Blonde Redhead Ost

Blonde Redhead Ost

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A four year hiatus, allowing time in part for Kazuo Makino to recuperate after being trampled by a horse, and a change of record label, translates as a fresh and much welcome change in the band’s musical style. Abandoning any similarity to their Sonic Youth discordant roots, they attain a much more grandiose and gloomier elegance, characterised by sweeping s… Read More

Alternative/Indie Rock Indie Rock Experimental Rock Alternative Pop/Rock

Recording Location

Longview Farm Studios

The Magic Shop, New York, NY

Elaborate

Ambitious

Brooding

Dramatic

Indulgent

Literate

Melancholy

Yearning

Bittersweet

Intense

Reflective

Theatrical

Refined

Cathartic

Volatile

Heartache

Reflection

Imagination

Late Night

Breakup

In Love

Introspection

Rainy Day

Regret

Solitude

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In keeping with the group's move from Touch & Go to 4AD, Blonde Redhead's Misery Is a Butterfly is their darkest and most delicate album to date. The brilliant Melody of Certain Damaged Lemons and Melodie Citronique EP found the band moving away from the cerebral, no wave-influenced style of their earlier albums and toward a more intricate, emotional sound, but this album's preoccupation with filigree and shadow both reflects and represents the sensibilities of the label that released This Mortal Coil 's Filigree and Shadow almost two decades earlier. The band's transition from their old home to their new one is smooth, but not as smooth as the album's actual sound; Misery Is a Butterfly's lush production and arrangements polish away with virtually all of the edges and angles that still informed their sound on their most recent recordings and pretty much defined their earliest ones. The move is both liberating and limiting: the album's soft focus allows Blonde Redhead to explore its relatively newfound romanticism more deeply than before -- particularly on the Eastern-tinged "Anticipation" -- but with less tension between the fragile and harsh aspects of the band's sound, its soft focus occasionally drifts into lack of focus. Songs such as "Melody" and the title track are lovely, but feel busier and more drawn-out than necessary; however, the indulgence that makes Misery Is a Butterfly's weakest moments somewhat ponderous also makes its best songs sweepingly romantic. The strings and keyboards that swirl around "Elephant Woman," "Doll Is Mine," and the gorgeous duet "Pink Love" give the album a brooding, overwrought feeling that conjures up fairy tales and lovesick recluses, and the album's song titles are just as evocative, alluding to love that is distorted, bruised, and in the case of "Equus," usually forbidden. There's something decadent about the album's layers of sound, and its wide scope paradoxically makes it one of Blonde Redhead's most insular albums; indeed, the indulgent isolation that permeates Misery Is a Butterfly makes it akin to Suede 's Dog Man Star and Goldfrapp 's Felt Mountain , in mood if not exactly in sound. The Blonde Redhead of old returns, somewhat, on more high-strung songs like "Falling Man" and "Maddening Cloud," both of which add some much-needed urgency to the album's mannered heartache. Misery Is a Butterfly might be a slightly less magical album than Melody of Certain Damaged Lemons because the listener is more aware of the effort going into the spell, but it's still an album of unusual grace.

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Mélodie Citronique

by

Blonde Redhead

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En Particulier

04:08

Odiata per le Sue Virtú

04:44

Chi É E Non É

03:38

Slogan

03:52

Four Damaged Lemons

05:11

released October 3, 2000

2000, 2000 Touch and Go Records

Tags

alternative

alternative rock

rock

alternative rock

experimental rock

indie rock

noise rock

post-punk

New York

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Blonde Redhead
New York, New York

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