Blonde Redhead Melody

Blonde Redhead Melody




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Blonde Redhead Melody
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Italian twins Amedeo and Simone Pace formed Blonde Redhead in New York City during the early 1990s with Japanese vocalist Kazu Makino. The group's brand of noise-rock earned them an unshakable comparison to Sonic Youth. Although the two groups indeed shared many musical characteristics, Blonde Redhead would go on to hone and expand its avant pedigree into something uniquely its own, emerging as one of the finest underground rock bands of the era.
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Progressive Rock




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Blonde Redhead Format: Vinyl


4.7 out of 5 stars

131 ratings




Is Discontinued By Manufacturer

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No Product Dimensions

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12.24 x 12.28 x 0.24 inches; 8.68 Ounces Manufacturer

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TOUCH & GO RECORDS Original Release Date

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2004 SPARS Code

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DDD Date First Available

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January 27, 2007 Label

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TOUCH & GO RECORDS ASIN

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B00015HX6I Number of discs

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1


4.7 out of 5 stars

131 ratings



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I was accidentally sent the wrong LP that had been put into the correct Hassle Free packing. Thankfully the Amazon support were so helpful and had the correct record sent immediately — excellent service saved a potential disaster! I love this album, and would cite it as one of the records that inspired me to form my little band Reigndear. From start to finish I'd have to rate this as my favourite Blonde Redhead album to date. Every song leads perfectly to the next and even the somewhat unbearable track Mother makes so much sense as it takes you to the track that follows. I often wish that Blonde Redhead would record an album that mixes the elements on this album with the best parts of Misery Is A Butterfly, as I feel that these two records defined their sound, yet somehow got slightly lost in all subsequent releases. I'd highly recommend this record to anyone who enjoys Blonde Redhead or any other bands that fit into a similar genre, you definitely won't be disappointed!












Beautiful lp with good sound quality












Here I am writing yet another review that probably no one will ever read. And why is that? Because, in case you haven't noticed, not a ton of people even know who Blonde Redhead is. This is not a good thing. Blonde Redhead is good... As to their being Sonic Youth imitators, I have to say that Blonde Redhead is simply everything Sonic Youth should have been. Don't get me wrong; Sonic Youth is good, too. But believe it or not, I'm going to commit a little crime in the indie/art rock world and say that.....Blonde Redhead is better than Sonic Youth! Here are my reasons for saying this: Where Sonic Youth's lyrics are often cold, poetic, impersonal, and political, Blonde Redhead's songs are human. Their topics aren't general or broad. Indulge me, if you will, and imagine the two bands, Sonic Youth and Blonde Redhead, floating in the sky. When it's time for the songs to have topics, the two bands begin to fall to the earth. Sonic Youth breaks apart, scatters, falls everywhere, and thus reaches a lot of territory. Blonde Redhead stays together and zooms straight down for one area, one human being. The POINT is that Blonde Redhead is simply more human and individual than Sonic Youth. Sonic Youth makes itself a musical institution made up of 'underground indie rock gods'. Blonde Redhead is two Italian twin guys and a Japanese chick singing their best in a second language about their quite interesting personal problems (in this album, at least.) And they actually do a very good job of it. Musically: There are times on certain Sonic Youth albums (ahem! Bad Moon Rising ahem cough cough Confusion!) when the music...well...simply could have done a whole lot more. Sure, the experimental quality is what makes it so great, but if you're getting in your car and its a great day, and you want to hear something good but something that's kind of a 'foot-tapper,' you are NOT going to throw in Bad Moon Rising. Sorry. The music on that album simply doesn't get loud when you need it to get loud. It repeats riffs ten or eleven more times than your musical needs ask for. It's an abstract guitar symphony with little or no...guts? to it, no body or mind. Well, stop worrying. Here's Blonde Redhead, who can take all the 'good' parts of those Sonic Youth songs, throw in some rhythm, make the songs about 'a person' rather than about 'conditions of people', and speed up, slow down, repeat, and change when they really need to. It's very refreshing. There IS a god! In conclusion, don't take me too literally. Blonde Redhead DOES have their own sound, a very distinct one. But they are slightly reminiscent of Sonic Youth, and that is ONLY because they use the same kind of musical sounds (discordance, and that overall feeling of 'symphony rock' and make it into something every HUMAN ear can identify with. If you buy Melody of Certain Damaged Lemons, be sure to listen to the words. Blonde Redhead seems to have some very....INTERESTING problems going on between them. If the story in the words is true, I hope the band doesn't break up because of it. If not, then I commend them for being amazing storytellers. And could Sonic Youth ever do something like that?












i was introduced to blonde redhead's music only this year, and i have discovered a plethora of some of the most expressive and different music i have ever heard in all of their albums. if i had so name my favorite contemporary band, blonde redhead is definitely it. the songs on, 'melody of certain damaged lemons,' are quite different stylistically from one another, but fit together in a fabulous way, one that has only been equalled by such bands as sonic youth and stereolab. the album starts off with a short ambient piece, 'equally damaged,' but then goes into the sparse and tricky beats of, 'in particular,' which is an immediately magnetic track. kazu's vocals achieve the baby-doll quality she enjoys playing with, and it is one of the strongest songs on the album. it is after this song, however, that the album really achieves perfection. 'melody of certain three,' is more of the wonderfully dissonant and loud br. from pre 'an expression of the inexpressible,' albums. 'hated because of great faults,' is another spare piece from kazu, and it's a lovely track. it is the next song that really takes the cake though, 'loved despite of great faults.' amadeo sings perhaps his loveliest song to date, and never stops revealing more noises the more you listen. all the other songs complement the album equally. 'ballad of lemons,' is another short-ish electronic piece, 'this is not,' expands upon the bands often 60's influences by making a song that puts even serge gainsbourg to shame, 'a cure,' is a strange, wandering piece, 'for the damaged,' is a piano based lullabye, and 'mother' is a loud, punk song. this album is truly a landmark in the bands history. upon listening to it, one wonders how much wonderful it can get...


5.0 out of 5 stars








Preciosa edición gatefold con vinilo rosa 20 aniversario












Vienen las letras y la carpeta, que se abre, tiene miniaturas de la sesión de grabación. Esta edición no está remasterizada, es la misma del vinilo anterior, pero a mis oídos suena genial : ) Disco discazo de este trío de musicazos.












Che dire.. Se vi piacciono i blond redhead, quest album ascoltato su LP é davvero una figata!



4.0 out of 5 stars








Trackmarke für den letzten Track ist wohl leider verrutscht.












Wenn man "For The Damaged Coda" abspielt, hört man noch das Ende vom vorherigen Track.



5.0 out of 5 stars








Ottimo acquisto












同門T&GのEnonあたりはいい意味でも悪い意味でも突き抜けないのだが、一方でこちらは行き着くところまで行っちゃった感じ。中毒性S。



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Blonde Redhead binds life and music tightly together to the point of confusing them.

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To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.


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