles, radio sessions and unreleased demos from the period. [35] In 2017, the band released the EP 3 O'Clock , which comprises four songs and featured contributions from Eyvind Kang , Michael Leonhart , Sam Owens and Mauro Refosco , among others.

In September 2019, Kazu Makino released her first solo album, Adult Baby , which featured Ryuichi Sakamoto (on piano, field recordings, and "organic instruments"), Ian Chang and Greg Saunier (drums), and Mauro Refosco (percussion). [36]

The band will be touring the US in 2022 on select dates supporting Tool .

Blonde Redhead live at Le Botanique in Brussels , Belgium (2006).

Kazu Makino, Simone Pace, Amedeo Pace - performing live at Gebäude 9 in Cologne , Germany (June 2007).

Kazu Makino, Simone Pace - performing live at Gebäude 9 in Cologne , Germany (June 2007).

Blonde Redhead performing at Agora des arts in Rouyn-Noranda , Quebec, during Festival de musique émergente (August 2013).

"Valentine" does not appear on any album

"Harmony" is from La Mia Vita Violenta

Kazu Makino Amedeo Pace Simone Pace
In an Expression of the Inexpressible (Japanese edition)

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Late one night in early 2000, the members of Blonde Redhead were in a barn outside of Seattle that had been converted into a recording studio. The New York–based indie rock trio were almost done making their fifth album, Melody of Certain Damaged Lemons . They had already finished a melancholy song called “For the Damaged” where co-lead vocalist Kazu Makino sang resignedly over delicate piano and a sparse acoustic guitar. They’d also recorded a more dramatic, extended piano vamp for the song, but weren’t sure what to do with it. Then either Makino or her bandmate Amedeo Pace — they can’t remember which — had the idea to add wordless vocals of the song’s melody: aaaaah-aah-aah-aah-aaah-aah-aah . Makino originally envisioned it being done by a choir with lots of children, but they couldn’t afford that. Instead they layered about 20 takes of Makino doing it herself, becoming, as she says, “an army of my voice.”
The project had been behind schedule, and earlier in the recording process, their label Touch & Go told them they needed to get the album art done. Makino figured they’d probably end up with ten songs, so she wrote out a convoluted run-on sentence and chopped it into ten parts for the track titles. This new song would become the album’s eleventh track, so it went unlisted on the back of the packaging. Just over two-and-a-half minutes long, it was named “For the Damaged Coda.” Thinking back to that late night in the studio, Makino says, “Because you’re in such a cocoon, you have this very strong sensation that no one is going to listen to this music. Once that’s done, you realize, ‘Wow, this is actually going to go out there.’ And beyond that, basically it’s out of your hands.”
Fourteen years later, “For the Damaged Coda” was used in the final moments of an episode of Adult Swim’s Rick and Morty during the cartoon’s first season. Makino says she only vaguely remembers being approached to approve it. The song soundtracked the revelation that (okay, bear with me) an Evil Morty was the mastermind behind a plot to travel across alternate dimensions, killing Ricks and kidnapping other Mortys to get the attention of the show’s central Rick, and now that Evil Morty was roaming undetected in the Citadel of Ricks, an intergalactic society governed b
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